Plato: Protagoras

In the Protagoras, Socrates argues that what appears to be akrasia is, in fact, the result of a hedonic illusion: proximate pleasures appear greater than distant ones. On the face of it, his account is puzzling: why should proximate pleasures appear greater than distant ones? Certain interpreters argue that Socrates must be assuming the existence of non-rational desires that cause proximate pleasures to appear inflated. In this paper, I argue that positing non-rational desires fails to explain the hedonic error. However, (...) careful consideration of Socrates’ treatment of appearances reveals that he is not without resources to explain the illusion. I argue that in the Protagoras, appearances are imagistic mental representations that appear true but tend to be false. I suggest that proximate pleasures produce inflated hedonic predictions because we represent them more vividly than distant ones, yielding greater anticipatory pleasure which causes us to overestimate their magnitude. (shrink)

Review of N.R. Baima and T. Paytas, "Plato's Pragmatism: Rethinking the Relationship Between Ethics and Epistemology.".

This paper argues, first, that one can render Protagoras’s view on the teach ability of political virtue coherent by distinguishing between the affect required for achieving it and the capacity for developing these affect into fully fledged virtues. Second, the paper argues that by focusing on Books II - III of the Republic one might see an affinity between between Protagoras’s suggestion that virtuous citizens might give advice, without ruling it, in the affairs of the city and Plato’s conservative practical (...) political theory. (shrink)

This article will contrast two portrayals of Protagoras: one in the "Theaetetus," where Socrates discusses Protagorean theory and even comes to his defense by imitating the deceased sophist; and another in the "Protagoras," where Socrates recounts his encounter with the sophist. I suggest that Plato wants listeners and readers of the dialogues to hear the dissonance between the two portraits and to wonder why Socrates so distorts Protagoras in the "Theaetetus." Protagoras in the "Protagoras" behaves and speaks in ways that (...) are incompatible with the Protagorean position presented in the "Theaetetus.". (shrink)

This paper investigates a reference to the voice of the legendary musician Orpheus in Plato’s Protagoras. I propose that the Orpheus image does serious philosophical work in the text. Understanding the mythic and religious elements of the Orpheus tradition can help us conceptualize the harms of sophistry from a Platonic viewpoint. In the light of the image, the sophist emerges as a quasi-magical manipulator of rhetorical beauty who charms his students into subrational creatures. Furthermore, the image provides insight into Plato’s (...) conception of the difference between sophistic and Socratic education. Playing on the tradition of Orpheus as (failed) psychopomp, I suggest that the sophist employs a descent-style education which holds students captive in an underworld of glamorous but empty sensibles. In sharp contrast, Socratic ascent-style education pulls students upwards to active contemplation of ultimate reality. (shrink)

The paper argues for an analytic interpretation of Protagoras’ myth in Plato’s dialogue by showing that its goal is not so much to reconstruct the origins of civilization as to identify some essential features of humankind. Against the widespread opinion that human progress depends on the development of technai, Protagoras claims that political art is the most important one, insofar as it is the condition for the existence of society. More concretely, the emphasis on the political art also serves to (...) bring light to what is distinctive of Protagoras as opposed to the other sophists and poets. As clearly shown in the dialogue, Protagoras can thus present himself as the only teacher who is capable of imparting the teachings suited to the needs of the new world of the polis. (shrink)

Dans cet article, je présente l’ouvrage de Sophie Klimis, Le Penser en travail : Castoriadis et le labyrinthe de la création humaine, et discute trois questions que soulève la confrontation proposée par l’auteure entre la pensée de Castoriadis, celle de Marx et celle de Platon. Dans un premier temps, j’interroge la critique castoriadienne du matérialisme historique et montre comment la philosophie de Marx nous oriente vers une description de la société capitaliste différente de celle que propose Castoriadis. Dans un deuxième (...) temps, j’essaie d’éclairer le problème du rapport entre mythe et vérité depuis un point de vue platonicien, ce qui m’amène en particulier à contester l’idée selon laquelle le « noble mensonge » de Socrate dans la République relèverait d’un usage aliénant du mythe. Dans un dernier temps, je propose de montrer, en prolongeant la lecture du Protagoras développée par S. Klimis, que la critique platonicienne de l’éducation démocratique ne s’inscrit pas dans une pensée de l’hétéronomie, mais invite bien plutôt à penser l’autonomie véritable à distance de la liberté politique promue au sein de la démocratie athénienne et théorisée par Castoriadis. (shrink)

