This category needs an editor. We encourage you to help if you are qualified.
Volunteer, or read more about what this involves.
Related categories

406 found
Order:
1 — 50 / 406
  1. Analytic Aesthetics and the Dilemma of Timelessness.Derek Allan - manuscript
    Explores the failure of analytic aesthetics to examine the question of the capacity of art to transcend time, and its own commitment – seldom explicitly acknowledged – to the assumption that this capacity functions through the traditional, but no longer viable, notion of timelessness inherited from Enlightenment aesthetics.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  2. Art, Philosophy, and Creativity.Said Mikki - manuscript
    We reflect on the nature of art, the creative process, and the connection between art and philosophy.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  3. Trust and the Appreciation of Art.Daniel Abrahams & Gary Kemp - forthcoming - Ratio.
    Does trust play a significant role in the appreciation of art? If so, how does it operate? We argue that it does, and that the mechanics of trust operate both at a general and a particular level. After outlining the general notion of ‘art-trust’—the notion sketched is consistent with most notions of trust on the market—and considering certain objections to the model proposed, we consider specific examples to show in some detail that the experience of works of art, and the (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  4. Life Through a Lens.Dan Cavedon-Taylor - forthcoming - In Sophie Archer (ed.), Salience: A Philosophical Inquiry.
    Kantian disinterest is the view that aesthetic judgement is constituted (at least in part) by a form of perceptual contemplation that is divorced from concerns of practical action. That view, which continues to be defended to this day, is challenged here on the basis that it is unduly spectator-focussed, ignoring important facets of art-making and its motivations. Beauty moves us, not necessarily to tears or rapt contemplation, but to practical action; crucially, it may do so as part and parcel of (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  5. Creativity, Spontaneity, and Merit.Antti Kauppinen - forthcoming - In Alex King & Christy Mag Uidhir (eds.), Philosophy and Art: New Essays at the Intersection. Oxford University Press.
    Common sense has it that some of the greatest achievements that are to our credit are creative, whether artistic or otherwise. But standard theories of achievement and merit struggle to explain them, since the praiseworthiness of creative achievements isn’t grounded in effort, quality of will, disclosing the agent’s values, or even reasons-responsiveness. I argue that it’s distinctive of artistic or quasi-artistic creative activity that it is guided by what I call aspirational aims, which are formulated in terms of evaluative predicates (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  6. Political Determinants of Artistic Style.Vytautas Kavolis - forthcoming - Social Research: An International Quarterly.
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  7. Immoral Artists.Erich Hatala Matthes - forthcoming - In James Harold (ed.), The Oxford Handbook of Ethics and Art.
    This chapter offers an overview of issues posed by the problem of immoral artists, artists who in word or deed violate commonly held moral principles. I briefly consider the question of whether the immorality of an artist can render their work aesthetically worse (making connections to chapters in the Theory section of the handbook), and then turn to questions about what the audience should do and feel in response to knowledge of these moral failings. I discuss questions such as whether (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  8. Murdoch and Kant.Melissa Merritt - forthcoming - In Mark Hopwood & Silvia Panizza (eds.), The Murdochian Mind. Abingdon: Routledge.
    It has been insufficiently remarked that Murdoch deems “Kant’s ethical theory” to be “one of the most beautiful and exciting things in the whole of philosophy” in her 1959 essay “The Sublime and the Good”. Murdoch specifically has in mind the connection between Kant’s ethics and his theory of the sublime, which runs via the moral feeling of respect (Achtung). The chapter examines Murdoch’s interest in Kant on this point as a way to tease out the range of issues that (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  9. Die Pest in Zeiten von Corona – Philosophie und Literatur bei Albert Camus.Nicola Mößner - forthcoming - Philokles.
  10. Fotografie: moralischer Blick oder ästhetische Distanz?Nicola Mößner - forthcoming - In Hauke Behrendt & Jakob Steinbrenner (eds.), Kunst und Moral. Berlin, Germany: de Gruyter.
    Photography: morally close or aesthetically removed? Can photographs make a contribution to the moral discourse? And, if so, what kind of contribution might that be? On the one hand, they are often used in morally laden contexts of communication such as media reports about wars etc. On the other, it is said that images are inherently ambiguous which seems to speak against the possibility to use them as a means to communicate focused moral judgements. The following article starts with a (...)
