Ontological Fictionalism

Mental fictionalism holds that folk psychology should be regarded as a kind of fiction. The present version gives a Lewisian prefix semantics for mentalistic discourse, where roughly, a mentalistic sentence “p” is true iff “p” is deducible from the folk psychological fiction. An eliminativist version of the view can seem self-refuting, but this charge is neutralized. Yet a different kind of “self-effacing” emerges: Mental fictionalism appears to be a mere “parasite” on a future science of cognition, without contributing anything substantial. (...) The paper then rebuts the objection, illustrating that prefix semantics resolves a lingering problem for eliminativism from Boghossian. The problem is that eliminativists seem unable to adopt realism about neuroscience, for such realism implies that neuroscientific statements *represent* reality accurately. However, a deflationary version of prefix semantics allows the eliminativist to draw an ontologically relevant distinction (roughly) between truths that have a story-telling prefix and those that do not. (Deflationism means there is no implication that the unprefixed sentences robustly represent reality.) The overarching lesson is that eliminativists need to approach to ontology carefully so to avoid self-refutation; however, prefix semantical mental fictionalism provides the resources for them to do so. (shrink)

Draft of March 2022. This is a draft of the front matter and ch. 1, for a new book manuscript on metametaphysics.

I present two challenges to fictionalism. According to the first, the reasons fictionalists offer for acceptance without belief often warrant a somewhat different attitude. According to the second, the possibility of fictionalist acceptnace rests on the poorly supported hypothesis that there is a clear distinction between philsophical and ordinary contexts. This is forthcoming in Noûs.

According to Jody Azzouni’s “deflationary nominalism,” the singular terms of mathematical language applied or unapplied to science refer to nothing at all. What does exist, Azzouni claims, must satisfy the quaternary condition he calls “thick epistemic access”. In this paper I argue that TEA surreptitiously reifies some mathematical entities. The mathematical entity that I take TEA to reify is the Fourier harmonic, an infinite-duration monochromatic sinusoid applied throughout engineering and physics. I defend the reality of the harmonic, in Azzouni’s account, (...) not by satisfying all four TEA conditions with respect to it, but by showing that the harmonic renders satisfiable the TEA condition called “grounding,” specifically in Azzouni’s example of a human visually perceiving a vase. The harmonic thereby plays what Azzouni calls an “epistemic role,” and merits inclusion in the deflationary nominalist ontology. Against the “coding” objection of Azzouni and Bueno, which would nominalize the harmonic to nonexistent status, I reply that in the context of grounding, the coding objection begs the question. (shrink)

This chapter argues that mental fictionalism can only be a successful account of our ordinary folk-psychological practices if it can in some way preserve its original function, namely its explanatory aspect. A too strong commitment to the explanatory role moves fictionalism unacceptably close to the realist or eliminativist interpretation of folk psychology. To avoid this, fictionalists must degrade or dispense with this explanatory role. This motivation behind the fictionalist movement seems to be rather similar to that of Sellars when he (...) came up with the Myth of Jones, his proto-theory of mental concepts. He was faced with the problem of preserving the explanatory status of mental concepts without turning them into proper theoretical entities. By introducing the Sellarsian proto-theory of concepts related to the mental and outlining its main points, this chapter aims to provide a critique of the two versions of mental fictionalism that are arguably the strongest: Adam Toon’s prop-oriented pretence theory and Tamás Demeter’s expressive storyism. (shrink)

Presentists hold that only present things exist. But we all, presentists included, utter sentences that appear to involve quantification over non-present objects, and so we all, presentists included, seem to commit ourselves to such objects. Equally, we all, presentists included, take utterances of many past-tensed (and some future-tensed) sentences to be true. But if no past or future things exist, it’s hard to see how there can be anything that those utterances are about, which makes them true. This paper presents (...) a hitherto unexplored response to both problems: pretence fictionalism about the non-present. This view combines semantic factualism with psychological non-cognitivism. Sentences that appear to quantify over the non-present have propositional content and (almost all of) those propositions are false because the thing they are about—the non-present—does not exist. Nevertheless when we utter such sentences we don’t thereby utter something false. Our utterances do not report the belief that the propositional content of the sentence uttered is true; rather, they express a non-cognitive attitude towards that content: namely an attitude of pretence. Hence by thinking various thoughts, and uttering various sentences we are, collectively, pretending as though things were (or will be) thus and so. (shrink)

