My aim in this paper is to defend the claim that the absolute idealism of Hegel is a liberal naturalist position against Sebastian Gardner’s claim that it is not genuinely naturalistic, and also to defend the position of ‘liberal naturalism’ from Ram Neta’s charge that there is no logical space for it to occupy. By ‘liberal naturalism’, I mean a doctrine which is a non-reductive form of philosophical naturalism. Like Fred Beiser, I take the thesis of liberal naturalism to find (...) support in the idealism of Hegel. I begin by first explaining what philosophical naturalism amounts to. I then move on to show, using Finn Spicer’s and Alison Stone’s understandings of philosophical naturalism, how there is a stronger form of philosophical naturalism but also how there is a weaker form as well. Having established the distinction between stronger and weaker variants of philosophical naturalism, I discuss Sebastian Gardner’s recent objections to treating absolute idealism as a genuinely naturalist position. I argue that Gardner is incorrect to claim that absolute idealism is not a genuinely naturalist position on both historical and interpretive grounds, where to do so I bring in features of Hegel’s idealism to show that Hegel was committed to liberal naturalism. In the next section of the paper, I address Ram Neta’s charge that there is no logical space for liberal naturalism. To counter this claim, I offer an Hegelian diagnosis of Neta’s charge and argue that Neta’s concern about the possibility of liberal naturalism is illegitimately motivated. (shrink)

Self-interest is widely accepted as a powerful motivator by both academics and laypeople alike. However, research surrounding the self-interest motive paints a complicated picture of this most important psychological construct. Additionally, research on the social desirability of self-interest has revealed that despite its widespread acceptance, people do not readily accept that self-interest drives their own behaviors. This paper reviews the literature on self-interest and reveals several curious features surrounding its actual effect on helping behaviors, political attitudes and voting, and (...) people's apparent ambivalence toward self-interest as a motive. It is possible that norms against the expression of self-interestedness evolved, creating ambivalence towards this widely accepted construct, subsequently affecting its expression on many human behaviors. (shrink)

This chapter contains sections titled: Scientific Reasons Motivated by Morality? The Science of Religion Notes.

This article examines the role of similarity in the hybridization of concepts, focusing on hybrid products as an applied test case. Hybrid concepts found in natural language, such as singer songwriter, typically combine similar concepts, whereas dissimilar concepts rarely form hybrids. The hybridization of dissimilar concepts in products such as jogging shoe mp3 player and refrigerator TV thus poses a challenge for understanding the process of conceptual combination. It is proposed that models of conceptual combination can throw light on the (...) judged future success and desirability of hybrid products in general. The composite prototype model proposes two stages of conceptual combination. In the first stage, the concepts are aggregated into an additive hybrid, simply by forming the union of the two sets of attributes. In the second stage, any conflicting attributes are identified and resolved, often with the introduction of emergent attributes, resulting in an integrative hybrid. Across four studies that varied the similarity and type of hybrid products, similar and integrative hybrids were valued more than dissimilar and additive hybrids. Critically, though, dissimilar hybrids were also highly valued if they were integrative. Results supported the two stages proposed by the composite prototype model, and implications for other models of hybrid formation are discussed. (shrink)

Darwin and the Art of Science will consist of excerpts from six of Darwin's books, chosen and introduced by James Costa. The excerpts will be arranged by plant (rather than according to which book they're from) in order to make the most of extraordinary images provided by the Oak Springs Garden Foundation library. As a group, they will provide unparalleled access to Darwin's fascinating observations and musings about the world of plants and how their distinctive features have evolved.

This article examines the lexical emergence of salafiyya in the Algerian press between 1925 and 1927, which currently constitutes the earliest known use of this abstract noun in Arabic. An attentive reading of the sources reveals that, since it was a new category, it had not yet an established meaning. The task of outlining its definition and features fell to the reformers who first used it. One of them, Abū Yaʿlā al-Zawāwī, did so in a way that defies today’s conventional (...) thinking: he laid claim to Salafism while disparaging the Sunna and attempting to reduce the authority of hadith literature. The article shows that the core intellectual features we routinely associate with Salafism were not necessarily embraced by the historical actors who used this term at its inception in the mid-1920s. This has implications for the proper historicization of Salafism as a category. (shrink)