    Remove from this list  
    Translate
     
     
    Export citation  
     
    Bookmark  
  11. Philosophy for Girls: Book Proposal.Melissa Shew & Kim Garchar - forthcoming
    This forthcoming edited volume is written by expert women in philosophy for younger women and girls ages 16-20. It features a range of ethical, metaphysical, social and political, and other philosophical chapters divided into four main sections. Each chapter features an opening anecdote involving women and/or girls from historical, literary, artistic, scientific, mythic, and other sources to lead into the main topic of the chapter.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  12. Tragedy as a Symbol of Autonomy in Schiller's Aesthetics.Timothy Stoll - forthcoming - British Journal of Aesthetics.
  13. André Malraux and Art: An Intellectual Revolution.Derek Allan - 2021 - New York: Peter Lang.
    This study provides a step by step explanation of André Malraux’s theory of art. Drawing on his major works, such as "The Voices of Silence" and "The Metamorphosis of the Gods," it examines topics such as the nature of artistic creation, the psychology of our response to art, the birth of the notion of “art” itself and its transformation after Manet, the birth and death of the idea of beauty, the neglected question of the relationship between art and the passage (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  14. André Malraux et l’Art : Une Révolution Intellectuelle.Derek Allan - 2021 - New York, NY, USA: Peter Lang.
    Cette étude présente une explication systématique des éléments clés de la théorie de l’art d’André Malraux. Se basant sur des œuvres telles que Les Voix du silence, Le Surnaturel, L’Irréel et L’Intemporel, elle aborde des sujets cruciaux comme la nature de la création artistique, la psychologie de notre réaction à l’art, la naissance de la notion d’« art » et sa transformation après Manet, la naissance et la mort de l’idée de beauté, la question cruellement négligée de la relation entre (...)
    Remove from this list   Direct download (2 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  15. The Anxieties of Control and the Aesthetics of Failure.Emanuele Arielli - 2021 - Studi di Estetica 19 (1).
    For many contemporary artists, failure has been an instrument of experimentation and self-expression, of investigation into existential questions and manifestation of utopian tensions. In this paper, I will discuss how some of the well-known strategies of experimental and avant-garde artistic practices with failure involve risky actions, challenging or impossible attempts, loss of control, and compulsive repetition of inconclusive acts. In those experimentations, the ideal model of an effective and successful action performance (in which a goal is defined through a clear (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  16. Pluralism, Eliminativism, and the Definition of Art.Christopher Bartel & Jack M. C. Kwong - 2021 - Estetika 58 (2):100-113.
    Traditional monist theories of art fail to account for the diversity of objects that intuitively strike many as belonging to the category art. Some today argue that the solution to this problem requires the adoption of some version of pluralism to account for the diversity of art. We examine one recent attempt, which holds that the correct account of art must recognize the plurality of concepts of art. However, we criticize this account of concept pluralism as being unable to offer (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  17. The Aesthetic Value of the World.Tom Cochrane - 2021 - Oxford, UK: Oxford University Press.
    This book defends Aestheticism- the claim that everything is aesthetically valuable and that a life lived in pursuit of aesthetic value can be a particularly good one. Furthermore, in distilling aesthetic qualities, artists have a special role to play in teaching us to recognize values; a critical component of virtue. I ground my account upon an analysis of aesthetic value as ‘objectified final value’, which is underwritten by an original psychological claim that all aesthetic values are distal versions of practical (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  18. An Interview with Tom Cochrane.Tom Cochrane, Rohan Srivastava & Alexandra Crotty - 2021 - Washington University Review of Philosophy 1:34-40.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  19. Videogame Cognitivism.Alexandre Declos - 2021 - Journal of the Philosophy of Games 1:1-31.
    The aim of this article is to examine and defend videogame cognitivism (VC). According to VC, videogames can be a source of cognitive successes (such as true beliefs, knowledge or understanding) for their players. While the possibility of videogame-based learning has been an extensive topic of discussion in the last decades, the epistemological underpinnings of these debates often remain unclear. I propose that VC is a domain- specific brand of aesthetic cognitivism, which should be carefully distinguished from other views that (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  20. Drawing the Line: What to Do with the Work of Immoral Artists From Museums to the Movies.Erich Hatala Matthes - 2021 - New York: Oxford University Press, Usa.