Mental fictionalism is not the benign view that we may better understand the mind if we think of mental states as something like useful fictions, but the more radical view that mental states just are useful fictions. This paper argues that, if one were to treat mental states as a kind of fiction, the genre of fiction best suited to this purpose would be fantasy make-believe, in which magic is a central feature. After defending a promising fictionalist account of mental (...) discourse as a kind of prop-oriented make believe against recent criticism, the paper ultimately concludes that mental fictionalism faces further, potentially insurmountable, challenges. Most significantly, there is a problematic disanalogy between folk psychology and fiction: our mental state attributions aim to track truth, and this crucial aspect of our mental discourse cannot be captured if we interpret it as a kind of fictional discourse. For this and other reasons, the cost of adopting mental fictionalism likely outweighs its benefits. Whether or not these problems can be resolved, there is still much to be gained from taking mental fictionalism seriously: in doing so we may illuminate several important features of our own folk psychology that often go unnoticed. (shrink)

Este es un cuento de creación literaria.

Fictionalists propose that some apparently fact-stating discourses do not aim to convey factual information about the world, but rather allow us to engage in a fiction or pretense without incurring ontological commitments. Some philosophers have suggested that using mathematical, modal, or moral discourse, for example, need not commit us to the existence of mathematical objects, possible worlds, or moral facts. The mental fictionalist applies this reasoning to our mental discourse, suggesting that we can use ‘belief’ and ‘desire’ talk without committing (...) to the existence of beliefs and desires as mental entities. Most arguments for mental fictionalism are based on two key suppositions: first, that there are ontological concerns about mental entities; and second, that these ontological concerns justify a fictionalist interpretation of mental discourse. This paper challenges both suppositions and argues that the standard arguments for mental fictionalism are substantially weaker than arguments for other forms of fictionalism in the philosophical literature. (shrink)

There is an uneasy tension between our ordinary talk about beliefs and desires and the ontological facts supported by neuroscience. Arguments for eliminative materialism can be fairly persuasive, yet error theory about folk psychological discourse may be unacceptable. One solution is to accept mental fictionalism: the view that we are (or should be) fictionalists about mentality. My aim in this paper is to explore mental fictionalism as a viable theoretical option, and to show that it has advantages over other fictionalist (...) views in the literature, as well as advantages over other theories of mind. However, mental fictionalism faces particular objections that do not plague other fictionalist accounts, nor other theories of the mind. These objections may provide some explanation as to why mental fictionalism has not (until recently) gained much traction in the literature. I end with some suggestions on how the mental fictionalist can address these objections, hopefully paving the way for further development of mental fictionalism as a live philosophical position in philosophy of mind. -/- . (shrink)

This paper examines three meta-ontological deflationary approaches – frameworks, verbal disputes, and metalinguistic negotiation – and applies them to ontological debates in philosophy of mind. An intriguing consequence of this application is that it reveals a deep, systematic problem for mental deflationism – specifically, a problem of cognitive collapse. This is surprising; cognitive collapse problems are usually reserved for serious ontological views such as eliminative materialism and mental fictionalism, not deflationism. This paper investigates why deflationism about the mental is particularly (...) problematic, and provides an explanation as to why mental fictionalism is in principle better equipped to address collapsing problems than deflationism is. (shrink)

The aim of this chapter is to explain, motivate, and provide the central details of a specific version of what has come to be called alethic fictionalism—namely, a fictionalist account of truth (or, more accurately, of truth-talk, that fragment of discourse that involves the truth-predicate and other alethic-locutions). Our particular brand of alethic fictionalism is sometimes described as a “pretense theory of truth,” and a catchphrase for our view is “truth is a pretense.” But a more precise label for the (...) view that we will present is “semantic pretense-involving fictionalism about truth-talk.” Our endorsement of this view (for short, our SPIF account) stems from our belief that deflationism is the right approach to take on the topic of truth. This already shifts the focus away from any property of truth, since deflationism “about truth” (or, as we will call this view, T-deflationism) is best understood as an approach to analyzing truth-talk. We arrive specifically at our SPIF account of truth-talk because we also think that versions of T-deflationism should be understood as a kind of fictionalism (which, again, puts the focus on discourse, rather than metaphysics) and because we maintain that a SPIF account is the best variety of fictionalism to apply specifically to truth-talk. We will explain some of our reasons for holding these beliefs below, laying out the basics of our SPIF account of truth-talk and highlighting the merits of endorsing our particular account of that talk. (shrink)

