There is a particular ressonance between the thinking of Walter Benjamin and that of the German jurist Carl Schmitt, including the fact that both analyse the 16th and 17th centuries in order to understand the 20th. Regarding this fact, the article attempts to clarify some themes that lead Schmitt’s work, i.e that of State of Exception, that of theologization of politics, the critique of parliamentarism as support of the Modern State, the tension between democracy and dictatorship, to explain how (...) the dialog between the two thinkers occurs, seeking thus for a better understanding of key works of Benjamin, specially The Origin of German Tragic Drama. (shrink)

What is the origin of the concept of a law of nature? How much does it owe to theology and metaphysics? To what extent do the laws of nature permit contingency? Are there exceptions to the laws of nature? Is it possible to give a reductive analysis of lawhood, or is it a primitive? -/- Twelve brand-new essays by an international team of leading philosophers take up these and other central questions on the laws of nature, whilst also examining (...) some of the most important intuitions and assumptions that have guided the debate over laws of nature since the concept's invention in the seventeenth century. -/- Laws of Nature spans the history of philosophy and of science, contemporary metaphysics, and contemporary philosophy of science. Contents: 1. Intuitions and Assumptions in the Debate over Laws of Nature, Walter Ott and Lydia Patton 2. Early Modern Roots of the Philosophical Concept of a Law of Nature, Helen Hattab 3. Laws of Nature and the Divine Order of Things: Descartes and Newton on Truth in Natural Philosophy, Mary Domski 4. Leges sive natura: Bacon, Spinoza, and a Forgotten Concept of Law, Walter Ott 5. Laws and Powers in the Frame of Nature, Stathis Psillos 6. Laws and Ideal Unity, Angela Breitenbach 7. Becoming Humean, John W. Carroll 8. A Perspectivalist Better Best System Account of Lawhood, Michela Massimi 9. Laws: An Invariance Based Account, James Woodward 10. How the Explanations of Natural Laws Make Some Reducible Physical Properties Natural and Explanatorily Powerful, Marc Lange 11. Laws and their Exceptions, Stephen Mumford 12. Are laws of nature consistent with contingency?, Nancy Cartwright and Pedro Merlussi. (shrink)

This article examines Giorgio Agamben’s rejection of the religious term Holocaust as a name for the extermination of the Jewish people. Agamben rejects this term (and eventually prefers the...

A critical note on Peter Lamarque and Nigel Walter’s ‘The Application of Narrative to the Conservation of Historic Buildings’.

Better Call Saul and Philosophy is an anthology, a collection of essays exploring the philosophical themes present in the hit television show Better Call Saul. Premiering in the Spring of 2015, Better Call Saul serves as a prequel to the much beloved and critically acclaimed television show Breaking Bad in a which mild-mannered high school chemistry teacher, Walter White - through a series of poor, albeit strained decisions - slowly but steadily becomes a monstrous drug kingpin. (...) In Better Call Saul, a struggling but cocksure attorney, Jimmy McGill goes through a similar transformation to become a cunning, devious criminal lawyer for the underworld. Beyond this, Better Call Saul is populated with a number of additional characters going through their own evolution - from a brother burdened with a psychosomatic(?) ailment, to a former police officer delving deeper into the wrong side of the law to provide for his family. -/- Much like the beloved show, Better Call Saul and Philosophy is an anthology-- a collection of snippets and essays that slowly reveal a much more complex story. Premiering in the Spring of 2015, Better Call Saul serves as a prequel to the much beloved and critically acclaimed television show Breaking Bad. Critics of the series have noted that its storytelling is emblematic, or "The New Golden Age of Television": programming that not only rewards multiple watches, but also calls for a careful, reasoned analysis of characters, plots, and themes. Better Call Saul is the type of program that is so rich with these elements that it not only calls for a book like Better Call Saul and Philosophy, but might even feel incomplete without it! -/- Now, readers can join alongside struggling-but-cocksure attorney Jimmy McGill as he goes through a series of transformative experiences and scenarios. Featuring the work of contemporary philosophers, Better Call Saul and Philosophy offers its readers a chance to delve deeply into a wide range of philosophical issues the show presents, including the nature of good and evil, personal identity, free will and determinism, the law as it relates to morality, the ethical implications of the war on drugs, death and dying, and many, many more. Fans of the show will love a chance to appreciate the show on much deeper level--and, for those hoping to learn a bit about philosophy as well as the show, the book perfectly marries the two together in a unique and engaging way. -/- This book is the latest edition (#8) in the series Pop Culture and Philosophy. (shrink)

