This paper situates the data privacy debate in the context of what I call the death of the data subject. My central claim is that concept of a rights-bearing data subject is being pulled in two contradictory directions at once, and that simultaneous attention to these is necessary to understand and resist the extractive practices of the data industry. Specifically, it is necessary to treat the problems facing the data subject structurally, rather than by narrowly attempting (...) to vindicate its rights. On the one hand, the data industry argues that subjects of biometric identification lack legal standing to pursue claims in court, and Facebook recently denied that that its facial recognition software recognizes faces. On the other hand, industry takes consent to terms of service and arbitration clauses to create enforceable legal subject positions, while using promises of personalization to create a phenomenological subject that is unaware of the extent to which it is being manipulated. Data subjects thus have no legal existence when it is a matter of corporate liability, but legal accountability when it is a matter of their own liability. Successful reform should address the power asymmetries between individuals and data companies that enable this structural disempowerment. (shrink)

This revolutionary work transforms the burgeoning interdisciplinary debate on emotion by suggesting, instead, a positive relation between the "death of the ...

Does Bevir's weak intentionalism clash irredeemably with the rejection of conceptions of subjectivity in the work of Deleuze and the later Foucault? The paper examines the notion of the subject required by Bevir's weak intentionalism, before turning to the "rejection" of the subject found in the work of Deleuze and the later Foucault, suggesting that this rejection only rejects the subject as something fully autonomous and given in advance, and does not constitute a global rejection of any (...) subject capable of intentional meaning. A subject who intends is perfectly permissible within the context of Deleuze and Foucault's philosophies, provided that they are regarded as emergent phenomena from multiple impressions, processes, forces and powers. This subject is in fact a strong candidate for weak intentionalism. However, the Deleuzean/Foucaultian conception of the subject does problematize Bevir's restriction of historical meaning to the meanings of individual subjects, and not to collectivities. Collectivities, much like individuals, can be conceived as emergent phenomena from multiple matters, relations, powers, individuals and so on, and therefore seem capable of generating meanings, much in the way that subjects can generate meanings. We must, therefore, ask what is so special about the individual subject such that only they are capable of meaning. (shrink)

Amidst ongoing technological and social change, this article explores the implications for critical education that result from a data-driven model of digital governance. The article argues that traditional notions of critique which rely upon the deconstruction and analysis of texts are increasingly redundant in the age of datafication, where the production of information is automated and hidden. The article explains the concept of the ‘educative subject’ within the liberal education tradition, with specific focus on the role of critique and (...) reflexivity in their becoming. It explores how the logics and practices of datafication and automation pose unprecedented challenges to the educative subject, examining three features in particular: the creation of data subjects; the rise of correlationalism; and the move from representation to operationalisation. The article concludes by outlining a research agenda to address the existential challenges posed by data education. (shrink)

In recent years some archaeological commentators have suggested moving away from an exclusively anthropocentric view of social reality. These ideas endorse elevating objects to the same ontological level as humans – thus creating a symmetrical view of reality. However, this symmetry threatens to force us to abandon the human subject and theories of meaning. This article defends a different idea. It is argued here that an archaeology of the social, based on human intentionality, is possible, while maintaining an ontology (...) that does not involve dualistic conceptions of reality. Building upon the philosophical work of Vincent Descombes, it is contended that humans are intentional actors and society is predicated on triadic relations that involve humans, objects and meanings. These relations can only be understood holistically, given that these relations are merely parts of a meta-narrative. These meta-narratives contain specific historical and social settings, and it is only within these settings that social relations are intelligible. (shrink)

