Jan Patocka

Phenomenology and ancient Greek philosophy. The title of this book, indicating these topics as its two main subjects, could give the impression that the subjects are held together by a circumstantial “and.” The title would then indicate a connection between phenomenology and a topic, ancient Greek philosophy, the way titles such as Art and Phenomenology, Phenomenology and Psychological Research, Phenomenology and Virtue Ethics do. This impression would be wrong. First, ancient Greek philosophers take pride of place in the dialogues initiated (...) by many phenomenologists with various figures from the history of philosophy. Second, this is not just because phenomenological philosophers have tended to regard ancient Greek philosophy as the revered beginning of Western thought, reflection upon which may help illuminate any topic modern human beings wish to inquire into or give it a kind of historical dignity. It is first and foremost because ancient Greek philosophy, understood as the scientific attempt to understand the world, ourselves, and our place in the world, in the phenomenological tradition is regarded as one important origin of contemporary Western philosophy and science, even if contemporary philosophy and science is also determined by a new ideal of philosophy that emerges in early modernity. Indeed, for most phenomenologists, Greek philosophy can be regarded as the roots supporting this new ideal—even if these roots are sometimes hidden from sight or forgotten. The main rationale for confronting ancient Greek philosophy phenomenologically is accordingly the attempt to bring to light in its full radicality the phenomenon “philosophy.” Unearthing philosophy as it was originally understood by Greek thinkers may, according to many phenomenologists at least, help us understand what philosophy in the full sense of the word was, has been, and may be again, but also what it has become or even degenerated into in modern times, for instance positivism. It is this way of approaching ancient Greek philosophy that we wish to concentrate on in this book, in the hope that the volume will prove instructive both to people who have an interest in ancient Greek philosophy and wish to know more about the phenomenological approach to it and to people who work within phenomenology and wish to know more about the various approaches to ancient Greek philosophy characterizing the phenomenological movement. We have therefore sought to make the introduction and the individual chapters accessible to non-experts, for instance by transliterating all Greek text, and confining quotes in other languages than English to footnotes and glosses. (shrink)

Esta contribución presenta como el concepto filosófico de “donación” es reinterpretado en la reflexión de Patočka. Partiendo de la lección husserliana, gracias a la cual las cosas son dadas en la pura inmanencia de la consciencia, él critica esta orientación “subjetivista” porque no desarrolla adecuadamente el tema del aparecer en el campo fenomenal. La segunda sección analiza tres desplazamientos metódicos que abarcan: el rol del sujeto, su relación con la trascendencia, el darse a sí mismo del mundo en su totalidad. (...) La tercera sección compara la reflexión de Patočka con dos referencias cruzadas a algunos intentos similares en la historia de la fenomenología. El tema de “la donación”, por tanto, nos traslada al mayor problema con el que ha trabajado siempre la filosofía: la manifestación del mundo. Patočka intentó esclarecer este problema mediante dos metáforas, pero también subrayó cómo concierne el modo en el que el hombreinterpreta la propia existencia.This paper presents how the philosophical key concept of givenness is reinter-preted in Patočka's reflection. Starting from the Husserlian idea, according to which things are given in the pure immanence of consciousness, Patočka criticized this "subjectivist" orientation because it doesn’t adequately develop the appearing in the phenomenal field. The second section analyzes three main methodical shifts concerning: the nature and the role of the subject, its relationship with the transcendence, the self-giving of the world as a whole. The third section compares Patočka's reflection and two cross-references to similar undertaking in the history of phenomenology. The theme of givenness brings us back in the end to the biggest problem within which philosophy has always worked: world manifestation. Patočka tried to clarify this issue through two metaphors, but he also highlighted as it concerns the way in which man interprets his existence. (shrink)

