Existentialism

In contemporary debates in philosophy of medicine medical humanities are gaining ground in a discipline that was for many years dominated by bioethics. Phenomenology, with its focus on human experience, and a long history of interest in illness as boundary cases of human existence, turns up as a tradition with a lot to offer in this context. In their introduction to the Edinburgh Companion in Critical Medical Humanities Whitehead & Woods thus mention phenomenology as one of two key traditions within (...) what can be called second wave medical humanities (Whitehead & Woods 2016, 11). In this spirit, the collection of essays in Kevin Aho’s inspiring publication is an invitation to join the exploration of phenomenology and existential medicine and find new potentials for philosophy of medicine within these traditions. (shrink)

My paper proposes a tentative framework of bio-existential semiotics based on a reading of Peirce, Darwin, Heidegger, Tarasti, and others. According to this view, there is an evolutionary continuum to life. Human beings are natural organisms and they exhibit many similar bio-existential phenomena. Natural evolution also produces the anthropological, societal and global semiotic processes that constitute cultural evolution as an outgrowth. In the bio-existential perspective, the world is composed of imperfect systems and imperfect consciousnesses where every lifeform must struggle for (...) its existence. Every “Dasein” must face the fact that it must die because it cannot comprehend or control the universe in its totality. This is why life and existence are “tragic” phenomena. Every bio-existential Dasein is a partial comprehension of the universe, and the only way the universe can comprehend itself is through these partial perspectives, which are born to imperfection and die in imperfection, but whose imperfection is of the essence of the universe. This is why bio-existentialism makes for a “tragic” perspective: we are mortals, and all mortals must die. Nonetheless, there is also hope and optimism in this view of life. In conceiving of existence as having certain universal principles that extend from biology to sociology, semioticians and philosophers can formulate new ways of looking at the world. Together with scientists and artists, they can hopefully work towards a better – or at least more refined – ethical attitude towards science, nature and society. (shrink)

Liberal-minded basic income scholars often argue that UBI has two key properties that work together to justify it. Let us call these the freedom justification and the narrative justification. On the one hand, UBI is defended because it gives people more freedom to do what they want to do. (Stigler, 1946, Friedman, 1962; Van Parijs, 1995; Widerquist, 2013) They exhibit primary concern for the purely formal properties of the regime of liberal neutrality. On the other hand, many scholars, including many (...) of the same liberal scholars, argue that UBI also pushes society substantively towards desirable social outcomes. They combine the freedom justification with substantive predictions and expectations. (Rifkin, 1995; Murray, 2016; Weeks, 2020) However, I show that both existentialist philosophy (Sartre) and complexity theory (Knight, Hayek, Schumpeter) suggest that a liberal social order is compatible, at best, with rough pattern prediction about a multiply realizable future that remains narratively open to multiple possible trajectories. Liberal neutrality, to the extent that it nourishes radical freedom, is incompatible with strong, stable narrative predictions. As Nozick put, it “liberty upsets patterns”. This is true of all liberal UBI models, and liberal institutions in general. (shrink)

This article analyses the phenomenology and ontology of videogames through the lens of semiotics. The difference between games and more traditional narrative models (such as those found in books and movies) lies on the structural level. The game narrative needs to be ‘written’ (played) before it can be ‘read’ (interpreted). Games provide fluidity of interactive immersion: the interface as the place of the merger between the player and the game. A connection, without delay, is established between the movement of the (...) player’s hands and the virtual movement across virtual space-times of the virtual characters/events on the screen. The connection is cybernetic, of course, and real. The actuality of the virtual is established as the action of the finger movements of the player. Games require at least a minimum degree of interaction. The player has a role as the master of the code, as the last string of code attached to complete the sequence. Such is the definition of the Cinematic under the formal demands of the Ludic: the defining-delimiting-restricting background which nonetheless, by its very (fixed) presence, provides the nurturing ground for the appearance and presence of (fluid) malleability as the ‘gap’ or ‘lack’ in the structure to be filled – in whatever manner – by the player in the act of his or her (world-constitutive) existential engagement. (shrink)

This article examines the form and language of Simone de Beauvoir’s novella “The Woman Destroyed” to argue that the story is a philosophical work in two ways. First, it contributes to scholarship on narrative self-understanding: it moves beyond Anthony Rudd’s and Peter Goldie’s theories by revealing how the instability of language complicates self-understanding. Second, it invites philosophical introspection by representing life as it is and generating questions about self-understanding for readers to ponder instead of giving them ready-made answers.

