The purpose of the Cambridge Edition is to offer translations of the best modern German edition of Kant's work in a uniform format suitable for Kant scholars. When complete (fourteen volumes are currently envisaged) the edition will include all of Kant's published writings and a generous selection from the unpublished writings such as the Opus postumum, handschriftliche Nachlass, lectures, and correspondence. This volume contains the first translation into English of notes from Kant's lectures on metaphysics. These lectures, dating from the (...) 1760s to the 1790s, touch on all the major topics and phases of Kant's philosophy. Most of these notes have appeared only recently in the German Academy Edition; this translation offers many corrections of that edition. As is standard with the volumes in the Cambridge Edition there is an extensive editorial apparatus, including extensive linguistic and explanatory notes, a detailed subject index, and glossaries of key terms. (shrink)

"One of the greatest problems of education," Kant observes, "is how to unite submission to the necessary restraint with the child's capability of exercising his free will." The famous philosopher explores potential solutions to this dilemma, stressing the necessity of treating children as children and not as miniature adults. Rather than a systematic study of theories, this succinct treatise encompasses Kant's thoughts on the subject of education. His positive outlook includes a conviction that human nature can be continually improved. To (...) achieve this end, he advocates raising the science of education to academic status-an innovative notion for the 18th century, and a landmark in modern Western education theory. Annette Churton translation. (shrink)

Kant's views on logic and logical theory play an important role in his critical writings, especially the Critique of Pure Reason. However, since he published only one short essay on the subject, we must turn to the texts derived from his logic lectures to understand his views. The present volume includes three previously untranslated transcripts of Kant's logic lectures: the Blumberg Logic from the 1770s; the Vienna Logic (supplemented by the recently discovered Hechsel Logic) from the early 1780s; and the (...) Dohna-Wundlacken Logic from the early 1790s. Also included is a new translation of the Jasche Logic, compiled at Kant's request and published in 1800 but which also appears to stem in part from a transcript of his lectures. Together these texts provide a rich source of evidence for Kant's evolving views on logic, on the relations between logic and other disciplines, and on a variety of topics (e.g. analysis and synthesis) central to Kant's mature philosophy. They also provide a portrait of Kant as lecturer, a role in which he was both popular and influential. This volume contains substantial editorial apparatus: a general introduction, linguistic and factual notes, glossaries of key terms (both German/English and English/German) and concordances relating Kant's lectures to Georg Frederich Meier's Excerpts from the Doctrine of Reason, the book on which Kant lectured throughout his life and in which he left extensive notes. (shrink)

There was no other work which accompanied Kant in his life and philosophy for such a long time and influenced his own thoughts on metaphysics to the extent that Baumgarten's Metaphysica (Metaphysics) did. For more than four decades, Kant based his lectures on this work and developed his own philosophy while constantly dealing with and analyzing Baumgarten's work. In 2000, Kant's first annotated copy of the Metaphysica was discovered, containing his earliest notes from the year 1756. Apart from their didactic (...) application, they also provide a unique insight into his interests in literature, history and philosophy at that time. What is remarkable is that in these notes Kant already outlined the ontotheological argument for the existence of God, the genesis of which refers back to Baumgarten. This spectacular discovery is contained for the first time in this edition, which also includes a detailed introduction as well as explanations of the subjects and indexes. German description: Kein anderes Werk hat Kant in seinem philosophischen Leben so lang begleitet und sein eigenes metaphysisches Denken derart gepragt wie Alexander Gottlieb Baumgartens Metaphysica. Uber vier Jahrzehnte lang legt Kant sie seinen metaphysischen Vorlesungen zugrunde und entwickelt seine eigene Transzendentalphilosophie in bestandiger Auseinandersetzung mit ihr. Im Jahr 2000 ist Kants erstes Handexemplar der Metaphysica entdeckt worden, das seine fruhesten Notate zu diesem Werk enthalt. Die vorliegende Ausgabe publiziert diese spektakulare Entdeckung nun erstmals mit einer ausfuhrlichen Einleitung sowie Sacherlauterungen und Registern. Kant hat die Notate zur Vorbereitung auf das Metaphysik-Kolleg angefertigt, das er fur das Sommersemester 1756 angekundigt hatte. Sie sind zu etwa gleichen Teilen in lateinischer und deutscher Sprache verfasst und entsprechen dem didaktischen Zweck der Lehrveranstaltung. Die Notate gewahren daruber hinaus einen einmaligen Einblick in seine literarischen, historischen und philosophischen Interessen zu dieser Zeit. Bemerkenswert ist, dass Kant hier bereits das ontotheologische Argument fur Gottes Existenz skizziert, dessen Genese auf Baumgarten zuruckweist. (shrink)

Well-known for its criticism of totalizing accounts of reason and truth, postmodern thought also makes positive contributions to our understanding of the sensual, ideological, and linguistic contingencies that inform modernist representations of self, history, and the world. The positive side of postmodernity includes structuralism and poststructuralism, particularly as expressed by theorists concerned with practices of the body (Lacan, Foucault, Deleuze), commodity differences (Adorno, Althusser), language (Derrida), and gender (Kristeva, Irigaray). Though these challenges to modernity do not privilege subjectivity, they suggest (...) provocative new strategies for appreciating the work of thinkers from Bacon to Kant. (shrink)

The paper aims at bringing out a valid comparison between the notion of intentionality portrayed in the phenomenology of Edmund Husserl and that of Vijňānavāda in general. One of the crucial objectives of the Husserlian phenomenology is to understand the nature of consciousness. To Husserl, Consciousness is always intentional, that is, intended or directed towards something. It constitutes the world in the sense of bestowing meaning and being to the world. The object intended by consciousness may or may not be (...) there, but it certainly has a sense. Husserl makes a distinction between empirical and transcendental consciousness. To him, the empirical ego is momentary whilst the transcendental ego survives all reduction and presides over all epistemic acts. To explore whether the Vijňānavadins propose a similar notion of Consciousness and its intentionality would be the primary objective of the paper. On the other hand, to Vijňānavāda, the apparent external world is projected by the Absolute Consciousness, the Ālaya, not by the individual consciousness or Vijňāna. Vijňānavāda distinguishes between individual consciousness (pravritti Vijňāna) and absolute consciousness (Ālaya Vijňāna). All intentional acts are performed by the individual consciousness having the Ālaya Vijňāna as its background. The Ālaya manifests itself as subject and object as well as seven pravritti Vijňānas. They are intended and constituted by the Ālaya. It, therefore, follows that Ālaya is always intentionally correlated with the pravritti Vijňānas. Vijňānavāda appears to be a kind of constitutive phenomenology rather than idealism. (shrink)