Many people assume that fictional entities are encapsulated in the world of fiction. I show that this cannot be right. Some works of fiction tell us about pieces of poetry, music, or theatre written by fictional characters. Such creations are fictional creations, as I will call them. Their authors do not exist. But that does not take away that we can perform, recite, or otherwise generate actual instances of such works. This means we can bring such individuals actually into existence, (...) as the works they are. I conclude that the assumption about encapsulation is untenable, unless an exception is made for types. (shrink)

How can Buddhists prove that non-existent things do not exist? With great difficulty. For the Buddhist, this is not a laughing matter as they are largely global error theorists and, thus, many things are non-existent. The difficulty gets compounded as the Buddhist and their opponent, the non-Buddhist of various kinds, both agree that one cannot prove a thesis whose subject is non-existent. In this paper, I will first present a difficulty that Buddhist philosophers have faced in proving that what they (...) take to be non-existent does not exist. I will then survey two main solutions that they have provided. Those 'solutions' may not solve the problem or solve the problem but creates other problems. I will not survey the Buddhist treatment of the problem of proving about non-existence in order to present a new solution that we have yet to see. Instead, I will articulate a problem about non-existence that is unique to Buddhist philosophers. I will do so in order to present an interesting puzzle about non-existence that has largely escaped attention in the 'Western' literature. (shrink)

What is the relationship between mental states and items of material culture, like notebooks, maps or lists? The extended mind thesis offers an influential and controversial answer to this question. According to ExM, items of material culture can form part of the material basis for our mental states. Although ExM offers a radical view of the location of mental states, it fits comfortably with a traditional, representationalist account of the nature of those states. I argue that proponents of ExM would (...) do better to adopt a fictionalist approach to mental states. In so doing, I suggest, they could retain the important insights underlying the extended mind thesis, while avoiding its more problematic consequences. (shrink)

In this paper, I examine the Paradox of Fiction: in order for us to have genuine and rational emotional responses to a character or situation, we must believe that the character or situation is not purely fictional, we believe that fictional characters and situations are purely fictional, and we have genuine and rational emotional responses to fictional characters and situations. After defending and against formidable objections and considering the plausibility of ~ in isolation of and, I conclude that we should (...) resolve the Paradox of Fiction by rejecting. (shrink)

There is growing debate about what is the correct methodology for research in the ontology of artworks. In the first part of this essay, I introduce my view: I argue that semantic descriptivism is a semantic approach that has an impact on meta-ontological views and can be linked with a hermeneutic fictionalist proposal on the meta-ontology of artworks such as works of music. In the second part, I offer a synthetic presentation of the four main positive meta-ontological views that have (...) been defended in philosophical literature about artworks and of some criticisms that can be lodged against them: Amie Thomasson’s global descriptivism, Andrew Kania’s local descriptivism, Julian Dodd’s folk-theoretic modesty, and David Davies’ rational accountability view. In the conclusion, I show the advantages of my view. (shrink)

I have always found Robin’s writings on religion delightfully insightful and stimulating, and this piece was no exception. What follows are some of the thoughts that occurred to me, in order of occurrence.

Fictionalism is the view that the claims of a target discourse are best seen as being fictional in some way, as being expressed in some pretense manner, or as not being about the traditional posits of the discourse. The contemporary taxonomy of fictionalist views is quite elaborate. Yet, there is a version of fictionalism that has failed to develop and which corresponds to the earliest form of the view found in the history of philosophy, East and West. I call this (...) view “reactionary fictionalism.” I argue that traces of reactionary fictionalism can be found in Classical Daoism, Madhyamaka Buddhism, and Pyrrhonian Skepticism. Reactionary fictionalism is a kind of fictionalism that differs from both the hermeneutic and revolutionary kinds discussed today. Hermeneutic fictionalism says we already treat the claims of a target discourse in a fictional manner. Revolutionary fictionalism recommends we all start treating the claims of a target discourse in a fictional manner for reasons mostly of social utility. Reactionary fictionalism recommends, by contrast, that only those concerned with obtaining maximal therapeutic release from the pathology of literally asserting genuine beliefs in the claims of a target discourse should react in a pretense manner to inescapable contexts demanding the use of the claims of that discourse. I aim to show that reactionary fictionalism was a technique utilized in premodern skeptical traditions as a means for enduring one's condemnation to near‐permanent sociality. I recommend slotting reactionary fictionalism into our present taxonomy once we note that employing fictionalism can have a primarily therapeutic motivation and not merely a semantic, epistemic, or metaphysical one. (shrink)

