Plato: Myths

In his recently published posthumous works "Prefiguration" and "The Rigorism of Truth" Hans Blumenberg surprisingly steps into the area of political history that he had left widely unconsidered in "Work on Myth". While "Prefiguration" tackles the “demonic” aspects of Napoleon and Hitler that Blumenberg tries to dismantle and bring into derision, in "Rigorism of Truth" he attacks Hannah Arendt's phrase of the Banality of Evil in relation to the Jerusalem trial against Adolf Eichmann in 1961. In this latter issue Blumenberg (...) defends the demonic he sees culminated in the form of Eichmann to assert what he calls the “mythical dimension“ in the Israeli process of nation-building. To him, Eichmann represents a prototypical demon incarnate that must be slaughtered by the heroic character seen in young state Israel. This obviously turns Blumenberg's criticism of Napoleon and Hitler into an affirmation of political myths that, on the face of it, appears to be a contradiction in terms. The essay focuses on this theoretical tension and tries to point out that significance (“Bedeutsamkeit”) is not only a necessity for individual self-assertion (“Selbstbehauptung”) but also a category of communality that must be handled with care. (shrink)

In the ever-evolving landscape of video game development, mythology serves as a rich source of inspiration, providing developers with a wellspring of narratives, characters, and themes that resonate with players. This article, "Gaming the Gods: How Mythology Inspires Game Development," explores the intricate relationship between ancient myths and contemporary gaming. By examining various titles that draw upon mythological elements—from the pantheons of Greek and Norse mythology to the folklore of diverse cultures—we uncover how these stories enhance gameplay, deepen character development, (...) and create immersive worlds. The article also discusses the challenges and responsibilities developers face when adapting these age-old tales, including cultural sensitivity and authenticity. Through case studies of popular games, we illustrate how mythology not only enriches storytelling but also fosters a deeper connection between players and the narratives they engage with. Ultimately, this exploration highlights the enduring power of myth in shaping the future of interactive entertainment, inviting both players and creators to embark on epic journeys through the realms of legend and lore. (shrink)

In the ever-evolving landscape of video game development, mythology serves as a rich source of inspiration, providing developers with a wellspring of narratives, characters, and themes that resonate with players. This article, "Gaming the Gods: How Mythology Inspires Game Development" explores the intricate relationship between ancient myths and contemporary gaming. We uncover how these stories enhance gameplay, deepen character development, and create immersive worlds by examining various titles that draw upon mythological elements—from the pantheons of Greek and Norse mythology to (...) the folklore of diverse cultures. The article also discusses the challenges and responsibilities developers face when adapting these age-old tales, including cultural sensitivity and authenticity. Through case studies of popular games, we illustrate how mythology enriches storytelling and fosters a deeper connection between players and the narratives, they engage with. Ultimately, this exploration highlights the enduring power of myth in shaping the future of interactive entertainment, inviting both players and creators to embark on epic journeys through the realms of legend and lore. (shrink)

This article offers a cross-cultural analysis of two enigmatic figures from Indo-European mythologies: Tīrka Šavār, a lesser-known Persian omen of death or misfortune, and the Dullahan, Ireland’s iconic headless horseman. Both entities serve as harbingers of fate, embodying their cultures’ anxieties about mortality, the unknown, and the thin veil between the human and supernatural realms. Through comparative methodology, this study explores how these myths reflect distinct cultural values—Persian narratives often intertwine destiny with moral and cosmic order (aša), while Irish lore (...) emphasizes the inevitability of death and the capriciousness of the Otherworld. The analysis reveals striking parallels: both figures act as liminal beings, mediating between life and death, and their appearances are marked by omens (e.g., the Dullahan’s lantern, Tīrka Šavār’s symbolic manifestations). Yet their differences are equally telling: Tīrka Šavār’s role in Persian cosmology often ties to Zoroastrian dualism, where moral choices influence fate, whereas the Dullahan operates within a Celtic framework of inescapable doom. By situating these myths within their historical and religious contexts, this article illuminates how ancient societies grappled with existential fears and conceptualized the supernatural. (shrink)

This introduction presents an overview of Plato and the Mythic Tradition in Political Thought and its central arguments. I situate the contributions of the book within theoretical work on political myth, both traditional and more recent, and also within scholarship on the philosophical function of Plato’s myths. Whereas political theorists have long conceived of myth in pathological terms, Plato and the Mythic Tradition joins a growing body of work envisioning a more constructive role for myth in politics and philosophy. This (...) was a task that preoccupied Plato and some of his most significant modern readers. Recovering their common project, moreover, helps us tell a different story about Plato’s philosophical myths and their reception in modern political thought. (shrink)