The centerpiece of the first volume of Michel Foucault’s History of Sexuality is the analysis of what Foucault terms the “repressive hypothesis,” the nearly universal assumption on the part of twentieth-century Westerners that we are the heirs to a Victorian legacy of sexual repression. The supreme irony of this belief, according to Foucault, is that the whole time that we have been announcing and denouncing our repressed, Victorian sexuality, discourses about sexuality have actually proliferated. Paradoxically, as Victorian as we allegedly (...) are, we cannot stop talking about sex. Much of the analysis of the first volume of the History of Sexuality consists in an unmasking and debunking of the repressive hypothesis. This unmasking does not take the simple form of a counter-claim that we are not, in fact, repressed; rather, Foucault contends that understanding sexuality solely or even primarily in terms of repression is inaccurate and misleading. As he said in an interview published in 1983, “it is not a question of denying the existence of repression. It’s one of showing that repression is always a part of a much more complex political strategy regarding sexuality. Things are not merely repressed.”1 Foucault makes this extremely clear in the introduction to the History of Sexuality, Volume 1, when he writes. (shrink)

The return of genetic research results after death in the pediatric setting comes with unique complexities. Researchers must determine which results and through which processes results are returned. This paper discusses the experience over 15 years in pediatric cancer genetics research of returning research results after the death of a child and proposes a preventive ethics approach to protocol development in order to improve the quality of return of results in pediatric genomic settings.

While moral perfectionists rank conscious beings according to their cognitive abilities, Paola Cavalieri launches a more inclusive defense of all forms of subjectivity. In concert with Peter Singer, J. M. Coetzee, Harlan B. Miller, and other leading animal studies scholars, she expands our understanding of the nonhuman in such a way that the derogatory category of "the animal" becomes meaningless. In so doing, she presents a nonhierachical approach to ethics that better respects the value of the conscious self. Cavalieri opens (...) with a dialogue between two imagined philosophers, laying out her challenge to moral perfectionism and tracing its influence on our attitudes toward the "unworthy." She then follows with a roundtable "multilogue" which takes on the role of reason in ethics and the boundaries of moral status. Coetzee, Nobel Prize winner for Literature and author of _The Lives of Animals_, emphasizes the animality of human beings; Miller, a prominent analytic philosopher at Virginia Polytechnic Institute, dismantles the rationalizations of human bias; Cary Wolfe, professor of English at Rice University, advocates an active exposure to other worlds and beings; and Matthew Calarco, author of _Zoographies: The Question of the Animal from Heidegger to Derrida_, extends ethical consideration to entities that traditionally have little or no moral status, such as plants and ecosystems. As Peter Singer writes in his foreword, the implications of this conversation extend far beyond the issue of the moral status of animals. They "get to the heart of some important differences about how we should do philosophy, and how philosophy can relate to our everyday life." From the divergences between analytical and continental approaches to the relevance of posthumanist thinking in contemporary ethics, the psychology of speciesism, and the practical consequences of an antiperfectionist stance, _The Death of the Animal_ confronts issues that will concern anyone interested in a serious study of morality. (shrink)

This guest editorial opens with a brief overview of the transformations of medicine and mental health that can be observed since the second half of the twentieth century. New genetics and biotechnologies hold out the promise of overcoming presumed limitations in the field of mental health care, that is, the fact that diagnostic procedures in psychiatry and clinical psychology still largely rely on the narratives of patients and questionnaires, supposedly subjective assessments by physicians and psychologists. It is envisioned that innovative (...) genetic and proteomic tools, imaging technologies, and objective laboratory tests for blood biomarkers will enable better diagnosis and treatment of mental diseases. We argue that emerging biotechnologies do not revolutionize mental health, despite their promise to do so. Instead, we observe a pluralization of research and treatment approaches in the domain of mental health. The second part of this editorial discusses the contributions to this special issue on emerging biotechnologies and mental health and outlines how they address some of the gaps in social studies of psychiatry and mental health in the twenty-first century. (shrink)