How would we conceive a phenomenology that has been purified by a post-modern critique? Although the term “post-modernism” names an extremely varied phenomenon, two features seem especially relevant. The first is its distrust of meta-narratives or overarching accounts of the way things are. The second, which is closely related to this, is the deconstruction of the subject. By this is meant not just the deconstruction of the “author”—i.e., the undermining the notion of his/her subjective intentions as setting the parameters of (...) textual interpretation. At issue is the grand meta-narrative of modernity itself. This is the narrative of subjectivity. Beginning with Descartes, and continuing through Kant and Husserl, subjectivity has been central theme of modern philosophy. For Descartes, it provided the Archimedean point, the central focus of certainty. For Kant, subjectivity is the terminus of his Copernican turn. Rather than assuming that all our knowledge must conform to objects, let us, Kant suggests, turn and try the reverse. Let us see if the rules of our understanding make possible the experience of objects.1 Husserl, in radicalizing this position, takes these rules as rules of synthesis. He sees the world we experience as the “product” of the synthetic (or constitutive) activities of transcendental subjectivity. After pointing out the difficulties with this narrative, difficulties involving the inability of subjectivity sustain the normative role that modernity assigns it, my question will be: what remains of the phenomenological project? How can we think of phenomenology apart from the narrative Husserl inherits from his predecessors? In othe words: What is phenomenology’s self-understanding, once it admits the validity of the post-modern critique of the subject? Such an understanding, I shall argue, can be found in Patocka’s insight that that.. (shrink)

There have recently been attempts in the academic discourse to describe what is referred to as the demise of the postmodern due to the perceived insufficiency of the latter concept to adequately express the uniqueness of the 21st-century world. The younger generation of scholars, therefore, suggest adopting a new discourse, termed ‘metamodernism’, to do justice to this transforming sensibility. Metamodernism can be characterised by an oscillation between the modern and the postmodern, enthusiasm and irony, hope and nihilism, construction and deconstruction. (...) This article seeks to reflect on this new discourse from the perspective of theological anthropology. It will bring theorists of metamodernism in conversation with theological discussion to explore how Christians can respond and contribute to this ongoing transformation in the human interpretation of reality. It will be suggested that this momentum should be viewed by Christians as a ‘paradigm shift’ that they are to embrace critically, yet affirmatively. (shrink)

The essay is designed to investigate the foundations of the conjunction of modern/postmodern premises that the world is a construct of discourses and their power. Such premises require the exclusion of the world of perception, including the lived world, and the appearance of the modern subject and its specific interpretation of reality. The question is as follows: how must the modern subject access such reality when it is assumed that such reality is not accessible to direct, perceptual intuition? Here we (...) encounter the way how the subject must construct methodological and theoretical discourses which do not represent, but ‘make’ modern reality. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Prudence: Classical Virtue, Postmodern PracticeDavid DepewPrudence: Classical Virtue, Postmodern Practice. Ed. Robert Hariman. University Park: Pennsylvania State University Press, 2003. Pp. xi + 337. $65.00, cloth."This volume," writes the editor, "is one contribution to the contemporary revival of interest in the concept of prudence" (ix). What interest? Notably, that of latter-day "virtue ethicists," whose discontents with the algorithmic decision-making procedures of modernism have given wings to a hope (...) that we (considered as members of some sort of imagined polis) will return to the context-sensitive "practical wisdom" of the ancients. (Prudentia is Cicero's Latin translation of the Greek phronesis, practical wisdom.)In theory, this line of reasoning was supposed to break the mold of contemporary politics. In practice, it has been captured by the political right. Virtue ethicists and civic republicans like Benjamin Barber have been outflanked by "virtuecrats" such as Bill Bennett (he of the gambling habit), the pompous columnist George Will, and Amitai Etzioni, the neo-corporatist founder of the Communitarian Party. It should be said right away, then, that few, if any, of the contributors to this collection are sympathetic to this sort of thinking. Admittedly, they share with virtuecrats a critique of rule-governed forms of decision-making, whether deontological or utilitarian, especially when these procedures masquerade as ways of "operationalizing" morality. Such calculi are indeed creatures of the institutional cultures of business firms and bureaucracies, which have increasingly affected law and politics. In addition, the authors of this volume are no less inclined than right-leaning virtuecrats to rake through intellectual history in order to come up with something relevant to the present and future. "There is a looking backward in order to see more clearly a mentality that is overlooked and undervalued in the present" (20). But they do so with a view to seeing what will come up when management of the topic of prudence is taken away from philosophers and reconnected (as it was from antiquity [End Page 167] until the nineteenth century) with the art of rhetoric, considered as an array of teachable discursive practices that are helpful in identifying and commending appropriate responses to contingent circumstances. The most salient features of the volume follow: a shift of the center of gravity from Aristotle to Cicero (ix), and a consideration of how, through rhetorical performances that involve the construction of a visible, embodied self, that strangest of creatures, a post-modern prudence, might be brought forth.I am pleased to report that changes of meaning in the collection's key term are discernible as we move from Cicero's prudentia to Machiavelli's prudenzia, and from the prudence that Edmund Burke invoked to justify American independence against his government's blind, imprudent rule-following to the quite different, and indeed incompatible, prudence that the Americans actually ended up with by the Jacksonian period, which is explored here by James Jasinski and Christine Oravec. Still, greater attention to the first great fracture in the concept, as phronesis moved across the Adriatic and became prudentia, would have made it clearer that, if there is to be a post-modern prudence, whether on terms set forth here by Maurice Charland or Hariman, or elsewhere by others, it cannot conceivably be seen as emerging out of a continuous root stock that managed to cross two seas intact, but as invented by doing repeated violence to a term, in part by providing it with a handsome pedigree that must be fitted up for the occasion.At this point let me register my only complaint. In spite of some useful remarks about Aristotle's notion of phronesis by Hariman and Charland, the volume lacks a systematic treatment of the Greek notion of practical wisdom (phronesis) even as a foil. This makes it difficult to see that the notion of phronesis was diversely interpreted by fourth-century Greeks; that Cicero's assimilation of phronesis to a Latin term already loaded with local associations—the subject of an informative essay by Robert Cape—might not preserve the Greek notion intact; that to the extent that Cicero does preserve aspects of Greek phronesis, his version is probably closer to Isocrates' rhetoric-friendly... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Prudence: Classical Virtue, Postmodern PracticeDavid DepewPrudence: Classical Virtue, Postmodern Practice. Ed. Robert Hariman. University Park: Pennsylvania State University Press, 2003. Pp. xi + 337. $65.00, cloth."This volume," writes the editor, "is one contribution to the contemporary revival of interest in the concept of prudence" (ix). What interest? Notably, that of latter-day "virtue ethicists," whose discontents with the algorithmic decision-making procedures of modernism have given wings to a hope (...) that we (considered as members of some sort of imagined polis) will return to the context-sensitive "practical wisdom" of the ancients. (Prudentia is Cicero's Latin translation of the Greek phronesis, practical wisdom.)In theory, this line of reasoning was supposed to break the mold of contemporary politics. In practice, it has been captured by the political right. Virtue ethicists and civic republicans like Benjamin Barber have been outflanked by "virtuecrats" such as Bill Bennett (he of the gambling habit), the pompous columnist George Will, and Amitai Etzioni, the neo-corporatist founder of the Communitarian Party. It should be said right away, then, that few, if any, of the contributors to this collection are sympathetic to this sort of thinking. Admittedly, they share with virtuecrats a critique of rule-governed forms of decision-making, whether deontological or utilitarian, especially when these procedures masquerade as ways of "operationalizing" morality. Such calculi are indeed creatures of the institutional cultures of business firms and bureaucracies, which have increasingly affected law and politics. In addition, the authors of this volume are no less inclined than right-leaning virtuecrats to rake through intellectual history in order to come up with something relevant to the present and future. "There is a looking backward in order to see more clearly a mentality that is overlooked and undervalued in the present" (20). But they do so with a view to seeing what will come up when management of the topic of prudence is taken away from philosophers and reconnected (as it was from antiquity [End Page 167] until the nineteenth century) with the art of rhetoric, considered as an array of teachable discursive practices that are helpful in identifying and commending appropriate responses to contingent circumstances. The most salient features of the volume follow: a shift of the center of gravity from Aristotle to Cicero (ix), and a consideration of how, through rhetorical performances that involve the construction of a visible, embodied self, that strangest of creatures, a post-modern prudence, might be brought forth.I am pleased to report that changes of meaning in the collection's key term are discernible as we move from Cicero's prudentia to Machiavelli's prudenzia, and from the prudence that Edmund Burke invoked to justify American independence against his government's blind, imprudent rule-following to the quite different, and indeed incompatible, prudence that the Americans actually ended up with by the Jacksonian period, which is explored here by James Jasinski and Christine Oravec. Still, greater attention to the first great fracture in the concept, as phronesis moved across the Adriatic and became prudentia, would have made it clearer that, if there is to be a post-modern prudence, whether on terms set forth here by Maurice Charland or Hariman, or elsewhere by others, it cannot conceivably be seen as emerging out of a continuous root stock that managed to cross two seas intact, but as invented by doing repeated violence to a term, in part by providing it with a handsome pedigree that must be fitted up for the occasion.At this point let me register my only complaint. In spite of some useful remarks about Aristotle's notion of phronesis by Hariman and Charland, the volume lacks a systematic treatment of the Greek notion of practical wisdom (phronesis) even as a foil. This makes it difficult to see that the notion of phronesis was diversely interpreted by fourth-century Greeks; that Cicero's assimilation of phronesis to a Latin term already loaded with local associations—the subject of an informative essay by Robert Cape—might not preserve the Greek notion intact; that to the extent that Cicero does preserve aspects of Greek phronesis, his version is probably closer to Isocrates' rhetoric-friendly... (shrink)

