Plato: Perception

This is an essay on perfection and its objects in the Timaeus. Two features of this work are noteworthy. First, the emphasis throughout is on Timaeus' views and not Plato's. Second, I show how broader aspects of Timaeus' cosmology are directly relevant to his philosophy of perception.

Aristotle is famous for thinking that all our knowledge comes from perception. But it's not immediately clear what this view is meant to entail. It's not clear, for instance, what perception is supposed to contribute to the more advanced forms of knowledge that derive from it. Nor is it clear how we should understand the nature of its contribution—what it might mean to say that these more advanced forms of knowledge are "derived from" or "based on" what we perceive. Aristotle (...) is often thought to have disappointingly little to say on these matters. I argue here that this thought is mistaken: a coherent and philosophically attractive view of perceptual knowledge can be found in the various texts in which Aristotle discusses perception's role in animal life, the cognitive resources on which it does and does not depend, and the relation it bears to practical and theoretical modes of understanding. This book offers a sustained examination of these discussions and their epistemological, psychological, and ethical implications. It defends an interpretation of Aristotle as a moderate sort of empiricist, who thinks that we can develop sophisticated forms of knowledge by broadly perceptual means—and that we therefore share an important part of our cognitive lives with nonrational animals—but also holds that our intellectual powers allow us to surpass these animals in certain ways and thereby develop distinctively human forms of understanding. (shrink)

This paper defends a reading of eikasia—the lowest kind of cognition in the Divided Line—as a kind empirical cognition that Plato appeals to when explaining, among other things, the origin of ethical error. The paper has two central claims. First, eikasia with respect to, for example, goodness or justice is not different in kind to eikasia with respect to purely sensory images like shadows and reflections: the only difference is that in the first case the sensory images include representations of (...) value properties. Second, eikasia is not the bare awareness of images or simply a label for an error (mistaking image for original) but a kind of empirical, image-confined cognition, and one that has an important part to play in characterising the cognitive abilities of the non-rational parts of the soul. (shrink)

This paper is a test case for the claim, made famous by Myles Burnyeat, that the ancient Greeks did not recognize subjective truth or knowledge. After a brief discussion of the issue in Sextus Empiricus, I then turn to Plato's discussion of Protagorean views in the Theaetetus. In at least two passages, it seems that Plato attributes to Protagoras the view that our subjective experiences constitute truth and knowledge, without reference to any outside world of objects. I argue that these (...) passages have been misunderstood and that on the correct reading, they do not say anything about subjective knowledge. I then try out what I take to be the correct reading of the passages. The paper concludes with a brief discussion of the importance of causes in Greek epistemology. (shrink)

The paper offers an interpretation of a disputed portion of Plato’s Theaetetus that is often called the Secret Doctrine. It is presented as a process ontology that takes two types of processes, swift and slow motions, as fundamental building blocks for ordinary material objects. Slow motions are powers which, when realized, generate swift motions, which, in turn, are subjectively bundled to compose sensible objects and perceivers. Although the reading of the Secret Doctrine offered here—a new version of the “Causal Theory (...) interpretation”—is not without problems, these problems are acknowledged in Plato’s text, confirming that this interpretation is correct. (shrink)

Liu argues that Plato’s account of phantasia in the Sophist reveals Plato’s “deep epistemic worry about perceptual experience” (Liu, 2016, p. 175). The purpose of this paper is to identify more precisely the nature and extent of Plato’s epistemic worry. Liu claims that Plato is worried about phantasiai because, “one’s perception-based belief reflects a distorted picture of things,” but by not fully explaining the nature of this worry, Liu leaves the reader with the impression that Plato regards all phantasiai as (...) inherently faulty and inferior (Liu, 2016, p. 182). This is reminiscent of Cornford’s claim that Plato would likely give the advice, “To find reality you would do better to shut your eyes and think” (Cornford, 1937, p. 31). I argue that this is not at all what Plato would advise. In what follows, I will clarify and emphasize certain details of Plato’s account of phantasia so that we can understand more precisely what Plato’s “deep epistemic worry” really is. (shrink)