Jan Patočka desarrolló un original trabajo fenomenológico pese a circunstancias adversas. En él, pasó de defender unas tesis muy cercanas a Ideas I a sostener unos planteamientos notablemente alejados. Para el filósofo checo, Husserl habría localizado la esfera trascendental pero habría errado al tomarla por un ente o preente subjetivo. Por el contrario, una aplicación consecuente hasta el final de la epojé nos permite ir hasta la auténtica esfera trascendental, que es el mundo como proto-estructura universal de aparición. En consecuencia, (...) Patočka diverge muy notablemente de Husserl al tiempo que mantiene la propuesta de una fenomenología trascendental. Asimismo, esta noción de la esfera trascendental permite profundizar la crítica a Husserl, pues su subjetivismo vendría dado por haber confundido la realización concreta del aparecer en cada sujeto concreto con la esfera pura del aparecer. Husserl no habría sido, a ojos de Patočka, lo suficientemente trascendental.Jan Patočka developed an original phenomenological research in spite of adverse circumstances. He underwent a profound evolution. If at first his theses were very close to Husserl’s Ideas, at the end of his life his position was notably different of his master’s. For the Czech philosopher, Husserl was right to speak about a transcendental sphere but was wrong to take it as an entity or pre-entity of subjective nature. On the contrary, a consequent use of epokhe enables us to get to the true transcendental sphere. This sphere is the “world” as the universal structure of appearing as such. Consequently, Patočka diverges from Husserl but he keeps the idea of a transcendental phenomenology. Furthermore, Patočka thinks that Husserl mistook the realisation of appearing in each particular subject with the pure sphere of appearance. According to Patočka, then, Husserl’s Phenomenology would not have been transcendental enough. (shrink)

This article explores Jan Patočka’s notion of “asubjective phenomenology,” which the Czech philosopher elaborated in the mature phase of his thought. More specifically, it proposes to analyze that notion in light of Patočka’s interpretation of Edmund Husserl’s Logical Investigations, in which he identifies the original, though implicit, possibility of a phenomenology independent of a subjective foundation. In the first part of the paper, the author offers an interpretation of Husserls’ concept of “theory in general” as the original model of the (...) Patočkan phenomenal field, which, just like the logical dimension thematized by Husserl in the Prolegomena to Pure Logic, is independent of both objective structures and subjective conditions. It is reasonable to assume that the absence, in Logical Investigations, of “transcendental consciousness,” inspired Patočka in conceiving the manifestation of the object as a thing’s “showing-itself.” This idea is advanced in the second part of the article. Lastly, the final section of the article discusses the concept of “representative” as the second and most significant seed of “asubjective phenomenology” that can be retraced in Husserl’s Logical Investigations. (shrink)

The paper deals with a series of writings on Plato and Platonism issued by Jan Patočka in the immediate post-war period. In Eternity and Historicity, he contrasts Platonism as metaphysics of being with Socratism as questioning the meaning of human existence, and criticizes modern forms of Platonism of ethical values interpreted as objectively valid norms. In lectures on Plato, he explains Plato’s theory of Forms in terms of Husserl’s theory of horizontal intentionality and Heidegger’s theory of ontological difference. Similarly, in (...) Negative Platonism he interprets Plato’s theory of Forms in terms of a distinction he makes between between the eidetic contents and the transcendental character of the Platonic Idea. The latter is the necessary condition of the former but it does not constitute an intelligible object of its own. Patočka suggests retaining the Platonic notion of transcendence while dissociating it from the metaphysics of intelligible Forms. The paper puts these post-war writings on Plato and Platonism into the context of Patočka’s search for his own position as a phenomenologist. (shrink)

Jan Patočka holds that both the Husserlian and the Heideggerian descriptions of history remain abstract because they lack an authentic reflection on historical sense’s appearing, which presupposes a description of the transition from the nonhistorical and prehistorical states of humanity to its final historical state. Nevertheless, it seems that Patočka would confront an internal aporia here because, even if he sought to think the continuity of these three movements, he tends to affirm the rupture between them. To overcome that aporia, (...) it becomes necessary to formulate the hypothesis according to which the prehistorical is characterized by a repression of sense’s problematic character, whereas the historical as such is characterized by a conversion of consciousness toward this problematic character. Justifying this hypothesis requires exploring Patočka’s anthropology, confronting it with Arendt’s anthropology, and formulating metaphysical perspectives. (shrink)