    Can we still watch Woody Allen's movies? Can we still laugh at Bill Cosby's jokes? Woody Allen, Kevin Spacey, Dave Chappelle, Louis C. K., J.K. Rowling, Michael Jackson, Roseanne Barr. Recent years have proven rife with revelations about the misdeeds, objectional views, and, in some instances, crimes of popular artists. Spurred in part by the #metoo movement, and given more access than ever thanks to social media and the internet in general, the public has turned an alert and critical eye (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  21. The Adinkra Game: An Intercultural Communicative and Philosophical Praxis.Louise Muller, Kofi Dorvlo & A. S. C. A. Muijen - 2021 - In Cultures at School and at Home. Rauma, Finland: pp. 32.
    In 2020, an international team of intercultural philosophers and African linguists created a multilinguistic game named Adinkra. This name refers to a medieval rooted symbolic language in Ghana that is actively used by the Akan and especially the Asante among them to communicate indirectly. The Akan is both the meta-ethnic name of the largest Ghanaian cultural-linguistic group of which the Asante is an Akan cultural subgroup and of a Central Tano language of which Asante-Twi is a dialect. The Adinkra symbols, (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  22. Does Chiara Have an Artistic Scent?I. Neminemus - 2021 - Social Sciences Research Network.
    In a recent article, Ms. Brozzo (2020) supposed that some perfumes were works of art on the grounds that they met some ‘hard’ definitions of art. This, however, is predicated upon a definitive holism that is not true. Her argument is also founded upon several definitions which she has taken axiomatically, despite their being too contentious to allow for this, and her every condition of olfactory art is cleared by non-art.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  23. Beauty, Art and the Western Tradition.Derek Allan - 2020 - In Rohan Curnow, Robert Andrews & Matthew Del Nevo (eds.), Beauty and the Christian Tradition. Sydney: St Paul's Publications. pp. 1-21.
    Examines the birth of art-as-beauty in Western art and the concomitant birth of the idea of art itself. Also discusses the death of art-as-beauty from Manet onward and certain implications for aesthetics (the philosophy of art). Includes relevant reproductions. (The essay is a longer version of my paper "The Birth and Death of Beauty in Western Art" also listed on PhilPapers.).
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  24. Has André Malraux’s Imaginary Museum Come Into its Own?Derek Allan - 2020 - Apollo, an International Art Magazine.
    A brief discussion of André Malraux's concept of the musée imaginaire (Imaginary Museum or Museum without Walls) and a comment on the neglect of Malraux's theory of art. (Link provided).
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  25. El estatus de arte del CG-art desde un modo de existencia de tipo-natural.Leonardo Arriagada - 2020 - Káñina 44 (2):35-50.
    La introducción de las redes generativas antagónicas en el mundo del arte ha revitalizado la clásica pregunta: ¿puede una máquina crear arte? Estos algoritmos requieren una mínima intervención humana para funcionar, por lo que sus creaciones se consideran CG-art. En esta clase particular de arte los computadores no son una herramienta al servicio humano, sino un agente creativo autónomo. Por otro lado, estudios cognitivos recientes han demostrado que las personas son escépticas ante la idea de que una máquina pueda crear (...)
    Remove from this list   Direct download (2 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  26. CG-Art: Demystifying the Anthropocentric Bias of Artistic Creativity.Leonardo Arriagada - 2020 - Connection Science 32 (4):398-405.
    The following aesthetic discussion examines in a philosophical-scientific way the relationship between computation and artistic creativity. Currently, there is a criticism about the possible artistic creativity that an algorithm could have. Supporting the above, the term computer-generated art (CG-Art) defined by Margaret Boden would seem to have no exponents yet. Moreover, it has been pointed out that, rather than a matter of primitive technological development, CG-Art would have in its very foundations the inability to exist. This, because art is considered (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  27. From Tomas Kulka on Kitsch and Art to Art as a Singular Rule.Doron Avital & Karolína Dolanská - 2020 - Espes. The Slovak Journal of Aesthetics 8 (2):17-27.