In his essay “The Crisis in the Teaching of Philosophy” Derrida writes “Philosophy would repeat itself and would reproduce its own tradition as the teaching of its own crisis and as the paideia of self-critique in general. This paideia goes hand in hand, and there is nothing fortuitous about this, with what I will call without taking it lightly, an imperialist self-confidence of philosophy.” In a properly Derridean fashion these lines are haunting for me. What is “imperialist” about philosophy; the (...) self-confidence? Is the confidence imperialist or is it the entire content of the philosophical tradition? Is there something colonial about not only dominating other disciplines and assigning them their regional ontologies, but also about the very discourse of philosophy itself? Of course, this very question presupposes there is such a thing as a “philosophical discourse” that has an identity which is itself a philosophical question. Is there such a thing as identity? If philosophy does not have this discursive identity, is it the crisis that is imperialist, crisis in the sense of constantly being separated from itself, always not having an identity or “never having an identity”? Perhaps in a different yet admittedly still problematic way, does philosophy dominate, colonize, thinking itself, both culturally and conceptually. Derrida continues his essay by forging an alliance between decolonization and deconstruction. It is a curious alliance because it both endorses and rejects philosophy (in a properly philosophical fashion): “If, like philosophy and the deconstruction of the philosophical, decolonization is interminable, it is because it cannot be effective either as simple mode of reappropriation or as a simple mode of opposition or overturning.” (Derrida 2002, 103). (shrink)

In this paper, we analyze the recent public scandal involving Nafissatou Diallo and Dominique Strauss-Kahn to offer an account of the role affectability imbalances play in process-based invisibility. Process-based invisibilities, in this paper, refer to predictable narrative gaps within public narratives that can be aptly described as disappearances. We demonstrate that compromised, complex social identities, maladjusted webs of reciprocity, and a failure to fully appreciate basic affectability in large part cause affectability imbalances. Ultimately, we claim that affectability imbalances and the (...) three imbricated conditions that facilitate such imbalances—complex social identities, reciprocity, and basic affectability—are integral features of process-based invisibility. (shrink)

Mass media images offer audiences models for how to perform the social roles they depict. Opinions and other attributes of credible media models may likewise be embraced by audience members seeking to identify with those models. Thus farm magazine narratives about “successful” farmers may encourage readers to model or aspire to featured farmers' production and management techniques and ascribe legitimacy to models' responses to current agricultural issues. However, production of agrarian images in the mass media — including images of farms, (...) farmers, and farmers' values — are inevitably biased such that media representations of successful farmers selectively present objective characteristics in terms of the media's own ideological frameworks, which in turn reflect the dominant ideology of the social relations in which the media are engaged. As a first step in identifying farm magazines' role in creating social models for farmers, this study analyzes articles featuring “successful,” “leading,” or “innovative” farmers in leading agricultural magazines. The featured farmers are categorized according to enterprise characteristics and characterizations of them and their management philosophies. Findings show that farmers in farm magazines have larger than average operations and are portrayed in a way that blends a “farming as business” orientation with more conventional agrarian values but that generally omits non-business aspects of farm life. (shrink)

Le problème est de distinguer la valeur esthétique des autres valeurs philosophiques, de la valeur économique et des valeurs biologiques de la vie végétale ou animale. L’hypothèse soutenue est que l’expérience esthétique est caractérisée d’abord par un équilibre ou balance de forces psychologiques, par un état d'harmonie mentale. Cette hypothèse s’appuie sur l’harmonie entre le conscient et l’inconscient dans la création artistique ; entre la sensation, l’effort, le sentiment et la connaissance dans la contemplation artistique ; et entre le sujet (...) et l’objet en communication avec une oeuvre d’art ou dans la jouissance de la nature. (shrink)

Building on the strengths of the first edition, the second edition of the Irwin Nicomachean Ethics features a revised translation (with little editorial intervention), expanded notes (including a summary of the argument of each chapter), an expanded Introduction, and a revised glossary.

A vivid and accessible new translation of Cicero’s influential writings on the Stoic idea of the divine Most ancient Romans were deeply religious and their world was overflowing with gods—from Jupiter, Minerva, and Mars to countless local divinities, household gods, and ancestral spirits. One of the most influential Roman perspectives on religion came from a nonreligious belief system that is finding new adherents even today: Stoicism. How did the Stoics think about religion? In How to Think about God, Philip Freeman (...) presents vivid new translations of Cicero's On the Nature of the Gods and The Dream of Scipio. In these brief works, Cicero offers a Stoic view of belief, divinity, and human immortality, giving eloquent expression to the religious ideas of one of the most popular schools of Roman and Greek philosophy. On the Nature of the Gods and The Dream of Scipio are Cicero's best-known and most important writings on religion, and they have profoundly shaped Christian and non-Christian thought for more than two thousand years, influencing such luminaries as Augustine, Thomas Aquinas, Dante, and Thomas Jefferson. These works reveal many of the religious aspects of Stoicism, including an understanding of the universe as a materialistic yet continuous and living whole in which both the gods and a supreme God are essential elements. Featuring an introduction, suggestions for further reading, and the original Latin on facing pages, How to Think about God is a compelling guide to the Stoic view of the divine. (shrink)