Filosofia plectica è una filosofia che pensa il rapporto che le cose, intese come entità complesse, intrattengono con l’intorno. È un’esigenza che nasce dal pensiero che le cose siano sempre un po’ intrecciate, non così semplici ma neanche così complesse. A partire dal rapporto con il mondo, animali, microbi, funghi, piante, foreste, pietre, cose, oggetti e materiali vengono visti come membri di un rapporto attivo con l’intorno attraverso la forma sinallagmatica di un mutuo scambio. Secondo questa proposta ogni ente è (...) un dimorante, accoglie e rilascia le tracce intense del suo esistere. -/- . (shrink)

This paper delves into often-unspoken realms of human suffering – tragedy and psychosis – to uncover the role that art can play in understanding and overcoming experiences that defy conventional language. Dovetailing from Heidegger's aesthetics, I explore the unique qualities that make the artistic process such a powerful medium for existential restoration, connecting otherwise disparate individuals to the wider tapestry of humanity. Ultimately, I argue for a new understanding of 'artistic literacy,' emphasizing the benefits that unconventional modes of expression hold (...) for the expresser, listener and humanity at large. (shrink)

A new trade edition of Sartre's magnum opus. First published in 1943, this masterpiece defines the modern condition and still holds relevance for today's readers.

The anticipated second edition of the most lively and comprehensive introduction to Existentialism.

Study on the concept of existentialism as reflected in the views of Mahāprajña, Ācārya, 1920-2010, Jaina saint scholar and philosopher and Jean-Paul Sartre, 1905-1980, French philosopher, author, political activist, biographer, and literary critic.

This dialogue introduces type nihilism and token realism about the meaning of life.

The release of Andrew Dominik’s Blonde in 2022 on Netflix caused a furor of out-rage, and the film was seen variously as misogynistic, exploitative, and badly made. Here I wish to explore the ways in which we can think about the hyper-mediated image of Marilyn Monroe through Jean-Paul Sartre’s phenomenological consid-eration of imagination and Simone de Beauvoir’s existentialist analysis of ethics and ambiguity. I will argue that Sartre’s idea of irreality (unreality) guarantees the freedom of each individual and that the (...) irreal Marilyn Monroe, as played by Ana de Armas and others, reflects a freedom that, while ambiguous, is nevertheless necessary. (shrink)

Presents a diverse range of phenomenological approaches that explore and expand the subject of film-phenomenology Presents a range of different phenomenological thinkers to extend and develop the boundaries and debates within the field of film-phenomenology Brings together leading scholars from the varied fields of Film Studies, Philosophy and Phenomenology, Feminist Philosophy, Media Studies, Critical Theory, Cultural Studies, and Political Science Develops a much-needed inquiry in film-phenomenology and diversity With an interdisciplinary agenda, Film Phenomenologies investigates the emerging field of film phenomenology, (...) linking the fundamental significance of early thinkers and related methods of phenomenological investigation to newer emphases and diverse voices, such as Gaston Bachelard, Karen Barad, Simone de Beauvoir, bell hooks, Iris Murdoch and Hermann Schmitz. (shrink)

Widely recognized as the finest definition of existentialist philosophy ever written, this book introduced existentialism to America in 1958. Barrett speaks eloquently and directly to concerns of the 1990s: a period when the irrational and the absurd are no better integrated than before and when humankind is in even greater danger of destroying its existence without ever understanding the meaning of its existence. Irrational Man begins by discussing the roots of existentialism in the art and thinking of Augustine, Aquinas, Pascal, (...) Baudelaire, Blake, Dostoevski, Tolstoy, Hemingway, Picasso, Joyce, and Beckett. The heart of the book explains the views of the foremost existentialists—Kierkegaard, Nietzsche, Heidegger, and Sartre. The result is a marvelously lucid definition of existentialism and a brilliant interpretation of its impact. (shrink)

Recension of the 2023 book "Ethics and Time in the Philosophy of History" an interesting book on metaphysics, moral philosophy, existentialism, and speculative philosophy of history.

