14 found
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  1. Fiction, Nonfiction, and Deceptive Photographic Representation.Paloma Atencia-Linares - 2012 - Journal of Aesthetics and Art Criticism 70 (1):19-30.
  2.  22
    Debates on Culinary Norms.Paloma Atencia-Linares & Miguel Ángel Sebastián - forthcoming - Journal of Aesthetics and Art Criticism.
    We often witness heated disputes concerning what counts as good eating or correct ways of cooking this or that meal or dish. These disagreements presuppose that.
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  3.  42
    The New Theory of Photography: Critical Examination and Responses.Catharine Abell, Paloma Atencia-Linares, Dominic McIver Lopes & Diarmuid Costello - 2018 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):207-234.
    Dominic McIver Lopes’ Four Arts of Photography and Diarmuid Costello’s On Photography: A Philosophical Inquiry examine the state of the art in analytic philosophy of photography and present a new approach to the study of the medium. As opposed to the orthodox and prevalent view, which emphasizes its epistemic capacities, the new theory reconsiders the nature of photography, and redirects focus towards the aesthetic potential of the medium. This symposium comprises two papers that critically examine central questions addressed in the (...)
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  4.  34
    Narrative immersion as an attentional phenomenon.Paloma Atencia-Linares & Miguel Ángel Sebastián - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
    Some stories generate in us a peculiar experience of intense narrative engagement. This common experience, which we call narrative immersion, has been the object of a vast literature in psychology and other disciplines. Philosophers, however, have only recently engaged with this topic and the tendency has been to explain it by postulating specific kinds of mental states. We propose a different approach, explaining narrative immersion by means of a particular distribution of attention over the content of ordinary mental states. First, (...)
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  5.  45
    Sound in Film.Paloma Atencia-Linares - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 189-214.
    This chapter is focused on the philosophy of film sound in the analytic tradition and its limitations; drawing from current literature in other fields, it aims to complement some philosophical discussions typically centered on the image with their aural counterparts. Firstly, it provides an overview of early skeptical views on the contribution of sound to the artistic status of films and critically questions the status of sound in contemporary philosophical conceptions of film suggesting a revision that takes seriously the idea (...)
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  6. Deepfakes, shallow epistemic graves: On the epistemic robustness of photography and videos in the era of deepfakes.Paloma Atencia-Linares & Marc Artiga - 2022 - Synthese 200 (6):1–22.
    The recent proliferation of deepfakes and other digitally produced deceptive representations has revived the debate on the epistemic robustness of photography and other mechanically produced images. Authors such as Rini (2020) and Fallis (2021) claim that the proliferation of deepfakes pose a serious threat to the reliability and the epistemic value of photographs and videos. In particular, Fallis adopts a Skyrmsian account of how signals carry information (Skyrms, 2010) to argue that the existence of deepfakes significantly reduces the information that (...)
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  7.  61
    Go Social! Replies to Abell and Atencia-Linares.Catharine Abell, Paloma Atencia-Linares, Dominic McIver Lopes & Diarmuid Costello - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):207-234.
    Dominic McIver Lopes’ Four Arts of Photography and Diarmuid Costello’s On Photography: A Philosophical Inquiry examine the state of the art in analytic philosophy of photography and present a new approach to the study of the medium. As opposed to the orthodox and prevalent view, which emphasizes its epistemic capacities, the new theory reconsiders the nature of photography, and redirects focus towards the aesthetic potential of the medium. This symposium comprises two papers that critically examine central questions addressed in the (...)
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  8.  35
    Introduction and Précis.Paloma Atencia-Linares & Derek Matravers - 2022 - British Journal of Aesthetics 62 (2):159-162.
    Through the last decade of the last millennium, several influential books were published on Fiction, notably among these are Kendall Walton’s Mimesis and Make B.
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  9.  32
    Imagination, Perception and Memory. Making (some) sense of Walton’s view on Photographs and Depiction.Paloma Atencia-Linares - 2017 - Azafea: Revista de Filosofia 19:251-268.
    Walton has controversially claimed that all pictures are fiction because, in seeing a picture one imagines that one is seeing the depicted content in the flesh; and that in seeing a photograph one _literally – _although indirectly – _sees_ the photographed object. Philosophers have found these claims implausible for various reasons: it is not the case that all pictures are fiction; explaining depiction does not require an imaginative engagement and seeing objects in photographs is not tantamount to seeing the object. (...)
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  10.  11
    Introduction to the Special Issue on Art and Morality and Précis of the Four Books Included in the Symposium.Paloma Atencia-Linares & Derek Matravers - 2022 - British Journal of Aesthetics 62 (4):511-515.
    The relation between art and morality is one of the vexed issues of aesthetics; it has a history at least from Plato and has been written about, or commented on, by most if not all the luminaries in aesthetics—it is not coincidence that one of the most influential papers on these debates is also one of the most cited papers of this journal. Also, the (im)pertinence of moral concerns for the assessment of artworks is arguably one of the most discussed (...)
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  11.  19
    Portraits and Philosophy, edited by Hans Maes.Paloma Atencia-Linares - 2021 - Mind 132 (526):577-586.
    With few remarkable exceptions, portraiture has been a very much neglected topic in philosophy in general, and in aesthetics in particular. This might be due to.
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  12.  31
    Aesthetic Essays, by Malcolm Budd. [REVIEW]Paloma Atencia-Linares - 2014 - Mind 123 (491):876-879.
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  13.  34
    Four Arts of Photography: An Essay in Philosophy. [REVIEW]Paloma Atencia-Linares - 2018 - British Journal of Aesthetics 58 (3):327-329.
    Four Arts of Photography: An Essay in PhilosophyLopesDominic Mciverwiley & sons ltd. 2016. pp. 200. £80.50.
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  14.  40
    The Routledge Companion to Philosophy and Film. [REVIEW]Paloma Atencia-Linares - 2010 - Disputatio 3 (28):317-320.