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  1.  29
    Illuminations: Essays and Reflections.Walter Benjamin - 1969 - Schocken.
    Views from one of the most original cultural critics of the twentieth century, Walter Benjamin.
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  2. The Arcades Project.Walter Benjamin, Howard Eiland & Kevin Mclaughlin - 1999 - Science and Society 65 (2):243-246.
     
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  3.  38
    The Origin of German Tragic Drama.Walter Benjamin - 1978 - Journal of Aesthetics and Art Criticism 37 (1):103-104.
  4. 9. The Task of the Translator.Walter Benjamin - 2012 - In John Biguenet & Rainer Schulte (eds.), Theories of Translation: An Anthology of Essays From Dryden to Derrida. University of Chicago Press. pp. 71-82.
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  5.  19
    Über den Begriff der Geschichte.Walter Benjamin - 2010 - Berlin: Suhrkamp. Edited by Gérard Raulet.
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  6.  9
    Origin of the German Trauerspiel.Walter Benjamin - 2018 - Harvard University Press.
    Origin of the German Trauerspiel was Walter Benjamin's first full, historically oriented analysis of modernity. Readers of English know it as "The Origin of German Tragic Drama," but in fact the subject is something else--the play of mourning. Howard Eiland's completely new English translation, the first since 1977, is closer to the German text and more consistent with Benjamin's philosophical idiom. Focusing on the extravagant seventeenth-century theatrical genre of the trauerspiel, precursor of the opera, Benjamin identifies allegory as the constitutive (...)
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  7.  13
    Toward the critique of violence: a critical edition.Walter Benjamin - 2021 - Stanford, California: Stanford University Press. Edited by Peter D. Fenves & Julia Ng.
    Marking the centenary of Walter Benjamin's immensely influential essay, "Toward the Critique of Violence," this critical edition presents readers with an altogether new, fully annotated translation of a work that is widely recognized as a classic of modern political theory. The volume includes twenty-one notes and fragments by Benjamin along with passages from all of the contemporaneous texts to which his essay refers. Readers thus encounter for the first time in English provocative arguments about law and violence advanced by Hermann (...)
  8.  70
    Reflections: Essays, Aphorisms, Autobiographical Writings.Walter Benjamin - 1978 - Schocken.
    A companion volume to Illuminations, the first collection of Walter Benjamin's writings, Reflections presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues of various cities, including Moscow under Stalin. He moves seamlessly from literary criticism to autobiography to philosophical-theological speculations, cementing his reputation as one of the greatest and most versatile (...)
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  9. The work of art in the age of its technological reproducibility, and other writings on media.Walter Benjamin - 2008 - Cambridge, Mass.: Belknap Press of Harvard University Press. Edited by Michael William Jennings, Brigid Doherty, Thomas Y. Levin & E. F. N. Jephcott.
    In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.
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  10.  18
    The Correspondence of Walter Benjamin, 1910-1940.Walter Benjamin, Gershom Scholem & Theodor W. Adorno - 2012 - University of Chicago Press.
    Called “the most important critic of his time” by Hannah Arendt, Walter Benjamin has only become more influential over the years, as his work has assumed a crucial place in current debates over the interactions of art, culture, and meaning. A “natural and extraordinary talent for letter writing was one of the most captivating facets of his nature,” writes Gershom Scholem in his Foreword to this volume; and Benjamin's correspondence reveals the evolution of some of his most powerful ideas, while (...)
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  11.  20
    Reflections.R. M. Hare, Walter Benjamin, Peter Davson-Galle, Randall Tarrell & W. B. Gallie - 1993 - Thinking: The Journal of Philosophy for Children 11 (1):29-30.
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  12.  54
    The Complete Correspondence, 1928-1940.Theodor W. Adorno & Walter Benjamin - 1999 - Cambridge, Mass.: Polity Press in Association with Blackwell Publishing. Edited by Henri Lonitz.
    Each had met his match, and happily, in the other. This book is the story of an elective affinity.
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  13.  9
    Der Begriff der Kunstkritik in der deutschen Romantik.Walter Benjamin - 1920 - Frankfurt: Suhrkamp. Edited by Uwe Steiner.
    Diese Hardcover-Ausgabe ist Teil der TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit (...)
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  14. La tarea del traductor.Walter Benjamin - 1993 - Laguna 2:153-164.
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  15. A small history of photography.Walter Benjamin - 2010 - In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
  16. Über einige Motive bei Baudelaire.Walter Benjamin - 1939 - Studies in Philosophy and Social Science 8:50.
     