In book 10 of the Republic we find a new argument for the division of the soul. The argument’s structure is similar to the arguments in book 4 but, unlike those arguments, it centres on a purely cognitive conflict: believing and disbelieving the same thing, at the same time. The argument presents two interpretive difficulties. First, it assumes that a conflict between a belief and an appearance—e.g. disbelieving that a stick partially immersed in water is, as it appears, bent—entails a (...) conflict between beliefs. Prima facie, there is only one belief, the belief that contradicts the appearance. Second, it is unclear what parts of the soul Plato intends to divide between: some argue that it is, as in book 4, a partition between a rational and a non-rational part; others argue that it is a new partition between a higher and a lower subdivision of the rational part. This paper offers solutions to both difficulties through an analysis of what Plato means by φαινόμενα, ‘appearances’, and δόξαι, ‘beliefs’. It is argued, first, that the relevant appearances are entirely sensory but nonetheless sufficiently belief-like to (a) warrant being called δόξαι and (b) oppose, by themselves, our beliefs; there is no need for a third mental state, a belief that assents to the appearance. A second claim concerns a central line in the argument, 602e4–6, that has served as the primary evidence that the partition is within the rational part of the soul. Those who wish to avoid this conclusion generally resort to alternative, and less natural, translations of 602e4–6. It is argued that this is unnecessary: once we have correctly understood sensory appearances, we see that the standard translation of 602e4–6 in fact entails a division between a rational and a non-rational part of the soul. (shrink)

A new volume on one of the most influential and most discussed works from antiquity should offer something new. In this truly interdisciplinary volume, a great number of intriguing problems posed by Plato's Timaeus are given a fresh and lucid treatment. Contributors from an unusual range of backgrounds reflect on aspects of Plato's astounding synthesis of natural philosophy, including cosmology, theology, perception, physiology, and more. Plato's synthesis was original, reusing previous ideas for a new vision of the structure and coherence (...) of the physical world: his "likely account" (Tim. 29bc) (as he preferred to call it) showed that a Maker or Creator used a form of "geometric atomism" to build up the universe .. (shrink)

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This book collects texts from three specialists in ancient philosophy which deal with the question of perceptive and intellective knowledge in antiquity. They try to present, in their different analyzes, the complex interrelationship among perception and thought in ancient authors, like Heraclitus, Parmenides, Democritus, Plato and Aristotle. The purpose of the texts is to expose the visible field - the perceptual knowledge domain - interacts with the invisible - the domain of reason and thought. In other words, that among them (...) there is no a radical separation of these two areas, although they are clearly distinct. (shrink)

Psiche sets up a close-knit comparison between the psychology of Plato's Republic and Freud's psychoanalysis. Convergences and divergences are discussed in relation both to the Platonic conception of the oneiric emergence of repressed desires that prefigures the main path of Freud's subconscious, to the analysis of the psychopathologies related to these theoretical formulations and to the two diagnostic and therapeutic approaches adopted. Another crucial theme is the Platonic eros - the examination of which is also extended to the Symposium and (...) Phaedrus - taken up explicitly by Freud in relation to the concept of libido. Finally, the author also addresses the two themes - of, inter alia, a metapsychological nature - inherent to the moral dimension. -/- Psiche istituisce un confronto ravvicinato tra la psicologia della "Repubblica" di Platone e la psicoanalisi di Freud. Convergenze e divergenze vengono discusse in relazione sia alla concezione platonica dell'emersione onirica dei desideri repressi, che prefigura la via regia per l'inconscio di Freud, sia all'analisi delle psicopatologie correlate a tali impostazioni teoriche, sia ai due approcci diagnostici e terapeutici adottati. Altro tema cruciale è l'eros platonico - la cui disamina viene estesa anche al "Simposio" e al "Fedro" - ripreso esplicitamente da Freud in relazione al concetto di libido. L'autore affronta, infine, le due tematizzazioni, di natura metapsicologica e non solo, inerenti alla dimensione morale. (shrink)

The early Greek Stoics were the first philosophers to recognize the object of normal human perception as predicative or propositional in nature. Fundamentally we do not perceive qualities or things, but situations and things happening, facts. To mark their difference from Plato and Aristotle, the Stoics adopted phantasia as their word for perception.

This volume, including sixteen contributions, analyses ancient and medieval theories of intentionality in various contexts: perception, imagination, and intellectual thinking. It sheds new light on classical theories and examines neglected sources, both Greek and Latin.

