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Subcategories:History/traditions: Fiction

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  1. Entrevista a Hugo Burel.Jesús Miguel Delgado Del Aguila - 2021 - Cuadernos Del Hipogrifo. Revista Semestral de Literatura Hispanoamericana y Comparada 16 (16):87-96.
    José Hugo Burel Guerra nació el 23 de marzo de 1951 en Montevideo (Uruguay). Desde 2017 es miembro de número de la Academia Nacional de Letras del Uruguay (ANL), institución a la cual ingresó con su discurso titulado «Ismael». Es licenciado en Letras por el Instituto de Filosofía, Ciencias y Letras (que se conoce en la actualidad como UCUDAL) y la Pontificia Universidad Católica de Río Grande do Sul. Aparte de ser escritor, se ha desempeñado como músico, publicista, diseñador gráfico, (...)
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  2. Estratificación violenta en los personajes de La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Ciencias Sociales y Humanidades 8 (2):1-13.
    Este artículo examina La ciudad y los perros (1963) de Mario Vargas Llosa para fundamentar cómo se logra la estratificación teórica de estilos y técnicas que se emplean para abordar la violencia en el texto. Sobre la epistemología, recurre principalmente a Todorov, Hamburger, Lotman y Genette. Y, para argumentar la manifestación de la violencia, considera las eventualidades que padecen los personajes del Colegio Militar Leoncio Prado; en especial, el Jaguar, el Poeta y el Esclavo. Esas acciones serán justificadas por la (...)
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  3. Construcción teórica del campo figurativo para el análisis lírico.Jesús Miguel Delgado Del Aguila - 2021 - Colloquia. Revista de Pensamiento y Cultura 8 (8):112-122.
    Durante años, el estudio de la retórica ha incluido figuras que permiten el análisis de la poesía, como también, la creación diversificada según los múltiples estilos. Al respecto, en este artículo, se extraerá la propuesta fundamentada por Stefano Arduini, quien establece la noción de campo figurativo, como un ordenador de lineamientos subjetivos, propios del raciocinio, de la que se infieren seis subclasificaciones: la metáfora, la metonimia, la sinécdoque, la elipsis, la antítesis y la redundancia, además de los tropos internos que (...)
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  4. Desarrollo de la Literatura boliviana contemporánea: entrevista a Blithz Lozada Pereira en julio de 2021.Jesús Miguel Delgado Del Aguila - 2021 - Nueva Revista Del Pacífico 75 (75):312-314.
    Blithz Lozada Pereira nació en Oruro (Bolivia) en 1964. Es miembro de número de la Academia Boliviana de la Lengua desde el 2009, fecha en la que expuso su discurso “La educación del indio en el pensamiento filosófico de Franz Tamayo”, con el que fue admitido. Es miembro honorario de la Asociación Peruana de Educación Intercultural. Ha sido coordinador, director, consultor y organizador de investigaciones y eventos académicos e institucionales. Obtuvo la licenciatura en Filosofía, así como realizó estudios de posgrado (...)
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  5. Formación en Escritura Creativa para un desenvolvimiento como crítico, narrador y educador. Entrevista a Ángel Misari.Jesús Miguel Delgado Del Aguila - 2021 - Plurentes. Artes y Letras 12 (12):1-4.
    En este trabajo, se realizó una entrevista al docente Ángel Misari, quien explica cómo aplica sus conocimientos adquiridos en la Maestría en Escritura Creativa que hizo en la Universidad Nacional Mayor de San Marcos. Su intervención es de utilidad, ya que profundizará en la transferencia oportuna de ese saber en tres ámbitos: en su función como crítico de la producción artística, en su interés ficcional en la parte creativa y en la educación con estudiantes. En suma, la experiencia que manifiesta (...)
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  6. Estudios críticos sobre la instrucción militar en La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Plurentes. Artes y Letras 12 (12):1-9.
    El propósito de este artículo es sistematizar los estudios críticos acerca del adiestramiento castrense en los personajes de La ciudad y los perros (1963). Para conseguirlo, se confrontará con la hermenéutica de Gadamer, orientada a la propalación de estrategias heurísticas y taxonomías que consoliden el corpus de la novela cotejada. Así, se reconocerá el efecto que cumplen las variantes extrínsecas de la lectura, tales como las jerarquías y las percepciones idóneas y erróneas de la educación del Colegio Militar Leoncio Prado. (...)