Art and the Form of Life takes a classic theme—philosophy as the art of living—and gives it a contemporary twist. The book examines a series of watershed moments in artistic practice alongside philosophers’ most enduring questions about the way we live. Coupling Tino Sehgal with Wittgenstein, cave art with Foucault, Stanley Kubrick with Nietzsche, and the Bauhaus with Walter Benjamin, the book animates the idea that life is literally ours to make. It reflects on universal themes that connect the (...) long histories of art and philosophy, and it does so using a contemporary approach. Drawing on great philosophical works, it argues that life practiced as an art form affords an experience of meaning, in the sense that it is engaging, creative, and participatory. It thus effects a fundamental renewal of experience. (shrink)

A critical note on Peter Lamarque and Nigel Walter’s ‘The Application of Narrative to the Conservation of Historic Buildings’ (Estetika, 1/2019).

Husserl is often taken, and not without reason, to endorse the view that phenomenology's task is to provide the “absolute foundation” of human knowledge. In this paper, I will argue that the most natural interpretation of this view, namely that all human knowledge depends for its justification, at least in part, on phenomenological knowledge, is philosophically untenable. I will also present evidence that Husserl himself held no such view, and will argue that Dan Zahavi and John Drummond, though reaching the (...) same conclusion, reach it for the wrong reasons. In the process, I will also defend a brand of epistemological externalism according to which knowledge does not depend upon knowing the epistemic principles under which one's knowledge falls, and argue that Husserl himself held such a view. I conclude with a discussion of a few of the ways in which phenomenology positively contributes to human knowledge. (shrink)

This paper responds to Saul Fisher’s critical note (in the current volume) on Peter Lamarque and Nigel Walter’s ‘The Application of Narrative to the Conservation of Historic Buildings’ (Estetika 1/2019). Walter restates the argument, underlining the context of ‘living' buildings whose identities are still in formation. He then responds to points raised by Fisher, commenting on persistence and identity, Noël Carroll’s views on narrative connection, the usefulness of Carroll's engagement with spatial relations, and addressing some of Fisher’s (...) specific challenges. Lamarque then comments, framing the central question as whether conservation work to a building preserves its character, integrity, and coherence, noting that these are core aspects of narrative, before concluding with some reflections on the application of metaphor, including the metaphorical personification of buildings. (shrink)

A response to Saul Fisher’s critical note on Peter Lamarque and Nigel Walter’s ‘The Application of Narrative to the Conservation of Historic Buildings’.

Michael Dummett argues, against Saul Kripke, that there could have been unicorns. He then claims that this possibility shows that the logic of metaphysical modality is not S5, and, in particular, that the B axiom is false. Dummett’s argument against B, however, is invalid. I show that although there are number of ways to repair Dummett’s argument against B, each requires a controversial metaphysical or semantic commitment, and that, regardless of this, the case against B is undermotivated. Dummett’s case (...) is still of interest, however, as if his assumptions are correct, S5 has to go, with the natural culprit being S4. (shrink)

