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  1. Jane Austen's Emma: Philosophical Perspectives.Ira Newman - forthcoming - Journal of Aesthetics and Art Criticism.
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  2. Is There Such A Thing As Quixotic Virtue?Vicky Roupa - forthcoming - In Garry L. Hagberg (ed.), Fictional Worlds and the Moral Imagination. London:
    Quixote is a caricature of a knight errant; steeped into his fictional heroes, he undertakes to revive a tradition long dead, and in the process leaves behind some unforgettable images of knightly virtue turned sour. This caricature, however, is not simply a ploy meant to arouse laughter, but also an occasion to revisit the emphasis on knowledge and good sense with which virtue has been aligned in the Socratic/Platonic tradition. The challenge Quixote represents concerns the relation between reasoning and the (...)
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  3. Super Pragmatics of (linguistic-)pictorial discourse.Julian J. Schlöder & Daniel Altshuler - forthcoming - Linguistics and Philosophy.
    Recent advances in the Super Linguistics of pictures have laid the Super Semantic foundation for modelling the phenomena of narrative sequencing and co-reference in pictorial and mixed linguistic-pictorial discourses. We take up the question of how one arrives at the pragmatic interpretations of such discourses. In particular, we offer an analysis of: (i) the discourse composition problem: how to represent the joint meaning of a multipicture discourse, (ii) observed differences in narrative sequencing in prima facie equivalent linguistic vs. pictorial discourses, (...)
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  4. Form and Faith in Sheridan Hough's "Kierkegaard's Dancing Tax Collector". [REVIEW]Susanna Siegel - forthcoming - Syndicate Philosophy.
    I argue that in Sheridan Hough's book Kierkegaard's Dancing Tax Collector, the distinctive and novelistic literary form is not a playful, whimsical, or otherwise contingent feature, but a structure that's needed to convey the account of Kierkegaardian faith as practical in nature.
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  5. The Lord of the Rings as Philosophy: Environmental Enchantment and Resistance in Peter Jackson and J.R.R. Tolkien.John Whitmire & David Henderson - forthcoming - The Palgrave Handbook of Popular Culture as Philosophy.
    A key philosophical feature of Peter Jackson’s film interpretation of J.R.R. Tolkien’s _The Lord of the Rings_ is its use of fantasy to inspire a “recovery” of the actual, or in other words, a reawakening to the beauty of nature and of the many possible ways of living in healthier ecological relation to the world. Though none of these ways is perfectly achieved, this pluralistic view is demonstrated in the various lifeways of Hobbits, Elves, Men, and Ents. All of the (...)
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  6. Proper names as anaphoric expressions in short crime stories: Doing more than referring within and across paragraphs.A. Bonifazi, Pinelopi Ioannidou & Zala Salarzai - 2022 - Journal of Pragmatics 193:88-104.
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  7. Narratologia cognitiva: dinâmicas afetivas e estruturação do enredo ficcional à luz de teorias da afetividade situada.Pedro Ramos Dolabela Chagas, Felipe Nogueira de Carvalho & Ayla Mello Batistela - 2022 - Eutomia 1 (32):19-37.
    O propósito deste artigo é aprofundar o debate da narratalogia cognitiva sobre o papel das emoções e afetos na escrita e leitura do texto ficcional. Para tanto, buscamos fundamentos teóricos em teorias recentes da afetividade situada, em particular nos conceitos de andaimes, arranjos e milieus afetivos, a fim de observar como textos codificam afetos para suscitar estados afetivos e emocionais nos leitores. O mérito da interlocução virá da capacidade de fertilizar a compreensão do papel das emoções na construção de textos (...)
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  8. «Koryo» (cuento).Jesús Miguel Delgado Del Aguila - 2022 - Leteo: Revista de Investigación y Producción En Humanidades 3 (5):102-103.
    Este es un cuento de creación literaria.
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  9. «Shells» (cuento).Jesús Miguel Delgado Del Aguila - 2022 - Revista Lengua y Literatura 8 (1):80-82.
  10. Don't Feed the Liars! On Fraudulent Memoirs, and Why They're Bad.Joshua Landy - 2022 - Philosophy and Literature 46 (1):137-161.