What kind of thing, as it were, is power and how does it fit into our understanding of the social world? I approach this question by exploring the pragmatic character of power ascriptions, arguing that they involve fictional expectations directed at an open future. When we take an agent to be powerful, we act as if that agent had a robust capacity to make a difference to the actions of others. While this pretense can never fully live up to a (...) social reality whose future is open, acting on such expectations helps constitute social order. Fictional expectations are thus built into the material practices that constitute power. This account, I argue, helps us make sense of some of the deep disagreements about the nature of power. I develop the account by drawing on Thomas Hobbes’s myth of an original institution of sovereign power before expanding it to other forms of power. (shrink)

The aim of this paper is to show that the interpretivist account of propositional attitudes fails even at the most plausible reading that treats this theory as a version of the deflationary approach to existence coupled with a metaphysical claim about the judgement-dependence of propositional attitudes. It will be argued that adopting a deflationary reading of interpretivism allows this theory to avoid the common charge of fictionalism, according to which interpretivists cannot maintain realism about attitudes as their theory becomes a (...) covert form of mental fictionalism. However, as will be shown, the deflationary version of interpretivism faces a fatal dilemma: either it becomes indistinguishable from generic deflationism about the mental, or it must embrace the metaphysical thesis of judgement-dependence of propositional attitudes. The latter option leads to unacceptable epistemological consequences, as it cannot accommodate intuitions about possibility of error in attribution of attitudes. Thus, it turns out that even a subtle version of interpretivism is not a viable theory of intentional states. (shrink)

This paper discusses the nature of, problems for, and benefits delivered by fictionalist strategies in metaphysics.

As If: Idealization and Ideals, by AppiahKwame Anthony. Cambridge, MA: Harvard University Press, 2017. Pp. xvi + 218.

As Peter Lamarque explains in "Work and Object", the claim that artworks are not identical with their vehicles lies at the core of a variety of art-ontological accounts, including Jean-Paul Sartre’s one. In chapter 10, Lamarque gives us an insightful read-ing of Sartre’s art-ontological proposal: works of art in themselves do not exist, while what exists is their ‘material analogue’ which, when perceived, arouses in us certain imaginings. What we call ‘artwork’ is the object of such imaginings – an object (...) that doesn’t exist. Although Lamarque does not embrace Sartre’s view, others might find Sartre’s proposal at least prima facie promising. In particular, to those inclined to be skeptical about the genuine theoretical weight of debates about the existence of some kinds of objects, artworks qua ontologically distinct from their vehicles might look like a case where there is no fact of the matter to be right or wrong about and continuing to engage in ontological disputes is futile. Those scholars might then be sympathetic towards a proposal, inspired by Sartre as well as by Stephen Yablo’s analysis of folk number statements, according to which when we talk about artworks we are merely pretending that certain objects of our imagination exist. In the first part of this paper, I rapidly explore this meta-ontological view. In the concluding section, I argue against the proposal previously outlined. (shrink)

Are the objects and events that take place in Virtual Reality genuinely real? Those who answer this question in the affirmative are realists, and those who answer in the negative are irrealists. In this paper we argue against the realist position, as given by Chalmers (2017), and present our own preferred irrealist account of the virtual. We start by disambiguating two potential versions of the realist position—weak and strong— and then go on to argue that neither is plausible. We then (...) introduce a Waltonian variety of ictionalism about the virtual, arguing that this sort of irrealist approach avoids the problems of the realist positions, fits with a unifying theory of representational works, and offers a better account of the phenomenology of engaging in virtual experiences. (shrink)

