- Heterotopia of the film Solaris directed by Andrei Tarkovski.Nicolae Sfetcu - manuscriptdetails
- Sculpting in Time, with Andrei Tarkovsky.Nicolae Sfetcu - manuscriptdetails
- Filmästhetik und Weltsichten.Thomas Wachtendorf - manuscriptdetails
- Matthew Strohl, Why it’s OK to Love Bad Movies. New York, Routledge, 2022. ISBN: 0367407655. Paperback $24.95. [REVIEW]Mi Rae Ryu, Alexander Middleton & Travis Timmerman - forthcoming - Journal of Value Inquiry:1-9.details
- PhilosophyPulp: Vol. 2.Kamila Grabowska-Derlatka, Jakub Gomułka & Rachel 'Preppikoma' Palm (eds.) - 2022 - Kraków, Poland: Wydawnictwo Libron.details
- Appealing, Appalling: Morality and Revenge in I Spit on Your Grave (2010).Steve Jones - 2022 - Quarterly Review of Film and Video:1-25.details
- The Specter of the Electronic Screen: Bruno Varela's Reception of Stanley Cavell.Byron Davies - 2021 - In David LaRocca (ed.), Movies with Stanley Cavell in Mind. London, UK: pp. 72-90.details
- 1922: Dziga Vertov.Dan Geva - 2021 - In A Philosophical History of Documentary, 1895-1959. Cham: Palmgrave Macmillan. pp. 93-100.details
- Cinematic Thoughts: Essays on Film and the Philosophy of Film.Gary James Jason - 2021 - Bern, Switzerland: Peter Lang Publishers.details
- Identifying Documentary; Against the Trace Account.Shannon Brick - 2020 - Film and Philosophy 24:63-83.details
- The Cinema of Disorientation.Dominic Lash - 2020 - Edinburgh, UK: Edinburgh University Press.details
- Le film Solaris, réalisé par Andrei Tarkovski - Aspects psychologiques et philosophiques.Nicolae Sfetcu - 2020 - Drobeta Turnu Severin: MultiMedia Publishing.details
- “You Ain’t Gonna Get Away Wit’ This, Django”: Fantasy, Fiction and Subversion in Quentin Tarantino’s, Django Unchained.Jack Black - 2019 - Quarterly Review of Film and Video 36 (7):611-637.details
- Seeing things and screening reality. A review of “Philosophy and Film. Bridging Divides”. [REVIEW]Diana Bulzan - 2019 - Revista de Filosofie Aplicata 2 (3):124-131.details
- Movies, Narration and the Emotions.Noel Carroll - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. Routledge. pp. 209-221.details
- Sculpting in time: temporally inflected experience of cinema.Robert Hopkins - 2019 - In Jerome Pelletier & Albert Voltolini (eds.), The Pleasure of Pictures: Pictorial Experience and Aesthetic Appreciation. Routledge. pp. 201-223.details
- Are There Definite Objections to Film as Philosophy? Metaphilosophical Considerations.Diana Neiva - 2019 - In Christina Rawls, Diana Neiva & Steven S. Gouveia (eds.), Philosophy and Film: Bridging Divides. Nova Iorque, NY, Estados Unidos: Routledge Press, Research on Aesthetics. pp. 116-134.details
- The Wartenberg-Smith Film as Philosophy Debate: Review of Current Controversies in Philosophy of Film. [REVIEW]Diana Neiva - 2019 - American Society for Aesthetics Graduate E-Journal 11 (1):1-13.details
- L'immagine-inazione. Lo spazio e il tempo nel passaggio dall'image-mouvement all'image-temps in Gilles Deleuze.Fabio Vergine - 2019 - In Enrico Giannetto (ed.), La memoria del cielo. Catania CT, Italia: pp. 1-18.details
- Трудове лібідо: фільм «Тіні забутих предків» і сексуалізація праці в радянському уявному.Olga Briukhovetska - 2018 - NaUKMA Research Papers. History and Theory of Culture 1:35-41.details
- Collaboration in the Third Culture.Stacie Friend - 2018 - Projections: The Journal for Movies and Mind 12 (2):39-49.details
- Can film show what philosophy won't say? The "Film as Philosophy" debate, and a reading of Rashomon.Jônadas Techio - 2018 - Dissertatio 47 (S6):69-105.details
- Realism in Film: Less is More.Jiri Benovsky - 2017 - Dialogue 56 (1):131-141.details
- Limit cinema: Bataille and the nonhuman in contemporary global film.Chelsea Birks - 2017 - Dissertation, University of Glasgowdetails