According to some phenomenological accounts of intersubjectivity, self-awareness precedes and makes possible our understanding of others. Consequently, an "egological account of consciousness" is a precondition for a viable theory of intersubjectivity.1 While Edmund Husserl embraces this assumption of the primacy of self-awareness, Jan Patočka seems to elaborate the opposite stance. As Patočka puts it, in the "contact and in the mirror of the other we encounter ourselves, for the first time."2 Is self-awareness a precondition for an intersubjective encounter, or is (...) it the other way around? Husserl and Patočka seem to espouse exactly opposite claims.Nevertheless, the picture I draw here is more nuanced. On the one... (shrink)

I argue that Jan Patočka’s phenomenology can be understood as a kind of questioning philosophy that preserves the work and thought of Edmund Husserl by holding it in hindsight. Following Martin Heidegger’s lead to take up Husserl’s phenomenological questions more than Husserl’s answers, Patočka further develops Heidegger’s strategy with the addition of heresy: the philosophical process of distinguishing traditional questions from their answers in such a way as to preserve both, the original wonder sourced in questioning as well as the (...) specific answers that compose tradition. As excellent answers can tend to eclipse the powerful dynamism of original questions, heretical philosophy is revealed to be Patočka’s way to take up, modify, and enact Husserl’s motto “to the [questions] themselves!” In this way, Patočka’s further develops phenomenology while at the same time throwing a thinker back onto phenomenology’s central questions. (shrink)

Jan Patočka’s early phenomenology, as presented in The Natural World as a Philosophical Problem, does not merely adopt Husserl’s concept of the lifeworld. The paper demonstrates the originality of Patočka’s appropriation of this concept, but also its internal tensions and difficulties. Seeking to elaborate a concept of a phenomenology allowing for a theory of the lifeworld stricto sensu, i.e. of the life of the world, Patočka’s book effectively shows that there is no ahistorical, absolute or “natural” starting point for phenomenology. (...) Truth, as approachable through phenomenology, is not given, but must rather be developed. Elaborating on the concept of transcendental idealism, Patočka’s early phenomenology thus suggests a vivid idea of “intermeshing” monads ontologically grounding the world. (shrink)

ABSTRACTPatočka highlights the central role of Cartesianism in our tradition of thinking. Yet, today, brain scientists often claim to have overcome Cartesian dualism. In this paper, I argue that the Cartesian conceptions of human nature and sensory perception remain presuppositions of brain science, where perception is largely equated with thinking. Equating perception and thinking means that thinking is a determined process, which leads to an erosion of critique. Critique, and the freedom of thought it entails, is essential to Descartes, Husserl (...) and Patočka. I examine the differences, as well as the relationship, between Descartes method of doubt, Husserl’s phenomenological epochē and Patočka’s universalization of the epochē. I also show how Descartes’, Husserl’s and Patočka’s way into critique present different ways to understand self, things and the world. In conclusion, I suggest that Patočka presents a promising way to critique mechanistic understandings of thinking by rethinking both subject and object. (shrink)

The paper offers a parallel exposition of Ricœur and Patočka in the narrow context of their respective reading of Husserl’s Fifth Cartesian Meditation. At the same time, it follows a broader goal, namely to confront a hermeneutics of the self with a phenomenology freed of subjectivism. Ricœur claims that phenomenology presupposes interpretation. Under this assumption, even the paradox of intersubjectivity in the 5th CM can be restated as an interpretation of the self/other difference. Patočka in his interpretations of the 5th (...) CM drew on his own observations regarding embodiment and a possible self-awareness of the bodily subject. He claims that the first form of explicit self-reflection is made possible through the other. It is against the background of this claim that he gives his original reading of the “appresentation” of the other as leading to the appresentation of myself in the other. At the end, the paper localizes the point in which Ricœur’s hermeneutics of the self and Patočka’s non-subjectivist phenomenology part ways: it is the possibility of the self to be oneself. While the emphasis in Ricœur and his hermeneutics of the multiplied forms of alterity is put on being oneself as another, in Patočka it is through another that being oneself is possible. (shrink)