In this article, Russian ballet is considered from the point of view of the peculiarities of the aesthetics of postmodernism and as one of the brightest manifestations of postmodern culture. The subject of the study is the trends of postmodernism in modern Russian ballet. The novelty of the research lies in the fact that until now, in the scientific research literature, the phenomena of modern ballet have not been subjected to scientific theoretical understanding from the point of view of trends (...) in the aesthetics of postmodernism. It is revealed that a new stage in the development of Russian ballet is associated with the activities of S. Diaghilev's ballet troupe, characterized by a departure from traditions and the formation of a new aesthetic. The study concluded that the development of modern Russian ballet was significantly influenced by such postmodern trends as: the destructurization of the language of classical dance, the desire for syncretism of different types of art in the context of a ballet performance, the use of quotations, allusions and reminiscences that acquire conditional symbolic meaning, the desire for plastic experiments. (shrink)

The article is devoted to clarifying the significance of a political performance, which acts as a theatrical communication action designed to draw society’s attention to the important problems of certain social or political groups. The purpose of the research is to establish the peculiarities of the interpretation of political performance in the paradigmatic and methodological dimensions of modern discursive democracy. The development of political performance under the conditions of the modern Russian-Ukrainian war is characterized. It was found (...) that an important task of modern political science should be considered the identification of paradigmatic dimensions (or “poles”) of analytical judgments regarding the assessment of the significance of political performances. It was emphasized that political performance acts as a postmodern alternative to the realization of the unfinished project of political modernity. The importance of political performance for the discussion of society’s problems at the political level and its dependence on a specific topic and the subjects of its application are analyzed. The importance of public discussion and manifestation as signs of broad involvement of citizens in democratic political activity is revealed. It was found that the ability to express political meaning in a theatrical form is beyond the limits of rational planning and organization. It is revealed that the functionality of political performance stems from its connection with specific social groups. It has been proven that political performances are a form that contradicts the formal procedure of expressing the will and approving the results of the discussion. It has been established that, subject to regulatory support from the state, discussions require voluntary participation and a significant level of competence. It is assumed that political performance can provide certain advantages in political competition due to the imagery and emotionality of the political message. The limited suitability of performance for promoting the values of deliberative democracy has been established, since many cases of the use of performances in the modern period are related to the defense of the right to freedom of speech. It was concluded that in the conditions of political discussions, the importance of political performance consists in creating preliminary conditions for political dialogue. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 35.3 (2002) 223-243 [Access article in PDF] Style, Rhetoric, and Postmodern Culture Bradford Vivian Modern rhetoricians habitually avoid the canon of style. The reasons for this avoidance should be familiar to those versed in the disciplinary lore of rhetoric. Since the fifth and fourth centuries B. C. E., when oratorical virtuosos like Gorgias proclaimed that "Speech is a powerful lord, which by means of the finest (...) and most invisible body effects the divinest works" (41), the suspicion that rhetorical style amounts to irrational verbal excess has dogged those who would argue for the moral integrity of the art. Most recently, twentieth-century rhetoricians, Toulmin (1958) and Perelman (1969, 1979, 1982) in particular, realigned rhetoric with the study of argumentation after its apparent reduction, during the eighteenth and nineteenth centuries, to innocuous matters of form and taste by the elocutionist and belletristic movements. Consequently, the aesthetic capacities of rhetoric have received scant attention from modern rhetoricians, who resign considerations of style largely to supposedly regrettable episodes in the history of the discipline. For better or worse, then, modern rhetorical theory lacks a contemporary rationale and methodology for the study of style. 1Beyond unfortunate equations of rhetoric with grandiloquence, this scarcity in recent rhetorical scholarship corresponds to general humanistic and social scientific prejudices against the topic of style. Robert Hariman posits, "Established academic conceptions of style hardly prepare one to take seriously the aesthetic dimension of political experience" (7). As evidence for this claim, he cites Stuart Ewen's reflections on the "frustration" peculiar to research on style: "It seemed to be a universal category," Ewen writes, "transcending topical boundaries, an accolade applied to people, places, attitudes and things... a subject that was, at best, amorphous" (quoted in Hariman, 7-8). Yet the social ubiquity of style—"[o]n news magazines, sports magazines, music-oriented magazines, magazines about [End Page 223] fashion, architecture and interior design, automobiles, and sex"—indicates that it offers "a key to understanding the contours of contemporary culture" (qtd. in Hariman, 7-8). Hence, the paradox of style as a scholarly topic: that which exhibits its cultural importance makes it seem intellectually vacuous.Hariman's treatise on political style offers the most noteworthy attempt in rhetorical studies to remedy these trends; brief consideration of his insights will suggest further objectives for the study of rhetoric and style. 2 In Hariman's estimation, "style ultimately is a significant dimension of every human experience" because "relations of control and autonomy are negotiated through the artful composition of speech, gesture, ornament, decor, and any other means for modulating perception and shaping response. In a word, our political experience is styled" (3, 2). The distinctive contribution of rhetorical inquiry into political style involves "understanding the dynamics of our social experience or the relationship between rhetorical appeals and political decisions" rather than merely "cataloging discursive forms in the artistic text alone" (Hariman, 8).Accordingly, Hariman acknowledges that one must recognize the substantive social and political influences of style apart from its traditional connotations of individual artistic performance. "In this context," he explains, "although style still highlights aesthetic reactions it no longer enforces artistic autonomy. Style becomes an analytic category for understanding a social reality; in order to understand the social reality of politics, we can consider how political action involves acting according to a particular political style" (9). Thus, for Hariman, rhetorical choices in political style need not amount to a valorization of "artistic autonomy": "each political style draws on universal elements of the human condition and symbolic repertoire but organizes them into a limited, customary set of communicative designs... Each is thoroughly conventional, yet the means for personal improvisation and intelligent, innovate responses to unique problems" (11-12). His treatise therefore appears to dissociate style from its outmoded definitions while recommending the utility of rhetorical principles to the study of political culture.What Hariman calls the "cautious postmodernism" (6) of his project, however, hinders its innovative aspirations. The postmodern portion of his work endorses the study of style according to the aesthetic dimensions of social relations rather than "artistic autonomy" alone; but its... (shrink)