    Some infamous memoirs have turned out to be chock-full of fibs. Should we care? Why not say—as many have—that all autobiography is fiction, that accurate memory is impossible, that we start lying as soon as we start narrating, and that it doesn’t matter anyway, since made-up stories are just as good as true ones? Because, well, every part of that is misleading. First, we don’t misremember absolutely everything; second, we have other sources to draw on; third, story form affects only (...)
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  11. Far Cry 2: Are You Sure about Being a Hero?Alberto Oya - 2022 - Andphilosophy.Com — the Blackwell Philosophy and Pop Culture Series.
    In this article it is argued that the videogame Far Cry 2 manages to take advantage of the heroic formula so characteristic of the first-person shooter videogame genre in a way that potentially prompts players to reflect on the ethical adequacy of their own decision to immerse themselves in a fictional scenario in which they take the role of a fictional character whose behaviour primarily, if not exclusively, consists in shooting.
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  12. Olivier Rolin: Habitation in the Empiritext.Allan Stoekl - 2022 - Substance 51 (1):47-63.
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  13. Black Radical Nationalist Theory and Afrofuturism 2.0.Renaldo Anderson & Tommy J. Curry - 2021 - In Critical Black Futures: Speculative Theories and Explorations. New York, NY, USA: pp. 119-138.
  14. Learning from Fiction to Change our Personal Narratives.Andrew J. Corsa - 2021 - Croatian Journal of Philosophy 21 (61):93-109.
    Can fictional literature help us lead better lives? This essay argues that some works of literature can help us both change our personal narratives and develop new narratives that will guide our actions, enabling us to better achieve our goals. Works of literature can lead us to consider the hypothesis that we might beneficially change our future-oriented, personal narratives. As a case study, this essay considers Ben Lerner’s novel, 10:04, which focuses on humans’ ability to develop new narratives, and which (...)
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  15. Cognitive Bias and Narrative Credibility in Proust.Darci L. Gardner - 2021 - Philosophy and Literature 45 (1):1-16.
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  16. Harlequin Resistance? Romance Novels as a Model for Resisting Objectification.Sara Kolmes & Matthew A. Hoffman - 2021 - Journal of Aesthetics and Art Criticism 79 (1):30-41.
    Romance novels are primarily aimed at, written about, and written for women. They have been accused of being fantasies which feature sexually objectified heroines who are passive recipients of overwhelming masculine sexual energy. After shoring up these critiques of romance novels with A.W. Eaton’s account of how art can objectify its subjects, we examine a challenge to romance novels: does the sexual content in romance novels objectify its heroines? There is strong reason to think so. However, we argue that careful (...)
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  17. The Language of Fiction.Emar Maier & Andreas Stokke (eds.) - 2021 - Oxford: Oxford University Press.
    This volume brings together new research on fiction from the fields of philosophy and linguistics. Fiction has long been a topic of interest in philosophy, but recent years have also seen a surge in work on fictional discourse at the intersection between linguistics and philosophy of language. In particular, there has been a growing interest in examining long-standing issues concerning fiction from a perspective that is informed both by philosophy and linguistic theory. -/- Following a detailed introduction by the editors, (...)
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  18. Impossible Fictions Part I: Lessons for Fiction.Daniel Nolan - 2021 - Philosophy Compass 16 (2):1-12.
    Impossible fictions are valuable evidence both for a theory of fiction and for theories of meaning, mind and epistemology. This article focuses on what we can learn about fiction from reflecting on impossible fictions. First, different kinds of impossible fiction are considered, and the question of how much fiction is impossible is addressed. What impossible fiction contributes to our understanding of "truth in fiction" and the logic of fiction will be examined. Finally, our understanding of unreliable narrators and unreliable narration (...)
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  19. Is there such a thing as literary cognition?Gilbert Plumer - 2021 - Ratio 34 (2):127-136.
    I question whether the case for “literary cognitivism” has generally been successfully made. As it is usually construed, the thesis is easy to satisfy illegitimately because dependence on fictionality is not built in as a requirement. The thesis of literary cognitivism should say: “literary fiction can be a source of knowledge in a way that depends crucially on its being fictional” (Green’s phrasing). After questioning whether nonpropositional cognitivist views (e.g., Nussbaum’s) meet this neglected standard, I argue that if fictional narratives (...)