This paper argues that Jan Patočka and Paul Ricoeur endured their own cognitive-spiritual crisis, particularly during the development and outbreak of war in the 1930s. Their philosophies of history are thus, on the one hand, born of a rethinking of modern philosophy from the time of Galileo and Descartes, and on the other, a suffering of crisis that Europe itself was suffering. Stemming from the historical and philosophical context of Husserl’s epistemology in the Krisis, both Ricoeur and Patočka had to (...) confront history and the decadence of European sciences, as it concerns the difficulty of remembering the past and describing events in history. These responses to the problem of modern philosophy and science in Europe point to the symptom of spiritual crisis due to ‘modern man’ having no unified worldview. By means of care of the soul and the challenging of the state in action, a hermeneutics of peace emerges from their spiritual crises. (shrink)

The reception of the British empirical-sensualist tradition as a unique form of philosophising has its special place in the history of philosophy. Jan Patočka takes this fact into consideration, but his reception and interpretation of British empiricism is not purely historical. Patočka was trained by Husserl’s phenomenology and formed by Heidegger’s intellectual heritage, and this is reflected in his original philosophical thinking. Furthermore, his philosophical thought is highly influenced by a motif initially formed on the grounds of Husserl’s phenomenology as (...) the problem of Lebenswelt, in Patočka’s work present as the problem of natural world. Patočka perceives the entire philosophical tradition in the context of this leitmotif. His critical reception of British empiricism was an inseparable component in the rethinking of the problem of natural world. Patočka did not attempt to summarise his attitude towards British sensualism in the form of a stand-alone paper or study. Nevertheless, his reception of the British philosophical heritage of the 17th century is definitely of primary importance — firstly, in the context of the phenomenological tradition, which Patočka joins, and secondly, for the articulation of his own philosophical position. Comments on the British sensualist tradition can be found in various writings from his early as well as late period. His notion of empiricism is always fundamentally interrelated with his other philosophical works — with his interpretation of Husserl and Heidegger and later still more intensely with his own notion of the natural world and his project of asubjective phenomenology. (shrink)

The paper shows different approaches to creativity, i.e. emergence of new meanings, in Merleau-Ponty and Patočka. The comparison is based mainly on Merleau-Ponty’s lectures L’institution dans l’histoire personnelle et publique (1954/55) and Patočka’s project Negative Platonism (1953). Despite some similarities evident in the key concepts “institution” and “transcendence”, there is a decisive difference between the two approaches concerning the temporality of creation. Whereas Merleau-Ponty likens the temporality of institution to future perfect tense, emphasizing the intertwining of present and future events, (...) Patočka understands novelty as something totally different from the present state of affairs. In his eyes, the question of how something new can arise equals the question of how an attitude of distance to existing traditions can be achieved. Contrary to Patočka, Merleau-Ponty argues that any living tradition tends towards its own transformation and presents a case of self-transcendence because it is governed by the principle of divergence (écart). Finally, we argue that some aspects of these two approaches both complement each other, and also show the limits of each other. (shrink)

The main goal of my inquiry is to lay out the proximity between Patočka’s and Ricœur’s readings of Husserl’s Krisis and to stress the role played by the concept of the life-world in the unfolding of their original philosophical undertakings. In the first part, I show the importance both Patočka and Ricœur assignedto the Husserlian project of an “ontology of the life-world”. In the second part, I expose the criticism these two authors addressed to Husserl’s understanding of the life-world and, (...) more precisely, to the idea that the exploration of the life-world is merely another way of gaining access to transcendental subjectivity. In the last part, I show how the concrete descriptions of the life-world given by Patočka and Ricœur depart massively from the Husserlian perspective. (shrink)