Here, for the first time, Christopher Kul-Want brings together twenty-five texts on art written by twenty philosophers. Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation. The volume features Martin Heidegger on Van Gogh's shoes and the meaning of the Greek temple; Georges Bataille on Salvador Dal’'s The Lugubrious Game; Theodor W. Adorno on capitalism and collage; Walter Benjamin and Roland (...) Barthes on the uncanny nature of photography; Sigmund Freud on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva on the paintings of Holbein; Freud's postmodern critic, Gilles Deleuze on the visceral paintings of Francis Bacon; and Giorgio Agamben on the twin traditions of the Duchampian ready-made and Pop Art. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Rancire, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy. (shrink)

"This book is an augmented and updated translation by the author of Theorie des Subjekts: Subjectiviteat und Identiteat zwischen Moderne und Postmoderne, Teubingen, Francke-UTB, 2010 (3rd ed.)"--Title page verso.

From the Copernican revolution of Immanuel Kant to the cognitive mapping of Fredric Jameson to the postcolonial politics of Gayatri Chakravorty Spivak, representation has been posed as both indispensable and impossible. In his pathbreaking work, _The Abyss of Representation_, George Hartley traces the development of this impossible necessity from its German Idealist roots through Marxist theories of postmodernism, arguing that in this period of skepticism and globalization we are still grappling with issues brought forth during the age of romanticism and (...) revolution. Hartley shows how the modern problem of representation—the inability of a figure to do justice to its object—still haunts today's postmodern philosophy and politics. He reveals the ways the sublime abyss that opened up in Idealist epistemology and aesthetics resurfaces in recent theories of ideology and subjectivity. Hartley describes how modern theory from Kant through Lacan attempts to come to terms with the sublime limits of representation and how ideas developed with the Marxist tradition—such as Marx’s theory of value, Althusser’s theory of structural causality, or Zizek’s theory of ideological enjoyment—can be seen as variants of the sublime object. Representation, he argues, is ultimately a political problem. Whether that problem be a Marxist representation of global capitalism, a deconstructive representation of subaltern women, or a Chicano self-representation opposing Anglo-American images of Mexican Americans, it is only through this grappling with the negative, Hartley explains, that a Marxist theory of postmodernism can begin to address the challenges of global capitalism and resurgent imperialism. (shrink)

Arthur O. Lovejoy famously referred to thirteen pragmatisms. If he were called on to enumerate postmodernisms, no doubt he would increase this number tenfold.1 Fortunately I need not follow his lead for the task at hand, namely, to discuss whether the pragmatic tradition can narrow the divide between modernism and postmodernism on the topic of cosmopolitanism. To do so I will focus on specific sets of ideas that have been associated with these terms. So, for example, modernists have been viewed (...) as defenders of some form of universality, ethical or conceptual, and of a responsible, self-actuating, authentic subject. Postmodernists look toward particularity and alterity, and stress that notions of a unitary subject .. (shrink)

In my paper, I undertake to show that the God of the Bible is the subject of modern philosophy, i.e., that philosophy is biblical and that the Bible is philosophical. Central to the argument of my paper is an analysis of the fundamental difference between the philosophy of Aristotle, as based on the law of contradiction and thus on the contradictory opposition between necessity and existence, and the philosophy of, in particular, Spinoza and Kant, as based on the transcendental logic (...) of the necessary relationship of thought and existence. Thus, I argue that the ontological argument demonstrates the necessary existence of the thinking subject and of the subject thought, at once human and divine. In short, metaphysics is practical reason, the practice of doing unto others what you want others to do unto you, and reason is metaphysical practice, the practice of proving that there is one thing that you, a subject, cannot think without it necessarily existing, and that is the other subject. (shrink)

Through a reexamination of Immanuel Kant and his philosophical legacy, this volume explores the philosophic presuppositions of the possibility of progress and our belief in reason's capacity not only to improve the material well-being of humanity but also to promote our true vocation as moral beings.