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  17.  24
    L'œuvre d'art à l'époque de sa reproduction mécanisée.Walter Benjamin - 1936 - Zeitschrift für Sozialforschung 5 (1):40-68.
    Die Untersuchung gliedert sich in einen allgemeinen und einen besonderen Teil. Der allgemeine Teil, der die ersten neun Kapitel umfasst, hat es mit den Veränderungen zu tun, denen die Funktion des Kunstwerkes in seiner technisch reproduzierten Gestalt unterworfen ist. Die Qualität seiner technischen Reproduktion und die Geschwindigkeit ihrer Herstellung sind seit den einschlägigen Erfindungen des letzten Jahrhunderts in schnellem Wachstum begriffen. Die Zeit, die zwischen der Erfindung der Lithographie und der des Tonfilms liegt, umfasst kaum mehr Jahrzehnte als die zwischen (...)
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  18. N [Theoretics of Knowledge, Theory of Progress].Walter Benjamin - 1983 - Philosophical Forum 15 (1):1.
     
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  19.  26
    Uber einige Motive bei Baudelaire.Walter Benjamin - 1939 - Zeitschrift für Sozialforschung 8 (1-2):50-91.
    The essay begins with the estrangement of the great lyrical poetry from the public since the middle of the 19th century. It is conceived in terms of an historical change in the structure of human experiencing.That is first demonstrated in Bergson. The autor interprets „Matière et Mémoire“ as the attempt to vindicate through the category of memory the possibility of genuine, that is, tradition-forming experience as against the mode of experience in the industrial age. Proust has more closely determined Bergson's (...)
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  20.  11
    Zur Kritik der Gewalt und andere Aufsätze.Walter Benjamin - 1965 - [Frankfurt am Main]: Suhrkamp. Edited by Herbert Marcuse.
    uber das Programm der kommenden Philosophie. ZUr Kritik der Gewalt. SChicksal und Charakter. GEschichtsphilosophische Thesen. THeologisch-politisches Fragment.
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  21. Conversations with Brecht.Walter Benjamin - 1977 - In Theodor W. Adorno (ed.), Aesthetics and politics. New York: Verso.
     
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  22.  6
    Sprache und Geschichte: philosophische Essays.Walter Benjamin & Theodor W. Adorno - 1992
  23. L'oeuvre d'art à l'époque de sa reproduction mécanisée.Walter Benjamin - 1936 - Studies in Philosophy and Social Science 5:40.
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  24. A Poetics of Dissent; or, Pantisocracy in America Colin Jager.Jacques Ranciere & Walter Benjamin - 2007 - Theory and Event 10 (1).
     
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  25. Het kunstwerk in het tijdperk van zijn technische reproduceerbaarheid. Kleine geschiedenis van de fotografie. Eduard Fuchs, verzamelaar en historicus.Walter Benjamin & H. Hoeks - 1997 - Tijdschrift Voor Filosofie 59 (1):158-159.
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  26. Bd. 1. Briefwechsel, 1928-1940.Theodore W. Adorno & Walter Benjamin - 1994 - In Theodor W. Adorno (ed.), Briefe und Briefwechsel. Frankfurt am Main: Suhrkamp.
  27.  9
    Enfance berlinoise vers 1900.Walter Benjamin, Pierre Rusch & Patricia Lavelle - 2014 - Editions Hermann.
    Depuis l'exil, le philosophe W. Benjamin recompose, dans une sA(c)rie de brA]ves vignettes, ses souvenirs d'enfance A Berlin. Loin de l'anecdote, il s'agit d'une vA(c)ritable plongA(c)e dans l'enfance et dans l'histoire, oA se retrouvent les thA]mes essentiels de la philosophie benjaminienne. Ce texte restA(c) inA(c)dit du vivant de l'auteur, est dA(c)sormais connu en plusieurs variantes, dont celle-ci est la derniA]re A laquelle il ait mis la main. Walter Benjamin (1892-1940) est un philosophe, historien de l'art, critique littA(c)raire, critique d'art et (...)
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  28. Eduard Fuchs, der Sammler und der Historiker.Walter Benjamin - 1937 - Studies in Philosophy and Social Science 6:346.
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  29.  26
    Eduard Fuchs, der Sammler und der Historiker.Walter Benjamin - 1937 - Zeitschrift für Sozialforschung 6 (2):346-381.
    This study treats the writings of Fuchs as an example of recent materialistic historiography. Critical appreciation of his work involves critical appreciation of the whole concept of cultural history which prevailed in Socialist popular science in the last decade of the nineteenth century. The influence of dialectical materialism was slight, that of positivism greater. An excursus attempts to show how, with technical progress, the work of philosophers and scholars was impaired by this positivism even in the middle of the century. (...)
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  30. Fragment teologiczno- polityczny.Walter Benjamin - 2007 - Kronos - metafizyka, kultura, religia 1:34-35.
     