The Death of the Past argues that critical problems in the philosophy of history, such as the the truth of historical texts, how texts relate to the past that they are about, and the nature of historical explanation, can be successfully investigated if we accept the claim that historical writing is historicist--perspectival (from the standpoint of the historian) rather than purporting to be like an eyewitness account (as in the first-person "presentist" views critiqued by Enzo Traverso). This approach admits (...) all relevant evidence as subject to analysis in order to determine the widest point of view, as opposed to the biased "eyewitness" approach, which observes only partially. The link between the past itself and historical knowledge is radically broken, giving the latter the wisdom of hindsight across a broader temporal field from the events examined up to the present. The truth about the past is only accessible from a later point in time; "the past" itself is not a reality for the historian; it no longer exists. Frank Ankersmit offers a surprising foundation for the historicist notion of history: Leibniz' monadological universe, in which each monad or substance has its own point of view. There is no deeper ontology to which they owe their status--just an infinity of monads and a corresponding infinity of points of view on other monads. So with historical representations, statements about the past that can be either true or false but not depictions of the past itself. In striking contrast to Hayden White's view, Ankersmit insists that historical writing is no less rational than the sciences-- mathematical and scientific writing has its counterpart in the writing of history. (shrink)

Hegel’s idealism is generally perceived as a system of rational sublation (Aufhebung) of all empirical contingencies: nothing resists notional mediation which, in a movement of negation of negation, establishes a rational totality. Already Schelling opposed to this complete sublation an “indivisible remainder” of empirical contingency. However, a close reading of Hegel makes it clear that the concluding moment of a dialectical movement of sublation is an empirical remainder which totalizes it, like the body of Christ in Christianity. And the same (...) goes for the process of “negation of negation”: it concludes with a failure of negation, and its ultimate form is a failed suicide where the subject survives as a living dead. Such a reading of Hegel makes him a thinker of our time which is the time of a failed negation: most of us live as survivors of our death, with life dragging on in depressive apathy. (shrink)

The question of how the brain can construct a stable representation of the external world despite eye movements is a very old one. If there have been some wrong statements of problems (such as the inverted retinal image), other statements are less naive and have led to analytic solutions possibly adopted by the brain to counteract the spurious effects of eye movements. Following the MacKay (1973) objections to the analytic view of perceptual stability, Bridgeman et al. claim that the idea (...) that signals canceling the effects of saccadic eye movements are needed is also a misconception, as is the claim that stability and position encoding are two distinct problems. It must be remembered, however, that what made the theory of “cancellation” formulated by von Holst and Mittelstaedt (1950) so appealing was the clinical observation of perceptual instability following ocular paralysis. Following the concept of corollary discharge, the theory of efference copy had the advantage of simultaneously solving three problems: the stability of the visual world during the saccade, the same visual stability across saccades, and the visual constancy problem of allowing the subject to know where an object in space is. (shrink)

This text responds to the review forum on The Life and Death of States featuring Clara Maier, Kathryn Ciancia, Charles Maier, and Nathaniel Berman. It considers the place of Central Europe and the Habsburg Empire in our geographies of the modern world. Rather than hopelessly hamstrung by backwardness, the empire and its subjects were, in Clara Maier’s words, “simply struggling more insistently than complacent Westerners with the perplexities of the modern condition.” The text also considers questions of the post-colonial (...) and the post-imperial, literary genre, and the relationship between conceptual clarity and political legitimacy. (shrink)