I argue that Plato's purpose in the discussion of false belief in the "Theaetetus" is to entertain and then to reject the idea that thinking is a kind of mental grasping. The interpretation allows us to make good sense of Plato's discussion of 'other-judging' (189c-190e), of his remarks about mathematical error (195d-196c), and most importantly, of the initial statement of the puzzle about falsity (188a-c). That puzzle shows that if we insist on conceiving of the relation between thought and its (...) objects on the model of holding or grasping something in our hands, we will be unable to account for the possibility of false identity judgments: For no one who is literally grasping two things in his hands would seriously entertain the idea that one of the things is numerically identical with the other. (shrink)

I argue that Plato's purpose in the discussion of false belief in the "Theaetetus" is to entertain and then to reject the idea that thinking is a kind of mental grasping. The interpretation allows us to make good sense of Plato's discussion of 'other-judging' (189c-190e), of his remarks about mathematical error (195d-196c), and most importantly, of the initial statement of the puzzle about falsity (188a-c). That puzzle shows that if we insist on conceiving of the relation between thought and its (...) objects on the model of holding or grasping something in our hands, we will be unable to account for the possibility of false identity judgments: For no one who is literally grasping two things in his hands would seriously entertain the idea that one of the things is numerically identical with the other. (shrink)

Though the two-world interpretation of Plato's metaphysics is no longer uncontested the question of the expendability of the physical world still predominates current discussions. Against this tendency the article suggests that Plato neither intended to dispose of sensory evidence altogether nor to locate the Forms in a separate realm of pure understanding. The Forms should rather be understood as the ideal principles determining the proper function of each entity. Such a 'functional view' of the Forms is discussed explicitly in Book (...) X of the Republic, but it can easily be extended to account for Plato's use of the Forms elsewhere. (shrink)

In the Phaedo, Socrates endorses the view that the senses are not a means whereby we may come to gain knowledge. Whenever one investigates by means of the senses, one is deceived. One can attain truth only by inquiry through intellect alone. It is a measure of the success of empiricism that modern commentators take a very different approach to Phaedo 65a9-67b3 than their neoplatonist forebearers did. In what follows I shall argue that, if they made too much of "Socrate's" (...) anti-empiricism, we make too little of it.I believe that careful examination of the presuppositions of Socratic questioning will reveal some principled reasons which lead to the view about sense perception that Socrates endorses in the Phaedo. These reasons are, I believe, wrong and I think that Plato may have had occassion to reconsider them later in his career. But even if this is so, it remains that Socrates' anti-empiricism in this dialogue is not simply a gratuitous epistemological reflection of the dialogue's otherworldly, ascetic ethical outlook. (shrink)

I ask whether the Recollection argument commits Socrates to the view that our only source of knowledge of the Forms is sense perception. I argue that Socrates does not confine our presently available sources of knowledge to empirically based recollection, but that he does think that we can't begin to move towards a philosophical understanding of the Forms except as a result of puzzles prompted by the shortfall of particulars in relation to the Forms, and hence that our awareness of (...) the Forms is first prompted by sense-perception. This leaves open the possibility that once that critical awareness of the Forms is established, further reflection at a conceptual level may lead to continued recollection and learning without further input from the senses, and that this approach is what is recommended for the more advanced philosopher. Hence the position endorsed by Socrates in the Phaedo, recommending that the philosopher get in training for death, fleeing as far as is possible from the bodily senses which only distract, is consistent with the position on sense perception in the Recollection argument. The senses are treated as a necessary prompt to reflection, not because they provide our best source of knowledge, but because we start life tied to the senses and believing their objects important. (shrink)

I ask whether the Recollection argument commits Socrates to the view that our only source of knowledge of the Forms is sense perception. I argue that Socrates does not confine our presently available sources of knowledge to empirically based recollection, but that he does think that we can't begin to move towards a philosophical understanding of the Forms except as a result of puzzles prompted by the shortfall of particulars in relation to the Forms, and hence that our awareness of (...) the Forms is first prompted by sense-perception. This leaves open the possibility that once that critical awareness of the Forms is established, further reflection at a conceptual level may lead to continued recollection and learning without further input from the senses, and that this approach is what is recommended for the more advanced philosopher. Hence the position endorsed by Socrates in the Phaedo, recommending that the philosopher get in training for death, fleeing as far as is possible from the bodily senses which only distract, is consistent with the position on sense perception in the Recollection argument. The senses are treated as a necessary prompt to reflection, not because they provide our best source of knowledge, but because we start life tied to the senses and believing their objects important. (shrink)