In this essay I consider the end-of-art thesis in its metaphysical and empirical versions. I show that both use the correspondence theory of truth as the basis for their conception of the history of art. As a counterpart to these theories I have chosen Patočka’s conception of the history of art. His theory is based also on the relationship between art and truth, but he conceives truth in the phenomenological sense of manifestation. In the rest of the essay I seek (...) to show the consequences Patočka’s conception has for the history of art. In the rst part, I set out to show Patocka’s critique of Hegel’s aesthetics as a system based on the correspondence theory of truth. In particular, I endeavour to explain his critique of some intrinsic problems of Hegel’s aesthetics, the general failure of Hegel’s system to achieve its goal, and, lastly, Hegel’s giving up on the meaning of the art in the present. I also seek to show that Danto’s version runs into the same problems and conclusions as Hegel’s. In the second part I discuss Patočka’s analysis of modern art and the aesthetic attitude, where he nds a hidden a nity between art and aletheia, which Hegel overlooked. e last part of the essay focuses on the consequences that the conception of the truth of art as aletheia have for the history of art. I conclude that art in such a conception represents an independent eld of the manifestation of being in history beside philosophy. Moreover, modern and contemporary art do not mean the end of art; rather, they have their place in art history based on aletheia, since they are more focused on the manifestation itself than on what is manifested. Unlike Hegel and Danto, therefore, Patočka retains the historical meaning of modern and contemporary art. His conception of the history of art, summed up under the idea of aletheia, has greater explanatory potential than Hegel’s and Danto’s conceptions, and it retains the historical meaning of modern and contemporary art. (shrink)

This article proposes to investigate Jan Patočka’s idea of “post-Europe”, in the context of his understanding of European contemporary history. Therefore, I first stress how important it is for Patočka to conceive a “post-European perspective”, i.e. a peculiar insight into historical problems and conflicts that would allow humanity to find a possible path out of the condition that characterizes the twentieth century. Second, I focus on the existential figure that, according to Patočka, is capable of engendering this perspective, and whose (...) fundamental traits are equality, detachment, openness and courage. Thus, I consider Husserl’s idea of Europe, Arendt’s concept of the political and Bergson’s concept of the open soul as fundamental references for Patočka’s reconstruction. I conclude by showing how Patočka’s ethical stance on Europe and post-Europe can also be meaningful in light of the current European economic and political crisis. (shrink)

The aim of this article is to show how both Jan Patočka and Jürgen Habermas, starting from a reinterpretation of the idea of «lifeworld», engaged a critique of modern civilisation, aiming (with different outcomes) at a redefinition of the concept of political community. In order to achieve this goal, I firstly focus on Patočka’s understanding of modern rational civilisation and its attempt to fix the fracture between «life» and «world». At this stage, I take also advantage of Hans Blumenberg’s distinction (...) between these two terms, in order to better clarify Patočka’s stance on this problem. Secondly, I analyse Habermas’ ideas of lifeworld and system, and their uncoupling in modern societies, as well as the reemergence of this issue in Habermas’ recent works on the European economic and political crisis. Finally, I focus on the very different ways in which Patočka and Habermas tackled the ideas of conflict and crisis in contemporary world, also in view of a possible path out of this crisis through a re-constitution of Europe. (shrink)

Jan Patočka, perhaps more so than any other philosopher in the twentieth century, managed to combine intense philosophical insight with a farsighted analysis of the idea and challenges facing Europe as a historical, cultural and political signifier. As a political dissident in communist Czechoslovakia he also became a moral and political inspiration to a generation of Czechs, including Václav Havel. He accomplished this in a time of intense political repression when not even the hint of a unified Europe seemed visible (...) by showing in exemplary fashion how concrete thought can be without renouncing in any way its depth. Europe as an idea and a political project is a central issue in contemporary political theory. Patočka’s political thought offers many original insights into questions surrounding the European project. Here, for the first time, a group of leading scholars from different disciplines gathers together to discuss the specific political impact of Patočka’s philosophy and its lasting significance. (shrink)