This paper presents an account of Iris Murdoch's engagement with the work of Martin Heidegger. It covers her early discussions and evaluations of him in The Sovereignty of Good, through to her late Heidegger manuscript, covering both his early and late work. It details the significant changes that occur in her evaluation of him, as well as the key sympathies identified and criticisms developed in the late manuscript. The focus is on her insistence that only 'the Good', and not Heidegger's (...) 'Being', can fill the space left by the traditional Western God, and of the related failure in Heidegger to account properly for value. (shrink)

Existentialism, 2/e, offers an exceptional and accessible introduction to the richness and diversity of existentialist thought. Retaining the focus of the highly successful first edition, the second edition provides extensive material on the "big four" existentialists--Kierkegaard, Nietzsche, Heidegger, and Sartre--while also including selections from twenty-four other authors. Giving readers a sense of the variety of existentialist thought around the world, this edition also adds new readings by such figures as Luis Borges, Viktor Frankl, Gabriel Garcia M'arquez, Keiji Nishitani, and Rainer (...) Maria Rilke. Existentialism, 2/e, also features: * New translations of Kierkegaard, Heidegger, and Buber * More extensive selections from Kierkegaard, Nietzsche, Heidegger, and Sartre * New selections by Hazel E. Barnes, Miguel de Unamuno, Joseph Heller, Philip Roth, and Colin Wilson * The Grand Inquisitor (from Dostoevsky's The Brothers Karamazov) Ideal for undergraduate courses in existentialism and Continental philosophy, Existentialism, 2/e, is fascinating reading for anyone interested in the subject. (shrink)

We live longing for a utopia. However, we live in increasingly dystopian times. Whenever we imagine possible futures, a continuity of human progress in the direction of greater scientific-technological development comes to mind. We are completely certain that the reason that brought us current modern science and technology will lead us to this utopia, to a promising future. There is an association as intimate as it is indubitable between future, progress, technoscience and utopia. Isn't it time to question this undisputed (...) certainty? Is it true that reason, progress, science, technology and utopia will lead us to a healthy future for man and nature? Isn't it time to open our eyes and mind to see things differently? Isn't it time to stop frantically producing in pursuit of progress and take a rest to think? There is a fundamental and radical difference between reason and thinking. This book proposes a journey through the worlds of science fiction, utopianism, socialism, communism, Marxism, psychoanalysis, existentialism, Zen Buddhism, art, medievalism, alchemy, science, technology and philosophy. This book proposes to abandon the utopian-dystopian reason to embrace the eutopian life, a new mode of existence in which man needs to regain his rootedness with Earth to be able to think again and live in harmony with himself and nature. (shrink)

This book introduces a standpoint approach to phenomenology and reconceives the phenomenological project as not an individual but a communal endeavor—one that, importantly, requires insight from across the spectrum of human experience and especially experiences of those who have traditionally been absent from the discipline. To develop this approach, the book draws on the feminist tradition of standpoint epistemology. The book borrows two of standpoint epistemology’s key theses—that of situated knowledge (what we know is shaped and often limited by our (...) social location) and inverted privilege (epistemological advantage can in some contexts be inversely related to one’s social location). In standpoint phenomenology, these develop into the thesis of situated phenomenology and inverted phenomenological privilege respectively. This book presents three specific methodologies that support the standpoint approach to phenomenology: the methodologies of breakdown, sign, and wonder. All have their origins in the classical phenomenological work of Heidegger and Merleau-Ponty. Though these methods are used by these phenomenologists, they are not explicitly articulated or explained in any detail. The book lays out how and why these methodologies can be used to reveal the conditions supporting human existence and then highlights the role each might play in a standpoint approach to phenomenology. (shrink)