Ignorance is commonly assumed to be a lack of knowledge in Plato’s Socratic dialogues. I challenge that assumption. In the Protagoras, ignorance is conceived to be a substantive, structural psychic flaw—the soul’s domination by inferior elements that are by nature fit to be ruled. Ignorant people are characterized by both false beliefs about evaluative matters in specific situations and an enduring deception about their own psychic conditions. On my interpretation, akrasia, moral vices, and epistemic vices are products or forms of (...) ignorance, and a person who lacks knowledge is not necessarily ignorant. (shrink)

En el Gran Discurso de Protágoras, en el diálogo platónico que lleva su nombre, Platón pone en boca de Protágoras un mito acerca del origen, desarrollo y naturaleza del ser humano, que es de gran relevancia filosófica. Se expresa que los dioses crearon a los seres mortales desde dos elementos: la tierra y el fuego. A su vez, también asignaron dos titanes, Epimeteo y Prometeo, para que proveyeran a los mortales de sus facultades. ¿Acaso esto implica que la creación no (...) fue terminada por los dioses? ¿Hasta qué punto los dioses crearon enteramente al ser humano? ¿Podría afirmarse que este es un mito creacionista? El desarrollo de los seres vivientes puede dividirse en cuatro instancias. A lo largo de este artículo, se proponen distintos modelos hermenéuticos para responder los interrogantes mencionados anteriormente. (shrink)

In this essay, I argue that Socrates adopts a philosophical stance of indifference that is particularly unique to the Protagoras. The peculiarity stems from Socrates’s significant interest in dealing with Protagoras as a certain kind of thinker rather than merely a sophist in general. The stance of indifference is shown to be a dramatic reaction to the attitude sophists like Protagoras take toward philosophical problems, specifically, thinkers who understand solutions to philosophical problems as commodities. The stance is shown to anticipate (...) certain Academic skeptical methods, to embolden Socratic ignorance, and shore up defenses against the sophistic insecurity of needing to succeed for the sake of success. This stance is elaborated upon in three specific aspects of Socrates’s dramatic portrayal culminating in a re-reading of the poem of Simonides and the myth of Prometheus and Epimetheus. I resist readings that try to see the Protagoras as a simple takedown of sophistry or as a catalog of platonic doctrine, and instead treat Protagoras as a “philosopher in decline,” a significantly dangerous type of thinker who is savvy enough to repurpose genuine insight for the sake of easy answers to immensely difficult problems. (shrink)

The following article provides an interpretation of the structure of courage in Plato’s Laches, Meno and Protagoras. I argue that these dialogues present courage (ἀνδρεία) in the soul according to the same scheme: that there is a normatively neutral psychic state which is informed by the knowledge of good and evil. The knowledge (ἐπιστήμη) which informs this normatively neutral psychic state is called practical wisdom (which Plato refers to as φρόνησις or sometimes σοφία). This interpretation seems to negate the claim (...) that virtue is knowledge. I will show, however, that this is not a contradiction and that virtue is in fact knowledge, despite the complex moral psychology of courage. Finally, I will argue that the conception of courage in the Republic addresses some of the problems posed by the discussion of courage in the above-mentioned dialogues. (shrink)

The Great Speech of Protagoras in Plato’s dialogue is now widely seen as an expression of democratic theory, one of the earliest substantial expressions of democratic theory on record. At the same time, there have long been arguments to the contrary, the most formidable presentation of which is an article by Peter Nicholson that appeared in these pages in 1981. In this short piece, I address Nicholson’s skeptical arguments head-on and in full, in a way that has not yet been (...) done. By doing so, I hope to put skeptical arguments of this sort to rest, and to confirm Protagoras’ Great Speech once and for all as an early, and very interesting, fragment of democratic theory. (shrink)