This article examines Marcel Gauchet’s claim that the political history of religion is the key to a new understanding of contemporary liberal democratic societies in the shape that they have come to assume since the 1970s. The Disenchantment of the World presents a history of religion starting out from the thesis that, from the perspective of universal history, the primary function of religion can be identified with the production of the unity and identity of societies. Present-day liberal democracies, it is (...) argued, perform the same function through an alternative disposition of the constitutive elements of collective life. Where religions institute the identity of the society by accepting dependence upon a supernatural origin, contemporary society is organized as a ‘subjective form of social functioning’, in the sense that it is able to create and transform itself. Gauchet argues that the central structural features of contemporary society – the administrative state, the separation of civil society and the freedom of individuals, and the global orientation to the future – allow the practical accomplishment of the ideal of autonomy announced by the tradition of modern and revolutionary political thought. The explication of this logic establishes the preconditions for the criticism of these societies, by showing the historical decision and the internal articulations that give them their cohesion. (shrink)

In this classic text, Kant sets out to articulate and defend the Categorical Imperative - the fundamental principle that underlies moral reasoning - and to lay the foundation for a comprehensive account of justice and human virtues. This new edition and translation of Kant's work is designed especially for students. An extensive and comprehensive introduction explains the central concepts of Groundwork and looks at Kant's main lines of argument. Detailed notes aim to clarify Kant's thoughts and to correct some common (...) misunderstandings of his doctrines. (shrink)

One of the cornerstone books of Western philosophy, Critique of Pure Reason is Kant's seminal treatise, where he seeks to define the nature of reason itself and builds his own unique system of philosophical thought with an approach known as transcendental idealism. He argues that human knowledge is limited by the capacity for perception and attempts a logical designation of two varieties of knowledge: a posteriori, the knowledge acquired through experience; and a priori, knowledge not derived through experience. This accurate (...) translation by J. M. D. Meiklejohn offers a simple and direct rendering of Kant's work that is suitable for readers at all levels. (shrink)

This is the first English translation of all of Kant's writings on moral and political philosophy collected in a single volume. No other collection competes with the comprehensiveness of this one. As well as Kant's most famous moral and political writings, the Groundwork to the Metaphysics of Morals, the Critique of Practical Reason, the Metaphysics of Morals, and Toward Perpetual Peace, the volume includes shorter essays and reviews, some of which have never been translated before. The volume has been furnished (...) with a substantial editorial apparatus including translator's introductions and explanatory notes to each text by Mary Gregor, and a general introduction to Kant's moral and political philosophy by Allen Wood. There is also an English-German and German-English glossary of key terms. (shrink)

Diogenes Laertius preserved a saying of Aristotle, “He who has friends can have no true friend.” This was mistranslated by Erasmus and gave rise to the words Montaigne attributed to Aristotle, “O mes amis, il n’y a nul amy.” Kant and Nietzsche both used the saying in this sense, which is in fact a contresens. The original Greek words carried much of the sense of ancient friendship, being a warning against polyphilia and a reminder that intimacy is the central value (...) of friendship. This meaning was turned upside down to become an emblem of the lonely subject at the core of modernity. (shrink)

The article discusses an actual problem of the contemporary social theory – a problem of post-postmodernism that is the answer to the question: what comes to replace the supposedly outdated postmodernism. Post-postmodernism in an umbrella term that brings together various concepts like digimodernism, automodernism, metamodernism, hypermodernism, supermodernism, etc. One of the replacing postmodernism theories is the French curator and art theorist Nicolas Bourriaud’s concept that was called “altermodern” or “other modernism.” In his previous books Bourriaud proposed to rewrite modernism and, (...) as the result, developed a new theory. The concept appeared in 2009 when Bourriaud presented the exhibition in London, timed to the publication of his manifesto Altermodern, and edited and published the book of collected papers of the same title. Globalization, which opened borders for art, is a central concept of the altermodernism theory. The main terms of altermodern are heterochrony (time diversity) and viatorisation (nomadism). The main social subject of the alternodern era is a free travelling artist, who interprets the meanings of “rewritten” art for the public. They are “rewritten” because Bourriaud proposes to use phenomena and products of past ages to make them work in a new way. However Bourriaud’s concept should be considered critically, as it was formerly done by several researchers. The article proposes a critical review that answers to the question: to what extent the idea of altermodern is heuristic and therefore it could compete with other concepts that abolish postmodern. The author gives a negative answer to this question first of all because altermodern just borrows a lot of elements of the language and apparatus of postmodernism and actually does not offer anything new. (shrink)

Immanuel Kant's Groundwork of the Metaphysics of Morals ranks alongside Plato's Republic and Aristotle's Nicomachean Ethics as one of the most profound and influential works in moral philosophy ever written. In Kant's own words its aim is to search for and establish the supreme principle of morality, the categorical imperative. Kant argues that every human being is an end in himself or herself, never to be used as a means by others, and that moral obligation is an expression of the (...) human capacity for autonomy or self-government. This edition presents the acclaimed translation of the text by Mary Gregor, together with an introduction by Christine M. Korsgaard that examines and explains Kant's argument. (shrink)

There has been a persistent misunderstanding of the nature of cosmopolitanism in Immanuel Kant’s 1795 essay “Perpetual Peace,” viewing it as a qualitative break from the bellicose natural law tradition preceding it. This misunderstanding is in part due to Kant’s explicitly critical comments about colonialism as well as his attempt to rhetorically distance his cosmopolitanism from traditional natural law theory. In this paper, I argue that the necessary foundation for Kant’s cosmopolitan subjectivity and right was forged in the experience of (...) European colonialism and the (pre-Kantian) theory it engendered. It is in this context that we witness the universalization of subjectivity and the subjectivization of right, emerging from the justificatory needs of extra-national jurisdiction and resource appropriation. This form of cosmopolitanism, whose emergence necessarily tracks the rise of global capitalism, continues to exert great and often uncritical influence on theories and practices of peace today. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Dr. Jacques L. and Martin Hide-a-Guerre: The Subject of New HistoricismStephen Bretzius (bio)Joel Fineman. The Subjectivity Effect in Western Literary Tradition: Essays Toward the Release of Shakespeare’s Will. Cambridge: MIT P, 1991. [SW]Stephen Greenblatt. Learning to Curse: Essays in Early Modern Culture. New York: Routledge, 1990.Stephen Greenblatt. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley: U of California P, 1988.The word ‘theory’ stems from the Greek (...) verb theorein. The noun belonging to it is theoria. Peculiar to these words is a lofty and mysterious meaning. The verb theorein grew out of the coalescing of two root words, thea and horao. Thea (cf. theater) is the outward look, the aspect, in which something shows itself.... The second root word in theorein, horao, means: to look at something attentively, to look it over, to view it closely. Thus it follows that theorein is thean horan, to look attentively on the outward appearance wherein what presences becomes visible and, through such sight—seeing—to linger with it.—Martin Heidegger, “Science and Reflection”Hamlet: ‘Sblood, there is something in this more than natural, if philosophy could find it out. A flourish.Guildenstern: There are the players.—Hamlet 2.2.366–681In setting forth Shakespeare’s unique role within an important institutional appropriation of the early modern theater by the postmodern university, together with a corresponding postmodern theory already shaping the early modern theater, a highly stylized early play like Romeo and Juliet is a good place to begin. For here, and from the beginning, the play unfolds outside (and therefore inside) the “deconstructed” binarisms characteristic of a certain poststructural literary theory generally—womb-tomb, light-dark, female-male, Capulet-Montague, waking-sleeping, all-nothing, lark-nightingale, love-hate, late-early, vice-virtue, poison-remedy, mercy-murder, wedding-funeral, dove-raven, fiend-angel, wolf-lamb, miss-mend, stand-stir, haste-destiny, and so on. 1 Here the nonbinary language [End Page 73] of the theater anticipates the “unlimited semiosis” of postmodern literary and cultural theory precisely by extending that nonbinary language to the opposition theater-theory, which the play also undermines. To cite only one particularly central example, literary criticism’s ongoing concerns with the cultural and ritualistic origins of tragedy are not just explored but explained—theorized—by the play’s self-conscious identification of Juliet as both “dove” (“So shows a snowy dove trooping with crows” [1.5.48]) and “lamb” (“Juliet! Fast, I warrant her, she. / Why, lamb! Why, lady!” [4.5.1–2]). The theatrical experience of the play’s “poor sacrifices” [5.3.318] is further related to the Catholic mass, out of which Shakespeare’s own tragic theater significantly evolves, by “Come Lammas Eve at night shall she be fourteen” [1.3.17] (Lammas [hlammas] hlaf ‘loaf, bread,’ maesse ‘mass’) and “God’s bread, it makes me mad!” [3.5.176]. 2 Redoubling this Christian context for sacrifice, a seasonal parallel in the myth of Persephone stolen away by Pluto shows through “Death lies on her like an untimely frost / Upon the sweetest flower of all the field” [4.5.28–29] and “O son, the night before thy wedding-day / Hath Death lain with thy wife” [35–36]. Within the same ongoing theorization of the play’s own theater, the “pomegranate tree” in Juliet’s “It was the nightingale, and not the lark... / Nightly she sings on yon pomegranate tree” [3.5.2–4] further joins Juliet to Persephone, Lady Capulet to Ceres, and “love-devouring death” [2.6.7] to Hades.From the play to the theory, then, influential critiques of performative discourse and its ritualistic origins in postsubjective (post-Lacanian) sacrifice are generated not only by the postmodern university, but also, in Romeo and Juliet, by the early modern theater. For the play, and not simply the theory, is already about the play—and autobiographical, from Montague’s “Away from light steals home my heavy son, / And private in his chamber pens himself” [1.1.137–38] through Juliet’s “Was ever book containing such vile matter / So fairly bound” [3.2.83–84] to Romeo’s frantic “get me ink and paper... (shrink)