    The article takes as its starting point the work of Tomas Kulka on Kitsch and Art to further a philosophical move aiming at the very logical core of the question of art. In conclusion, the idea of Singular Rule is offered as capturing the defining logic of art. In so doing, the logical structure of a singular rule is uncovered and in that also the sense in which the idea of singular rule both explains and justifies the role that art (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  28. From Tomas Kulka on Kitsch and Art to Art as a Singular Rule.Doron Avital & Karolina Dolanska - 2020 - Espes 9 (1):17-27.
    The article takes as its starting point the work of Tomas Kulka on Kitsch and Art to further a philosophical move aiming at the very logical core of the question of art. In conclusion, the idea of Singular Rule is offered as capturing the defining logic of art. In so doing, the logical structure of a singular rule is uncovered and in that also the sense in which the idea of singular rule both explains and justifies the role that art (...)
    Remove from this list   Direct download (2 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  29. Materials and Meaning in Contemporary Sculpture.Sherri Irvin - 2020 - In Kristin Gjesdal, Fred Rush & Ingvild Torsen (eds.), Philosophy of Sculpture: Historical Problems, Contemporary Approaches. Routledge. pp. 165-186.
    An extensive literature about pictorial representation discusses what is involved when a two-dimensional image represents some specific object or type of object. A smaller literature addresses parallel issues in sculptural representation. But little has been said about the role played by the sculptural material itself in determining the meanings of the sculptural work. Appealing to Nelson Goodman and Catherine Elgin’s discussions of literal and metaphorical exemplification, I argue that the material of which a sculpture is constituted plays key roles in (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  30. Does Artistic Value Pose a Special Problem for Time Travel Theories?James W. McAllister - 2020 - British Journal of Aesthetics 60 (1):61-69.
    Michael Dummett and Storrs McCall have claimed that time travel scenarios in which an artist copies an artwork from a reproduction of it that has been sent from the future introduce a causal loop of a new kind: one involving artistic value. They have suggested that this poses a hitherto unacknowledged challenge to time travel theories. I argue that their conclusion depends on some unstated essentialist assumptions about metaphysics of art and the status of representations. By relaxing these assumptions, I (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  31. The Arts of Action.C. Thi Nguyen - 2020 - Philosophers' Imprint 20 (14):1-27.
    The theory and culture of the arts has largely focused on the arts of objects, and neglected the arts of action – the “process arts”. In the process arts, artists create artifacts to engender activity in their audience, for the sake of the audience’s aesthetic appreciation of their own activity. This includes appreciating their own deliberations, choices, reactions, and movements. The process arts include games, urban planning, improvised social dance, cooking, and social food rituals. In the traditional object arts, the (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   6 citations  
  32. Functional Beauty, Pleasure, and Experience.Panos Paris - 2020 - Australasian Journal of Philosophy 98 (3):516-530.
    I offer a set of sufficient conditions for beauty, drawing on Parsons and Carlson’s account of ‘functional beauty’. First, I argue that their account is flawed, whilst falling short of...
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  33. Art, Temporality and "Motions of the Mind".Venkat Ramanan - 2020 - Https://Bluelabyrinths.Com/.
    It is a commonplace to claim that art imitates life. If so, art, in performing this mimesis, should respond also to our obsession and concern with temporality (time as experienced, not as measured, or human time as opposed to what the metaphysicians claim). How does art participate in this alchemy of smelting clock time into felt time?
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  34. Was Ist Ein Original?: Eine Begriffsbestimmung Jenseits Genieästhetischer Stereotype.Doris Reisinger (ed.) - 2020 - Berlin: Transcript Verlag.
    There are fierce debates about the concept of the original. Can forgeries be as good as originals? Might copies be even better than originals in specific cases? And isn't the time of the original even over? In debates like these the question of what an original actually is tends to be relegated to the background. This book focuses on this crucial point: What exactly is an original? How can that concept be defined in a way that helps not only to (...)
    Remove from this list   Direct download (4 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  35. Transformative Expression.Nick Riggle - 2020 - In Enoch Lambert & John Schwenkler (eds.), Becoming Someone New: Essays on Transformative Experience, Choice, and Change. Oxford: Oxford University Press. pp. 162-181.