Hacia el final del Protágoras, Sócrates y Protágoras disputan sobre si la valentía y el conocimiento (o sabiduría) son lo mismo. El primer argumento que Sócrates emplea para mostrarlo, y la respuesta de Protágoras, han sido objeto de mucha discusión y desacuerdo entre los especialistas (349e1-351b2). Me parece que ninguna de las interpretaciones disponibles de este debate es completamente satisfactoria, pues éstas tienden a favorecer exclusivamente a Sócrates o a Protágoras. En este trabajo presento una interpretación nueva, más equilibrada y (...) completa, según la cual, tanto el argumento de Sócrates como la respuesta de Protágoras son razonables y válidos en el contexto del diálogo, y ambos consiguen, hasta cierto punto, su objetivo. (shrink)

This article seeks to present some elements of the theory of education and communication that appear in the Plato’s Protagoras. For this, a general presentation of the text is offered at the beginning. Then an analysis is elaborated, according to the main sections of the Protagoras, of those passages that are more pertinent to the subject of this work. In the end, some synthetic reflections are offered.

The Protagoras examines how community can occur between people who have nothing in common. Community, Protagoras holds, has no natural basis. Seeking the good is therefore not a theoretical project, but a matter of agreement. This position follows from his claim that “man is the measure of all things.” For Socrates community is based on a natural good, which is sought through theoretical inquiry. They disagree about what community is, and what its bases and goals are. But Plato illustrates the (...) seriousness of Protagoras’s position through the repeated breakdown of their conversation. The dialogue leads us to question both speakers’ assumptions about community. Socrates must face the problem that not everything can be brought to language. Protagoras must recognize that there is a basis of community even in what cannot be shared. Community is grounded in an event that is both natural and not up to us, and cultural and articulate. (shrink)

The Protagoras is a contest of philosophical methods. With its mix of μῦθος and λόγος, Protagoras’ Great Speech stands as a competing model of philosophical discourse to the Socratic elenchus. While the mythical portion of the speech clearly impresses its audience—Socrates included—one of its central claims appears to pass undefended. This is the claim that the political art cannot be distributed within a community as the technical arts are. This apparent shortcoming of the Great Speech does not seem to trouble (...) philosophical commentators: it is amyth, after all, and it seems reasonable to suppose that the sly sophist slips certain claims into his myth precisely to avoid having to defend them. Nevertheless, it is worth subjecting the claim to philosophical scrutiny. What could be the reason that the political arthadto be distributed differently than were the technical arts, as the myth insists? (shrink)

Despite Protagoras’ infamous reputation for corrupting his students, his “Great Speech” (Plato, Protagoras 320c-328d) presents one of the most important arguments in the history of ethics. Refuting Socrates’ contention that virtue must be unteachable since even the best of men cannot raise good children, Protagoras argues that everyone is capable of learning the difference between right and wrong.

I offer a reading of the two conceptions of the good found in Plato’s Protagoras: the popular conception—‘the many’s’ conception—and Socrates’ conception. I pay particular attention to the three kinds of goods Socrates introduces: (a) bodily pleasures like food, drink, and sex; (b) instrumental goods like wealth, health, or power; and (c) virtuous actions like courageously going to war. My reading revises existing views about these goods in two ways. First, I argue that the many are only ‘hedonists’ in a (...) very attenuated sense. They do not value goods of kind (b) simply as means to pleasures of kind (a); rather, they have fundamentally different attitudes to (a) and (b). Second, the hedonism that Socrates’ defends includes a distinction between kinds of pleasures: (a) bodily pleasures and (c) the pleasures of virtuous actions. This distinction between kinds of pleasures—some that do and some that do not exert the ‘power of appearance’—allows Socrates to address one of the central beliefs in the popular conception of akrasia, namely that it involves a special kind of unruly desire: non-rational appetites for pleasures like food, drink, or sex. Socrates replaces the motivational push of non-rational appetites with the epistemic pull of the appearance of immediate pleasures like food, drink, and sex. (shrink)

Journal Name: Apeiron Issue: Ahead of print.