The Risk of Freedom presents an in-depth analysis of the philosophy of Jan Patočka, one of the most influential Central European thinkers of the twentieth century, examining both the phenomenological and ethical-political aspects of his work. In particular, Francesco Tava takes an original approach to the problem of freedom, which represents a recurring theme in Patočka’s work, both in his early and later writings.Freedom is conceived of as a difficult and dangerous experience. In his deep analysis of this particular problem, (...) Tava identifies the authentic ethical content of Patočka’s work and clarifies its connections with phenomenology, history of philosophy, politics and dissidence. The Risk of Freedom retraces Patočka’s philosophical journey and elucidates its more problematic and less evident traits, such as his original ethical conception, his political ideals and his direct commitment as a dissident. (shrink)

The paper aims at comparing the two thinkers, the lives and works of which took place in troubled by totalitarianisms 20th century. Apart from the historical kinship of the biographies there is also a group of issues in which they share some interest. Part of it is related to their affiliation to phenomenological movement. Jan Patočka, former student of Husserl and Heidegger, has developed an original concept of phenomenology, firstly as a science concerning human life taken as a existential movement, (...) including then also some questions concerning first philosophy as a project of a subjective phenomenology. In turn, Józef Tischner, a student of R. Ingarden, in his rich output starting with his dissertation concerning transcendental ego in Husserl, through analyses of axiological consciousness, the problem of values and some issues concerning existence gets to some fundamental problems of ethics and philosophical anthropology. Just as Patočka, Tischner also was active in political life taking part in some important public debates. Central to the paper is the issue of philosophy of man. In the case of Patočka I reveal the relation between man, freedom and history which is best expressed in his late works, the ones from 1970s. They show the way of conceiving man as historical creature and rise of history is accompanied by discovery of philosophy, politics and freedom. Becoming a historical creature, man enters the realm of “controversiality.” In Tischner, on the other hand, the movement of autonomous reflection on man, including its temporal and historical aspects, goes from reflection on axiology to the late period of his intellectual activity when it is placed in the context of his philosophy of drama. Here, the key to grasp who is man is the I—you relation and agatology. Both thinkers see the fragility, even drama of human existence, which they face, and they defend human freedom in the era of ideologies and technology. (shrink)

This article analyzes how phenomenologists philosophically reacted to the First World War. Specifically, I maintain that the war led Edmund Husserl and Max Scheler to reorient their respective phenomenologies towards an understanding of the practical role of philosophy and theoria. At the heart of this new orientation, the final aim and preoccupation of philosophy became the borderline between the rational as such and a surface rationality, as the war confronted the daily life with its own limits. In other words, it (...) unveiled the dark side of daily rationality, particularly the national-egocentric attitudes at the heart of European civilization. Nevertheless, both authors are convinced that this borderline could be experienced in the radical individual act of phenomenology, making it the point of departure for a new type of philosophical pursuit directed toward genuine solidarity. In this way, they saw phenomenology as the blueprint for the renewal of individual and social praxis. A late echo of these philosophical thoughts can be found in the work of Jan Patocka. In his Heretical Essays, written in Czechoslovakia in the 1970s, he analyzes how the forcible individual borderline experienced during the First World War could create a metanoia that shakes the sense of one’s sense of embodiment in the world and gives rise to “solidarity of the shaken‘. (shrink)

The goal of this essay is first to emphasize the proximity of the approaches of these two philosophers starting from their common critique of Husserlian subjectivism. By basing the phenomenality of the world on a sphere of immanence constituted by lived experience, Husserl accounts for appearing [l’apparaître] starting from a certain appearing [apparaissant] and thus falls into a form of circularity, the same one that is at work when the natural attitude makes appearing rest on an objective appearing. The aim (...) of these two authors is then to overcome this deeper and more secret version of the natural attitude by freeing the transcendence of the world from every form of objectivity and freeing the existence of the subject from every form of immanence. It is on this sole condition that the autonomy of the phenomenal field can be guaranteed. However, the dynamic approach to the subject in Patočka, which itself leads to a determination of the world as becoming, allows him to account for the chiasm that Merleau-Ponty put forward at the end of his life without managing to ground it, since he held to an insufficient characterization of existence in terms of flesh. (shrink)