This study treats the writings of Fuchs as an example of recent materialistic historiography. Critical appreciation of his work involves critical appreciation of the whole concept of cultural history which prevailed in Socialist popular science in the last decade of the nineteenth century. The influence of dialectical materialism was slight, that of positivism greater. An excursus attempts to show how, with technical progress, the work of philosophers and scholars was impaired by this positivism even in the middle of the century. (...) The way in which Fuchs, writing from a Socialist position, attacked the bourgeois art history of a man like Wölfflin is described, but without neglecting his kinship to great bourgeois scholars like Brandes and Bastian. His biological conception of art is then analyzed in its historical conditions, and its close relationship to the intuitive methods of the collector demonstrated. As a collector Fuchs was rooted in the French tradition, but he brought to it the strict morality of German historiography. The Jacobin element in his historical writing is traced back to Schlosser. It appears that Fuchs could not entirely avoid collisions between his Jacobin morality and the materialist conception of history. His work displays a similar tension between that theory of history and his sexual ethics. On the other hand, he was able to throw much light on creative art from the study of sex. His most brilliant theoretical work is in his studies of Daumier. Daumier was also one of his chief subjects as a collector. The study closes with Fuchs’s role in the history of art collecting.Ce travail porte sur les écrits de Fuchs, considérés comme exemple de la méthode matérialiste contemporaine.Le jugement critique porté sur l’oeuvre de Fuchs se confond avec un jugement critique sur la notion d’histoire de la culture, qui dominait alors la science populaire d’inspiration socialiste. L’influence du matérialisme dialectique sur celle-ci était limitée ; Finfluence du positivisme était d’autant plus grande. Une disgression essaie de montrer, comment déjà au milieu du xixe siècle, ce positivisme avait nui aux réflexions des philosophes et des savants sur le progrès technique. On indique comment Fuchs, d’un point de vue socialiste, s’oppose à l’histoire de l’art bourgeois d’un Wölfflin, sans méconnaître la parenté entre Fuchs et de grands savants bourgeois comme Brandes et Bastian. On précise ensuite les conditions historiques dans lesquelles Fuchs a développé son interprétation biologique de l’art ; la méthode intuitive qui correspond à la tendance spontanée du collectionneur, se révèle étroitement liée à cette interprétation. Le collectionneur Fuchs se rattache à la tradition française, à laquelle se joint le moralisme rigide qui vient de l’historiographie allemande. On remonte jusqu’à Schlosser pour expliquer les origines du jacobinisme qui apparaît dans les récits historiques de Fuchs. On aperçoit que celui-ci n’a pu éviter complètement les conflits entre jacobinisme moraliste et matérialisme historique. De même, son mode de considération historique n’est pas toujours en accord avec son éthique sexuelle. Par ailleurs, il apporte à la science des connaissances importantes sur le rôle de la sexualité dans la création artistique. Les études sur Daumier sont sans doute l’oeuvre la plus haute du théoricien Fuchs. Daumier a été également pour le collectionneur Fuchs un des thèmes les plus significatifs.La fin de l’article éclaire le rôle de Fuchs dans l’histoire des collections artistiques. (shrink)

It’s been argued with some justice by commentators from Walter Kaufmann to Thomas Hurka that Nietzsche’s positive ethical position is best understood as a variety of virtue theory – in particular, as a brand of perfectionism. For Nietzsche, value flows from character. Less attention has been paid, however, to the details of the virtues he identifies for himself and his type. This neglect, along with Nietzsche’s frequent irony and non-standard usage, has obscured the fact that almost all the (...) virtues he praises are intellectual rather than moral. The vices he most despises include dogmatism, intellectual partisanship, faith, boredom, the need for certainty, and pity. The virtues he most appreciates include curiosity, honesty, skepticism, creativity, the historical sense, intellectual courage, and intellectual fastidiousness. These tables of values place Nietzsche squarely among so-called responsibilist virtue epistemologists, such as Lorraine Code and Linda Zagzebski, who emphasize that knowledge is infused with desire and affect. I argue that curiosity construed as the specification of the will to power in the domain of epistemology is a cardinal Nietzschean virtue, and that the others – especially intellectual courage and honesty – are presupposed by curiosity. Thus, Nietzsche turns out to accept his own peculiar brand of the thesis of the unity of virtue. (shrink)

Talk of “essences” has, since Saul Kripke and Hilary Putnam, gained significant currency in contemporary philosophy. It is no longer unfashionable to talk about the essence of this or that (natural) kind, and as such we now find a variety of brands of essentialism on the market including B.D. Ellis’s scientific essentialism, David Oderberg’s real Essentialism, Alexander Bird’s dispositional essentialism, and the contemporary essentialism of Kripke and Putnam. -/- Almost all these brands of essentialism share a particular gloss on (...) Locke’s famous objection to Aristotle that natural kinds are demarcated by nominal essences not real essences. Thus Oderberg claims that ‘Empiricists take [real] essences to be paradigmatically unobservable’ and that this ‘objection goes back at least to John Locke’ (Oderberg 2007: 21). Bird, presenting his dispositional essentialism, defines a notion of “being” as ‘the reverse of Locke’s definition of essence’ which he takes to be ‘the being of any thing, whereby it is what it is’ (Bird 2007: 100). Joseph LaPorte, discussing nominal and real essences, claims that ‘Kripke and Putnam seem to affirm something more substantive: that biological kinds have “real essences” in Locke’s terminology’ (LaPorte 2004: 49). Even avowed anti-essentialists such as John Dupré sanction the standard criticism of Locke that his scepticism about the knowability of real essences was ‘premature’, and claim that ‘genuine natural kinds provide the extensions of many terms of natural language, where these natural kinds are determined by true Lockean real essences’ (Dupré 1993: 22). -/- All of these essentialisms (even Dupré’s anti-essentialism) are wrong about Locke. Oderberg is wrong to claim that Locke thought that real essences were paradigmatically unobservable; Bird is wrong to think that Locke’s notion of essence is the being of anything whereby it is what it is; LaPorte is wrong to think that Kripke and Putnam are talking about Lockean real essences (although so are Kripke and Putnam); and Dupré is wrong to think that genuine natural kinds (if by genuine he means objective or mind-independent) are determined but true Lockean real essences . -/- The mistake stems from a standard, but ultimately incorrect, interpretation of Locke’s discussion of essences in An Essay Concerning Human Understanding . This mistaken interpretation (Lowe 1995, 2006, Von Leyden 1973, Wiggins 1974) takes Locke to mean, by “real essence”, the Aristotelian notion i.e. ‘the very being of anything, whereby it is what it is’ (Essay III.iii.15), and interprets his objection as epistemological: we cannot come to know what real essences are, and therefore they cannot figure in our classifications of things into kinds. -/- This paper will present and defend the following two claims: i) that Locke’s notion of “real essence” is not the Aristotelian notion, and ii) that Locke’s objection to the Aristotelian notion was not merely epistemological. The first claim can be defended by presenting and applying Vienne’s (1993) terminological revision. Vienne argues that Locke did not introduce a dichotomy between real and nominal essence, but a trichotomy between real essence, nominal essence and real constitution. This terminological revision will be employed to highlight where ambiguous uses of the phrase “real essence” have caused some serious misunderstandings of Locke’s philosophy. The second claim (steering Locke around what is the classic objection to his thesis) can be defended by presenting a novel way of splitting up Locke’s objections to the Aristotelian notion of essence. The analysis will show that Locke’s anti-essentialism is still in good shape, and of contemporary significance. (shrink)