Socrates has an implicit argument for his afterlife story that concludes the Gorgias, with two key premises. One is at 527a–c, where he summarizes the ethical position he has been arguing for through most of the dialogue, regarding the intrinsic goodness of justice, the intrinsic badness of injustice, and the desirability of rehabilitative punishments. The second occurs at 507e–508a, where Socrates asserts that the universe is held together by justice. This argument explains why Socrates regards his story as a logos, (...) not merely a muthos. It also helps us understand the nature of the rewards and punishments in his story. (shrink)

The Gorgias ends with Socrates telling an eschatological myth that he insists is a rational account and no mere tale. Using this story, Socrates reasserts the central lessons of the previous discussion. However, it isn’t clear how this story can persuade any of the characters in the dialogue. Those (such as Socrates) who already believe the underlying philosophical lessons don’t appear to require the myth, and those (such as Callicles) who reject these teachings are unlikely to be moved by this (...) far-fetched tale. This raises the question of who the myth is told for and what function it is meant to serve. This chapter argues that the myth is aimed, not at Callicles, but Socrates and those who aspire to follow him. There are uncertainties about the philosophical life that are due to the nature of embodiment, as well as reasons to doubt the connection between happiness and virtue. The myth assists with the former by presenting an image that draws a philosopher away from the goods of the body toward the goods of the soul. The story assists with the latter by presenting an image of cosmic justice, thereby securing happiness in proportion to virtue. (shrink)

Skepticism and Myth in Remo Cantoni. The author examines three essays by Remo Cantoni (1914-1978), written in the 1940s, which focus on the relationship between skepticism and myth. The author argues that, for Cantoni, skepticism and myth represent two fundamental polarities of thought. The hypothesis that reason might ultimately overcome myth is, according to Cantoni, erroneous. Instead, the author emphasizes that Cantoni considers a phenomenology of myth essential for understanding it as a necessary dimension in the life of the spirit. (...) According to the author, Cantoni is a philosopher who seeks to interpret the crisis of values and science, striving to remain within a rationalistic framework. (shrink)

I claim in this paper that Adeimantus’s challenge to Socrates in Book 2 of the Republic has more importance than scholars have generally recognized. The established tendency in the secondary literature is to treat Adeimantus’s objection as virtually indistinct from Glaucon’s objection. Such readings overlook the significance of Adeimantus’s contribution to the argument of the dialogue, especially the unique emphasis he puts on the role of culture and social institutions in shaping human beliefs and desires. Whereas Glaucon objects to Socrates’ (...) conception of justice based on his views on human nature, Adeimantus introduces an indispensable political dimension to the discussion. I argue that these two objections are mutually implicating and vital to understanding why Socrates initiates an inquiry into politics in the Republic. Together, the objections show how Plato’s wide-ranging examination of issues in ethics, politics, psychology, epistemology, and metaphysics hangs together as an integrated whole. A further benefit of this reevaluation of Adeimantus’s challenge, I suggest, is the way it illuminates Plato’s views on poetry in the dialogue. According to this reading, far from advocating for the exclusion of poetry from civic life, Plato assigns it a fundamental role in the education of the philosopher due to the importance of poetic practices in cultivating the wisdom-loving part of the soul. (shrink)

In this essay, I discuss the philosophical significance of three features of the Phaedrus’s dramatic scenery: the myth of Boreas, the two trees Socrates singles out upon arriving at the grove, and the grove itself. I argue that attention to these three features of the dramatic scenery helps us better understand the Phaedrus’s account of erōs.

Provides a guide to Plato in an unexpected key with well-grounded views of Plato's works (particularly major middle to late dialogues). The reader meets important questions of perception, embodiment, mimetic art, imagination, divine inspiration, the Forms and the Good, beauty, myth and logos, and generative epistemic art.