The standard interpretation of "Theaetetus" 152-160 has Plato attribute to Protagoras a relativistic theory of truth and existence. It is argued here that in fact the individuals of Protagorean worlds are inter-Personal. (thus the Protagorean theory has public objects, but private truth). Also, a new interpretation is offered of Plato's use of heraclitean flux to model relativism. The philosophical and semantic consequences of the interpretation are explored.

The question contrasts two ways of expressing the role of the sense organ in perception. In one the expression referring to the sense organ is put into the dative case ; the other is a construction with the preposition δiá governing the genitive case of the word for the sense organ.

The present essay grew out of an inte:rest in exploring the relationship be tween "imagination" and "reason" in the history of naturalistic thinking. The essay tries to show something of the spirit of naturalism coming to terms with the place of imagination and reason in knowing, making, and doing as activities of human experience. This spirit is discussed by taking as its point of departure the thinking of five writers: Plato, Aristotle, Giam battista Vieo, Jean-Jacques Rousseau, and John Keats. Plato (...) and Aristotle are considered as spokesmen of reason in a world which appeared to be dominated by non-reason. They found it essential for human beings to try to learn how to distinguish between the work of imagin ation and the work of reason. In trying to make such a distinction, it becomes clear that imagination has its legitimate place, along with reason, in human activity. Or we might say that determining the place which each has is a continuing problem when human beings take seriously what is involved in shaping mind and character. (shrink)

"theaetetus" of the thesis that knowledge is sense-perception. After a brief defence of plato's handling of this thesis it is shown how the argument can, by the addition of one premiss, be rendered valid. A strong form of the 'proper objects' doctrine of perception is revealed as a crucial premiss. An implication of the argument is seen to be that perception in itself is unable to found an ordered and coherent picture of the world. A similar point, it is argued, (...) lies behind certain passages in the central books of the "republic". A tentative conclusion is that in the "theaetetus" plato retains and indeed sharpens the views about the sensible world which he expresses in the "republic". (shrink)

Possibility of falsehood arises in the early parts of plato's "sophist". I argue that the participants in the dialogue operate with two related analogies, one which considers spoken images to be fundamentally like seen images, and another analogy which considers the objects of stating or believing to be like the objects of perceiving. (the second analogy has parallels in "theaetetus" 188c-189b). These analogies lead to confusions which plato attempts to dispel in the later portions of the "sophist".

Translated by the noted classical scholar Francis M. Cornford, this edition of two masterpieces of Plato's later period features extensive ongoing commentaries by Cornford that provide helpful background information and valuable insights. The Theatetus offers a systematic treatment of the question, "What is knowledge?" with most of the dialogue taking place between Socrates and the student Theatetus. Among the answers they explore: knowledge as perception; knowledge as true belief; knowledge as true belief plus an account (i.e., a justified true belief); (...) as well as variations on each of these answers. The Sophist, a related dialogue, follows Socrates' cross-examination of a self-proclaimed true philosopher, the Stranger from Elea, on the distinction between philosophers, statesmen, and sophists. (shrink)

Now with extra footnotes, by editorial demand! -/- This essay consists in a trick and a potential insight. The trick consists in a minimalist interpretation of color mixture. The account of color mixture is minimalist in the sense that, given certain background assumptions, there is no more to Timaeus’ account of color mixture than the list of the chromatic pathēmata and the list of how these combine to elicit perceptions of all the colors. The only potential controversial elements of the (...) minimalist interpretation are the relevant background assumptions and the interpretation of the chromatic pathēmata. The potential insight concerns a motive that Plato, in the guise of Timaeus, may have for presenting an account of color mixture. Specifically, I shall argue that on the minimalist interpretation, Plato may be read as reconciling the Democritrean four color scheme with an older tradi- tion where white and black are the fundamental chromatic opposition. As we shall see, this bears on the interpretation of the chromatic pathēmata. (shrink)