According to philosopher Michel Foucault, the 'history of the present' should constitute the starting point for any enquiry into the past and a critical ontology of ourselves. This book comprises a series of essays all centering on the question of the present, or rather, multiple presents which compose contemporary experience. The collection brings together philosophical readings of Foucault which try to rework his thought in light of our present, together with practical analyses of our own moment which draw on his (...) methodological approaches to questions of power, knowledge and subjectivity. Covering a range of topics including freedom, politics, ethics, security, war, migration, incarceration, the sociology and political economy of new media, Marxism and activism, Foucault and the History of Our Present features essays from Tiziana Terranova, Alberto Toscano, Judith Revel, Sanjay Seth, Saul Newman, Mark Neocleous and William Walters. (shrink)

In his book Reveille for Radicals, Saul Alinsky writes, "Most people are eagerly groping for... some way in which they can bridge the gap between their morals and their practices". Today, many consumers try to bridge that gap by participating in what has been termed ethical consumption: the intentional purchase of products and services that the customer considers to be ethically produced. But what happens if consumer perceptions do not match reality? This study investigates one aspect of ethical consumption (...) by examining consumer perceptions of the term cruelty free. Various definitions of this term exist, and companies can use the term when the product or its ingredients were indeed tested on animals. This exploratory study suggests that many consumers use this term as a moral heuristic in decision-making. As a result, the use of the term creates a halo effect that elevates brand perceptions. When provided with information suggesting the heuristic is flawed, consumers slightly alter perceptions but attitudes remain relatively strong. While some countries have implemented regulation regarding the use of the phrase in some contexts, results suggest that a broader policy is necessary to correct misperceptions and avoid misleading consumers. (shrink)

Philosophers of language have long recognized that in opaque contexts, such as those involving propositional attitude reports, substitution of co-referring names may not preserve truth value. For example, the name ‘Clark Kent’ cannot be substituted for ‘Superman’ in a context like:1. Lois believes that Superman can flywithout a change in truth value. In an earlier paper, Jennifer Saul demonstrated that substitution failure could also occur in ‘simple sentences’ where none of the ordinary opacity-producing conditions existed, such as:2. Superman leaps (...) more tall buildings than Clark Kent does.Accounts focusing on opacity were unable to explain our ‘anti-substitution intuitions’ in such cases.In Simple Sentences, Substitution, and Intuitions, Saul extends her earlier work. She provides a comprehensive presentation and criticism of recent accounts of simple sentence substitution failure, and proposes a new approach drawing on psychological evidence about cognitive processing. Saul's purpose is not merely to solve the substitution puzzle cases, but to make …. (shrink)