This article argues that the Phaedo is written as a new sort of story of how a hero faces death; this story provides an alternative to existing tragedy, as understood by Plato. The opening of the Phaedo makes clear that two features that Plato closely associates with tragedy, pity and lamentation, are inappropriate responses to Socrates’ impending death, and that tuchē (chance) did not affect his happiness. This is the first step in the dialogue’s sustained engagement with tragedy. Tragedy for (...) Plato falls under the category of stories about heroes and gods. Plato wrote the Phaedo so that we would see Socrates as a philosophical hero, a replacement for traditional heroes such as Theseus or Heracles. I argue that in fact the Phaedo meets every requirement in Republic Books 2–3 for how to tell stories about heroes and gods and so belongs to the same broad category as tragedy. Within this framework, it tells its new story of how the true hero faces death. (shrink)

This paper challenges the prevailing interpretations about the role and function of recollection in Plato’s Meno by suggesting that recollection is a cognitive process inaugurated by a myth. This process sets out the methodological and epistemological context within which two transitions are attainable: on the one hand, the methodological transition from the elenchus to the method of hypothesis, and on the other hand, the cognitive upshift from opinion(s) to knowledge. This paper argues, furthermore, that Socrates uses the myth of recollection (...) just when Meno begins to object and tries to give up on their inquiry. Socrates’ myth accordingly imprints on Meno’s soul a true belief that facilitates the process of recollection by emboldening Meno to continue the inquiry. (shrink)

This paper approaches the Critias straightforwardly as a work of political philosophy but gives greater attention to Athens’ opponent, Atlantis, whose founding, political organization, and eventual decline each offer important lessons about the aims of legislation and political life. I begin by comparing the foundation of the two cities as presented in Critias’ myth, with a special focus on the role of divine persuasion (I). I then describe the political organization of Athens and Atlantis, showing how they reflect the different (...) ways in which their founding gods exercised divine persuasion (II). Next, I focus on the decline of Atlantis and the causes behind it (III). Finally (IV), I discuss the lessons that I think can be gathered from the foregoing sections and show how the themes that emerge from the comparison of the two cities anticipate their more extensive exploration in the Laws. (shrink)

Plato is often regarded as a founding figure for Western philosophy, and specifically as the inventor of a way of doing philosophy grounded in critical, argumentative reason. This article asks whether Plato's practice of writing myths in his dialogues comes into tension with his canonical reputation. I suggest that resolving this tension may require us to revise our standing ideas about the nature of philosophy and its relationship to myth. Against interpretations that minimize the significance of Plato's myths to his (...) philosophy, I argue that he may have constructed them deliberately as a form of philosophical discourse in their own right. (shrink)

The four most prominent myths of Plato’s Republic oddly share a common motif, namely, the depiction of a subterranean locale to and from which individuals are depicted as traveling. This analysis offers an account of this motif that complements the themes of the “ascent” and “descent” of the philosopher, but draws more deeply upon katabasis mythology to reveal a subtext about individual transformation that enriches our understanding of justice.

This paper argues that Hesiod's Myth of the Golden Race (Op. 109-126) influenced Plato's Myth of the Cicadas from the Phaedrus (258e-259d). Among other parallels, Hesiod's Golden Race and Plato's Cicadas have a similar diet and a similar rapport with the gods, they die in a similar way and enjoy similar benefits after death. The paper further argues that Plato used the inherent ambiguity of the Golden Age myths to draw attention to the ambiguity of the Cicadas themselves, who bring (...) both benefits and rewards to humans, depending on their behavior. (shrink)

This book explores the uses of the term “paradigm” with respect to both logos and myth in Plato, with a focus on Sophist and Statesman. In so doing, Conor Barry argues for a unitary as opposed to a developmental conception of Plato's dialogues.

The paper argues for an analytic interpretation of Protagoras’ myth in Plato’s dialogue by showing that its goal is not so much to reconstruct the origins of civilization as to identify some essential features of humankind. Against the widespread opinion that human progress depends on the development of technai, Protagoras claims that political art is the most important one, insofar as it is the condition for the existence of society. More concretely, the emphasis on the political art also serves to (...) bring light to what is distinctive of Protagoras as opposed to the other sophists and poets. As clearly shown in the dialogue, Protagoras can thus present himself as the only teacher who is capable of imparting the teachings suited to the needs of the new world of the polis. (shrink)

The physical sciences, as generally understood, are disciplines concerned with the characteristics and behavior of physical objects and states. What is evident about the current condition of consciousness is that: 1) It has no identified physical states; 2) There is no generally accepted vocabulary of its functioning, or its participant entities; and 3) No ‘normal science’ operative structure upon which a community of scientists agree. The reasons are that consciousness is a prescientific concept persisting because there is no adequate physicalist (...) theory to replace it, and because biology operates in a way ‘invisible’ to assumed mental processes and vocabulary. What is required is a plausible theory built on a biophysical base. A theory is being developed: it is termed the _theory of brain-sign_. Brain-sign replaces consciousness as an evolved neural operation in which brains communicate with each other in the collective action of organisms, so addressing the limitations of being an isolated individual. It depends upon neural signification, in this case of the organisms’ immediate _causal orientation_ towards the world. Thus, multiple organisms are linked as one biophysical operation. Signs are biologically ubiquitous and inherently physical. Organisms are not subjective agents with transcendent powers acting in a perceivable world, but evolved organic objects with the ability to cooperate as one overarching biological process. It is anticipated this theoretical operation and vocabulary will explain brain function, which mind fails to do. It accounts for science from both its neural origins and its communal nature. ER -. (shrink)