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  31.  16
    3 Global Refugees.Walter Benjamin - 2004 - In Sinkwan Cheng (ed.), Law, justice, and power: between reason and will. Stanford, Calif.: Stanford University Press. pp. 70.
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  32. Gesammelte Schriften, Band VI : Fragmente vermischten Inhalts, autobiographische Schriften.Walter Benjamin - 1987 - Tijdschrift Voor Filosofie 49 (2):348-348.
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  33. Gesammelte Schriften, Band V. 1 und V. 2, Das Passagen-Werk.Walter Benjamin & Rolf Tiedemann - 1984 - Tijdschrift Voor Filosofie 46 (3):520-521.
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  34. Kapitalizem kot religija.Walter Benjamin - 2006 - Problemi 5.
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  35. Le concept de critique esthétique dans le romantisme allemand, coll. « Champs ».Walter Benjamin - 2004 - Revue Philosophique de la France Et de l'Etranger 194 (1):112-113.
     
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  36. Los i charakter.Walter Benjamin - 2009 - Kronos - metafizyka, kultura, religia 4 (11).
     
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  37. Lepota in videz.Walter Benjamin - 2006 - Problemi 5.
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  38.  4
    Nueva literatura en Rusia (1927).Walter Benjamin - forthcoming - Verinotio – Revista on-line de Filosofia e Ciências Humanas.
    Traducción de “Neue Dichtung in Rußland” escrito por Walter Benjamin originalmente en 1927 para la revista i10, publicada en Ámsterdam por Arthur Lehning entre 1927 y 1929. Tomamos el texto del tomo II/2 de la edición canónica de los escritos reunidos, Gesammelte Schriften, editados por Rolf Tiedemann y Hermann Schweppenhäuser, Suhrkamp, 1997 (pp. 755-762). Tomás Sufotinsky, [tradução, apresentação e notas].
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  39. O »videzu«.Walter Benjamin - 2006 - Problemi 5.
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  40. , Przyczynek do krytyki przemocy.Walter Benjamin - 2009 - Kronos - metafizyka, kultura, religia 4 (11).
     
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  41. Probleme der Sprachsoziologie.Walter Benjamin - 1935 - Studies in Philosophy and Social Science 4:248.
     
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  42.  15
    Probleme der Sprachsoziologie.Walter Benjamin - 1935 - Zeitschrift für Sozialforschung 4 (2):248-268.
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  43. Part 5. Embodiment and technology ; The work of art in the age of the mechanical reproduction.Walter Benjamin - 2000 - In Clive Cazeaux (ed.), The Continental Aesthetics Reader. New York: Routledge.
     
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  44.  8
    Paryż — miasto w zwierciadle. Wyznania miłosne pisarzy i artystów wobec „stolicy świata”.Walter Benjamin - 2019 - Studia Philosophica Wratislaviensia 14 (2):131-133.
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  45. Program of the Coming Philosophy.Walter Benjamin - 1983 - Philosophical Forum 15 (1):41.
     
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  46. Refleksja.Walter Benjamin - 2009 - Kronos - metafizyka, kultura, religia 4 (11).
     
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  47. Źródło niemieckiego widowiska żałosnego.Walter Benjamin - 2011 - Kronos - metafizyka, kultura, religia 3 (18).
     
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  48. Socrates.Walter Benjamin - 1983 - Philosophical Forum 15 (1):52.
     
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  49.  12
    Sur l'École de Francfort.Walter Benjamin - 2002 - Cités 11 (3):147-155.
    Lorsque commença en 1933 la dispersion des savants allemands, il n’y avait aucun domaine dont la connaissance familière aurait pu leur conférer un prestige exclusif. Pourtant, les regards de l’Europe étaient tournés vers eux, et il s’y lisait plus que de la sympathie. C’étaient des regards interrogateurs, comme les font naître des gens qui ont été confrontés à un danger inhabituel,..
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  50. Sur l’École de Francfort.Walter Benjamin - 2002 - Cités 3 (11):147-155.
    Lorsque commença en 1933 la dispersion des savants allemands, il n’y avait aucun domaine dont la connaissance familière aurait pu leur conférer un prestige exclusif. Pourtant, les regards de l’Europe étaient tournés vers eux, et il s’y lisait plus que de la sympathie. C’étaient des regards interrogateurs, comme les font naître des gens qui ont été confrontés à un danger inhabituel,...
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