The ‘critique of intellectuals’ refers to a genre of normative discourse that holds intellectuals accountable for the consequences of their ideas. A curious feature of the contemporary, especially American, variant of this genre is its focus on intellectuals who were aligned with such world-historic losers as Hitler and Stalin. Why are Cold War US intellectuals not held to a similar standard of scrutiny, even though they turn out to have been aligned with the world-historic winners? In addressing this (...) general question, some self-serving tendencies of intellectual history are observed, in particular the asymmetry between the ease with which intellectuals are credited with the good consequences of their ideas and the difficulty with which they are blamed for the bad consequences. This asymmetry is particularly noted in Richard Rorty, whose pragmatism treats past ideas as a legacy intended for the (American) reader’s benefit. As a corrective, I advocate, in Paul Ricoeur’s terms, a ‘hermeneutic of suspicion’ that treats intellectual life as fraught with danger, as our adoption of ideas always amounts to passing judgement over those who have borne them in the past. (shrink)

It is a curious feature of Hegelian studies in English that its practitioners seem incapable of tackling their subject without first disclaiming any adherence to the more metaphysical side of Hegel's thought, be it called “speculative metaphysics,” “dialectical logic” or whatever. I say “curious” because I doubt that the same scholars would feel obliged to enter an equivalent disclaimer at the head of a study on, say, Aristotle, Descartes, Spinoza or even Newton—even though all of these classics (...) have a metaphysical side at least as abstruse as any of Hegel's worse romantic excesses. Hegel himself, if he could witness the practice, would be flattered by it. He would not see it as an indication that “the problems of [his] logic remain alien and artificial to us in ways that the problems of Cartesian and Kantian philosophy do not” but, on the contrary, as a hidden acknowledgement that, whether for good or bad, his philosophy is still alive, still so close to our culture that we instinctively feel the need of exorcizing it ritually, like a demon capable of frightening us. (shrink)

It is a curious feature of Hegelian studies in English that its practitioners seem incapable of tackling their subject without first disclaiming any adherence to the more metaphysical side of Hegel's thought, be it called “speculative metaphysics,” “dialectical logic” or whatever. I say “curious” because I doubt that the same scholars would feel obliged to enter an equivalent disclaimer at the head of a study on, say, Aristotle, Descartes, Spinoza or even Newton—even though all of these classics (...) have a metaphysical side at least as abstruse as any of Hegel's worse romantic excesses. Hegel himself, if he could witness the practice, would be flattered by it. He would not see it as an indication that “the problems of [his] logic remain alien and artificial to us in ways that the problems of Cartesian and Kantian philosophy do not” but, on the contrary, as a hidden acknowledgement that, whether for good or bad, his philosophy is still alive, still so close to our culture that we instinctively feel the need of exorcizing it ritually, like a demon capable of frightening us. (shrink)

In Philosophy of Law, Andrei Marmor provides a comprehensive analysis of contemporary debates about the fundamental nature of law—an issue that has been at the heart of legal philosophy for centuries. What the law is seems to be a matter of fact, but this fact has normative significance: it tells people what they ought to do. Marmor argues that the myriad questions raised by the factual and normative features of law actually depend on the possibility of reduction—whether the legal domain (...) can be explained in terms of something else, more foundational in nature. In addition to exploring the major issues in contemporary legal thought, Philosophy of Law provides a critical analysis of the people and ideas that have dominated the field in past centuries. It will be essential reading for anyone curious about the nature of law. (shrink)

Jesse Prinz argues that recent work in philosophy, neuroscience, and anthropology supports two radical hypotheses about the nature of morality: moral values are based on emotional responses, and these emotional responses are inculcated by culture, not hard-wired through natural selection. In the first half of the book, Jesse Prinz defends the hypothesis that morality has an emotional foundation. Evidence from brain imaging, social psychology, and psychopathology suggest that, when we judge something to be right or wrong, we are merely expressing (...) our emotions. Prinz argues that these emotions do not track objective features of reality; rather, the rightness and wrongness of an act consists in the fact that people are disposed to have certain emotions towards it. In the second half of the book, he turns to a defense of moral relativism. Moral facts depend on emotional responses, and emotional responses vary from culture to culture. Prinz surveys the anthropological record to establish moral variation, and he draws on cultural history to show how attitudes toward practices such as cannibalism and marriage change over time. He also criticizes evidence from animal behavior and child development that has been taken to support the claim that moral attitudes are hard-wired by natural selection. Prinz concludes that there is no single true morality, but he also argues that some moral values are better than others; moral progress is possible. Throughout the book, Prinz relates his views to contemporary and historical work in philosophical ethics. His views echo themes in the writings of David Hume and Friedrich Nietzsche, but Prinz supports, extends, and revises these classic theories using the resources of cutting-edge cognitive science. The Emotional Construction of Morals will stimulate and challenge anyone who is curious about the nature and origin of moral values. (shrink)