    The hope that art could be personally or socially transformational is an important part of art history and contemporary art practice. In the twentieth century, it shaped a movement away from traditional media in an effort to make social life a medium. Artists imagined and created participatory situations designed to facilitate potentially transformative expression in those who engaged with the works. This chapter develops the concept of “transformative expression,” and illustrates how it informs a diverse range of such works. Understanding (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  36. Aesthetic Hedonism and Its Critics.Servaas Van der Berg - 2020 - Philosophy Compass 15 (1):e12645.
    This essay surveys the main objections to aesthetic hedonism, the view that aesthetic value is reducible to the value of aesthetic pleasure or experience. Hedonism is the dominant view of aesthetic value, but a spate of recent criticisms has drawn its accuracy into question. I introduce some distinctions crucial to the criticisms, before using the bulk of the essay to identify and review six major lines of argument that hedonism's critics have employed against it. Whether or not these arguments suffice (...)
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    Bookmark   11 citations  
  37. Art and Selfhood: A Kierkegaardian Account.Antony Aumann - 2019 - Lanham, MD 20706, USA: Lexington Books.
    Drawing on insights from Søren Kierkegaard, Art and Selfhood: A Kierkegaardian Account defends the idea that art matters in our society today because it can play a pivotal role in helping us become better and more authentic versions of ourselves.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  38. From Tomas Kulka on Kitsch and Art to Art as a Singular Rule.Doron Avital & Karolina Dolanska - 2019 - Espes 8 (2):17-27.
    Tomas Kulka’s celebrated body of work on aesthetics has its logical groundings among other influences in the work of Karl Popper in the philosophy of science and Nelson Goodman on art and symbolic systems. I will revisit these two anchors to draw the philosophical move Tomas takes in his Kitsch and Art and use it to further a philosophical move of my own aiming at the very logical core of the question of art.
    Remove from this list   Direct download (2 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  39. From Tomas Kulka on Kitsch and Art to Art as a Singular Rule.Doron Avital & Karolina Dolanska - 2019 - Espes 9 (2):17-27.
    The article takes as its starting point the work of Tomas Kulka on Kitsch and Art to further a philosophical move aiming at the very logical core of the question of art. In conclusion, the idea of Singular Rule is offered as capturing the defining logic of art. In so doing, the logical structure of a singular rule is uncovered and in that also the sense in which the idea of singular rule both explains and justifies the role that art (...)
    Remove from this list   Direct download (2 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  40. Art for Goodness Sake.Miguel Benitez - 2019 - The Chesterton Review 45 (1):123-127.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  41. Assessing the Intellectual Value of New Genre Public Art.Elisa Caldarola - 2019 - Open Philosophy 2 (1):22-29.
    Suzanne Lacy introduced the term ‘New Genre Public Art’ (NGPA) to refer to art practices that depart from those traditional of public art (such as installing works in parks and plazas) and focus instead on the direct engagement of artists with audiences to deal with pressing socio-political issues. In this paper, I argue that some works of NGPA should be valued for the intellectual value grounded in their artistic features, not dissimilarly to works of conceptual art. In developing my argument, (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  42. Things: In Touch with the Past. [REVIEW]Filippo Contesi - 2019 - Notre Dame Philosophical Reviews 201909.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  43. La encrucijada axiológica de la reproductibilidad técnica del arte.José Ramón Fabelo Corzo - 2019 - In José Ramón Fabelo Corzo & Mayra Sánchez Medina (eds.), Coordenadas epistemológicas para una estética en construcción. Puebla, Pue., México: pp. 227-244.
    La obra de arte en la época de su reproductibilidad técnica es, sin dudas, la más emblemática aportación de Walter Benjamin a la estética y la teoría del arte. Un aspecto problemático que aflora en su lectura es el del impacto axiológico que el teórico marxista judío-alemán le atribuía a la nueva época. Es significativo el hecho de que, mientras para unos, este texto alberga una crítica negativa a la reproductibilidad técnica y una mirada nostálgica al pasado, para otros, la (...)
    Remove from this list   Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  44. Lo concreto y lo complejo en la interpretación del valor del arte.José Ramón Fabelo Corzo - 2019 - In José Ramón Fabelo Corzo & Mayra Sánchez Medina (eds.), Coordenadas epistemológicas para una estética en construcción. Puebla, Pue., México: pp. 153-166.