[In French]Both Patočka and Merleau-Ponty conceive the world not just as an Object, but rather as a field of an irreducible phenomenal and ontological depth. Patočka’s concept of movement and Merleau-Ponty’s concept of flesh are two concrete figures of this depth, and as such they are understood by the respective authors as that what stands at the origin of every singular being so far as it detaches itself on the ground of the world as an open totality. Nevertheless, the position (...) of the two concepts seems to be quite different in relation to the traditional categories of the metaphysics. We argue that Patočka’s concept of movement is profoundly rooted in, and dependent on, the classical oppositions, whereas Merleau-Ponty’s flesh makes it possible to understand them rather as abstractions produced by segregation from the original field of presence. In order to establish these points, we propose an interpretation of Patočka’s and Merleau-Ponty’s understanding of the concepts of horizon and world, and of course of those of movement and flesh. [In French.]. (shrink)

Patočka discusses «the disaster of the rejection of metaphysics» by Heidegger. In this critique, he has claimed that «Merleau-Ponty, Ricoeur, Waehlens and others» could neither be satisfied with the Heideggerian closure of the ontological sphere onto itself nor be content with Husserlian transcendentalism. In fact, there is a convergence between Patočka and Merleau-Ponty on this point, as demonstrated by a note from The Visible and the Invisible in which Merleau-Ponty affirms “I am for metaphysics”...We show that these two thinkers have (...) seen that phenomenology always faces, by eidetic necessity, what remains essentially irreducible for it: being. One thing toremember with Patočka, however, is that «we must not forget that the phenomenon is precisely phenomenon of being» even if «the structure of the appearing is entirely independent of the structure of beings.» But another thing is to thematize the relation between the appearing of the phenomenon and the manifestation of being. This implies that “after” phenomenological description a new type of correlation is analyzed. (shrink)

Our guiding research hypothesis is as follows: we believe that the significant progress made by the phenomenology of immanence and by the phenomenology of transcendence are not distinguished so much by the positing of new problems as by the reformulation of «the question of the ground of intentionality» that fueled the entire phenomenological tradition. It is striking that, despite the different solutions they offer, these two approaches have the same critical orientation vis-à-vis phenomenology, and they have the task of testing (...) phenomenology in a confrontation with its various «outsides» by according a central place to the «non-intentional.» For it is only by starting from such an enterprise of showing the limits of intentionality that the possibility is opened of a true surpassing of the Husserlian perspective that the given is the measure of all things. To do this, we want to emphasize the positions of Merleau-Ponty and Patočka on this fundamental issue and show that their approaches bear phenomenology, throughits own means, to the threshold of a domain that is no longer the phenomena in the Husserlian sense. (shrink)

This paper reflects on certain working assumptions of Husserlian phenomenological practice, using an investigation of interkinaesthetic affectivity as an example. I suggest that in some cases, Husserl’s “stratificational” model should be replaced with the notion of the ongoing dynamic efficacy of mutually co-founding, interpenetrating, and interfunctioning moments-“through”-which experience proceeds. Finally, I relate the latter model to Patočka’s call for a genuine integration of the three movements of embodied human life.