This article examines how Georges Bataille, one of the celebrated precursors of the postmodern death of a linguistic subject, is also a Nietzschean, pre-Freudian thinker who offers us an account of the birth of an affective subject. If critics still tend to recuperate Bataille within a “metaphysics of the subject,” the present article shows that the central concept of his thought needs to be reconsidered in the light of his debt to Pierre Janet’s “psychology of the (...) socius,” an interpersonal psychology that transgresses precisely this metaphysics. In line with contemporary theoretical developments, Bataille’s account of the birth of the subject out of the laughter of the socius offers us a theoretical model to rethink the foundations of subjectivity in relational, mimetic terms. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reports of the Death of the AuthorDonald KeeferReports of the death of the author have been greatly exaggerated. Throughout Western history, the death of a hero, the disappearance of something sacred, the fall of a leader, or the defeat of a powerful people has signaled cultural crises and the coming of anxiety-filled transformations towards an unknowable future. When Friedrich Nietzsche wrote the belated obituary on the (...) death of God, he was well aware of its enormity. He complains that millennia will pass before humanity will overcome its living in the “immense frightful shadow” of God. 1 Roland Barthes’s 1968 notice on “The Death of the Author,” however, announces an analogous loss of the “Author-God” with nothing but smug confidence: “We know to give writing its future, it is necessary to overthrow the myth: the birth of the reader must be at the cost of the death of the Author.” 2 Since his actual death in 1980, and despite his writings contra the author, Barthes has become the sort of Author declared moribund in his article, as he is attentively read and dutifully quoted with adulation by artists, art and literary critical theorists alike. 3For Abigail Solomon-Godeu, writing on photography, the death of the author, and by extension, the artist and composer, as theorized by Barthes, was a cornerstone in a new age of cultural production and consumption. Readers would be liberated from the tyranny of authorial authority. She links the transgressive edge of “appropriative art,” found in such works as photographer Sherry Levine’s photographs of famous photographs, to playing out the cultural consequences of Barthes’s manifesto. “The dismantling of the notion of unique subjectivity Barthes understood as a salutary blow struck against ossified and essential retrograde bourgeois humanism.” 4 The paramount irony is [End Page 78] that the Four Henchman of the Authorial Apocalypse, Roland Barthes, Michel Foucault, Jacques Derrida, and Paul De Man, are given the godlike status of founding fathers of postmodernism by practically every writer on the current art scene. The program to “challenge the symbolic itself,” is accepted as a sacred charge by the new cultural clerisy. 5Nearing three decades of postmortem of the author, what has changed? The “death of the author” has given birth not to the reader, but to a booming industry of “discursive practices,” or the production of texts on texts. And clearly, not one of the producers of these texts would happily give credit to discourse itself for their byline. Despite postmodern misgivings about authority and propriety, we can still be sued for appropriating without their permission words and ideas theoretically the product of language itself! 6 Isn’t it high time that we began to demand some sort of truth in advertising or reporting on matters such as these?Margit Sutrop has lamented in the pages of this journal the resilient attitudes of those cultural critics who take as axiomatic Barthes’s claims: “Even the sharpest philosophical analysis has had no influence on those speaking about the death of the author.” 7 In fact, many of the critiques are so good, one must wonder if our continuing concern with Barthes isn’t bordering on overkill. Sutrop sees that Barthesian proponents have too much invested in the thesis to be moved. She then acknowledges that arguments might prove fruitless against the force of a metaphor. This is a very troubling concession however. There is nothing surprising about a community’s lack of self-criticism except when that community advertises itself as the party that dares to challenge all. The convenience of certain “truths,” or beliefs not subject to correction ought always to make us suspicious.The truth is Barthes’s attack has much less to do with authors than with a style of reading: “We know that a text is not a line of words releasing a single ‘theological’ meaning (the ‘message’ of the Author-God), but a multi-dimensional space in which a variety of writings, none of them original, blend and clash” (DOA, p. 146). The tenacity of Barthes’s supporters is a function of the sort of reading that Barthes licenses here and in his other works. Clearly... (shrink)

The unprecedented mass manipulation, mass death, and trauma of World War II created a heightened interest in technology and totalitarianism among European and American intellectuals. _The Disposition of the Subject _explores Theodor Adorno's attempt to hinder further atrocity through philosophical analysis of technology and of its contribution to totalitarianisms of various kinds: political, aesthetic, epistemological.