De indruk overheerst dat het vertrouwen in instellingen tanende is. Toch wordt deze indruk niet altijd ondersteund door bevragingen en statistieken. Als die indruk een mythe is, dan is de echte vraag: waarom worden we dan tot deze mythe aangetrokken? In dit essay wil ik ons verlangen naar vertrouwen plaatsen in een cultuur en in een denkkader waarin vrijheid en zelfbeschikking blijven primeren, en kijken naar hoe er vandaag theoretisch wordt nagedacht over vertrouwen en publiek beleid. Het valt te betwijfelen (...) of we het vertrouwen dat we zoeken op die manier zullen vinden. (shrink)

At the beginning of the "Phaedrus", Socrates distinguishes between two kinds of people: those who are more complex, violent and hybristic than the monster Typhon, and those who are simpler, calmer and tamer (230a). I argue that there are also two distinct types of Eros (Love) that correlate to Socrates’s two kinds of people. In the first case, lovers cannot attain recollection because their souls are disordered in the absence of self-knowledge. For the latter, the self-knowledge of self-disciplined lovers renders (...) them capable of recollecting the Forms by ordering their souls naturally. (shrink)

A bit of fiction: the long-lost epilogue to Plato's Republic focused on the Myth of Er.

Plato’s Phaedrus, perhaps his most enigmatic and structurally convoluted dialogue, could easily be said to inaugurate a pointed critique of mass media that persists to the present day. Indeed, in certain corners of media theory, the origin myth of writing furnished in the Phaedrus (in which the Egyptian god Theuth presents writing as a gift to King Thamus) has in turn come to serve as a kind of origin myth for media theory: a primaeval pharmacopoeia of media effects. And yet, (...) this is an origin myth that can only underwrite not only its own non-originarity and non-truth, insofar as its very status as a written text ensures that it will never meet the criteria that it itself establishes for a reasoned account of things (logos). It remains perpetually orphaned, unable to defend itself, irrevocably cut off from its ‘father’, the speaking subject, and thus from the vitality of living discourse. But this paradox, I argue, is not a failing of the dialogue, but is a device intended to encourage the reader’s active involvement in the text’s status as medium. The Phaedrus is not just diagnostic, but therapeutic. (shrink)

In a 1985 article entitled “The Art of Glaukos,” Diskin Clay suggested that the enigmatic passage at the beginning of the geological myth in Phaedoreferred toRepublic10, where the soul is likened to the sea-creature Glaucus whose true nature, like the soul’s, is obscured by the distortions imposed by underwater life. Starting with a defense of Clay’s ingenious suggestion, my purpose is to compare Phaedoto Glaucus, with its true nature obscured by traditional assumptions about the order in which Plato composed his (...) dialogues, and thus how they should be read. At least part of the reason that Clay’s thesis has not been embraced is because it clashes with the dogma that Phaedocannot refer back to Republic; I want to challenge that dogma. Borrowing from Catherine Zuckert the notion that, since Phaedocomes at the end of Socrates’ story, it can usefully be read as the culmination of the Platonic dialogues, I will show how a “late” Phaedo—i.e., a reading of the dialogue that is open to the possibility that it refers to more than one dialogue generally considered to be later than it with respect to composition—recovers its true nature, presently encrusted with the oysters and seaweed of an outdated developmentalism that has obscured this culminating masterpiece of Plato’s dramatic and philosophical art. (shrink)

Plato’s Pragmatism offers the first comprehensive defense of a pragmatist reading of Plato. According to Plato, the ultimate rational goal is not to accumulate knowledge and avoid falsehood but rather to live an excellent human life. The book contends that a pragmatic outlook is present throughout the Platonic corpus. The authors argue that the successful pursuit of a good life requires cultivating certain ethical commitments, and that maintaining these commitments often requires violating epistemic norms. In the course of defending the (...) pragmatist interpretation, the authors present a forceful Platonic argument for the conclusion that the value of truth has its limits, and that what matters most are one’s ethical commitments and the courage to live up to them. Their interpretation has far-reaching consequences in that it reshapes how we understand the relationship between Plato’s ethics and epistemology. Plato’s Pragmatism will appeal to scholars and advanced students of Plato and ancient philosophy. It will also be of interest to those working on current controversies in ethics and epistemology. (shrink)