This is the first English translation for forty years of a medieval classic, offering vivid and unique insight into the life of a great monastery in late twelfth-century England. The translation brilliantly communicates the interest and immediacy of Jocelin's narrative, and the annotation is particularly clear and helpful. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most (...) accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

The words we call slurs are just plain vanilla descriptions like ‘cowboy’ and ‘coat hanger’. They don't semantically convey any disparagement of their referents, whether as content, conventional implicature, presupposition, “coloring” or mode of presentation. What distinguishes 'kraut' and 'German' is metadata rather than meaning: the former is the conventional description for Germans among Germanophobes when they are speaking in that capacity, in the same way 'mad' is the conventional expression that some teenagers use as an intensifier when they’re emphasizing (...) that social identity. That is, racists don’t use slurs because they’re derogatory; slurs are derogatory because they’re the words that racists use. To use a slur is to exploit the Maxim of Manner (or Levinson’s M-Principle) to signal one’s affiliation with a group that has a disparaging attitude towards the slur’s referent. This account is sufficient to explain all the familiar properties of slurs, such as their speaker orientation and “nondetachability,” with no need of additional linguistic mechanisms. It also explains some features of slurs that are rarely if ever explored; for example the variation in tone and strength among the different slurs for a particular group, the existence of words we count as slurs, such as 'redskin', which almost all of their users consider to be respectful, and the curious absence in Standard English of any commonly used slurs—by which I mean words used to express a negative attitude toward an entire group—for Muslims and women. (shrink)

In _The Curious Case of the Camel in Modern Japan_, Ayelet Zohar addresses issues of Orientalism, colonialism, and exoticism in modern Japan, through images of camels – the epitome of Otherness, and a metonymy for Asia in the Japanese imagination.

A curious feature of Belnap’s “useful four-valued logic”, also known as first-degree entailment (FDE), is that the overdetermined value B (both true and false) is treated as a designated value. Although there are good theoretical reasons for this, it seems prima facie more plausible to have only one of the four values designated, namely T (exactly true). This paper follows this route and investigates the resulting logic, which we call Exactly True Logic.

This volume, a translation of book 1 of Philo of Alexandria's De vita Mosis, with introduction and commentary, aims to introduce new readers, both students and scholars, to Philo of Alexandria through what is widely considered to be one of his most accessible works and one that Philo himself may have intended for readers unfamiliar with Judaism. The introduction provides historical, intellectual, and religious context for Philo, discusses major issues of scholarly interest, considers the relation of De vita Mosis to (...) the Septuagint, and explores the immediate Nachleben of Philo's works. The author's translation is paired with Cohn's edition of the Greek text, thereby providing not only a rendering of the Greek but also the Greek itself for those who wish to read Philo's own words. The English rendering of the Greek aims at clarity and accuracy while retaining as many of Philo's unique stylistic features as possible. Finally, the notes are designed to elucidate the text, especially for new readers, on a variety of levels: extrapolating on points more fully discussed elsewhere in the Philonic corpus, observing specific divergences from the Septuagint, and suggesting aspects of contemporary historical influence on Philo's retelling of the biblical narrative. The volume serves as a succinct entry into the basics of Philo while also preparing the reader for some of Philo's more challenging works. (shrink)

Democracy has been a flawed hegemony since the fall of communism. Its flexibility, its commitment to equality of representation, and its recognition of the legitimacy of opposition politics are all positive features for political institutions. But democracy has many deficiencies: it is all too easily held hostage by powerful interests; it often fails to advance social justice; and it does not cope well with a number of features of the political landscape, such as political identities, boundary disputes, and environmental crises. (...) Although democracy is valuable it fits uneasily with other political values and is in many respects less than equal to the demands it confronts. In this volume prominent political theorists and social scientists present original discussions of such central issues. Democracy's Values deals with the nature and value of democracy, particularly the tensions between it and such goods as justice, equality, efficiency, and freedom. (shrink)