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  7. Enseñanza de la Literatura española en contextos universitarios peruanos. Entrevista a María Luisa Roel Mendizabal.Jesús Miguel Delgado Del Aguila - 2022 - Estudios Λambda. Teoría y Práctica de la Didáctica En Lengua y Literatura 7 (1):1-5.
    Esta entrevista retoma la experiencia de enseñanza de la profesora María Luisa Roel en función de la producción literaria de España. El objetivo es interiorizar sobre cómo esta se ha transferido en el ámbito de educación universitaria. A partir de la trayectoria de la docente, se brinda un panorama de cómo los estudiantes de la carrera profesional de Literatura acatan el conocimiento y la lectura de autores españoles, como Miguel de Cervantes. De igual forma, se mencionan dos momentos históricos en (...)
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  8. Construcción viril con la experiencia femenina en La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2022 - Revista Científica Del Sistema de Estudios de Postgrado (SEP) 5 (1):25-32.
    OBJETIVO: establecer una taxonomía a partir de las mujeres que se plasman en La ciudad y los perros. Asimismo, se explicará cuál es el rol de cada tipología hallada que se involucra en el desarrollo de los cadetes. MÉTODO: se confrontará con la teoría sociológica y los estudios críticos que se han hecho sobre la obra literaria para determinar en qué medida los personajes aludidos están en una correspondencia ineludible con las mujeres. RESULTADOS: se consiguió clasificar el propósito de los (...)
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  9. Correspondencia humanista en el discurso ensayístico vargasllosiano con La ciudad y los perros.Jesús Miguel Delgado Del Aguila - forthcoming - Revista de Letras.
  10. Medical Ethics Through the Star Trek Lens.James Hughes & John Lantos - 2001 - Literature and Medicine 1 (20):26-38.
    Star Trek scripts have often grappled with dilemmas of medical ethics. The most explicitly medical-ethics-oriented Star Trek episode is named, aptly enough, “Ethics.” The script was written by Sara Charno and Stuart Charno, authors of two other Star Trek episodes. “Ethics” first aired on 2 March 1992. In the fall of 1992, we began to use this “Ethics” episode to motivate discussions in our first-year medical students’ course on medical ethics and the doctor-patient relationship. We asked students to write essays (...)
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  11. Aliens, Technology and Freedom: SF Consumption and SocioEthical Attitudes.James Hughes - 1995 - Futures Research Quarterly 4 (11):39-58.
    As we enter the 21st century, we do well to consider the values implicit in science fiction, the principal arena of future speculation in popular culture. This study explored whether consumption of science fiction (SF) is correlated with distinctive socio-ethical views. SF tends to advocate the extension of value and rights to all forms of intelligence, regardless of physical form; enthusiasm for technology; and social and economic libertarianism. This suggests that consumers with these socio-ethical views would be attracted to the (...)
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  12. Curiosidad clasificatoria y cultura nacional en el Reino Unido entre los siglos XVIII y XIX. Reseña de Harriet Ritvo, The Platypus and the Mermaid and Other Figments of the Classifying Imagination, Cambridge, Harvard University Press, 1997. [REVIEW]Biani Paola Sánchez López -
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  13. Chhi: An Enquiry Into Vilas Sarang’s Selected Works.Arijeet Mandal - 2021 - Teresian Journal of English Studies 13 (3):39-50.
    The following essay tries to lay down an introductory analysis of the concept of disgust, and apply the very same ideas as an analytical tool for selected literary works by a Marathi/English bilingual author. Disgust is a universal emotion among humans, however, the conditions under which each person feels disgust are largely determined by their cultural conditioning. Vilas Sarang is an author who wrote several short stories that were published in different magazines between the 1970s to 1980s, later some of (...)
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  14. Being Quasi-Moved: A View From the Lab.Jérôme Pelletier - 2019 - In Florian Cova & Sébastien Réhault (eds.), Advances in experimental philosophy of aesthetics. Bloomsbury. pp. 123-141.
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  15. El desorden del abismo.Estefania Cubaque - 2014 - Boletín de Matemáticas. En: Universidad Nacional de Colombia 21 (2):141-153.