Since antiquity, scholars have observed a structural tension within Plato’s Phaedrus. The dialogue demands order in every linguistic composition, yet it presents itself as a disordered composition. Accordingly, one of the key problems of the Phaedrus is determining which—if any—aspect of the dialogue can supply a unifying thread for the dialogue’s major themes (love, rhetoric, writing, myth, philosophy, etc.). My dissertation argues that “soul-leading” (psuchagōgia)—a rare and ambiguous term used to define the innate power of words—resolves the dialogue’s structural tension. (...) I clarify the conceptual and dramatic features of soul-leading by focusing on the dialogue’s uniquely prevalent use of the semantic network of “leading” and “following.” By continuing to foreground the language and drama of leading and following, I offer a new interpretation of the dialogue as a whole: the Phaedrus is Plato’s articulation of how the soul can be led into communion with reality. Chapter 1 discusses scholarly disputes about the unity of the Phaedrus and proposes that soul-leading adequately satisfies the criteria put forward for what would count as a unifying element. I argue that soul-leading unifies the dialogue both thematically and non-thematically; moreover, soul-leading is a theme capacious enough to account for the other principal contenders for unity put forward. Chapter 2 develops the ambiguous character of soul-leading by examining how the dialogue showcases dangerous forms thereof. Love and language are dangerous when they lead the soul toward goods which can never truly fulfill it. In order to clarify how love and language can mislead the soul, Socrates develops a set of accounts of how the soul is led, both internally and externally, in the three speeches on love. If the soul is to be led into communion with reality (the proper end of soul-leading), it must be led internally by the right part of the soul and externally by the right object of desire. Chapter 3 argues that all souls can, in principle, be harmonized and directed in the way that Chapter 2 requires. I show that Plato’s view of philosophy is neither elitist (i.e., some are intrinsically incapable of philosophy) nor naively essentialist. All can come into communion with reality because all are by nature equipped to do so. While Plato recognizes that there are forces which tend to prohibit one from exercising one’s capability of being rightly led, none of them are intrinsic to human nature. Chapter 4 argues that successful soul-leading require neither the leader nor the follower to be already well-disposed to what’s ultimate in order for the pair to come to a communion with what’s ultimate. Plato’s depiction of soul-leading love shows that love can itself promote the formation needed for both leader and follower to come into contact with reality. Love can do so because it is always already bound up reality in its responsiveness to beauty. Beauty itself calls the lover to itself by shining through the beautiful beloved, who acts as a reminder of transcendent Beauty. The lover mediates this same experience for the beloved. Each comes to desire the other as well as Beauty itself. Chapter 5 argues that the drama of the lovers’ formation mythically depicted in the Palinode (Chapter 4) is written into the drama of the dialogue as a whole. In the relationship between Socrates and Phaedrus, we see an enactment of love’s formative role. Likewise, in the relationship between Phaedrus and Lysias, we see an enactment of the dangerous soul-leading discussed in Chapter 2. My focus on leading and following also allows me to show the thematic significance of the drama’s setting. Chapter 6 articulates the metaphysical conditions under which one can be led into communion with reality. Transcendent Beauty invites us into communion with itself and makes possible our ascent by providing us with divine guides and images which can transport us from our ordinary experiences to the true beings. Beauty accomplishes its work—leading us in a “divine dance” where we follow the gods up to Beauty and back down to each other—through images. When we handle images of reality rightly, they lead our souls into communion with reality. Further, when we have come into communion, we’ll be inspired to be co-workers of Beauty’s soul-leading work. When we articulate reality in language, we create new images that can serve to lead others toward reality. (shrink)

In Protagoras’ so called Great Speach, in Plato’s dialogue named after him, the Greek philosopher attributes the sophist a myth about the origin, development and nature of human beings, which has philosophical relevance. It is said that the gods created the mortal beings out of two elements, earth and fire. They assigned two titans, Epimetheus and Prometheus, to provide mortals with their faculties. Do this implies that creation had not been finished by the gods? To what extent do the gods (...) entirely create human beings? Is this mith a creationist one? In this paper, the development of living beings is divided in four stages, and different hermeneutic and explanatory models are proposed to adress the myth and answer the questions raised before. (shrink)