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  20. Truth in Fiction & Natural Stories: About an argument.Guillaume Schuppert - 2021 - Debates in Aesthetics 1 (17):31-49.
    The nature of fiction is commonly understood in terms of make-believe. Within this framework, there has been a debate between fictive intentionalism and fictive anti-intentionalism. In this paper, my purpose is to make a case for the latter. To do so, I reassess the debate over Kendall Walton’s (1990) ‘Cracks in a Rock’ thought experiment. I put forward a careful reconstruction of its most popular reply, namely Gregory Currie’s (1990) pseudofiction counterargument, and argue that it is either incomplete or unsound. (...)
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  21. Science Fiction as a Genre.Enrico Terrone - 2021 - Journal of Aesthetics and Art Criticism 79 (1):16-29.
    Regardless of whether one agrees or disagrees with Stacie Friend’s claim that fiction is a genre, her notion of genre can be fruitfully applied to a paradigmatic genre such as science fiction. This article deploys Friend’s notion of genre in order to improve the influential characterization of science fiction proposed by Darko Suvin and to defend it from a criticism recently raised by Simon Evnine. According to Suvin, a work of science fiction must concern “a fictional ‘novum’ validated by cognitive (...)
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  22. Imagining stories: attitudes and operators.Neil Van Leeuwen - 2021 - Philosophical Studies 178 (2):639-664.
    This essay argues that there are theoretical benefits to keeping distinct—more pervasively than the literature has done so far—the psychological states of imagining that p versus believing that in-the-story p, when it comes to cognition of fiction and other forms of narrative. Positing both in the minds of a story’s audience helps explain the full range of reactions characteristic of story consumption. This distinction also has interesting conceptual and explanatory dimensions that haven’t been carefully observed, and the two mental state (...)
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  23. Metalinguistic Acts in Fiction.Nellie Wieland - 2021 - In Emar Maier & Andreas Stokke (eds.), The Language of Fiction. Oxford University Press. pp. 301-324.
    This chapter identifies and explains several primary functions of the fictional use of metalinguistic devices and considers some difficult cases. In particular, this chapter argues that when real persons are quoted in a storyworld they are ‘storified’ as near-real fictions. In cases of the misquotation of real persons, near-real fictions and near-real quotations must adequately exploit resemblances between the real and the fictional. This concludes with a discussion of the similarities between fictional and nonfictional uses of metalinguistic acts, and how (...)
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  24. Death on the Freeway: Imaginative resistance as narrator accommodation.Daniel Altshuler & Emar Maier - 2020 - In Ilaria Frana, Paula Menendez Benito & Rajesh Bhatt (eds.), Making Worlds Accessible: Festschrift for Angelika Kratzer. Amherst: UMass ScholarWorks.
    We propose to analyze well-known cases of "imaginative resistance" from the philosophical literature (Gendler, Walton, Weatherson) as involving the inference that particular content should be attributed to either: (i) a character rather than the narrator or, (ii) an unreliable, irrational, opinionated, and/or morally deviant "first person" narrator who was originally perceived to be a typical impersonal, omniscient, "effaced" narrator. We model the latter type of attribution in terms of two independently motivated linguistic mechanisms: accommodation of a discourse referent (Lewis, Stalnaker, (...)
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  25. Narrative philosophy of religion: apologetic and pluralistic orientations.Mikel Burley - 2020 - International Journal for Philosophy of Religion 88 (1):5-21.
    Recent decades have witnessed a growing interest in narrative both in certain areas of philosophy and in the study of religion. The philosophy of religion has not itself been at the forefront of this narrative turn, but exceptions exist—most notably Eleonore Stump’s work on biblical stories and the problem of suffering. Characterizing Stump’s approach as an apologetic orientation, this article contrasts it with pluralistic orientations that, rather than seeking to defend religious faith, are concerned with doing conceptual justice to the (...)
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  26. "Ubi fracassorium, ibi fuggitorium": Pulcinella e l’enigma della ricapitolazione del tempo.Marta Cassina - 2020 - LEA – Lingue E Letterature d'Oriente E d'Occidente 9:303-315.