Protagoras’ Grand Speech is traditionally considered to articulate a contractualist approach to political existence and morality. There is, however, a newly emerging line of interpretation among scholars, which explores a naturalist layer in Protagoras’ ethical and political thought. This article aims to make a contribution to this new way of reading Protagoras’ speech, by discussing one of its most elaborate versions.

This article seeks to present a detailed textual analysis of Protagoras’ Great Speech in Plato's Protagoras. I will argue that the concept of ἀρετή as it appears in the Great Speech is whittled down to a vague notion of civic duty. In this respect, Protagoras is bringing himself in line with the democracy, but in doing so the ἀρετή he claims to teach loses much of its initial appeal, particularly in the eyes of his aristocratic clientele. Nevertheless, if thecontentof Protagoras’ (...) Great Speech overlooks the abilities required to rise to political prominence, theformmost assuredly does not. As one would expect from Plato's Protagoras, his speech is replete with just that oratorical prowess his students might expect to acquire from him. This, in turn, has a number of interesting and important implications in the broader context of theProtagoras, in particular regarding the contrast or conflict between long speeches and short-answer dialectic. Moreover, although it has long been noticed that Protagoras neglects rhetoric and personal pre-eminence in his account, as far as I know there has not been any serious attempt to analyse the stylistic aspects of this masterful speech. Accordingly, both this and my attempt to interpret it within the economy of the dialogue are original. (shrink)

Plato’s Protagoras contains, among other things, three short but puzzling remarks on the media of philosophy. First, at 328e5–329b1, Plato makes Socrates worry that long speeches, just like books, are deceptive, because they operate in a discursive mode void of questions and answers. Second, at 347c3–348a2, Socrates argues that discussion of poetry is a presumptuous affair, because, the poems’ message, just like the message of any written text, cannot be properly examined if the author is not present. Third, at 360e6–361d6, (...) it becomes clear that even if the conversation between Socrates and Protagoras was conducted by means of short questions and answers, this spoken mode of discourse is problematic too, because it ended up distracting the inquiry from its proper course. As this paper 2 sets out to argue, Plato does not only make Socrates articulate these worries to exhibit the hazards of discursive commodifi cation. In line with Socrates’ warning to the young Hippocrates of the dangers of sophistic rhetoric, and the sophists’ practice of trading in teachings, they are also meant to problematize the thin line between philosophical and sophistical practice. By examining these worries in the light of how the three relevant modes of discourse are exemplifi ed in the dialogue, this paper aims to isolate and clarify the reasons behind them in terms of deceit, presumptuousness and distraction; and to argue that these reasons cast doubts on the common assumption that the dialogue’s primary aim is to show how sophistical rhetoric must succumb to Socratic dialectic. (shrink)

Guided by the bold ambition to reexamine the nature of philosophy, questions about the foundations and origins of Plato’s dialogues have in recent years gained a new and important momentum. In the wake of the seminal work of Andrea Nightingale and especially her book Genres in Dialogue from 1995, Plato’s texts have come to be reconsidered in terms of their compositional and intergeneric fabric. Supplementing important research on the argumentative structures of the dialogues, it has been argued that Plato’s philosophizing (...) cannot be properly assessed without considering its intellectual debts. By detailed examinations of the practical, generic and textual origins of the dialogues, it has been shown how Plato’s chosen form of philosophical inquiry is deeply influenced by traditional forms of poetry, rhetoric, sophistry, and even medicine... (shrink)

