Philosophy of Literature

Edited by Silvia De Toffoli (University School of Advanced Studies IUSS Pavia)
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  1. From Stage to Shell_ The Evolution of Literature Toward Recursive Resonance.Devin Bostick - manuscript
    Abstract -/- From Stage to Shell: The Evolution of Literature Toward Recursive Resonance proposes that literature is not a progression of genres, but a sequence of ontological shifts mirroring transformations in the human self-model. Beginning with the divine role-bound figures of classical drama and moving through romantic individuation, modernist fracture, and postmodern simulation, literature has consistently reflected the dominant coherence structure of its time. -/- This work introduces Recursive Resonance Literature as the emergent form of the current epoch—one not defined (...)
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  2. Estudos linguísticos diferenciados: da linguística ao ensino de língua materna.Maria Assunção Silva Medeiros & Célia Maria de Medeiros (eds.) - 2013 - Natal: EDUFRN.
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  3. Linguagem: reflexões sobre atividades sociais.Maria José de Matos Luna & Siane Gois (eds.) - 2013 - Recife: Editora Universitária UFPE.
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  4. Il nome e la lingua: studi e documenti di storia linguistica svizzero-italiana.Ariele Morinini - 2021 - Tübingen: Narr Francke Attempto.
    La presente monografia si propone di ripercorrere, con approcci metodologici diversi, la formazione e lo sviluppo della percezione di un'identità linguistica, letteraria e culturale nel territorio della Svizzera italiana. La ricerca muove dall'indagine sull'evoluzione semantica delle denominazioni impiegate nella regione, dal Medioevo all'istituzione degli Stati moderni, per giungere alle opere e al pensiero degli studiosi e degli scrittori che hanno animato il dibattito identitario nei secoli XIX e XX, tra i quali Stefano Franscini, Carlo Salvioni e Francesco Chiesa. In appendice (...)
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  5. Cambridge Companion to Literature and the Anthropocene.John Parham (ed.) - 2021 - Cambridge: Cambridge University Press.
    The Anthropocene is a proposed geological epoch marking humanity's alteration of the Earth: its rock structure, environments, atmosphere. The Cambridge Companion to Literature and the Anthropocene offers the most comprehensive survey yet of how literature can address the social, cultural, and philosophical questions posed by the Anthropocene. This volume addresses the old and new literary forms - from novels, plays, poetry, and essays to exciting and evolving genres such as 'cli-fi', experimental poetry, interspecies design, gaming, weird, ecotopian and petro-fiction, and (...)
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  6. Hechos y preguntas sobre el conejo pato y otras piezas de filosofía ficción.Javier Vilanova Arias - 2022 - Madrid: Guillermo Escolar Editor.
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  7. Muḥāwalāt al-taʼṣīl al-turāthī lil-lisānīyāt: dirāsah taḥlīlīyah naqdīyah.Usāmah ibn Aḥmad Sulamī - 2023 - Jiddah: Markaz al-Taʼṣīl lil-Dirāsāt wa-al-Buḥūth.
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  8. O sonho é o monograma da vida: Schopenhauer - Borges - Guimarães Rosa.Márcio Suzuki - 2024 - São Paulo, SP, Brasil: Editora 34.
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  9. Theological and philosophical explorations of the call of literature: Power of the Word VI.David Lonsdale, Emilia Di Rocco & Brett Speakman (eds.) - 2025 - New York: Routledge.
    This book explores the 'call' of literature, for both writers and their audiences, and reflects on how literary works have informed and drawn from -and continue to inform and draw from- theology, philosophy and sacred scripture. Key questions addressed include: How do creative writers and critics conceive this call? What does it mean to speak of a 'vocation' to write and what have theologians and philosophers got to say on the matter? Is the spirit of literature always or necessarily an (...)
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  10. The problem of Aesopian language: the interpretive potential of the short stories by Jonas Mikelinskas and Juozas Glinskis.Indrė Žakevičienė - 2025 - In Katarzyna Kozak, Charlie Jorge & Katarzyna Mroczyńska, Crisis of representation: new solutions and critical voices in contemporary literature and arts. New York: Peter Lang.