    Los Alephs de Borges se distinguen de los Alefs de Cantor. ¿Qué son aparte de infinitud? ¿Dónde viven? ¿Qué hacen? Este escrito es una invitación a la imaginación ante la dialéctica entre la Teoría de Conjuntos cantarina y la Poesía Múltiple borgesiana. Enfrentaremos entonces lo profundo, el corazón, la invención en esos dos autores, revisando en particular ideas de densidad, asintoticidad, fractalidad. Nuestro pensamiento se expande a partir de la Teoría de Conjuntos, pero solo Borges puede distorsionar algo tan sublime, (...)
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  16. Análisis de la realidad textual en Niebla (1914) de Miguel de Unamuno.Jesús Miguel Delgado Del Aguila - 2021 - Sincronía 25 (80):293-313.
    Considerando el contexto bélico y el surgimiento de las vanguardias a inicios del siglo XX, fundamento en este trabajo las razones por las cuales la presencia del concepto de nivola, atribuida por Miguel de Unamuno para hacer referencia a la técnica literaria que emplea en su novela Niebla (1914), suscita una confrontación posible entre universos compuestos por elementos de la realidad y lo virtual. En ese sentido, será propicio explicar el procedimiento que origina esa colisión de planos establecidos. Para ello, (...)
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  17. Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind by Jonathan Gilmore. [REVIEW]Nicholas Wiltsher - 2021 - Estetika: The European Journal of Aesthetics 58 (1):95-99.
    A book review of Jonathan Gilmore. Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind. New York and London: Oxford University Press, 2020, x + 258pp. ISBN978-0-19-009634-2.
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  18. A Puzzle About Imagining Believing.Alon Chasid - forthcoming - Review of Philosophy and Psychology:1-19.
    Suppose you’re imagining that it’s raining hard. You then proceed to imagine, as part of the same imaginative project, that you believe that it isn’t raining. Such an imaginative project is possible if the two imaginings arise in succession. But what about simultaneously imagining that it’s raining and that you believe that it isn’t raining? I will argue that, under certain conditions, such an imagining is impossible. After discussing these conditions, I will suggest an explanation of this impossibility. Elaborating on (...)
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  19. Imaginative Immersion, Regulation, and Doxastic Mediation.Alon Chasid - 2021 - Synthese 199 (3-4): 1-43.
    This paper puts forward an account of imaginative immersion. Elaborating on Kendall Walton’s thesis that imagining aims at the fictional truth, it first argues that imaginings are inherently rule- or norm-governed: they are ‘regulated’ by that which is presented as fictionally true. It then shows that an imaginer can follow the rule or norm mandating her to imagine the propositions presented as fictional truths either by acquiring explicit beliefs about how the rule (norm) is to be followed, or directly, without (...)
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  20. Jeeves Resumes Charge.S. Subramanian - 2020 - Philosophy and Literature 44 (2):495-500.
    The following is a sequel to the narrative "Jeeves Takes Charge," first published in the Saturday Evening Post of November 1916, in which Lady Florence Craye is reported to have plans for getting Bertie Wooster to read Nietzsche. The threat, in the present account, is executed. While it is not clear if the provenance of this sequel can actually be traced back to P. G. Wodehouse, the submitter has expressed the strong belief that the piece stands an excellent chance of (...)
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  21. Science Fiction and Methodology.Arthur C. Petersen - 2020 - Zygon 55 (3):573-576.
  22. Diseases of the Head: Essays on the Horrors of Speculative Philosophy.Matt Rosen (ed.) - 2020 - New York, NY, USA: Punctum Books.
    This is a collection of essays from contemporary philosophers, artists, and writers on the intersection of speculative philosophy and speculative horror fiction. The book contains fourteen essays and an introduction. I edited the book and wrote the introduction. Topics considered include human extinction; anonymity, otherness, and alienation; whether horror is a genre; and the relationship between speculation and Kant’s critical philosophy.
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  23. Parker’s Black? A Rereading of Race in Flannery O’Connor’s "Parker’s Back".Christine Grogan - 2020 - Renascence 72 (1):25-42.
    Contributing to the uneasy question of race in Flannery O’Connor's fiction, this article performs a rereading of the last story she penned—“Parker’s Back”—and argues that her final protagonist may have been a product of miscegenation. It discusses the implications this would have on our understanding of this spiritually rich story, and, perhaps even more importantly, of O’Connor’s views on race at the end of her life.
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  24. Hingabe Als Weg in den Untergang.Johannes Frankow - 2019 - Zeitschrift für Religions- Und Geistesgeschichte 71 (3):259-284.