"Plato's Statesman reconsiders many questions familiar to readers of the Republic: questions in political theory - such as the qualifications for the leadership of a state and the best from of constitution (politeia) - as well as questions of philosophical methodology and epistemology. Instead of the theory of Forms that is the centrepiece of the epistemology of the Republic, the emphasis here is on the dialectical practice of collection and division (diairesis), in whose service the interlocutors also deploy the ancillary (...) methods of myth and of models (paradeigmata). Plato here introduces the doctrine of due measure (to metrion) and a conception of statecraft (politikē) as an architectonic expertise that governs subordinate disciplines such as rhetoric and the military - doctrines later developed by Aristotle. Readers will find a sustained defence of the importance of expertise (technē or epistēmē) in the conduct of affairs of state, a robust (although not unqualified) defence of the rule of law, and an unsparing but nuanced critique of democratic government. The chapters in this volume provide a comprehensive and detailed philosophical engagement with the entirety of Plato's wide-ranging dialogue, with successive chapters devoted to the sections of the dialogue as it unfolds, and an introduction that places the dialogue in the context of Plato's philosophy as a whole. While not a commentary in the traditional sense, the volume engages with Plato's Statesman in its entirety" -- Publisher's description. (shrink)

"Plato's Statesman reconsiders many questions familiar to readers of the Republic: questions in political theory - such as the qualifications for the leadership of a state and the best from of constitution (politeia) - as well as questions of philosophical methodology and epistemology. Instead of the theory of Forms that is the centrepiece of the epistemology of the Republic, the emphasis here is on the dialectical practice of collection and division (diairesis), in whose service the interlocutors also deploy the ancillary (...) methods of myth and of models (paradeigmata). Plato here introduces the doctrine of due measure (to metrion) and a conception of statecraft (politikē) as an architectonic expertise that governs subordinate disciplines such as rhetoric and the military - doctrines later developed by Aristotle. Readers will find a sustained defence of the importance of expertise (technē or epistēmē) in the conduct of affairs of state, a robust (although not unqualified) defence of the rule of law, and an unsparing but nuanced critique of democratic government. The chapters in this volume provide a comprehensive and detailed philosophical engagement with the entirety of Plato's wide-ranging dialogue, with successive chapters devoted to the sections of the dialogue as it unfolds, and an introduction that places the dialogue in the context of Plato's philosophy as a whole. While not a commentary in the traditional sense, the volume engages with Plato's Statesman in its entirety" -- Publisher's description. (shrink)

Platonische Mythen sind ein seltsames Thema, über das der Leser vielleicht hie und da schon einmal gestolpert sein mag. Seltsam deshalb, weil Platon eigentlich als Begründer des rationalen, philosophischen Denkens gilt. Warum gibt es dann Mythen bei Platon? Seltsam auch deshalb, weil das Thema immer nur am Rande auftaucht und offenbar gemieden wird. Was verbirgt sich hier? Und seltsam auch deshalb, weil diese Platonischen Mythen irgendwie anders sind als die bekannten Mythen der griechischen Mythologie. - Was also sind Platonische Mythen (...) und welchem Zweck dienen sie? Diese Frage soll in diesem Buch ausführlich untersucht und verständlich erklärt werden. Platonische Mythen sind integraler Bestandteil der Philosophie Platons. Sie dürfen keinesfalls nachlässig beiseite geschoben werden. Platonische Mythen sind aber auch kein Hokuspokus. Sie verwischen die Grenze zwischen Rationalität und Mythos nicht. Zahlreiche Irrtümer, die auch in wissenschaftlichen Kreisen im Umlauf sind, werden widerlegt. Ein konsistentes und klares Konzept entwirrt die oft verwirrenden Erklärungen zu Platonische Mythen. - Eine umfangreiche und systematische Übersicht der Platonischen Mythen, jeweils mit einer ausführlichen Analyse, wird im Anhang gegeben. Außerdem im Anhang zahlreiche Besprechungen der Meinungen maßgeblicher wissenschaftlicher Autoren zum Phänomen der Platonischen Mythen. (shrink)