Available from UMI in association with The British Library. Requires signed TDF. ;This thesis proposes that the death of the author is neither a desirable, nor properly attainable goal of criticism, and that the concept of the author remained profoundly active even--and especially--as its disappearance was being articulated. ;As the phrase implies, the death of the author is seen to repeat the Nietzschean deicide. In Barthes, the idea of the author is explicitly connected to that of God, for (...) Foucault and Derrida, to that of the transcendental subject of knowledge. Nowhere, however, is any demonstration forwarded as to why we must conceive author, transcendental subject, and divinity as specifications of the same subject, and therefore implicated in a common closure. Always and everywhere, the death of the author proceeds on the basis of an idealized conception of authorship. ;In practical terms, such are the pressures exerted upon critical discourse by the death of the author that the author is implied from the outset. Barthes will insist that the authorial subject is constituted in and through language, whilst also recommending that we should regard certain authors as "founders of languages". With Foucault, the requisite transindividuality of archaeology is subverted by the absolutely privileged, metahistorical status it bestows upon Nietzsche. Derrida's history of logocentrism denies the author precisely because of the exorbitant recourse it must make to Rousseau as the single systematized instance of an age of logocentric metaphysics. ;The placement of the author reflects the experience of these critics in writing their texts. In Barthes, the return of the author is inseparable from his own autobiographical project; with Foucault, it relates to the rejection of the transcendental detachment of the archaelogist in favour of the engaged subjectivity of the genealogist; in Derrida, authorial reinscription coincides with his attempt to move beyond critical reading toward autobiographical literature. With hindsight, it appears that it is the becoming-author of the critic that is actually at issue. ;However, this revisionary phase has been largely neglected, and Barthes, Foucault and Derrida are continually invoked to underwrite critical resistance to the author. From the Russian Formalists onward, literary theory has shown itself incapable of accommodating authorial subjectivity. As such, the question of the author increasingly presents itself as the question of theory, of its adequacy as a descriptive science of literature and discourse in general. (shrink)

In the revised and updated edition of this popular book, Sean Burke shows how the attempt to abolish the author is fundamentally misguided and philosophically ...

This paper discusses the philosophy of death and mortality from a transcendental perspective. I first criticize the metaphysically realistic background assumptions of mainstream analytic approaches to the philosophy of death. Secondly, I defend a transcendentally idealistic approach, drawing attention to how the topic of death can be illuminated by means of the notion of the transcendental subject. Thirdly, I identify a problem in this approach: the transcendental subject needs to recognize its own mortality. Fourthly, I (...) propose a pragmatist way out of this problem. This, however, is no way out of the general issue that mortality as a structural element of the human condition provides us with. Rather, pragmatism (joining forces with transcendental philosophy) can show us a way of living with this condition. (shrink)

This paper discusses the philosophy of death and mortality from a transcendental perspective. I first criticize the metaphysically realistic background assumptions of mainstream analytic approaches to the philosophy of death. Secondly, I defend a transcendentally idealistic approach, drawing attention to how the topic of death can be illuminated by means of the notion of the transcendental subject. Thirdly, I identify a problem in this approach: the transcendental subject needs to recognize its own mortality. Fourthly, I (...) propose a pragmatist way out of this problem. This, however, is no way out of the general issue that mortality as a structural element of the human condition provides us with. Rather, pragmatism can show us a way of living with this condition. (shrink)

What is the meaning of life? In the post-modern, post-religious scientific world, this question is becoming a preoccupation. But it also has a long history: many major figures in philosophy had something to say on the subject, as Julian Young so vividly illustrates in this thought-provoking book. Part One of the book presents an historical overview of philosophers from Plato to Hegel and Marx who have believed in some sort of meaning of life, either in some supposed 'other' world (...) or in the future of this world. Part Two looks at what happened when the traditional structures that provided life with meaning ceased to be believed. With nothing to take their place, these structures gave way to the threat of nihilism, to the appearance that life is meaningless. Julian Young looks at the responses to this threat in the work of Nietzsche, Heidegger, Sartre, Camus, Foucault and Derrida. This compelling and highly engaging exploration of fundamental values will captivate anyone who's ever asked themselves where life's meaning really lies. It also makes a perfect historical introduction to philosophy. (shrink)