    El trabajo argumenta la necesidad de interpretar el valor del arte, por un lado, de manera concreta, como síntesis de múltiples determinaciones y tomando en consideración las condiciones de la época y lugar en las que la obra artística se inserta; y por otro lado, como producto complejo poseedor de múltiples dimensiones, diferentes pero interconectadas entre sí.
    Remove from this list   Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  45. Coordenadas epistemológicas para una estética en construcción.José Ramón Fabelo Corzo (ed.) - 2019 - Puebla, Pue., México: Colección La Fuente.
    Desde la certidumbre del sentido necesariamente inacabado, nómada y abierto de sus propuestas, el presente volumen de la Colección La Fuente da cuentas del esfuerzo de un grupo de investigadores del Instituto de Filosofía de La Habana (IF) y de la Universidad Autónoma de Puebla (BUAP) por esbozar, más que respuestas, aquellas interrogantes sociales, culturales y artísticas que, desde constelaciones cambiantes de conceptos y reflexiones estéticas, puedan ser emplazadas en sus respectivas realidades. El presente libro es el tercero de la (...)
    Remove from this list   Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  46. El arte de Warhol en la interpretación de Danto. De cómo la filosofía se hace ideología.José Ramón Fabelo Corzo - 2019 - In José Ramón Fabelo Corzo & Mayra Sánchez Medina (eds.), Coordenadas epistemológicas para una estética en construcción. Puebla, Pue., México: pp. 245-255.
    En este artículo se indaga en las razones ideológicas que estuvieron en la base de la interpretación filosófica que hizo Arthur C. Danto de la obra artística de Andy Warhol, así como de los cambios que en esa trayectoria interpretativa llevaron a que, en el imaginario de Danto, Warhol transitara de ser un artista-filósofo a ser un artista presuntamente obsesionado con ensalzar la vida estadounidense.
    Remove from this list   Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  47. A First-Person Theory of Documentation.Tim Gorichanaz - 2019 - Journal of Documentation 75 (1):190-212.
    Purpose To first articulate and then illustrate a descriptive theoretical model of documentation (i.e., document creation) suitable for analysis of the experiential, first-person perspective. Design/methodology/approach Three models of documentation in the literature are presented and synthesized into a new model. This model is then used to understand the findings from a phenomenology-of-practice study of the work of seven visual artists as they each created a self-portrait, understood here as a form of documentation. Findings A number of themes are found to (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  48. Musical Profundity: Wittgenstein's Paradigm Shift.Eran Guter - 2019 - Apeiron. Estudios de Filosofia 10:41-58.
    The current debate concerning musical profundity was instigated, and set up by Peter Kivy in his book Music Alone (1990) as part of his comprehensive defense of enhanced formalism, a position he championed vigorously throughout his entire career. Kivy’s view of music led him to maintain utter skepticism regarding musical profundity. The scholarly debate that ensued centers on the question whether or not (at least some) music can be profound. In this study I would like to take the opportunity to (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  49. Paths From the Philosophy of Art to Everyday Aesthetics.Oiva Kuisma, Sanna Lehtinen & Harri Mäcklin (eds.) - 2019 - Helsinki, Finland: Finnish Society for Aesthetics.
    During the past few decades, everyday aesthetics has established itself as a new branch of philosophical aesthetics alongside the more traditional philosophy of art. The Paths from Philosophy of Art to Everyday Aesthetics explores the intimate relations between these two branches of contemporary aesthetics. The essays collected in this volume discuss a wide range of topics from aesthetic intimacy to the nature of modernity and the essence of everydayness, which play important roles both in the philosophy of art and everyday (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  50. How Art Teaches: A Lesson From Goodman.Markus Lammenranta - 2019 - Paths From the Philosophy of Art to Everyday Aesthetics.
    In “How Art Teaches: A Lesson from Goodman”, Markus Lammenranta inquires if and how artworks can convey propositional knowledge about the world. Lammenranta argues that the cognitive role of art can be explained by revising Nelson Goodman’s theory of symbols. According to Lammenranta, the problem of Goodman’s theory is that, despite providing an account of art’s symbolic function, it denies art the possibility of mediating propositional knowledge. Lammenranta claims that Goodman’s theory can be augmented by enlarging it with an account (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
1 — 50 / 406