  25. Obras de ficción, formas de conciencia y literatura. [REVIEW]Josep E. Corbí - 2017 - Critica 49 (145):91-112.
    Relatar lo ocurrido como invención: una introducción a la filosofía de la ficción contemporánea ofrece al lector en castellano una magnífica oportunidad para familiarizarse con algunos aspectos centrales de la filosofía del lenguaje contemporánea y sus implicaciones para la teoría de la ficción. García-Carpintero recorre los argumentos fundamentales en favor y en contra de cada una de las posiciones relevantes, y nos propone finalmente un análisis alternativo de la norma de la ficción y una teoría neofregeana de los términos referenciales (...)
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  26. Walton's Quasi-Emotions Do Not Go Away.Miguel F. Dos Santos - 2017 - Journal of Aesthetics and Art Criticism 75 (3):265-274.
    The debate about how to solve the paradox of fiction has largely been a debate between Kendall Walton and the so-called thought theorists. In recent years, however, Jenefer Robinson has argued, based on her affective appraisal theory of emotion, for a noncognitivist solution to the paradox as an alternative to the thought theorists’ solution and especially to Walton's controversial solution. In this article, I argue that, despite appearances to the contrary, Robinson's affective appraisal theory is compatible with Walton's solution, at (...)
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  27. Medieval French Literature and the Crusades D. A. Trotter.William Kibler - 1989 - Speculum 64 (4):1044-1045.
  28. Shakespeare, the Stage, and the State.Louis Montrose - 1996 - Substance 25 (2):46.
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  29. Sex and Modern Fiction.Bernard Bergonzi - 1972 - New Blackfriars 53 (623):148-154.
  30. On Alan Goldman's Philosophy and the Novel.Richard Eldridge - 2015 - Philosophy and Literature 39 (2):564-571.
    It is worth at least a moment to note and praise Alan Goldman’s methodological stance in Philosophy and the Novel.1 Goldman reflects appreciatively on the achievements of specific novels in order to arrive at philosophically interesting results about interpretation and moral understanding. In his appreciative reflections, Goldman is aware of, but by no means bound by, recent work in experimental moral psychology and metaethics. The result is a powerful demonstration not only of the human, cognitive, and ethical interest of the (...)
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  31. The Generalization of Holocaust Denial: Meyer Levin, William James, and the Broadway Production of The Diary of Anne Frank.James Duban - 2015 - Philosophy and Literature 39 (1A):234-248.
    In his essay “Pragmatism and Humanism,” William James recalls a friend’s disappointment that the “prodigious star-group” known as the Big Dipper “should remind us Americans of nothing but a culinary utensil.”1 Such, presumably, is the fault of generalization, though James himself is less than specific in illustrating the occasional parity of varied perspectives. For example, he posits two identical equilateral triangles, one inverted and overlapping the other, and notes, “You can treat the adjoined figure as a star, as two big (...)
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  32. Zwischen Tabus und Klischees: Gerechtigkeit? Das andro-anthropologische Muster in "Science" und "Fiction".Ute Frietsch - 2003 - Die Philosophin 14 (27):65-82.
  33. A Critical Response to Heidi M. Silcox’s “What’s Wrong with Alienation?”.Anthony Squiers - 2015 - Philosophy and Literature 39 (1):243-247.
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  34. The Weighing of Our Words.David Wemyss - 2015 - Philosophy and Literature 39 (1):233-242.
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  35. Philosophers Into Fiction.Theodore Ziolkowski - 2015 - Philosophy and Literature 39 (1):271-284.
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  36. An “Empirical Science” of Literature.Edmund Nierlich - 2005 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 36 (2):351-376.
    In this article the outlines are sketched of an empirical science of literature as close as possible to the model of the natural sciences. This raises the question of what the standards of an empirical science in the strictest sense should generally be. Practical relevance of its results soon turns up as the fundamental condition for an explanatory empirical science, if the ideology of nearing an empirical truth is no longer accepted and a mere pragmatic justification rejected as its insufficient (...)
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  37. Bernard Harrison, What Is Fiction For? Literary Humanism Restored . ISBN 978‐0‐253‐01406‐1 978‐0‐253‐01408‐5 978‐0‐253‐01412‐2 , Xxvi + 594, Price £22.99 Pb. [REVIEW]Ian Robinson - 2016 - Philosophical Investigations 39 (2):192-195.