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  11. Myth and metamorphosis: aporias, oppositions, and the crisis of representation in Sita's retellings.Nithin Varghese - 2025 - In Katarzyna Kozak, Charlie Jorge & Katarzyna Mroczyńska, Crisis of representation: new solutions and critical voices in contemporary literature and arts. New York: Peter Lang.
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  12. Figurative language and identity: exploring deconstruction in contemporary religious discourse.Liz Thomae - 2025 - In Katarzyna Kozak, Charlie Jorge & Katarzyna Mroczyńska, Crisis of representation: new solutions and critical voices in contemporary literature and arts. New York: Peter Lang.
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  13. Fictionalizing life; living in fiction': authorial representations of Brexit divides in Jonathan Coe's Middle England.María del Pino Montesdeoca Cubas - 2025 - In Katarzyna Kozak, Charlie Jorge & Katarzyna Mroczyńska, Crisis of representation: new solutions and critical voices in contemporary literature and arts. New York: Peter Lang.
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  14. Representing Jonathan Swift: a hybridized image.Katarzyna Kozak - 2025 - In Katarzyna Kozak, Charlie Jorge & Katarzyna Mroczyńska, Crisis of representation: new solutions and critical voices in contemporary literature and arts. New York: Peter Lang.
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  15. Commodifying the child: sacrificial scapegoating in Ann Radcliffe's A Sicilian romance (1790).Charlie Jorge Fernández - 2025 - In Katarzyna Kozak, Charlie Jorge & Katarzyna Mroczyńska, Crisis of representation: new solutions and critical voices in contemporary literature and arts. New York: Peter Lang.
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  16. Least most is best: a study of Samuel Beckett's "Ill Seen Ill Said" and "Worstward Ho".Edward Colerick - 2025 - In Katarzyna Kozak, Charlie Jorge & Katarzyna Mroczyńska, Crisis of representation: new solutions and critical voices in contemporary literature and arts. New York: Peter Lang.
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  17. Crisis of representation: new solutions and critical voices in contemporary literature and arts.Katarzyna Kozak, Charlie Jorge & Katarzyna Mroczyńska (eds.) - 2025 - New York: Peter Lang.
    The papers collected in this volume explore the concept of crisis of representation in the area of literature and arts that are seemingly losing their potential to shape the picture of political, philosophical religious, and cultural developments. Some of diagnosed reasons for the crisis may include the loss of the referent, ever-increasing distance from the reality of the referential world, the crisis of truth in political discourse, crisis of the idea of re-presentation in philosophy, or the paradox of self-reference in (...)
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  18. Der gute Mensch. Epistemologie und Rhetorik im 18. Jahrhundert (Baumgarten – Sulzer – Kant).Roland Spalinger - 2025 - Göttingen: Wallstein Verlag.
    The study investigates the epistemological premises of the so-called "anthropological turn" of the eighteenth century within the German-speaking territories. Contrary to the dominant scholarly narrative of the past two decades, this shift is shaped less by the empirical sciences than by semiotics and exercises of the self, which find expression in the newly re-evaluated rhetorical tradition of the eighteenth century. As a discipline attuned to both semiotics and exercises, rhetoric offers a framework for reconfiguring human formation within the bourgeois Enlightenment. (...)
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  19. (1 other version) In defence of fictional examples.Alex Fisher - forthcoming - The Philosophical Quarterly.
    This paper provides a novel defence of the philosophical use of examples drawn from literature, by comparison with thought experiments and real cases. Such fictional examples, subject to certain constraints, can play a similar role to real cases in establishing the generality of a social phenomenon. Furthermore, the distinct psychological vantage point offered by literature renders it a potent resource for elucidating intricate social dynamics. This advantage of the internal insight that fictional examples can (though do not always) possess helps (...)
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  20. (1 other version)Bayna al-falsafah wa-al-adab.ʻAlī Adʹham - 1945
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  21. (4 other versions)Theory of literature.René Wellek & Austin Warren - 1956 - New York,: Harcourt, Brace.
    A classic of criticism that examines the nature, function, form, and contents of literature. "The most ordered, ranging and purposeful attempt...toward keeping the study of literature at once intelligent and liberal" (New York Times). Index.