In recent years, scholars have put forth a formidable defense of Kant's views on moral motivation. Their common goal has been to disclose the emotional dimension of his practical philosophy, an aspect of his thought arguably concealed by a couple of centuries of wrongheaded criticism. Yet a systematic study of the subjective factors that underlie moral performance as Kant understood it was missing. This dissertation tries to fill that gap. I reconstruct his theory of moral performance since 1755, (...) and show why he ends up developing views that have aroused so much criticism. I share many of those criticisms and ask: Why do we have to assume that pure reason has driving mechanisms of its own? In order to answer this question, I focus first on what he calls the aesthetic preconcepts that make the mind susceptible to concepts of pure duty, and conclude that he does not succeed in showing a convincing connection between the moral law and the feeling of respect. Moreover, the theory that he puts forth to overcome this difficulty--the fact of reason--proves to be even more unsatisfactory. Problems beset his view of conscience as well. I show that the conception of the self that supports his definition of conscience is vulnerable to the change of self-deception. I finish with an examination of the religious beliefs that keep moral interest alive, but my conclusion is once more not favorable to Kant. Those beliefs seem to have no power for accomplishing the function that he has reserved for them. It could even be argued that they are intrinsic to the process of self-deception. (shrink)

One of the cornerstone books of Western philosophy, Critique of Pure Reason is Kant's seminal treatise, where he seeks to define the nature of reason itself and builds his own unique system of philosophical thought with an approach known as transcendental idealism. He argues that human knowledge is limited by the capacity for perception and attempts a logical designation of two varieties of knowledge: a posteriori, the knowledge acquired through experience; and a priori, knowledge not derived through experience. This accurate (...) translation by J. M. D. Meiklejohn offers a simple and direct rendering of Kant's work that is suitable for readers at all levels. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant and the Possibility of Progress: From Modern Hopes to Postmodern Anxieties ed. by Paul T. Wilford and Samuel A. StonerBenedikt BrunnerPaul T. Wilford and Samuel A. Stoner, editors. Kant and the Possibility of Progress: From Modern Hopes to Postmodern Anxieties. Philadelphia: University of Pennsylvania Press, 2021. Pp. 328. Hardback, $65.00.Our present does not invite, let alone suggest, particularly optimistic expectations for the future. This volume, edited by (...) Paul Wilford and Samuel Stoner, not only analyzes the historical foundations of Kant's idea of progress but also explores contemporary reflections on such questions as the following: Do we still believe in the possibility of progress? And if not, why has this ability been lost? What about liberal democracy, which is contested from many sides?In addition to a lucid introduction, which clarifies the concepts of modernity and postmodernity, the volume assembles thirteen chapters. While the first seven chapters deal with the idea of progress in Kant, the remaining six contributions shed light on the history of that idea after Kant. Within the framework of this review, only selected articles can be discussed. In chapter 1, Oliver Sensen examines the idea of moral progress in the individual. In chapter 2, Kate Moran asks the fundamental question: should we believe in moral progress? According to Kant, the human being possesses "a duty to avoid despondency" (46). Following Kant, she encourages us not to go down the road of misanthropy as a consequence of one's own or others' moral failure, but "to be generous in our assessments of others" (46). In chapter 3, Jens Timmermann takes up this aspect again and illustrates clearly how complex Kant's concept of moral progress is. Moreover, he highlights that moral progress has a double meaning for Kant: "first in a fundamental change of priorities—privileging morality over self-interest—and then in an ever-closer approximation to a perfectionist ideal of virtue" (61). Like some of the other contributors to this volume, however, Timmermann remains rather vague regarding possible avenues for further research. Two other contributions deal specifically with Kant's relationship to religion. In chapter 5, Naomi Fisher asks how God, teleology, and progress are connected in the third Critique. She argues that in the 1790s, Kant made concrete new efforts to integrate different strands of his philosophy "and to develop a more unified view of the human being as free and natural" (93). Chapter 6 is a joint contribution by the two editors of this volume entitled "Realizing the Ethical Community." Their focus is on Kant's religious writings and their role in the context of a "Reformation of Culture." They notice—an observation as important as it is exciting—that Kant tempered his ambitious goal regarding the moral betterment of human beings with his ideas about radical evil. At the same time, Kant insisted that people must become aware of their duty to improve themselves.In the second section, Kant is brought into conversation with his contemporaries and some of his successors. In chapter 8, Karl Ameriks provides an overview of the relationship between history, progress, and autonomy in Kant, Herder, and beyond. In chapter 9, Richard L. Velkley analyzes the significance of language, embodiment, and the supersensual in Fichte. In chapter 10, Mark Alznauer examines the concept of philosophical history in Hegel.The volume concludes with three different but equally stimulating contributions. In chapter 11, Ryan S. Kemp argues that Kierkegaard "relocated" the concept of the Highest Good: "Unlike Kant, who regards happiness as realizable (if at all) only in an afterlife, Kierkegaard seems to think that the person who truly embraces the self-denial of Christian love, can, even now, receive the world in joy" (200). In this approach, Kierkegaard was clearly different from his predecessors in the German idealistic tradition. In chapter 12, entitled "Kant and Benjamin on Hope, History, and the Task of Interpretation," C. Allen [End Page 159] Speight shows that Walter Benjamin stands in Kant's tradition while also diverging from him in some important respects. From Kant's universalizing assumptions, especially in relation to progress, Benjamin moved "toward a distinctive, messianically influenced sense of time where interruption and immanent... (shrink)