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  38. To Be, or Not to Be in Bad Faith: The Tragedy of Hamlet’s Superficial Reading of Sartre’s Waiter.Oliver George Downing - 2014 - Philosophy and Literature 38 (1):254-265.
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  39. Infinity Breeds Contempt: The Social Critiques of the Tragically Immortal Narrator in Samuel Beckett’s Malone Dies.Mohammadreza Arghiani - 2014 - Philosophy and Literature 38 (1):242-253.
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  40. Augustine’s Confessions and the Transcendental Ground of Consciousness, or How Literary Narrative Becomes Prophetic Revelation.William Franke - 2014 - Philosophy and Literature 38 (1):204-222.
  41. Philosophy and the Bible: The Case of Open Theism.Don Levi - 2014 - Philosophy and Literature 38 (1):169-187.
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  42. Literature and Possible Worlds.C. R. Gabriel - 1984 - Philosophy and Literature 8 (2):304-305.
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  43. Literature and Negation.Andrea Nye - 1980 - Philosophy and Literature 4 (2):277-278.
  44. Tragic Play: Irony and Theater From Sophocles to Beckett.James Phillips (ed.) - 2009 - Cambridge University Press.
    _Tragic Play_ explores the deep philosophical significance of classic and modern tragedies in order to cast light on the tragic dimensions of contemporary experience. Romanticism, it has often been claimed, brought tragedy to an end, making modernity the age _after_ tragedy. Christoph Menke opposes this modernist prejudice by arguing that tragedy remains alive in the present in the distinctively new form of the playful, ironic, and self-consciously performative. Through close readings of plays by William Shakespeare, Samuel Beckett, Heiner Müller, and (...)
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  45. Philosophy and the Novel. [REVIEW]Mary Edwards - 2015 - British Journal of Aesthetics 55 (2):263-265.
  46. The Philosophy of Literature.Peter Lamarque - 2008 - Wiley-Blackwell.
    By exploring central issues in the philosophy of literature, illustrated by a wide range of novels, poems, and plays, _Philosophy of Literature_ gets to the heart of why literature matters to us and sheds new light on the nature and interpretation of literary works. Provides a comprehensive study, along with original insights, into the philosophy of literature Develops a unique point of view - from one of the field's leading exponents Offers examples of key issues using excerpts from well-known novels, (...)
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  47. The Philosophy of Art.Stephen Davies - 2006 - Wiley-Blackwell.
    Written with clarity, wit, and rigor, _The Philosophy of Art_ provides an incisive account of the core topics in the field. The first volume in the new _Foundations of the Philosophy of the Arts_ series, designed to provide crisp introductions to the fundamental general questions about art, as well as to questions about the several arts. Presents a clear and insightful introduction to central topics and on-going debates in the philosophy of art. Eight sections cover a wide spectrum of topics (...)
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  48. Once-Told Tales: An Essay in Literary Aesthetics.Peter Kivy - 2011 - Wiley-Blackwell.
    Drawing comparisons with other art forms, this book examines the role of aesthetic features in silent reading, such as narrative structure, and the core experience of reading a novel as a story rather than a scholarly exercise. Focuses on the experience of the art form known as the novel Uses the more common perspective of a reader who reads to be told a story, rather than for scholarly or critical analysis Draws comparisons with experience of the other arts, music in (...)
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  49. Philosophy of Literature.Severin Schroeder (ed.) - 2010 - Wiley-Blackwell.
    _Philosophy of Literature_ presents six newly-commissioned essays from international scholars that address some of the key issues relating to the philosophy of literature, a thriving and increasingly influential branch of aesthetics Features a half dozen newly commissioned articles from leading scholars in the field of philosophy of literature Focuses on a branch of aesthetics that has not received the attention it deserves Includes a reading on the historical relationship between philosophy and literature with recent developments and projections for the future (...)
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  50. The Philosophy of Literature: Contemporary and Classic Readings - an Anthology.Eileen John & Dominic McIver Lopes (eds.) - 2004 - Wiley-Blackwell.
    Essential readings in the philosophy of literature are brought together for the first time in this anthology. Contains forty-five substantial and carefully chosen essays and extracts Provides a balanced and coherent overview of developments in the field during the past thirty years, including influential work on fiction, interpretation, metaphor, literary value, and the definition and ontology of literature Includes an additional historical section featuring generous selections of the writings of early pioneers such as Plato, Aristotle, Nietzsche, and Hume Serves as (...)
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