In this book, a general type ontology of works is defended and developed in detail. A wide concept of “work” is used here, such that “work” roughly corresponds to “artefact”. Though the focus is on works of art, the theory is meant to be applicable, in principle, to works of science and technology and to everyday items of all sorts as well. Among others, the following questions are discussed: To what ontological category or categories do works belong? Is there a (...) principled ontological divide between linguistic and musical works, on the one hand, and works of the visual arts on the other? What is the relationship between works and such diverse things as performances, manuscripts, scores, blueprints, stagings, film screenings, printing plates, data carriers, and others? What is the relationship between works and interpretations? In what way do works come into existence? Can works, once they are finished, be changed and/or cease to exist, and if so, under what conditions? Which sorts of parts can be distinguished within a work? Is the context of origin constitutive of a work’s identity? Can a translation be identical with the original linguistic work? Who is the author of a computer-generated work? The central thesis is that works of all kinds are abstract artefacts, i. e., types that are instantiated in concrete particulars, that is, in material or mental objects and events. The relationship between works and their “realizations” is defined by means of a modes of predication distinction, as it is used in a variety of Meinongian logics. An extensive chapter is dedicated to the relation between “representing works” and their represented worlds, with a focus on fictitious worlds and their objects. The latter are modeled as parts of fictional works. (shrink)

Fictionalists maintain that possible worlds, numbers or composite objects exist only according to theories which are useful but false. Hale, Divers and Woodward have provided arguments which threaten to show that fictionalists must be prepared to regard the theories in question as contingently, rather than necessarily, false. If warranted, this conclusion would significantly limit the appeal of the fictionalist strategy rendering it unavailable to anyone antecedently convinced that mathematics and metaphysics concern non-contingent matters. I try to show that their arguments (...) can be resisted by developing and defending a strategy suggested by Rosen, Nolan and Dorr, according to which the fiction-operator is to be analysed in terms of a counterfactual that admits of non-trival truth-values even when the antecedent is impossible. (shrink)

According to non-doxastic theories of propositional faith, belief that p is not necessary for faith that p. Rather, propositional faith merely requires a ‘positive cognitive attitude’. This broad condition, however, can be satisfied by several pragmatic approaches to a domain, including fictionalism. This paper shows precisely how fictionalists can have faith given non-doxastic theory, and explains why this is problematic. It then explores one means of separating the two theories, in virtue of the fact that the truth of the propositions (...) in a discourse is of little consequence for fictionalists, whereas their truth matters deeply for the faithful. Although promising, this approach incurs several theoretical costs, hence providing a compelling reason to favour a purely doxastic account of faith. (shrink)

У статті розглянуто, як у сучасній літературі фентезі (на прикладі циклів «Відьмацька сага» Анджея Сапковського, «Пісня Льоду й Полум’я» Джорджа Мартіна та «Зворотний бік» Дари Корній) висвітлюється проблема релігії. Увага автора статті головно зосереджується на таких питаннях: як на висвітлення проблеми релігії у згаданих творах вплинула секуляризація суспільства, які саме релігійні образи та мотиви, образи релігійних інституцій наявні в творах, яке значення автори творів надають релігії у житті людини.

In the recent literature there has been some debate between advocates of deflationist and fictionalist positions in metaontology. The purpose of this paper is to advance the debate by reconsidering one objection presented by Amie Thomasson against fictionalist strategies in metaontology. The objection can be reconstructed in the following way. Fictionalists need to distinguish between the literal and the real content of sentences belonging to certain areas of discourse. In order to make that distinction, they need to assign different truth-conditions (...) to the real and the literal content. But it is hard to see what more is required for the literal content to be true than for the real content to be true. So, fictionalism is an unsatisfactory position. Here I offer a novel reply to Thomasson’s challenge. I argue that the literal and the real content need not be distinguished in terms of their truth-conditions; rather, they can be distinguished in terms of their different subject-matters, leaving it open whether their truth-conditions coincide or not. I explain how replying to Thomasson’s objection is crucial for deepening our understanding of fictionalist strategies in metaontology. (shrink)

I explore some of the reasons why, under specific circumstances, it may be rational to make-believe or imagine certain religious beliefs. Adopting a jargon familiar to certain contemporary philosophers, my main concern here is to assess what reasons can be given for adopting a fictionalist stance towards some religious beliefs. My understanding of fictionalism does not involve solely a propositional attitude but a broader stance, which may include certain acts of pretence. I also argue that a plausible reason to be (...) fictionalist about a specific set of religious beliefs and practices has to do with the value of some artistic creations; namely, those that require the adoption of a religious point of view for their understanding. (shrink)