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  22. One of God's "Bad Moods": Kafka's Social Diagnosis and its Multiple Interpretations.Yvanka Raynova - 2025 - Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics 26 (2):5-28.
    In this editorial for the special issue on Franz Kafka, Yvanka B. Raynova examines Kafka's relationship to Nietzsche as well as the very different and often contradictory interpretations of Kafka's work by philosophers and literary critics. She argues that although Kafka's novels cannot be directly "translated into a philosophical, theological, sociological, or psychoanalytical discourse" (Jürgen Born), they should not be interpreted and evaluated solely from a literary perspective, as they raise institutional questions that have led to socio-critical and political associations (...)
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  23. (1 other version)Kratkoe načertanie teorii izjaščnoj slovesnosti: Moskva 1822.Alekseĭ Merzli︠a︡kov - 1822 - München: Kubon & Sagner.
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  24. Engaño máximo: Una lectura contra Dune.Pablo Vera Vega - 2024 - Análisis: Revista de Investigación Filosófica 11 (2):257-274.
    En este artículo sostengo que en Dune (1965) se perpetra una transgresión que deno-minaré “engaño máximo”, transgresión que consiste en la perversión (o alteración) del pacto fictivo que se da entre escritor y lector. Este engaño se acerca en algunos aspectos a la figura literaria del narrador no confiable. Peculiarmente, el “engaño máximo” de Dune se sustenta en un modo muy experimental de articulación de las perspectivas ficticias y reales; esto es, en el encaje de las perspectivas de los persona-jes (...)
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  25. Stoljetna kuća ništavila: ogledi, kritike, zapisi.Zdravko Kordić - 1997 - Mostar: Matica hrvatska.
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  26. Troades, tragedias de mujeres.Laura Juárez González - 2022 - Dissertation, Universidad de Alicante
    En el presente trabajo se propone un análisis de los personajes femeninos de la tragedia Troades: Hécuba, Andrómaca, Helena y Políxena. Las heroínas trágicas deberán enfrentarse, de manos atadas, a la caída de Troya, a ser sorteadas entre los jefes del ejército griego como botines de guerra y a los asesinatos de los jóvenes Astianacte y Políxena. Partiendo de esos hechos, se pretende analizar, atendiendo a diferentes motivos y prestando cuidadosa atención a la argumentación dramática, la caracterización trágica de cada (...)
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  27. Literary Studies and Human Flourishing ed. by James F. English and Heather Love (review).Jean-François Vernay - 2025 - Philosophy and Literature 48 (2):484-491.
    In Thinking with Literature: Towards a Cognitive Criticism (2016), Terence Cave argues that the "calculus of literary value, whether aesthetic, ethical, or more broadly cultural, is a universal feature of literate cultures" which "arises from the sense that fiction, poetry, theatre, and their analogues are potential goods and potential evils, so that it becomes a matter of urgent concern to calibrate those values in relation to the wider values of the culture in question."1 The question of fiction's cognitive affordances and (...)
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  28. Agamben's Philosophical Archaeology: The Homo Sacer Project [Agambens filosofische archeologie: het Homo Sacer Project].Martijn Boven - 2018 - Wijsgerig Perspectief 58 (4):6-13.
    The Homo Sacer series can be understood as an inquiry into the conditions of possibility of Western politics. Martijn Boven discusses the coherence of the series and how Agamben unfolds this "philosophical archaeology" within it. -/- In 1995, the Italian philosopher Giorgio Agamben published Homo Sacer: Sovereign Power and Bare Life (Homo sacer. Il potere sovrano e la nuda vita), the first book in a series of nine. Nearly twenty years later, in a gesture characteristic of Agamben, the project was (...)
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  29. Ornamental aesthetics: the poetry of attending in Thoreau, Dickinson, and Whitman.Theo Davis - 2016 - New York: Oxford University Press.
    Introduction: To ornament -- Thoreau: an ornament to nature -- Dickinson: ornamentation and the open -- Whitman: ornamental distinction.