Called “the most important critic of his time” by Hannah Arendt, Walter Benjamin has only become more influential over the years, as his work has assumed a crucial place in current debates over the interactions of art, culture, and meaning. A “natural and extraordinary talent for letter writing was one of the most captivating facets of his nature,” writes Gershom Scholem in his Foreword to this volume; and Benjamin's correspondence reveals the evolution of some of his most powerful ideas, (...) while also offering an intimate picture of Benjamin himself and the times in which he lived. Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Max Brod, and Bertolt Brecht, Benjamin elaborates on his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, and expounds his personal attitudes toward such subjects as Marxism and French national character. Providing an indispensable tool for any scholar wrestling with Benjamin’s work, The Correspondence of Walter Benjamin, 1910–1940 is a revelatory look at the man behind much of the twentieth century’s most significant criticism. (shrink)

The essays compiled in this book explore aspects of Walter Benjamin's discourse that have contributed to the formation of contemporary architectural theories. Issues such as technology and history have been considered central to the very modernity of architecture, but Benjamin's reflection on these subjects has elevated the discussion to a critical level. The contributors in this book consider Walter Benjamin's ideas in the context of digitalization of architecture where it is the very technique itself that determines the processes (...) of design and the final form. This book was published as a special issue of Architectural Theory Review. (shrink)

Far more telling than mere biography, this collection of the extant letters exchanged between philosopher Jacques Maritain and social activist Saul Alinsky reveals a deep and intimate friendship, however unexpected and unlikely. Indeed, to all who knew or knew of them the dignified, prominent philosopher and the earthy, truculent genius of social reform seemed antithetical to one another in almost every way. The Maritain-Alinsky correspondence began in 1945, shortly after they met, and continued until Alinsky's death in 1972. The (...) tone and content of the letters vary widely, ranging from expressions of mutual admiration and friendship, to details of the triumphs and tragedies of their personal lives, to anguished considerations of death and immortality. In their letters Maritain and Alinsky offer each other personal expressions of strong mutual support - as well as judicious warnings and slightly apprehensive distancing - for the different works each had undertaken at various times in his respective careers. They also discuss the Catholic church, taking ironic jibes at clerical pomposity and exchanging praise of the socially aware. Though it is difficult to tell whether either man had a significant influence on the thought and work of the other, their correspondence attests that the philosopher and the provocateur, so different in personality, educational backgrounds, demeanor, and intellectual affinities, enjoyed a surprisingly intimate and extraordinary friendship. With context and interpretation of the letters provided by the editor, this intriguing collection of lively, moving letters not only reveals the depths of a most improbable friendship, it also goes far in exposing the humanity behind the personas. (shrink)

The following article starts by summarising how much modern capitalism is characterised by its religious structure. The world of branding — consumer goods becoming religiously attractive — and religious metaphors that have become necessary to describe contemporary neoliberalism are key examples. A second step consists in describing four typical aspects of religious capitalism in the following of Walter Benjamin's fragment `Capitalism as Religion' from 1921. Against this background I thirdly summarise Hans G. Ulrich's theological ethics concerning the economy. At (...) the centre of Ulrich's ethics we find his emphasis on God's economy that relieves us from all our worries enabling us thereby to become cooperators of God acting and working in an ethical way. A final step discusses Ulrich's rejection of an ethics of striving for God as the summum bonum by showing that desire or will do not necessarily contradict with the priority of God's grace. (shrink)

The Franciscan Geraldus Odonis (d. 1349) presented his indivisibilist theory of continua in Paris at a time when similar theses were advanced in the studia across the Channel. The Chancellor of the University of Oxford, Henry of Harclay (d. 1317), caused considerable stir among his colleagues by endorsing a mathematical atomism, and his most famous follower, Walter Chatton, O. F. M., developed his brand of atomism in the early 1320s. The present article focuses on one of the five (...) different redactions of Odonis’s famous question De continuo, preserved in his commentary on Book ii of Peter Lombard’s Sentences (d. 44, q. 4). The first part of the article examines the main differences between the various redactions of the question De continuo. The second part explores the philosophical content and the circumstances surrounding the redaction found in Book ii of Odonis’s Sentences commentary. While acknowledging that Odonis’s atomism is similar to Harclay’s, it is argued that Odonis’s theory is a significant departure from the type of atomism espoused by Harclay. The Appendix provides the first complete critical edition of the said redaction of Odonis’s question De continuo. (shrink)

[opening paragraph]: Walter Freeman discusses with Jean Burns some of the issues relating to consciousness in his recent book. Burns: To understand consciousness we need know its relationship to the brain, and to do that we need to know how the brain processes information. A lot of people think of brain processing in terms of individual neurons, and you're saying that brain processing should be understood in terms of dynamical states of populations?