    Who is Pulcinella? What does his laughter have to say about the "end of time" and the end of life of Giandomenico Tiepolo? How can the end of a life make anyone laugh like Carnival’s popular mask does? This article tries to answer such questions. By unfolding the tools that come from the realm of Giorgio Agamben’s philosophy – notably the notion of "recapitulation of time" in its relation to comedy – we will trace a path which links Michail Bachtin’s (...)
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  27. Taxonomía e incorporación de la violencia en la novela policial peruana contemporánea.Jesús Miguel Delgado Del Aguila - 2020 - Cuadernos de Literatura Del Caribe E Hispanoamérica 32 (32):122-137.
    Este artículo periodiza y desarrolla los paradigmas concomitantes de la novela policial, para extrapolarlos en un contexto peruano incipiente con textos que cumplen con los requisitos indispensables denominarse de ese modo. La violencia resulta un elemento inexorable para la eficacia receptiva y su tratamiento creativo, además del conocimiento de tópicos afines, como Derecho, Política, Sociología, Fuerzas Policiales, etc. Para ello, se corroborará con la definición de este género (como lo fundamenta principalmente Tzvetan Todorov) y la taxonomía hegemónica de sus subgéneros: (...)
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  28. Throwing the case open: The impossible subject of Luisa Passerini’s Autobiography of a Generation.Matt Ffytche - 2020 - History of the Human Sciences 33 (3-4):33-46.
    For John Forrester, the ‘case’, particularly in its psychoanalytic version, makes possible a science of the particular – knowledge open to the differences of individuals and situations. This article takes up that aspect of Forrester’s account that linked the psychoanalytic case with forms of autobiography – new narrations of that particular self. After Freud, many authors – literary and psychoanalytic – have taken up the challenge of narrating subjectivity in new forms, engaging a quasi-psychoanalytic framework. Focusing on Luisa Passerini’s text (...)
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  29. In Praise of a Historical Storytelling Approach in Science Education.Daniel Gamito-Marques - 2020 - Isis 111 (3):582-587.
  30. The Application of Narrative to the Conservation of Historic Buildings.Peter Lamarque & Nigel Walter - 2020 - Estetika: The European Journal of Aesthetics 56 (1):5.
    The paper is a dialogue between a conservation architect who works on medieval churches and an analytic aesthetician interested in the principles underlying restoration and conservation. The focus of the debate is the explanatory role of narrative in understanding and justifying elective changes to historic buildings. For the architect this is a fruitful model and offers a basis for a genuinely new approach to a philosophy of conservation. The philosopher, however, has been sceptical about appeals to narrative in other contexts (...)
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  31. Jane Austen’s ‘Religious Principle’: Reflections on re‐reading her novel, Mansfield Park.Gordon Leah - 2020 - Heythrop Journal 61 (3):459-470.
  32. On the Body of Literary Persuasion.Jukka Mikkonen - 2020 - Estetika: The European Journal of Aesthetics 47 (1):51.
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  33. Can Literary Fiction be Suppositional Reasoning?Gilbert Plumer - 2020 - In Catarina Dutilh Novaes, Henrike Jansen, Jan Albert Van Laar & Bart Verheij (eds.), Reason to Dissent: Proceedings of the 3rd European Conference on Argumentation, Vol. III. London, UK: College Publications. pp. 279-289.
    Suppositional reasoning can seem spooky. Suppositional reasoners allegedly (e.g.) “extract knowledge from the sheer workings of their own minds” (Rosa), even where the knowledge is synthetic a posteriori. Can literary fiction pull such a rabbit out of its hat? Where P is a work’s fictional ‘premise’, some hold that some works reason declaratively (supposing P, Q), imperatively (supposing P, do Q), or interrogatively (supposing P, Q?), and that this can be a source of knowledge if the reasoning is good. True, (...)
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  34. Narrative and Conservation: A Response.Nigel Walter & Peter Lamarque - 2020 - Estetika: The European Journal of Aesthetics 1:104-115.
    This paper responds to Saul Fisher’s critical note (in the current volume) on Peter Lamarque and Nigel Walter’s ‘The Application of Narrative to the Conservation of Historic Buildings’ (Estetika 1/2019). Walter restates the argument, underlining the context of ‘living' buildings whose identities are still in formation. He then responds to points raised by Fisher, commenting on persistence and identity, Noël Carroll’s views on narrative connection, the usefulness of Carroll's engagement with spatial relations, and addressing some of Fisher’s specific challenges. Lamarque (...)