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  30. Nauchnye issledovanii︠a︡ v sfere gumanitarnykh nauk: otkrytii︠a︡ XXI veka, materialy IV Mezhdunarodnoĭ nauchno-prakticheskoĭ konferent︠s︡ii, 22-23 senti︠a︡bri︠a︡ 2016 goda.A. M. Kazieva (ed.) - 2016 - Pi︠a︡tigorsk: Pi︠a︡tigorskiĭ gosudarstvennyĭ universitet.
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  31. Airy Nothing: Epistemology in A Midsummer Night's Dream.Richard Strier - 2024 - Philosophy and Literature 48 (2):360-380.
    This essay explores the epistemological implications of A Midsummer Night's Dream. It distinguishes among metaphors—some are mere "figures of speech," others have descriptive (and prescriptive) power, while others seem to be literalized in the action. The claim that lovers are epistemologically advantaged with regard to the love object is seen as both explored and mocked. The role of the fairies and the "love potion" is examined. Both are to be recognized as fictions. Theseus's speech about lovers, madmen, and poets is (...)
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  32. The Modes of Sympathy: The Prototype Theory's Response to Noël Carroll.Alessandro Giovannelli - 2024 - Philosophy and Literature 48 (2):438-458.
    In Art in Three Dimensions,1 Noël Carroll presents the most comprehensive account of his views on narrative and character engagement. Expanding on his previous work, Carroll remains a representative of what elsewhere I dubbed the "onlooker," in contrast to the "participant," view.2 That is, he is among those who see, as central to our interactions with narratives, what we may call other-oriented responses. Such responses do not require that readers or viewers imaginatively place themselves within a narrative's fictive world or (...)
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  33. Literature as Social Critique: Parenting, Neoliberalism, and Lynn Steger Strong's Want.Tzachi Zamir - 2024 - Philosophy and Literature 48 (2):293-307.
    To displace a paradigm within the philosophy of literature that monopolizes attempts to establish a connection between literature and social criticism—such is the aim of this essay. The paradigm is that literature uniquely conveys injustice, thereby complementing thematic reflection. To this purpose, I hope to add to the philosophy of literature's toolbox "eudaemonistic" readings, which explore how economic circumstances occasion unhappiness. My context is neoliberalism, and my example Lynn Steger Strong's Want. Focusing on parenting, privilege, and discovering the limits of (...)
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  34. Some Pages Concerning the Demise of DR. Conrad Faintly.Joachim Glage - 2024 - Philosophy and Literature 48 (2):431-437.
    I shall begin, as we middling storytellers too often are wont to do, with the scene of the crime, and the dead body.Conrad Faintly, the soft-spoken (and little published) Helmut Kolb Professor of Greek and Roman Antiquities at Irving Catholic College in Albany, New York, cut a far more striking figure as a dead body than ever he did as an educator, what with the way he fell—or leapt, or was thrown (as is the theory preferred by the authorities)—from the (...)
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  35. Christening the Constantive: Infelicity in Shakespeare's Sonnets.Julian Lamb - 2024 - Philosophy and Literature 48 (2):381-397.
    When the speaker in Shakespeare's sonnets swears that his dark lady is fair, against what is self-evidently true, what sort of speech act is he performing? Though this is an act of swearing, and thus what J. L. Austin would call a "performative," his swearing also describes, or "constates" something about the dark lady, albeit falsely. In this article, I identify a form of speech act that both performs and constates, and which has performative force only because its description is (...)
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  36. Facebook: Scowls and Smiles, Bubbles and Breaths in Macbeth.Elizabeth Mazzola - 2024 - Philosophy and Literature 48 (2):398-416.
    The faces that continually appear and disappear in Macbeth supply an idea about how seeing and knowing might fold or fail or simply spoil in Shakespeare's play. Drawing upon animal studies, art history, film theory, and neurobiology, I argue that Duncan's difficulty in reading faces exemplifies an early modern world where the face's importance and ubiquity were complicated by urban mobility and print technology. Queen Elizabeth I's portraits try to control the problems posed by early modern faces, but the uncertainty (...)