- Поезія і/чи проза: до археології однієї дискусії в радянському кіно.Briukhovetska Olga - 2017 - NaUKMA Research Papers. History and Theory of Culture 191:33-41.details
- Volodymyr Vynnychenko and the Early Ukrainian Decadent Film (1917–1918).Kirillova Olga - 2017 - NaUKMA Research Papers. History and Theory of Culture 191:52-55.details
- Fictional Indeterminacy, Imagined Seeing, and Cinematic Narration.Angela Curran - 2016 - In Katherine Thomson-Jones (ed.), Current Controversies in the Philosophy of Film. Routledge. pp. 99-114.details
- Le plan subjectif réversible: Sur le point de vue au cinéma à partir des écrits de Merleau-Ponty.Anna Caterina Dalmasso - 2016 - Studia Phaenomenologica 16:135-162.details
- Realism in film (and other representations).Robert Hopkins - 2016 - In Katherine Thomson-Jones (ed.), Current Controversies in the Philosophy of Film. Routledge.details
- The Relevance of Heidegger’s Conception of Philosophy to the Film-as-Philosophy Debate.Shawn Loht - 2016 - Film and Philosophy 19:34-53.details
- Living our Skepticism of Others through Film: Remarks In Light of Cavell.David Macarthur - 2016 - Substance 45 (3):120-136.details
- Narrative Representation and Phenomenological Knowledge.Rafe McGregor - 2016 - Australasian Journal of Philosophy 94 (2):327-342.details
- Philosophy of Film: An Introduction.Aaron Smuts - 2016 - Routledge.details
- Happy-Go-Lucky Revisited: A Response to Basileios Kroustallis.Christopher Grau - 2015 - Film-Philosophy 19 (1):1-15.details
- Torture Pornopticon: (In)security Cameras, Self-Governance and Autonomy.Steve Jones - 2015 - In Linnie Blake & Xavier Aldana Reyes (eds.), Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon. I.B. Tauris. pp. 29-41.details
- Shadow Philosophy: Plato’s Cave and Cinema.Nathan Andersen - 2014 - New York: Routledge.details
- What Goes Without Seeing: Marriage, Sex and the Ordinary in The Awful Truth.David Macarthur - 2014 - Film-Philosophy 18 (1):92-109.details
- The Myth of Scotland as Nowhere in Particular.John Marmysz - 2014 - International Journal of Scottish Theatre and Screen 7 (1):28-44.details
- Understanding Love: Philosophy, Film, and Fiction.Susan Wolf & Christopher Grau (eds.) - 2014 - New York: Oxford University Press.details
- Hedonic and eudaimonic motives for watching feature films. Validation of the Spanish version of Oliver – Raney’s scale.Isabel Barrios & Juan-José Igartua - 2013 - Communications 38 (4):411-431.details
- La Philosophie d’après le Cinéma.Hugo Clémot - 2013 - Revista Portuguesa de Filosofia 69 (3-4):431-450.details
- The Lure of the Mob: Contemporary Cinematic Depictions of Skinhead Authenticity.John Marmysz - 2013 - Journal of Popular Culture 46 (3):626-646.details
- Feeling the Gaze: Narrative Empathy in A Time to Kill.Tanya Rodriguez - 2013 - Revista Portuguesa de Filosofia 69 (3-4):701-716.details
- Ideology, Socratic elenchus, and Inglourious Basterds.Ian Schnee - 2013 - Film and Philosophy 17:1-22.details
- The Men of Talk to Her.Sam Shpall - 2013 - Film and Philosophy 17:96-112.details
- Film Evaluation and the Enjoyment of Dated Films.Robert R. Clewis - 2012 - Projections: The Journal for Movies and Mind 6 (2):42-63.details
- Dis-)continuities of the cinematic imaginary: (non-)representation, discourse and theory. Imagi[ni]ng the universe: cosmos, otherness and cinema.Eddie George & Anna Piva - 2012 - In Saër Maty Bâ & Will Higbee (eds.), De-Westernizing Film Studies. Routledge.details
- Dossier Chris Marker: The Suffering Image.Gavin Keeney - 2012 - Cambridge Scholars Press.details
- Self-Creation, Identity and Authenticity: A Study of "A History of Violence" and "Eastern Promises".Daniel Moseley - 2012 - In Simon Riches (ed.), The Philosophy of David Cronenberg. University Press of Kentucky.details
- A Philosophy of the Screenplay.Ted Nannicelli - 2012 - Routledge.details
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