In this paper I would like to reconstruct Patočka’s effort to give a faithful account of the phenomena, without betraying these phenomena with an objectivistic theory of perception. Only by remaining close to the things themselves will we be able to understand them as an appeal, as a call, while understanding ourselves as a response to this call. On the basis of this “ontological rehabilitation of the sensible”, which reveals Patočka’s affinity with Merleau-Ponty as much as his departure from Husserl, (...) I will criticize the idealism of Husserlian phenomenology and reconsider the a priori of correlation in a different fashion. World and subject will then find a different articulation, grounded in the ontological couple of movement and feeling. The analysis will consist of three parts: in the first part I will introduce the problematic of the opposition between phenomenological and physical space; the second part will deal with the notion of movement; the third part will concentrate on Patočka’s new account of subjectivity, the a-subjective cogito, arising precisely from the fundamental coupling of κίνησις and πάθος. Embodiment, qua original phenomenon, will be constantly present in the background of this analysis. (shrink)

In this essay, Domenico Jervolino summarizes twenty years of Ricoeur’s reading of Patočka’s work, up to the Neapolitan conference of 1997. Nowhere is Ricoeur closer to Patočka’s a-subjective phenomenology. Both thinkers belong, together with authors like Merleau-Ponty and Levinas, to a third phase of the phenomenological movement, marked by the search for a new approach to the relation between human beings and world, beyond Husserl and Heidegger. In the search for this approach, Patočka strongly underlines the relation between body, temporality (...) and sociality. Central to this new encounter of Patočka and Ricoeur is the discovery of an idea of inter-human community based on a a-subjective conception of existence. (shrink)

We reproduce here the text of a lecture held by Paul Ricoeur at Naples in 1997. Ricoeur sees in Patočka’s work an elliptical movement with two foci: the phenomenology of the natural world and the question of the meaning of history. Ricoeur evidences the new features of Patočka’s a-subjective phenomenology compared to Husserl’s transcendental idealism and Heidegger’s existential analytics. The transition from the phenomenology of the natural world to the problematic of history suggests in any case a substantial dialectical thread (...) that starts from the phenomenology of the movement of life, weaves through the problematic and tragic character of history and ends in the idea of the solidarity of the shaken. (shrink)

Patočka has never developed the political and historical concept of dissidence. But trying to sketch its phenomenological foundation in the writings of the Czech philosopher, who experienced human liberty as an act of dissidence, could be an original way in qualifying his alternative idea of the modern subjectivity in phenomenology: between finitude and autonomy. The first part of the article presents the radical criticism aimed by Patočka to the transcendental subjectivism of Husserl, and thinks the requirement of a split between (...) autofoundation and autonomy. Then, it is analysed the articulation between the movement of life and the movement of existence, in which lies the very idea of dissidence. In a third and final part, one shows to what extent the dissident subjectivity fully reveals itself in the political life. (shrink)

Patočka has never developed the political and historical concept of dissidence. But trying to sketch its phenomenological foundation in the writings of the Czech philosopher, who experienced human liberty as an act of dissidence, could be an original way in qualifying his alternative idea of the modern subjectivity in phenomenology: between finitude and autonomy. The first part of the article presents the radical criticism aimed by Patočka to the transcendental subjectivism of Husserl, and thinks the requirement of a split between (...) autofoundation and autonomy. Then, it is analysed the articulation between the movement of life and the movement of existence, in which lies the very idea of dissidence. In a third and final part, one shows to what extent the dissident subjectivity fully reveals itself in the political life. (shrink)

Official Czech philosophy has been dominated by a mix of Engelsian philosophy of science and positivism, a combination explained in part by the survival of positivism in Czechoslovakia and the failure of analytic philosophy to make inroads into Czech thinking. However, due to Jan Patočka's influence in espousing the works of Husserl and Heidegger, there was an anthropologically oriented Marxism although its successes were greater abroad than in Czechoslovakia. A more neopositivistic variant of Marxism also appeared, but it was a (...) short-lived phenomenon without purchase on mainstream philosophy. A certain renewal of Czech philosophy was evident before 1968, once again largely due to Patočka's influence. Foreign guests who took part in informally organized, often secret, seminars and discussion groups were very instrumental in spreading new ideas. Despite these positive occurrences, Czech philosophy is experiencing a crisis at the level of the middle generation of non-academic, philosophically competent intellectuals among whom sceptical and nihilist attitudes prevail. A rebirth of spirit may be in the offing if the recovery of the specific sense of the Czech Reformation's idea of 'truth' is pursued. (shrink)