This book takes on two main tasks. The first is to argue that anti-hedonism lies at the center of Plato's critical project in both ethics and politics. Plato sees pleasure and pain as our sole sources of empirical evidence about good and bad. But as sources of evidence they are highly fallible; contrast effects with pain intensify certain pleasures, including most pleasures related to the body and social standing. This leads us to believe that the causes of such pleasures (e.g. (...) food, drink, sex, status) are greater goods than they are, and greater goods than other, more important goods (e.g. virtue, knowledge). As a result, hedonic error produces the belief that vice, including injustice, can be prudent. Hedonic error leads to other misconceptions of virtue as well, such as that wisdom is weak and can be ruled by the passions. These cognitive distortions can only be corrected by reference to some non-hedonic standard, so hedonists reliably fall prey to them. This entire system of attitudes—hedonism and its associated misconceptions of virtue—is widely held and constitutes popular morality. Popular morality's basic source is hedonic error, but it is also transmitted and sustained in society through shame and fear of punishment. However, avoiding shame and punishment requires a sort of double-think: adherents of popular morality must accept certain views that they cannot acknowledge too clearly or too publicly. For example, they must hold that injustice can be prudent and must be willing to wrong out-groups (e.g. another city), but openly acknowledging this same view threatens in-groups (one's own city) by implying willingness to wrong some in the city to benefit a closer in-group (e.g. one's class, clique, or family). // -/- The book's second task is to tackle a seeming outlier to Plato's anti-hedonism: the _Protagoras_, where Socrates appears to defend hedonism. I argue that the _Protagoras_ actually perfectly illustrates Plato's anti-hedonism, as explained above. Protagoras and other sophists think they shape public opinion, but in fact they have internalized popular morality through shame and fear. As a result, Protagoras accepts but refuses to openly endorse three parts of popular morality: that injustice can be prudent (333c), that pleasure is the good (351c-d), and that wisdom is weak and can be ruled by the passions (352c-d). Each time, his concealed view is (aptly!) attributed to "the many". So, when Socrates appears to endorse hedonism in the _Protagoras_, he actually introduces and develops the view as part of his examination of Protagoras' covert ethical commitments. (shrink)

The great speech of the Protagoras still leaves many questions open. Particularly striking is the presence of doctrines that later on will be taken up and further developed by Plato in such dialogues as the Politicus, the Timaeus and the Laws. For this reason, many scholars tend to think that the words of Protagoras are just a product of Plato’s invention that bear no relation to Protagoras’ actual doctrines. Nevertheless, it is possible to propose a different interpretation. At the beginning (...) of the Protagoras, Socrates develops the image of the sophist as the merchant of various μαθήματα: to sell his products, the sophist praises them all indiscriminately without knowing which of them are useful and which are harmful. But he who has the ability to make this distinction can still purchase the μαθήματα from Protagoras or anyone else. Through the dialectic, Plato is able to examine them without any danger in the Protagoras and then take them up and further develop in new ways in his later dialogues. (shrink)

Der Beitrag untersucht die Bedeutung des Protagoras für die Entwicklung von Platons politischer Philosophie und Ethik anhand des gleichnamigen Dialogs. Im Mittelpunkt steht zunächst die epideiktische Rede des Protagoras, die die Fragen nach dem Wesen und der Lehrbarkeit der Tugend, nach der besten Erziehung sowie der besten politischen Verfassung aufwirft. Konkret werden in diesem Kontext die Auseinandersetzung um die Bewertung der Demokratie, das Verständnis der politischen Technik, das Verhältnis von Natur und Satzung und die Antizipation der späteren Aristotelischen Differenzierung zwischen (...) ethischen und dianoetischen Tugenden im _Protagoras_ analysiert. Durch all diese Punkte läßt sich schließlich nachdrücklich belegen, wie stark Platons eigener Weg von Protagoras bestimmt worden ist, sofern dieser für ihn auf anerkanntermaßen höchstem Niveau und auf eine geradezu paradigmatische Weise all die Irrwege beschreitet, die ihn zu einem idealen Antipoden von Platons eigenen Intentionen werden lassen konnten. (shrink)

The character Protagoras in Plato's Protagoras holds similar views to the one in the Theaetetus, and faces similar problems. The dialogue considers issues in epistemology and moral epistemology, as a central theme. The Protagorean position is immune from Socrates' attacks, and Socrates needs Protagorean methods to make any impact.

At Protagoras 353de, Socrates gives three possible reasons for calling some pleasures ‘wrong’. Scholarly attention has focused on the second of these, according to which pleasures are ‘wrong’ when they have negative consequences. This paper argues that the first reason corresponds to beliefs held by Democritus, among others; and that the third reason is the view adopted by Socrates in the dialogue.