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  35. Genocide, Memory, and the Difficulties of Forgiveness in Card’s Ender Saga and Ishiguro’s The Buried Giant.Elizabeth Burow-Flak - 2019 - Renascence 71 (4):247-267.
    Orson Scott Card’s Ender Saga and Kazuo Ishiguro’s The Buried Giant explore the role of memory in aftermath of genocide; both authors employ fantasy and the metaphor of the buried giant to represent past slaughters. Although distinct in genre, the novels together demonstrate the tension between forgiving and forgetting in memory studies following the atrocities of the twentieth century. Forgiveness in the Ender saga falls short of the accountability embedded in “difficult forgiveness” as defined by Paul Ricoeur, as does the (...)
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  36. Some Ideas about the Metaphysics of Stories.Wesley D. Cray - 2019 - British Journal of Aesthetics 59 (2):147-160.
    Aaron Smuts has argued that attempts to offer a plausible distinction between stories and tellings will likely face insurmountable difficulties. Here, I offer a distinction between stories and tellings that does not face these difficulties. In doing so, I propose an ontology of stories according to which such entities are ideas for narrative manifestation. In developing this ontology, I also consider parallels between stories and musical compositions.
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  37. Narrative Fiction and Epistemic Injustice.Zoë Cunliffe - 2019 - Journal of Aesthetics and Art Criticism 77 (2):169-180.
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  38. Motives and merits of counterfactual histories of science.Joachim L. Dagg - 2019 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 73:19-26.
  39. Narratives, Values, and Medicine.Dien Ho - 2019 - Chronicle of Narrative Medicine.
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  40. The Stories of Our Lives.Jukka Mikkonen - 2019 - In Garry L. Hagberg (ed.), Narrative and Self-Understanding. Palgrave.
    It has become a commonplace that narrative plays an important, even essential role in our understanding of reality and ourselves. Recently, however, analytic philosophers have questioned narrative’s alleged epistemic value. This essay defends the epistemic significance of narratives, everyday and literary. First, it will argue that the philosophical attack on the value of narratives operates on problematic concepts. Second, it proposes that the epistemic significance of narratives is not to be explained in terms of knowledge but understanding.
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  41. Narrative Medicine and the Virtue of Honor.Wesley J. Park - 2019 - Narrative Pre-Health Journal 2:1-4.
    Rita Charon says that narrative medicine is about honoring stories of illness. In a system where physicians and patients can often feel as though they are reduced to numbers, narrative medicine is a plea to take the narratives of illness seriously. But what does it mean to honor a story? In this essay, I use the framework of narrative medicine to offer narrative reflections on the concept of honor inspired by on three definitions, including respect, moral rightness, and high regard. (...)
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  42. MCGREGOR, RAFE. Narrative Justice. Rowman and Littlefield International, 2018, 196 pp., $120 cloth. [REVIEW]Sarah E. Worth - 2019 - Journal of Aesthetics and Art Criticism 77 (2):210-212.
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  43. Pienten kertomusten etiikkaa: ideologia ja narratiivinen hermeneutiikka.Jussi Backman - 2018 - Ajatus 75 (1):361-381.
    Kirjasymposioartikkeli esittelee Hanna Meretojan teoksen The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible (Oxford University Press, 2018) keskeisimmät ajatukset ja kytkee ne laajempaan hermeneuttiseen ja jälkistrukturalistiseen ajatteluperinteeseen, etenkin Jean-François Lyotardin luonnehdintaan jälkimodernista aikakaudesta suurten modernien historiallisten metakertomusten horjumisen ja pienten paikallisten kertomusten moneuden aikakautena. Tässä valossa Meretojan hermeneuttista kertomusetiikkaa voidaan lukea ennen muuta pienten, ei-totalisoivien kertomusten etiikkana. Artikkeli esittää, että tällaiselle etiikalle löytyy hedelmällinen vertailukohta Hannah Arendtin totalitarismiteoriasta, joka sijoittaa ideologiset metakertomukset totalitaarisen hallinnan ja sen tuottaman ”banaalin pahuuden” (...)