In the Theaetetus Socrates provides an elaboration and discussion of Protagoras’ measure doctrine, grounding it in a “secret doctrine” of flux. This paper argues that the anthropology of the myth in the Protagoras provides an earlier, very different way to explain the measure doctrine, focusing on its application to civic values, such as “just,” “fine,” and “pious.” The paper shows that Protagoras’ explanation of the dual etiology of virtue – that it is acquired both by nature and by nurture – (...) tracks the two meanings of “anthropos” in his formulation of the measure doctrine, as “humankind” and “individual human.” On Protagoras’ account, humankind’s survival can be explained by the fact that humans share shame and justice, which enables them to live together in cities. (shrink)

ABSTRACT This essay questions the reading of Plato's Phaedrus according to which writing is understood as a mechanism of objectivity and critical distance. Plato's denomination of writing as a “pharmakon” indicates a deep ambiguity in his definition of writing—an ambiguity embodied in Phaedrus's written speech. The speech triggers both critical analysis and a simultaneous “rhetorical passivity,” whereby upon hearing the speech Socrates is consumed by a manic power. Although Socrates explicitly decries the detrimental consequences of writing in the Myth of (...) Theuth, he nevertheless is overcome by the power of the written speech and driven to a state of logomania. The Phaedrus demonstrates the potential for the written word to release one into a type of passivity, where the subject is no longer an autonomous master but a passive receiver. (shrink)

In this article, we present a proposal for a synthetic theoretical approach of the myth of Atlantis, firstly presented by Plato in his Timaeus, and, subsequently, systematically approached by Proclus. Τhis is first and foremost a literary subject which in Proclus’ texts, involves many disciplines and causes general interest for research. The main question to deal with since Plato’s era is whether this is a myth or a true story. In our view, Proclus’ comments on the Timaeus appear to be (...) quite important, for they constitute the most detailed and extended original source, which provides a number of interdisciplinary and interpretative approaches. In every case, four are the pillars according to Proclus for any research on the Atlantis hypothesis. Specifically, for Proclus one should approach the story from a historical, natural-scientific/geophysical, epistemological and philosophical point of view. That is to say, Syrianus’ student perspective is as synthetic as possible. Methodologically, he combines the scientific-analytical with the philosophical-synthetic and the theological-hermeneutical aspect, in order to give answers to particular questions. In this way, he aims to avoid simplistic readings and scientific dogmatism and to show a new spirit with decisive axiological judgments. In our general approach which follows we mostly attempt to show how in his commentary Proclus brings together natural sciences with ethics and politics in a frame in which the natural world appears as an authentic reflection of the metaphysical level. (shrink)

On croit souvent que le mythe du Gorgias de Platon a pour objet d’expliquer comment la vertu dans cette vie est récompensée dans l’au-delà. L’auteur soutient qu’il s’agit d’une fausse piste. En réalité, le mythe renforce la conception qu’a Socrate de la « protection » [ boētheia ]. Elle structure le mythe et est un concept éthique dans le débat entre Socrate et Calliclès qui a eu lieu plus tôt dans le dialogue. Selon l’auteur, Socrate entend la « protection » (...) comme la disposition volontaire à s’exposer à la correction ou à la punition [ kolasis ] ; et la position de Socrate dans le mythe est cohérente avec sa position antérieure dans le dialogue. (shrink)

The collected volume Plato’s Statesman: Dialectic, Myth, and Politics presents some of the new interesting research being conducted on the Statesman. The volume is edited by John Sallis who is well known for his work in phenomenology, including writings on such authors as Jacques Derrida, Martin Heidegger, Friedrich Nietzsche and Immanuel Kant, and he has a continental approach to reading Plato. The new research on the Statesman will proceed by ways of the following three points in the collected volume. We (...) will look at the new trend among scholars to read into the Statesman the complete rejection of the existence of an ideal statesman in our contemporary society. Further, we will discuss the unexplored terrains in the dialogue scholars are gravitating to. And finally, we will comment on the fact that all contributors in the volume show a certain degree of sensitivity to the dramatic context of the dialogue and refrain from attributing Plato’s voice to a single character. A brief remark on an aspect of these points will be furnished at the end. (shrink)

We would be wrong to state that Plato’s approach to the Golden Age in the Statesman occurs through nostalgia, even if he stresses the immense distance between our world and that blessed time. After evoking the shepherd-god as a ruler, Plato shows that the completely abandoned disposition of the ruled is only justifiable in presence of an unbridgeable chasm between the two, such as that between gods and men, or men and beasts. The real question in the Statesman is how (...) to single out the peculiar form of knowledge possessed by the few men that are truly capable to rule. (shrink)