How did the events of the early modern period affect the way gender and the self were represented? This collection of essays attempts to respond to this question by analysing a wide spectrum of cultural concerns - humanism, technology, science, law, anatomy, literacy, domesticity, colonialism, erotic practices, and the theatre - in order to delineate the history of subjectivity and its relationship with the postmodern fragmented subject. The scope of this analysis expands the terrain explored by feminist theory, while its (...) feminist focus reveals that the subject is always gendered - although the terms in which gender is conceived and represented change across history. Feminist Readings of Early Modern Culture not only explores the representation of gendered subjects, but in its commitment to balancing the productive tensions of methodological diversity, also speaks to contemporary challenges facing feminism. (shrink)

The question of modernity has provoked a vigorous debate in the work of thinkers from Hegel to Habermas. Our own self-styled postmodern age has seen no end to this debate, which now receives a major and wide-ranging intervention from the theorist and critic Anthony J. Cascardi. Offering an historical account of the origins and transformations of the rational subject or self as it is represented in Descartes, Cervantes, Pascal, Hobbes and the Don Juan myth, he carries his argument across the (...) fields of epistemology, literature, political science, religion and psychology. The modern subject proves to be positioned within conflicting discourses, in a culture characterised by its 'detotalised totality'. Max Weber's concept of 'world disenchantment' enables Cascardi to make a searching critique of modernity's sense of its absoluteness, divorced from an archaic, 'enchanted' world. He advocates in its place a more fruitful relationship between historical analysis and theoretical speculation, offering constructive new alternatives to current orthodoxy regarding subjectivity and modernity. (shrink)

The fabula praetexta is a category of Roman drama about which we are poorly informed. Ancient testimonia are scanty and widely scattered, while surviving fragments comprise fewer than fifty lines. Only five or six titles are firmly attested. Scholarly debate, however, has been extensive, and has especially focused on reconstructing the plots of the plays.1 The main approach has been to amplify extant fragments by fitting them into a plot taken from treatments of the same episode in later historical sources (...) such as Livy, Dionysius, or Plutarch.2 This method was extended by Mommsen and others in their efforts to identify new titles and plots by isolating passages in the historians which seem written in a dramatic style, and could therefore be interpreted as derivations from historical plays.3 Such a line of approach is both risky and subjective. It is based on the desire to recover a lost genre, which modern scholars feel must or should have existed. It is tempting to imagine that the Romans would have encouraged a thriving national theatre on historical themes. Such a genre, it is argued, would have been influential in shaping the average Roman's view of past events and the treatment of famous episodes by later historians.4 The conclusions reached have virtually no basis in the ancient sources we actually have. The result is largely a fiction created by the scholarly imagination. (shrink)

With an Introduction by renowned Kant scholar Allen W. Wood, this is the only available one-volume edition of the essential works of the Enlightenment's greatest philosopher and one of the most influential thinkers of modern times. Containing carefully selected excerpts from his most frequently taught essays and book-length publications, including Critique of Pure Reason, Critique of Judgment, and Eternal Peace , the Basic Writings of Kant is an indispensable collection. This revised edition was edited by Carl J. Friedrich.

The purpose of the Cambridge edition is to offer translations of the best modern German edition of Kant's work in a uniform format suitable for Kant scholars. This volume is the first to assemble in historical sequence the writings that Kant published between 1783 and 1796 to popularize, summarize, amplify and defend the doctrines of his masterpiece, the Critique of Pure Reason of 1781. The best known of them, the Prolegomena, is often recommended to beginning students, but the other texts (...) are also vintage Kant and are important sources for a fully-rounded picture of Kant's intellectual development. As with other volumes in the series there are copious linguistic notes and a glossary of key terms. The editorial introductions and explanatory notes shed light on the critical reception accorded Kant by the metaphysicians of his day and on Kant's own efforts to derail his opponents. (shrink)

Copublished in the U.K. by Routledge. These lively essays, transcribed by Kant's students during his lectures on ethics at Konigsberg in the years 1775-1780, are celebrated not only for their insight into Kant's polished and often witty lecture style but also as a key to understanding the development of his moral thought. As Lewis White Beck points out in the Foreword to this edition, those who know Kant only from his rigorous and abstract intellectual critiques may be surprised by the (...) accessibility of these essays, which put flesh on the bones of the critical ethics, while revealing Kant as a practical moralist, greatly concerned with the nuances of human conduct and the social effects of his moral teaching. The sharply focused discussions and definitions strengthen an interpretation of Kant's more mature speculative works and remain the riches document we have for understanding the history of the preeminent ethical theory of modern times. (shrink)