I argue that judgments of what is ‘true in a fiction’ presuppose the Reality Assumption: the assumption that everything that is true is fictionally the case, unless excluded by the work. By contrast with the more familiar Reality Principle, the Reality Assumption is not a rule for inferring implied content from what is explicit. Instead, it provides an array of real-world truths that can be used in such inferences. I claim that the Reality Assumption is essential to our ability to (...) understand stories, drawing on a range of empirical evidence that demonstrates our reliance on it in narrative comprehension. However, the Reality Assumption has several unintuitive consequences, not least that what is fictionally the case includes countless facts that neither authors nor readers could ever consider. I argue that such consequences provide no reason to reject the Reality Assumption. I conclude that we should take fictions, like non-fictions, to be about the real world. (shrink)

Modal fictionalists face a problem that arises due to their possible-world story being incomplete in the sense that certain relevant claims are neither true nor false according to it. It has recently been suggested that this incompleteness problem generalises to other brands of fictionalism, such as fictionalism about composite or mathematical objects. In this paper, I argue that these fictionalist positions are particularly threatened by a generalised incompleteness problem since they cannot emulate the modal fictionalists’ most attractive response. I then (...) defend mathematical and compositional fictionalism by showing that the reasons for which the incompleteness problem has been thought to affect them are mistaken. This leads to the question of whether there are other fictionalist positions to which the problem does in fact generalise. I give a general account of the features of a fictionalist position that generate the incompleteness problem and argue that whenever a fictionalist position does exemplify these features then the problem can be addressed in analogy to the modal fictionalists’ preferred response. (shrink)

In the first half of this book, I offer a theory of fictional content or, as it is sometimes known, ‘fictional truth’.The theory of fictional content I argue for is ‘extreme intentionalism’. The basic idea – very roughly, in ways which are made precise in the book - is that the fictional content of a particular text is equivalent to exactly what the author of the text intended the reader to imagine. The second half of the book is concerned with (...) showing how extreme intentionalism and the lessons learnt from it can illuminate cognate questions in the philosophy of fiction and imagination. For instance, I argue, my position helps us to explain how fiction can provide us with reliable testimony ; it helps explain the phenomenon of imaginative resistance ; and it fits with, and so supports, a persuasive theory of the nature of fiction itself. In my final chapter, I show how attending to intentionalist practices of interpreting fictional content can illuminate the nature of propositional imagining itself. (shrink)

Fictionalism and deflationism are two moderate meta-ontological positions that try to occupy a middle ground between the extremes of heavy-duty realism and hard-line eliminativism. Deflationists believe that the existence of certain entities (e.g.: numbers) can be established by means of ‘easy’ arguments—arguments that, supposedly, rely solely on uncontroversial premises and trivial inferences. Fictionalists, however, find easy arguments unconvincing. Amie Thomasson has recently argued that, in their criticism of easy arguments, fictionalists beg the question against deflationism and that the fictionalist alternative (...) interpretation of easy arguments is untenable. In this paper, I argue that both charges are unsubstantiated. Properly understood, the fictionalist’s objection to ‘easy’ arguments takes the form of a dilemma—either the premises of ‘easy’ arguments are not truly uncontroversial or the inferences on which they rely are not truly trivial. Moreover, I argue not only that, contrary to what Thomasson claims, the fictionalist’s interpretation of easy argument is tenable but that the fictionalist might, in fact, have a better explanation of the seemingly trivial nature of the inferences involved in easy arguments than the deflationist’s. (shrink)

In this chapter, I first explore the possible meanings of the expression 'non-metaphysical religion' and its relation to the realism and cognitivism debates (as well as these debates' relation to each other). I then sketch out and defend the germs of an alternative semantics for religious language that I call 'religious imaginativism'. This semantics attempts to move us away from the realism-antirealism debates in Philosophy of Religion and in this sense might count as 'non-metaphysical'. At the same time, it allows (...) that religious utterances may be truth-evaluable. This creates space for a "theism with God" (and for a "God of theism") without being running into the problems confronted by more metaphysical approaches. (shrink)

I discuss an interpretation, recently proposed by Mark Siderits, of the claim that within the Buddhist tradition the self is a convenient fiction. I subsequently propose a novel approach to fictionalism in contemporary metaphysics, outline an application of such an approach to the case of the self and then specify one version of fictionalism combined with some basic tenets of Buddhism.