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  44. Howard Phillips Lovecraft: Romantic on the Nightside.Jan B. W. Pedersen - 2018 - Lovecraft Annual 12:165-173.
    Howard Phillips Lovecraft can be viewed as a Romantic based on his lifelong relationship with wonder. This short essay gathers further evidence of Lovecraft’s Romanticism, beginning with a brief exploration of what Romanticism is and then moving on to highlight elements of Romanticism in Lovecraft’s poem “Fact and Fancy” (1917). The essay concludes that, as much as Lovecraft can be labelled a Romantic based on his affinity with wonder, he can also be classified as such based on his aversion to (...)
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  45. Silence of the Idols: Appropriating the Myth of Sisyphus for Posthumanist Discourses.Steven Umbrello & Jessica Lombard - 2018 - Postmodern Openings 9 (4):98-121.
    Both current and past analyses and critiques of transhumanist and posthumanist theories have had a propensity to cite the Greek myth of Prometheus as a paradigmatic figure. Although stark differences exist amongst the token forms of posthumanist theories and transhumanism, both theoretical domains claim promethean theory as their own. There are numerous definitions of those two concepts: therefore, this article focuses on posthumanism thought. By first analyzing the appropriation of the myth in posthumanism, we show how the myth fails to (...)
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  46. Non-Fictional Narrators in Fictional Narratives.Christian Folde - 2017 - British Journal of Aesthetics 57 (4):389-405.
    This paper is about non-fictional objects in fictions and their role as narrators. Two central claims are advanced. In part 1 it is argued that non-fictional objects such as you and me can be part of fictions. This commonsensical idea is elaborated and defended against objections. Building on it, it is argued in part 2 that non-fictional objects can be characters and narrators in fictional narratives. As a consequence, three fundamental and popular claims concerning narrators are rejected. In particular, it (...)
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  47. Exemplars, Ethics, and Illness Narratives.Ian Kidd - 2017 - Theoretical Medicine and Bioethics 38 (4):323-334.
    Many people report that reading first-person narratives of the experience of illness can be morally instructive or educative. But although they are ubiquitous and typically sincere, the precise nature of such educative experiences is puzzling—for those narratives typically lack the features that modern philosophers regard as constitutive of moral reason. I argue that such puzzlement should disappear, and the morally educative power of illness narratives explained, if one distinguishes two different styles of moral reason: an inferentialist style that generates the (...)
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  48. Time Frames: Graphic Narrative and Historiography in Richard McGuire’s Here.Laura Moncion - 2017 - Imaginations 7 (2):199-213.
    Visual literacy has long been important as a way of reading images beyond mimetic illustration. It also allows the reader to tap into a logic of representation in order to create different representations and narratives. In this essay I argue that images provide crucial temporal complexity to the study of narrative, with particular resonances for narrative historiography. The complex temporality of the image, especially the graphic narrative or comic, points toward a historical time which may be neither linear nor causal. (...)
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  49. Analogy, Supposition, and Transcendentality in Narrative Argument.Gilbert Plumer - 2017 - In Paula Olmos (ed.), Narration as Argument. Cham: Springer. pp. 63-81.
    Rodden writes, “How do stories persuade us? How do they ‘move’—and move us? The short answer: by analogies.” Rodden’s claim is a natural first view, also held by others. This chapter considers the extent to which this view is true and helpful in understanding how fictional narratives, taken as wholes, may be argumentative, comparing it to the two principal (though not necessarily exclusive) alternatives that have been proposed: understanding fictional narratives as exhibiting the structure of suppositional argument, or the structure (...)
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  50. David Foster Wallace's Balancing Books: Fictions of Value.Jeffrey Severs - 2017 - Columbia University Press.
    The writing of David Foster Wallace transformed the root and branch of contemporary fiction, introducing a formal inventiveness that moved authors away from an emotionless postmodern irony. Critics have pointed to Wallace’s exploration of morality and a return to sincerity as the central concerns of his work. However, as Jeffrey Severs argues in David Foster Wallace’s Balancing Books, the author was also deeply engaged with the social, political, and economic issues of the twentieth and twenty-first centuries. A rebellious economic thinker, (...)
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1 — 50 / 580