Philosophers debate the death of philosophy as much as they debate the death of God. Kant claimed responsibility for both philosophy's beginning and end, while Heidegger argued it concluded with Nietzsche. In the twentieth century, figures as diverse as John Austin and Richard Rorty have proclaimed philosophy's end, with some even calling for the advent of "postphilosophy." In an effort to make sense of these conflicting positions—which often say as much about the philosopher as his subject—Isabelle Thomas-Fogiel (...) undertakes the first systematic treatment of "the end of philosophy," while also recasting the history of western thought itself. Thomas-Fogiel begins with postphilosophical claims such as scientism, which she reveals to be self-refuting, for they subsume philosophy into the branches of the natural sciences. She discovers similar issues in Rorty's skepticism and strands of continental thought. Revisiting the work of late-nineteenth and early-twentieth-century philosophers, when the split between analytical and continental philosophy began, Thomas-Fogiel finds both traditions followed the same path—the road of reference—which ultimately led to self-contradiction. This phenomenon, whether valorized or condemned, has been understood as the death of philosophy. Tracing this pattern from Quine to Rorty, from Heidegger to Levinas and Habermas, Thomas-Fogiel reveals the self-contradiction at the core of their claims while also carving an alternative path through self-reference. Trained under the French philosopher Bernard Bourgeois, she remakes philosophy in exciting new ways for the twenty-first century. (shrink)

If the Category of the Ultimate requires every actual entity to be, as Whitehead says, both a processing subject and a superject existing objectively immortal, death of a personally ordered social nexus seems impossible since a personal nexus cannot die unless it has a last member. How that is possible is examined, concluding that actual entities of necessarily existing personal societies always have enough creative power to integrate their physical prehensions into new satisfaction/superjects, but others in contingently existing (...) personal societies inevitably do not. (shrink)

An important problem is ninі і відзнайдення подібніості у буті містика і митця. Analiz doslenie і publikacіy showing nayavnіst vzhe vikrukuvanyh materіalіv zy chyogo drive. The subject of ours is written down by the term "Stan Bezsmertya", which is introduced after the documentary facts of people who immigrated immortality, de death appeared to be uninvolve and the collapse of the vital of the vital. Here subunit stіnі місти і митця ми bachimo u mіsticizmі і in otsіnyuvannі stіiv mіstistizmu (...) yak creativ stіvі mittsya. Буття подібності стану містика і митця пов'язане з снунуняням афлексивного в людині, and takozh "cataleptic", де to pass the processes of compensatory character. (shrink)

he true relation between these scenes and historic fact is more mysterious and less simple. The metamorphosis takes place on a higher plane. Historic events and the poet's inner experience are stripped of everything accidental and actual. They are removed from time and transported into the large and distant land of Myth. There, on a higher plane of life, they are developed in symbolic and poetic shapes having a right to an existence of their own. The fact, therefore, that the (...) subjection of the storm is described in a simile for a moment highlighting a very important sphere of the poem is more decisive than a possible allusion to the younger Cato. (shrink)

The first philosophers of the Frankfurt School famously turned to the psychoanalytic theories of Sigmund Freud to supplement their Marxist analyses of ideological subjectification. Since the collapse of their proposed "marriage of Marx and Freud," psychology and social theory have grown apart to the impoverishment of both. Returning to this union, Benjamin Y. Fong reconstructs the psychoanalytic "foundation stone" of critical theory in an effort to once again think together the possibility of psychic and social transformation. Drawing on the work (...) of Hans Loewald and Jacques Lacan, Fong complicates the famous antagonism between Eros and the death drive in reference to a third term: the woefully undertheorized drive to mastery. Rejuvenating Freudian metapsychology through the lens of this pivotal concept, he then provides fresh perspective on Theodor Adorno, Max Horkheimer, and Herbert Marcuse's critiques of psychic life under the influence of modern cultural and technological change. The result is a novel vision of critical theory that rearticulates the nature of subjection in late capitalism and renews an old project of resistance. (shrink)

The articles considers how the "death of the subject" influences ways in which we understand the aestheticization of the political." It explores how Walter Benjamin's "The Work of Art in the Age of Technological Reproducibility" can contribute to a conception of the political implications of thinking the subject. It also turns to Solon's conception of subjectivity as a way of mediating the current discussion on the subject.

This chapter contains sections titled: References.