Mental fictionalism maintains that: folk psychology is a false theory, but we should nonetheless keep using it, because it is useful, convenient, or otherwise beneficial to do so. We should treat folk psychology as a useful fiction—false, but valuable. Yet some argue that mental fictionalism is incoherent: if a mental fictionalist rejects folk psychology then she cannot appeal to fictions in an effort to keep folk psychological discourse around, because fictions presuppose the legitimacy of folk psychology. Call this the Argument (...) from Cognitive Collapse. In this paper, I defend several different mental fictionalist views against cognitive collapse. (shrink)

Both adults and children have the ability to not only think about reality but also use their imaginations and create fictional worlds. This article describes the process by which world creation happens, drawing from philosophical and psychological treatments of this issue. First, world creators recognize the need to create a fictional world, as when starting a pretend game or opening a novel. Then, creators merge some real-world knowledge with the premises of the fictional world to construct a fuller representation, though (...) there is some controversy about how much of the real world is represented in any given fictional world. After the world is created, events can be set in motion within it. While it is generally accepted that this basic process is used for a wide variety of fictional worlds, including fictional stories, pretend games, and counterfactual scenarios, this process of world creation can vary over the course of development and depending on the use to which it is put. (shrink)

In this paper, after clarifying certain features of Gideon Rosen’s Modal Fictionalism, I raise two problems for that view and argue that these problems strongly suggest that advocates of a “Deflationist Strategy” ought not to endorse, or adopt Rosen-style Modal Fictionalism.

In this book, Bradley Armour-Garb and James A. Woodbridge distinguish various species of fictionalism, locating and defending their own version of philosophical fictionalism. Addressing semantic and philosophical puzzles that arise from ordinary language, they consider such issues as the problem of non-being, plural identity claims, mental-attitude ascriptions, meaning attributions, and truth-talk. They consider 'deflationism about truth', explaining why deflationists should be fictionalists, and show how their philosophical fictionalist account of truth-talk underwrites a dissolution of the Liar Paradox and its kin. (...) They further explore the semantic notions of reference and predicate-satisfaction, showing how philosophical fictionalism can also resolve puzzles that these notions appear to present. Their critical examination of fictionalist approaches in philosophy, together with the development and application of their own brand of philosophical fictionalism, will be of great interest to scholars and upper-level students of philosophy of language, metaphysics, philosophical logic, philosophy of mind, epistemology, and linguistics. (shrink)

In this paper we explain our pretense account of truth-talk and apply it in a diagnosis and treatment of the Liar Paradox. We begin by assuming that some form of deflationism is the correct approach to the topic of truth. We then briefly motivate the idea that all T-deflationists should endorse a fictionalist view of truth-talk, and, after distinguishing pretense-involving fictionalism (PIF) from error- theoretic fictionalism (ETF), explain the merits of the former over the latter. After presenting the basic framework (...) of our PIF account of truth-talk, we demonstrate a few advantages it offers over T-deflationist accounts that do not explicitly acknowledge pretense at work in the discourse. In turning to the Liar Paradox, we explain how the quasi-anaphoric functioning that our account attributes to truth-talk provides a diagnosis of the Liar Paradox (and other instances of semantic pathology) as having no content—in the sense of not specifying any of what we call M-conditions. At the same time, however, we vindicate the intuition that we can understand liar sentences, thereby avoiding one standard objection to “meaningless strategy” responses to the Liar Paradox. With this diagnosis in place, we then, by way of treatment, introduce a new predicate, ‘semantically defective’, and show how the explanation we give for its application allows for a consistent, yet revenge-immune, (dis)solution of the Liar Paradox, and semantic pathology generally. (shrink)

'Ontology and Metaontology: A Contemporary Guide' is a clear and accessible survey of ontology, focussing on the most recent trends in the discipline. -/- Divided into parts, the first half characterizes metaontology: the discourse on the methodology of ontological inquiry, covering the main concepts, tools, and methods of the discipline, exploring the notions of being and existence, ontological commitment, paraphrase strategies, fictionalist strategies, and other metaontological questions. The second half considers a series of case studies, introducing and familiarizing the reader (...) with concrete examples of the latest research in the field. The basic sub-fields of ontology are covered here via an accessible and captivating exposition: events, properties, universals, abstract objects, possible worlds, material beings, mereology, fictional objects. -/- The guide's modular structure allows for a flexible approach to the subject, making it suitable for both undergraduates and postgraduates looking to better understand and apply the exciting developments and debates taking place in ontology today. (shrink)