Abstract The main thesis of the paper is that, in the coda to the Protagoras (360e-end), Plato tells us why and with what justification he demands a definition of virtue: namely, in order to resolve a particular aporia . According to Plato's assessment of the outcome of the arguments of the dialogue, the principal question, whether or not virtue can be taught , has, by the end of the dialogue, emerged as articulating an aporia , in that both protagonists, Socrates (...) and Protagoras, have argued equally on both its sides. The first part of the paper provides an extensive analysis of the coda, with the aim of establishing the main thesis. The second part provides a comprehensive review of the arguments in the dialogue, with the aim of determining whether their outcome is what Plato says in the coda that it is. I undertake this review in three steps: on Plato's conception of reasons (logoi); Socrates' arguing on both sides; and Protagoras' arguing on both sides. (shrink)

At Protagoras 353de, Socrates gives three possible reasons for calling some pleasures `wrong'. Scholarly attention has focused on the second of these, according to which pleasures are `wrong' when they have negative consequences. This paper argues that the first reason (the pleasures are fleeting) corresponds to beliefs held by Democritus, among others; and that the third reason (the pleasant things “give pleasure in whatever way and for whatever reason“) is the view adopted by Socrates in the dialogue.

In his theory of society Protagoras, one of the most influential sophists thinkers, applies a contractarian approach, similar in many respects to those of Locke, Hobbes and Rousseau. Protagoras, unlike Aristotle or Plato, was convinced that individual perceptions and beliefs as well as those of the body political are relative, because there is no uniform ground on which things could be perceived or experienced. He offers an evolutionary account of the development of human species, arguing that society is a result (...) of a contract among its members, based on commonly shared and taught social virtues. On the other hand, Protagoras is not a nihilist: In his account there is still a possibility of an expertise within the polis, related to the good of the particular community. (shrink)

This is an English translation of four of Plato’s dialogue (Protagoras, Euthydemus, Hippias Major, and Cratylus) that explores the topic of sophistry and philosophy, a key concept at the source of Western thought. Includes notes and an introductory essay. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Plato’s immediate audience.

Plato’s dialogues show Socrates at different ages, beginning when he was about nineteen and already deeply immersed in philosophy and ending with his execution five decades later. By presenting his model philosopher across a fifty-year span of his life, Plato leads his readers to wonder: does that time period correspond to the development of Socrates’ thought? In this magisterial investigation of the evolution of Socrates’ philosophy, Laurence Lampert answers in the affirmative. The chronological route that Plato maps for us, Lampert (...) argues, reveals the enduring record of philosophy as it gradually took the form that came to dominate the life of the mind in the West. The reader accompanies Socrates as he breaks with the century-old tradition of philosophy, turns to his own path, gradually enters into a deeper understanding of nature and human nature, and discovers the successful way to transmit his wisdom to the wider world. Focusing on the final and most prominent step in that process and offering detailed textual analysis of Plato’s _Protagoras_, _Charmides_, and _Republic_, _How Philosophy Became Socratic_ charts Socrates’ gradual discovery of a proper politics to shelter and advance philosophy. (shrink)

Presented in the popular Cambridge Texts format are three early Platonic dialogues in a new English translation by Tom Griffith that combines elegance, accuracy, freshness and fluency. Together they offer strikingly varied examples of Plato's critical encounter with the culture and politics of fifth and fourth century Athens. Nowhere does he engage more sharply and vigorously with the presuppositions of democracy. The Gorgias is a long and impassioned confrontation between Socrates and a succession of increasingly heated interlocutors about political rhetoric (...) as an instrument of political power. The short Menexenus contains a pastiche of celebratory public oratory, illustrating its self-delusions. In the Protagoras, another important contribution to moral and political philosophy in its own right, Socrates takes on leading intellectuals (the 'sophists') of the later fifth century BC and their pretensions to knowledge. The dialogues are introduced and annotated by Malcolm Schofield, a leading authority on ancient Greek political philosophy. (shrink)

_Socrates_ presents a compelling case for some life-changing conclusions that follow from a close reading of Socrates' arguments. Offers a highly original study of Socrates and his thought, accessible to contemporary readers Argues that through studying Socrates we can learn practical wisdom to apply to our lives Lovingly crafted with humour, thought-experiments and literary references, and with close reading sof key Socratic arguments Aids readers with diagrams to make clear complex arguments.