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  37. The Modern Transcendent Moment and Postmodern Perpetual Present: A Passage from the Sublime to the Mundane.Rizwan Saeed Ahmed & Yasir Abbas - 2024 - Philosophy and Literature 48 (2):278-292.
    Modernists T. S. Eliot's and W. B. Yeats's treatment of the transcendent moment, and postmodernists Samuel Beckett's and Graham Swift's handling of the perpetual present form two conflicting time worlds. The modernists' transcendent moment signifies a temporary release from the progressive stream of time. As a sudden flash of awareness, it offers a transcendental vision of reality. Contrariwise, the postmodernists' perpetual present is cut off from the past as well as the future, suggesting the infinite time of the middle. It (...)
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  38. Reimagining Academic Philosophy.Michael Fischer - 2024 - Philosophy and Literature 48 (2):459-471.
    In Walden, Henry David Thoreau famously laments that "there are nowadays professors of philosophy, but not philosophers. Yet it is admirable to profess because it was once admirable to live." From Thoreau's point of view, what professors of philosophy do has something parasitic or derivative about it. They subsist on the praiseworthy achievements of others who have gone before them: real philosophers, presumably, who understood that "to be a philosopher is not merely to have subtle thoughts, nor even to found (...)
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  39. "Everything Was Happing Simultaneously": Sartre, Heidegger, and Jung in Philip Roth'S Patrimony.James Duban - 2024 - Philosophy and Literature 48 (2):259-277.
    In his memoir Patrimony, might Philip Roth have aligned a Jungian, universal unconscious with Heideggerian resoluteness but evaded cognitive demise via the Sartrian flight of the For-itself inherent in writing? I argue that such concerns pervade the narrative and stand related to what Roth elsewhere calls "the struggle not only to infuse fiction with mind but to make mentalness itself central to the hero's dilemma—to think … about the problem of thinking." In Patrimony, such thinking spans synchronistic occurrences across time.
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  40. Where Does Common Sense Come From? "A Modest Proposal" and the Inoculation Controversy.Stewart Justman - 2024 - Philosophy and Literature 48 (2):492-507.
    "There are three kinds of lies: lies, damned lies, and statistics," said Twain—or was it Disraeli? Even if statistics are honest, they submerge individual differences in generality. On a hostile interpretation, statistics are a deceiver's toolkit, a numerical expression of the tyranny of the average, a power capable of denaturing anything it touches. Many a clinical trial boasts results with statistical, albeit not clinical, significance.1For the hater of statistics Swift's "A Modest Proposal" is a locus classicus. Purporting to correct the (...)
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  41. I Rise, I Fall: From Genji to Chiori Miyagawa.Glenn Odom - 2024 - Philosophy and Literature 48 (2):329-359.
    What is an "I"? Japan has a long history of experiments in philosophy, narrative form, and theatrical production that address questions of the uniqueness of the "I" and its connection with other "I"s. Who is the "I" that emerges from the intersection of the authorial "I" and these philosophies of I-ness? Can one writer inhabit the "we" implied by some of the experimental forms? Would the writing thus produced serve an academic purpose? Or, perhaps, should I reconsider the nature of (...)
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  42. The Myth of the Liar Poet.Alex Priou - 2024 - Philosophy and Literature 48 (2):424-430.
    Hesiod begins his Theogony by telling his audience of rural shepherds and farmers about his encounter with the Muses on Mount Helikon. To assure them he's telling the truth, he claims the humble shepherd's staff of olive wood that he holds before them is in fact a gift from these same goddesses. An apparently mundane artifact is somehow supposed to attest to the divine source of the tales he is about to tell of events not even the Muses themselves could (...)
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  43. Blurring the Lives: Plutarch's Didactic Comparisons and Shelley's Romantic Synthesis.Roman Briggs - 2024 - Philosophy and Literature 48 (2):308-328.
    In May 1819, Percy Bysshe Shelley broke away from work on his lyric Prometheus Unbound in order to compose The Cenci —a tragedy. What precipitated this? I argue that in pausing between acts 3 and 4 of the former in order to construct the latter, Shelley was engaging in the Greco-Roman tradition of moralizing by means of sketching twinned lives. While Shelley follows Plutarch, specifically, in allowing for, among other things, the mythological and the apocryphal, I suggest that his own (...)