It is in the interest of the totalitarian state that subjects not think for themselves, much less confer about their thinking. Writing under the hostile watch of the Prussian censorship, Immanuel Kant dared to argue the need for open argument, in the university if nowhere else. In this heroic criticism of repression, first published in 1798, he anticipated the crises that endanger the free expression of ideas in the name of national policy. Composed of three sections written at different times, (...) The Conflict of the Faculties dwells on the eternal combat between the "lower" faculty of philosophy, which is answerable only to individual reason, and the faculties of theology, law, and medicine, which get "higher" precedence in the world of affairs and whose teachings and practices are of interest to the government. Kant makes clear, for example, the close alliance between the theological faculty and the government that sanctions its teachings and can resort to force and censorship. All the more vital and precious, then, the faculty of philosophy, which encourages independent thought before action. The first section, "The Conflict of the Philosophy Faculty with the Theology Faculty," is essentially a vindication of the right of the philosophical faculty to freedom of expression. In the other sections the philosopher takes a long and penetrating look at medicine and law, the one preserving the physical "temple" and the other regulating its actions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Being and Freedom: On Late Modern Ethics in Europe by John SkorupskiJ. P. MessinaJohn Skorupski. Being and Freedom: On Late Modern Ethics in Europe. Oxford: Oxford University Press, 2021. Pp. 560. Hardcover, $130.00.John Skorupski's Being and Freedom traces the development of modern ethics in France, Germany, and England, as set in motion by two great revolutions: the French Revolution and Kant's methodological revolution in the Critique of Pure (...) Reason. I begin this review by offering [End Page 714] a brief summary of the book (which consists of eight lengthy chapters, an introduction, and a brief conclusion). I then raise some interpretive worries and offer an overall assessment.In chapter 1, Skorupski reminds us that the French Revolution, a physical struggle between opposing factions, was also a battleground of ideas. In opposing the ancien régime, revolutionaries took aim at the "Catholic-feudal order" (27). Underlying this order was an ethical view, "holism," according to which a person lives well through excellent performance of community roles assigned by family, state, and church. When individual interests conflict with these social roles, the latter take precedence. Revolutionaries (partially inspired by Rousseau) railed against this. On their view, persons were born for freedom, not the chains of traditional life. To realize such freedom demanded a radical democratic state. Here, too, fidelity to the ethical whole (the Republic) sometimes required sacrifices on the part of individuals. But in a properly constituted republic, these sacrifices would be self-imposed requirements of the general will.As revolution turned to terror and blood became the regular currency of sacrifice, critics like Guizot saw the ancien régime's parochialism as a symptom of a larger problem with its underlying ethics, one it shared with the radicals aligned against it: its commitment to holism. Holism says that some social entities have a good not reducible to the good of their members. Additionally, these social wholes have their own rights that sometimes override individual rights (28, 59). These features make it easy for holist orders to justify sacrificing individuals for collective goods. If this is the disease, individualism of the sort associated with Kantian ethics can seem to be the cure.Chapter 2 argues that the new critical philosophy resulting from Kant's "Copernican" Revolution is a mixed bag. On the one hand, Kant offers no good reason for positing a noumenal world and locating freedom there (77–79). On the other hand, there is lasting promise in the idea that morality follows from each person's individual autonomy. And yet, in the end, Kant's arguments fail here, too. For deriving morality from autonomy requires an explicit commitment to impartiality, which does not follow from autonomy (83–102). And, even when suitably modified, Kant's ethical principles risk emptiness if they fail to take content from our relationships and social roles (112, 148). Unfortunately, Kant suggests that doing so would perpetrate heteronomy, making such emptiness inevitable (102).By chapter 3, the tension between holist and individualist conceptions of ethics has become Skorupski's central leitmotif. On the one hand, individualists are well positioned to resist oppression and terror. On the other hand, individualism risks atomism and alienation from our attachments and feelings. Such alienation leads Schiller to reject Kant's views on freedom and virtue (161). For our author, this is as it should be.Skorupski next turns to Fichte. Although Fichte takes a step away from transcendental idealism by making intellectual intuition the hallmark of our subjectivity (173), he agrees with Kant that morality follows from autonomy. Indeed, for Fichte, autonomy commits us to striving for full self-sufficiency, which appears to court a similar atomism. Yet this impression is corrected when Fichte turns to politics. There, Fichte grounds rights (as permissible demands) in mutual recognition (182–83). This positions him to see the state and the family as ethical wholes (187–88), pointing away from Kantian individualism back toward holism.Hegel takes these steps away from Kant to their logical conclusion. As Skorupski explains in chapter 4, Hegel argues that the individualist systems grounded in autonomy and abstract right (Moralität) mark but stages on the way to moral... (shrink)

Many contemporaries criticized him for smashing the Age of Reason. Goethe, however, remarked that reading a page of Immanuel Kant was like entering a bright and well-lighted room: The great eighteenth-century philosopher illuminated everything he ever pondered. The twelve essays in this volume reveal Kant's towering importance as an ethical and social thinker as well as his enduring influence on the shape of philosophy. Included are excerpts from Dreams of a Visionary, Prolegomena to Every Future Metaphysics, Metaphysical Foundations of Morals, (...) Critique of Judgement , and Eternal Peace . As Professor Friedrich writes in his introduction to this volume: "The problem of freedom, the freedom of the human personality to unfold and fulfill its higher destiny, is the central issue of all of Kant's philosophizing.". (shrink)

Tobias-Renstrøm and Køppe (2020) show the several conceptual limits that new materialism and postmodern subject models have for psychological theory and research. The present study continues in this discussion and argues that the applicability of the ideas of quantum-inspired new materialism depends on the theoretical perspectives that we consider for analysis: be it the first-person perspective referring to the subjective experience of a human subject, or the third-person perspective, in which a human subject is observed by an external observer. While (...) the arguments of new materialism are in accordance with the analysis of the act of observation performed by an external observer, some problems arise when trying to theoretically approach the first-person subjective experience of a human subject. For example, new materialism fails to explain why human minds can maintain the awareness of a subject’s identity throughout their lives and to recall the memories about their past personal experiences. (shrink)

The revised edition of Subject to Ourselves, a lively and provocative book that was a leader on its topic in England, uses psychoanalytic theory as the basis for a fresh reassessment of the nature of modernity and postmodernism. Analyzing changing experiences of selfhood, desire, interpersonal relations, culture and globalization, the author develops a novel account of postmodernity that supplants current understandings of "fragmented selves." Subject to Ourselves includes a diverse set of case studies, including the power of fantasy in military (...) violence and war, the debate over sexual seduction in psychoanalysis, and the cultural uses of media and new information technologies. The book will be essential reading for students and professionals of social and political theory, psychoanalytic studies, psychology and cultural studies, as well as those with an interest in the modernity/postmodernity debate. Praise for the First Edition: 'This book not only fills an important gap in the literature, for it summarises a debate that is scattered across a decade of rather difficult texts, but also offers a resolution that is sensible and grounded in the best current thinking. It will be widely read by graduate students, faculty, and professionals in the humanities and social sciences.' Choice 'This is an informative and enjoyable book, which will be of use to students and academics...It is accessibly written and provides useful summaries of the different theories and debates in cultural and psychoanalytic theory. Recommended.' Radical Philosophy. (shrink)

Modern and Postmodern Cutting Edge Films closely examines a wide variety of major filmic texts that have established permanent, iconic shifts in modern and postmodern US culture and filmic practices. These films and their often visionary, trend-setting auteurs each introduced new manners of seeing that were imitated by later directors and ultimately, absorbed by popular culture itself. The primary rationale for writing this collection was quite simple: it is new and different. No anthology exists that examines the concept of the (...) cutting edge film across such a remarkably wide variety of genres and with such a diversity of theoretical approaches and subject matter. Equally important, all the contributors bring a unique voice and multi-disciplinary perspective to their respective chapters. This anthology will be of great interest to scholars from a variety of disciplines, including film studies, historical studies, and gender and genre studies. As far as possible, contributors have minimized a great deal of typical theoretical terminology so that lay readers who possess some familiarity with basic film analysis and theory can understand the text. It can be used as a classroom text in both graduate and upper-level undergraduate film classes. Modern and Postmodern Cutting Edge Films is an anthology that instructors of film theory and history can use for many years to come. Indeed, we feel that this remarkable collection of essays will itself become an indispensable, cutting edge text of film scholarship. (shrink)

Provides a thorough background study of the postmodern assault on the standpoint of the subject as a foundation for philosophy, and assesses what remains today of the philosophy of subjectivity.