Turning an anthropological eye toward cyberspace, Human No More explores how conditions of the online world shape identity, place, culture, and death within virtual communities. Online worlds have recently thrown into question the traditional anthropological conception of place-based ethnography. They break definitions, blur distinctions, and force us to rethink the notion of the "subject." Human No More asks how digital cultures can be integrated and how the ethnography of both the "unhuman" and the "digital" could lead to possible (...) reconfiguring the notion of the "human." This provocative and groundbreaking work challenges fundamental assumptions about the entire field of anthropology. Cross-disciplinary research from well-respected contributors makes this volume vital to the understanding of contemporary human interaction. It will be of interest not only to anthropologists but also to students and scholars of media, communication, popular culture, identity, and technology. (shrink)

The life of the brain is believed to be a major factor determining the existence of subjective reality during clinical death. The duration of the existence in question cannot be measured in the units of astronomical time for two reasons. Firstly, it is impossible to determine once and for all how long the brain survives after cardiac arrest and termination of breathing. Secondly, the duration of subjective time during near death experience (NDE) differs from that typical of daily (...) regular experience. Immobilization, loss of the sensation of one’s body, state of affect and severe sensory deprivation ensure that consciousness is focused and fixated in and onto itself exclusively which, in its turn, diminish and slacken the course of time so that it expands to eternity and subjective reality goes beyond the usual limits of the temporal “past-present-future” paradigm. (shrink)

Although Wittgenstein is often held co-responsible for the so-called death of man as it was pronounced in the course of the previous century, no detailed description of his alternative to the traditional or Cartesian account of human being has so far been available. By consulting several parts of Wittgenstein's later oeuvre, Subjectivity after Wittgenstein aims to fill this gap. However, it also contributes to the debate about the Cartesian subject and its demise by discussing the criticism that the (...) rethinking of subjectivity received, for it has been argued that the anti-Cartesian turn in continental philosophy has lead to a loss of a centre for both ethics and politics. By further exploring the implications of the Wittgensteinian account of human being, this book makes it clear that a non-Cartesian view on the subject is not necessarily ethically and politically inert. Moreover, it argues that ethical and political arguments should not automatically take precedence in a debate about the nature of man. (shrink)

This paper is a short presentation of the Deprivation Account of the Evil of Death. According to this account, death is not an evil to us due to any of its positive features, but only due to some good, valuable and desirable things it deprives us of.Departing from Epicurus’ famous argument against the fear of death, I briefly reconstruct the Deprivation Account, as proposed by Thomas Nagel, and then discuss one important objection against it – that it (...) is implausible to judge the evil of death from the standpoint of “subjective immortality”. Finally, I distinguish two levels within the Deprivation Account – an “absolute” one, and a “relative” one, which enables us to judge some deaths as lesser evil or “negative good”. (shrink)

Whereas traditional abolitionist arguments call for putting an end to capital punishment, French-Algerian philosopher Jacques Derrida emphasizes its survival, writing that “even when it will have been abolished, the death penalty will survive.” My dissertation interprets this perplexing claim by attending to the specificity of Derrida’s discourse on survival or survivance, contending that the death penalty serves an irreducible role in the constitution of the (individual or collective) subject, such that, even in the event of its abolition, (...) some form of the death penalty must continue. Through close readings of Heidegger, Kant, Nietzsche, Freud, Michel de Montagne, and Victor Hugo, as well as Shakespeare, linguist Émile Benveniste, Hungarian psychoanalysts Abraham and Torok, and the nineteenth-century political theorist Juan Donoso Cortés, the dissertation provides an account of the function of the death penalty as a specific institution within the modern penal system of a collective political body and as the legacy of ancient political economies based on sacrificial rites. This analysis interprets the death penalty both structurally and specifically, accounting for the indissociable relationship between the institution and its conceptual structure more broadly. Survivance, I argue, only ever occurs through an other, leaving open the question of the survival of the death penalty to the dissemination of indefinite and unpredictable forms that could consist in its abolition. (shrink)