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  44. Diverse Fates in Homer: How Are They Meant to Be?Chunpeng Hao & Dimitra Amarantidou - 2024 - Philosophy and Literature 48 (2):417-423.
    In Greek, moira means "share, portion of something" and it is related to "part, lot" (meros), to "receiving one's share" (meiresthai), and to "doom" (moros). Mortal humans generally accept that fate as "lot" refers to one's life or limitedness. For immortal gods, fate is a god's share in power, manifest as the domain under their respective control (e.g., Zeus of the sky, Poseidon of the sea, and Hades of the underworld).1But was the power of Zeus, the father and king of (...)
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  45. Beyond "Philosophy" and "Literature".John Lysaker - 2024 - Philosophy and Literature 48 (2):480-483.
    Sometimes we end up writing something other than we meant, or, in the least, we see why someone read what we wrote in the way that they did. How could it be otherwise? Even if we try to say what we mean, we always mean more than we meant to say given the broad sociality of language, from tone to semantic polysemy to the varied significances of performativity. I say this (and thus inevitably more) by way of reply to Michael (...)
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  46. Memento Vivere.Richard Shusterman - 2024 - Philosophy and Literature 48 (2):472-479.
    Grateful as I am for Michael Fischer's sympathetic discussion of Philosophy and the Art of Writing, my disagreeable duty in response is to note how, where, and why his attentive, supportive, and well-intentioned reading of the book misinterprets its meaning. More positively, my mission is to clarify the book's essential purpose so that readers of this journal who have neither read the book (nor followed other symposia and discussions dedicated to it) can better understand its message.1 Because I know the (...)
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  47. ٖBlank Dramatutgy: An introduction to Deconostractive Dramaturgy or Dramaturgy under the light of Derrida's Deconstruction.Saeed Reza Khoshshans - 2022 - Tehran: Sunday Publication.
    Although the widespread development of dramaturgy in the practical and theoretical fields has made it today an independent "discourse" in contemporary theater, it is still one of the most ambiguous and controversial areas in theater studies. The term dramaturgy, first added to the specialized vocabulary of theater by Gotthold Ephraim Lessing, has been used as a phenomenon in its historical course in various meanings and concepts and has organized multiple generations of dramaturgy in different cultural and geographical contexts. Despite the (...)
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  48. An Essay on the Necessity of Evaluating, Reflecting and Revising the Persian Term" Namayeshnameh" with Emphasis on New Discourses in Theater Studies and Dramatic Arts.Saeed Reza Khoshshans - 2024 - Literary Research 21 (83):15-19.
    The Persian term "Namayeshnameh" meaning the play, is one of the key, frequent, and functional words in the knowledge field of theater studies, dramatic literature, and performing arts, which was created and coined instead of the foreign French word la pièce after the Iranian linguistic change and revisions by the First Academy for the Persian language founded on 1935. According to the new discourses on contemporary theater such as the theory of performance, the theater of cruelty, and post-dramatic theater, which (...)
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  49. Estudos literários e linguísticos/discursivos na Amazônia paraense: (livro de trabalhos do IV EVEL).Marcos dos Reis Batista & Suellen Cordovil da Silva (eds.) - 2017 - [Porto Alegre, Rio Grande do Sul, Brazil]: Editora Fi.
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  50. Pobres pero honradas: Lujuria burguesa y honorabilidad proletaria en las novelas breves de Federica Montseny.Pedro García-Guirao - 2012 - International Journal of Iberian Studies 23 (3):155 - 177.
    Hacia 1922 la líder anarquista Federica Montseny comenóz a publicar novelas breves románticas en varios periódicos anarquistas. Fueron casi cincuenta escritos en los que dejó plasmada la misión social de todo escritor anarquista: diagnosticar los males de la sociedad, denunciar dicha realidad que no suele ser muy justa para la clase trabajadora y, por último, promover soluciones a largo plazo mediante una pedagogía social o una especie de propedéutica capaz de enseñar a la clase proletaria cōmo defenderse física y moralmente (...)
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