But what happens when the matter that one seeks to interpret consists not of a text but of a welter of fragments, as in the story of history, or is something hidden, as in the practice of psychoanalysis, or is as complex as a culture or a ...

There is a tacit assumption that interpretation comes naturally, that human beings live by constantly interpreting. In this sense, we might even rephrase Descartes by saying: We interpret, therefore we are. While such a basic human disposition makes interpretation appear to come naturally, the forms it takes, however, do not. In this work, Iser offers a fresh approach by formulating an "anatomy of interpretation" through which we can understand the act of interpretation in its many different manifestations. For Iser, there (...) are several different genres of interpretation, all of which are acts of translation designed to transpose something into something else. Perhaps the most obvious example of interpretation involves canonical texts, such as the Rabbinical exegesis of the Torah or Samuel Johnson's reading of Shakespeare. But what happens when the matter that one seeks to interpret consists not of a text but of a welter of fragments, as in the study of history, or when something is hidden, as in the practice of psychoanalysis, or is as complex as a culture or system? Iser details how, in each of these cases, the space that is opened up by interpretation is negotiated in a different way, thus concluding that interpretation always depends on what it seeks to translate. For students of philosophy, literary and critical theory, anthropology, and cultural history, Iser's elucidation of the mechanics by which we translate and understand, as well as his assessment of the anthropological roots of our drive to make meaning, will undoubtedly serve as a revelation. (shrink)

Henrich, Dieter: Theorieformen moderner Kunsttheorie. ISer, Wolfgang: Interpretationsperspektiven moderner Kunsttheorie. GAdamer, Hans G.: Zur Fragwurdigkeit des asthetischen BewuSStseins. INgarden, Roman: Prinzipien einer erkenntnistheoretischen Betrachtung der asthetischen Erfahrung.. KUhn, Helmut: Die Ontogenese der Kunst. ARnheim, Rudolf: Gestaltpsychologie und kunstlerische Form. [ubersetzt von Jurgen Schlaeger]. GOmbrich, Ernst H.: Norm und Form. KUhns, Richard: Psychoanalytische Theorie als Kunstphilosophie. [ubersetzt von Dieter Henrich]. GEhlen, Arnold: uber einige Kategorien des entlasteten, zumal des asthetischen Verhaltens. SImmel, Georg: Soziologische Asthetik. LUkács, Georg: Kunst und objektive Wahrheit. ADorno, (...) Theodor W.: ErpreSSte Versohnung. ZU Georg Lukács: "Wider den miSSverstandenen Realismus. MEad, George H.: Asthetische Erfahrung. [ubersetzt von Jens Kulenkampff]. MOrris, Charles W.: Asthetik und Zeichentheorie. [ubersetzt von Roland Posner]. RItchie, Benbow: Die formale Struktur des asthetischen Gegenstands. [ubersetzt von Jens Kulenkampff]. CReed-Hungerland, Isabel: uber die Ausdruckskraft ikonischer Zeichen. [ubersetzt von Jens Kulenkampff]. ECo, Umberto: Die asthetische Botschaft. [ubersetzt in Zusammenarbeit mit dem Autor von Jurgen Trabant]. MOles, Abraham A.: Informationelle Poetik - Strukturen der poetischen Nachricht - Empfindungsebenen. [ubersetzt von Hans Ronge]. CAvell, Stanley: Welt durch die Kamera gesehen. [ubersetzt von Lore Iser]. KAplan, Abraham: Referenz in der Kunst. [ubersetzt von Jens Kulenkampff]. ZIff, Paul: Was es heiSSt zu definieren, was ein Kunstwerk ist. [ubersetzt von Jens Kulenkampff]. URmson, James O.: Darstellung auf der Buhne. [ubersetzt von Jens Kulenkampff]. GOodman, Nelson: Kunst und Erkenntnis. [ubersetzt von Jens Schlaeger]. (shrink)

This succinct introduction to modern theories of literature and the arts demonstrates how each theory is built and what it can accomplish. Represents a wide variety of theories, including phenomenological theory, hermeneutical theory, gestalt theory, reception theory, semiotic theory, Marxist theory, deconstruction, anthropological theory, and feminist theory. Uses classic literary texts, such as Keats’s Ode on a Grecian Urn, Spenser’s The Shephearde’s Calender and T. S. Eliot’s The Waste Land to illustrate his explanations. Includes key statements by the major proponents (...) of each theory. Presents the different theories objectively, allowing students to decide which if any, they subscribe to. Gives students a sense of the potential of theory. Includes a glossary of technical terms. (shrink)