The cosmological myth in Plato’s Statesman has generated several longstanding scholarly disputes, among them a controversy concerning the number and nature of the cosmic rotation cycles that it depicts. According to the standard interpretation, there are two cycles of rotation: west-to-east rotation occurs during the age of Cronus, and east-to-west rotation occurs during the age of Zeus, which is also our present era. Recent readings have challenged this two-cycle interpretation, arguing that the period of rotation opposed to our own is (...) governed neither by Cronus nor by Zeus, but is instead a separate rotational cycle during which chaos reigns before a divine ruler reestablishes control. We introduce a new constraint on any plausible interpretation of the myth. According to the Correspondence Principle, changes in fundamental cyclical processes that shape the way of life on earth (mode of generation, growth, aging, and mode of death) occur if and only if there is a change in the direction of cosmic rotation. We use the Correspondence Principle to defend a version of the standard two-cycle interpretation. (shrink)

Why did Plato conclude the Republic, arguably his most celebrated work of political theory, with the Myth of Er, an obscure story of indeterminate political-theoretical significance? This paper advances a novel reading of the Myth of Er that attends to the common plot that it shares with two earlier narrative interludes in the Republic. It suggests that Plato constructed the myth as an account of a search, akin to the sorting of potential philosopher-kings that underwrites the kallipolis’ educational curriculum, for (...) natures that have successfully absorbed the cumulative effects of their philosophical upbringing. The model of nature presented in the myth, in turn, helps us approach the category of nature as a working concept: we can recognize contexts in which it is useful to assume in otherwise complex and fluid individuals a fixed, indelible nature, while granting that our sense of what that consists in is subject to revision. (shrink)

Plato's penchant for mythmaking sits uneasily beside his reputation as the inventor of rationalist philosophy. Hegel's solution was to ignore the myths. Popper thought them disqualifying. Tae-Yeoun Keum responds by carving out a place for myth in the context of rationalism and shows how Plato's tales inspired history's great political thinkers.

In Giorgio Agamben's Homo Sacer project, he gives an archaeology of Western political power from ancient Rome up through Carl Schmitt's model of "exceptional sovereignty," where the sovereign is "he who decides on the exception."1 Agamben takes Schmitt's thesis further, arguing that, in modern biopolitics, the "sovereign is he who decides on the value or the nonvalue of life as such," and therefore, on life and death in the state.2 Although this model also appears in Foucault's work, Penelope Deutscher argues (...) that Agamben's use of it includes "the particularly lethal variant seen in the capacity to cancel the status of what is put to death."3 "Homo sacer" is the name that Agamben gives to the form of political... (shrink)

You'd never know Athens was locked in a life-or-death struggle from the tranquil and leisurely philosophical discussion that unfolds through the pages of the Republic...Plato's masterpiece continues to inform our questions and our thinking when it comes to being, truth, beauty, goodness, justice, community, the soul, and more." -From Dr. Littlejohn's Introduction. On the way back from a festival, Socrates is waylaid by some friends who compel him to go home with them. There he and his companions engage in a (...) long discussion about whether it is worse to suffer evil or to commit it. Far from being dry or abstract, Plato's dialogue is full of practical questions about the nature of justice, education, power, and virtue, and it ends with two of the most vivid myths ever devised by man. This Canon Classic is translated clearly by Benjamin Jowett, and unlike all other works of philosophy, it's actually fun to read. The Canon Classics series presents the most definitive works of Western literature in a colorful, well-crafted, and affordable way. Unlike many other thrift editions, our classics are printed on thicker text stock and feature individualized designs that prioritize readability by means of proper margins, leading, characters per line, font, trim size, etc. Each book's materials and layout combine to make the classics a simple and striking addition to classrooms and homes, ideal for introducing the best of literary culture and human experience to the next generation. This Worldview Edition features an introduction divided into sections on The World Around, About the Author, What Other Notables Said, Setting, Characters, & Plot Summary, Worldview Analysis, 21 Significant Questions & Answers, and Further Discussion & Review. (shrink)

This paper examines the influence of Euripides on Plato, reflecting the intertextuality between Euripides‘ Antiope und Plato’s Gorgias (esp. the agon between Zethos and Amphion and the agon between Callicles and Socrates, then the deus ex machina in the Antiope and the myth of the afterlife in the Gorgias). It is argued that the final part of the Gorgias is a serious philosophical answer to the tragic aporias, which Euripides dramatically staged in his Antiope (that is the aporia of supposed (...) and real kinship as well as the aporia of traditional revenge ethics) and which the viewer should answer for himself according to the conception of Euripidean tragedy. (shrink)