ABSTRACTDeath as an inevitable reality is a subject of study in various philosophical schools. This concept can be reviewed within three realms: semantics, ontology, and epistemology. The objective of this article is to examine death within the ontological realm in the thoughts of Mullā Sadrā and Schopenhauer, and it attempts to answer the question whether philosophical discussions on the concept of death in Sadrā’s transcendental wisdom, despite differences in principles, methods, and objectives, are comparable to Schopenhauer’s intellectual (...) framework. Using a descriptive-analytical approach, the present study first investigates the issue of death in the thought of both philosophers and then focuses on their comparative analysis. The findings of this study show that both philosophers believe in the dichotomy in the world, immortality of human nature after death, existence of suffering in the world, asceticism, austerity, love, and affection to all human beings. However, each of them analyzes and explains the issue of death within his own intellectual framework. (shrink)

In these original essays and interviews, leading hermeneutical philosophers and postmodern theorists John D. Caputo and Gianni Vattimo engage with each other's past and present work on the subject and reflect on our transition from ...

Mortality seems to have no place in the theories on subjectivity in Kant and Husserl. It is suggested that this entente cordiale is an expression of the shared principle at the heart of their philosophy, i.e. the principle of self-preservation. Self-preservation is a principle that in a certain sense excludes mortality. It is argued that the primary sense of this exclusion is not theoretical but practical. Kant and Husserl are both endorsing the imperative that man should not let death (...) attain the dominion of his thoughts . The positive correlate to this is to be found in the demand that man should think of himself as if he was immortal. With special regard to Husserl the predicament that accompanies his relentless attempt to fulfill this demand is described as a sluice through which anthropology threatens to flow into the phenomenological enterprise. (shrink)

This dissertation traces the themes of madness and death from Plato to twentieth century European philosophy. By focusing on the writings of Plato, Hegel, Heidegger and Foucault, this work tries to articulate the way in which philosophy relies on the themes of madness and death to define itself. Madness and death are not simply topics within philosophy, but they are the "other" of philosophical discourse. In this respect madness and death are instances of negativity. Negativity plays (...) a significant role in the constitution of philosophical discourse. Thus far from being marginal topics within philosophy, madness and death prove to be related to many contemporary philosophical problems, such as subjectivity, the metaphysics of presence, the relationship between the body and language, and finally the question of ethics. ;The first chapter concentrates on Plato's Phaedo and Phaedrus. For Plato, philosophy is defined as a preparation of death and as a kind of madness. Through a close reading of these texts, this chapter establishes the constitutive roles of madness and death for philosophy. ;The second chapter concentrates on Hegel's notion of madness in the Encyclpaedia, and his understanding of death in the Phenomenology of Spirit. This chapter establishes that Hegel's approach to negativity ultimately remains a cognitive one, and incapable of thinking the question of negativity in a radical fashion. ;The third and fourth chapters focus on Heidegger in order to articulate a more radical thinking of negativity. The notion of death in Being and Time, and that of madness in Heidegger's later writings characterize Heidegger's non-cognitive understanding of negativity that cannot be reduced to a content of thought. ;The final chapter focuses on the debate between Foucault and Derrida on madness and ultimately attempts to question the radicality of both Hegel's and Heidegger's notions of negativity. ;The conclusion tries to connect the questions of madness and death to that of ethics. The radicalization of the question of ethics in twentieth century continental philosophy presupposes and requires a rethinking of the question of alterity. This work gestures towards such a rethinking. (shrink)

he true relation between these scenes and historic fact is more mysterious and less simple. The metamorphosis takes place on a higher plane. Historic events and the poet's inner experience are stripped of everything accidental and actual. They are removed from time and transported into the large and distant land of Myth. There, on a higher plane of life, they are developed in symbolic and poetic shapes having a right to an existence of their own. The fact, therefore, that the (...) subjection of the storm is described in a simile for a moment highlighting a very important sphere of the poem is more decisive than a possible allusion to the younger Cato. (shrink)