The scene at the end of the Phaedo, in which Plato describes how Socrates dies by poisoning from hemlock, is moving and impressive. It gives us the sense of witnessing directly an actual event, accurately and vividly described, the death of the historical Socrates. There are, however, certain curious features in the scene, and in the effects of the hemlock on Socrates, as Plato presents them. In the Phaedo hemlock has only one primary effect: it produces first heaviness and (...) then numbness in the body. (shrink)

The scene at the end of the Phaedo, in which Plato describes how Socrates dies by poisoning from hemlock, is moving and impressive. It gives us the sense of witnessing directly an actual event, accurately and vividly described, the death of the historical Socrates. There are, however, certain curious features in the scene, and in the effects of the hemlock on Socrates, as Plato presents them. In the Phaedo hemlock has only one primary effect: it produces first heaviness and (...) then numbness in the body. (shrink)

The Argonautica is the dramatic story of Jason's quest for the Golden Fleece and his relations with the dangerous Colchian princess, Medea. The only extant Greek epic poem to bridge the gap between Homer and late antiquity, it is a major product of the brilliant world of the Ptolemaic court at Alexandria, written by Apollonius of Rhodes in the 3rd century BC. Apollonius explores many of the fundamental aspects of life in a highly original way: love, deceit, heroism, human ignorance (...) of the diven, the limits of science. This volume offers the first scholarly translation into English prose for many years, combining readability with accuracy and an attention to detail that will appeal to readers both with and without Greek. `Based on a deep understanding of the text, this translation, with informative notes and an excellent introduction, will bring Apollonius to the audience he deserves....' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

Background: While religious faith remains one of the most significant features of human life, little is known about its relationship to ordinary belief at the level of the brain. Nor is it known whether religious believers and nonbelievers differ in how they evaluate statements of fact. Our lab previously has used functional neuroimaging to study belief as a general mode of cognition, and others have looked specifically at religious belief. However, no research has compared these two states of mind (...) directly. Methodology/Principal Findings: We used functional magnetic resonance imaging to measure signal changes in the brains of thirty subjects - fifteen committed Christians and fifteen nonbelievers - as they evaluated the truth and falsity of religious and nonreligious propositions. For both groups, and in both categories of stimuli, belief was associated with greater signal in the ventromedial prefrontal cortex, an area important for self-representation, emotional associations, reward, and goal-driven behavior. This region showed greater signal whether subjects believed statements about God, the Virgin Birth, etc. or statements about ordinary facts. A comparison of both stimulus categories suggests that religious thinking is more associated with brain regions that govern emotion, self-representation, and cognitive conflict, while thinking about ordinary facts is more reliant upon memory retrieval networks. Conclusions/Significance: While religious and nonreligious thinking differentially engage broad regions of the frontal, parietal, and medial temporal lobes, the difference between belief and disbelief appears to be content-independent. Our study compares religious thinking with ordinary cognition and, as such, constitutes a step toward developing a neuropsychology of religion. However, these findings may also further our understanding of how the brain accepts statements of all kinds to be valid descriptions of the world. © 2009 Harris et al. (shrink)

A curious feature of Aztec philosophy is that the basic metaphysical question of the “Western” tradition cannot be formulated in their language, in Nahuatl. This did not, however, prevent the Aztecs from developing an account of 'reality', or whatever it is that might exist. The article is the first of its kind to compare the work of Aristotle on ousia (being) and the Aztecs on teotl and ometeotl. Through this analysis, it suggests that both of the Nahuatl terms (...) are fundamental for expressing the basic character of reality as process for the Aztecs. It also defends their notion as prima facia reasonable, despite its wide divergence from Aristotle's view. (shrink)

In this classic, exciting, and thoughtful text, Metaphysics , Peter van Inwagen examines three profound questions: What are the most general features of the world? Why is there a world? and What is the place of human beings in the world? Metaphysics introduces to readers the curious notion that is metaphysics, how it is conceived both historically and currently. The author's work can serve either as a textbook in a university course on metaphysics or as an introduction to metaphysical (...) thinking for the interested reader. This second edition, revised though not fundamentally changed, includes the basis of the first edition with a new chapter on the nature of time. (shrink)

A curious feature of the literature on motivational judgement internalism is the absence of a discussion of which moral judgements are expected to motivate and how. This dissertation aims to address this issue by investigating what account an internalist can give of judgements of supererogation. This investigation will proceed in three stages. First I will investigate the difference between judging that something is a moral obligation and judging that it is supererogatory. I will argue that, unlike judgements of (...) obligation, there is no reliable connection between judgements of supererogation and motivation. Next I will look at what account a judgement internalist can give of the necessary connection between moral judgements and motivation that is compatible with existence of moral judgements that we do not expect people to be motivated by. I will argue that an all things considered reasons internalism is able to give such an account but cannot explain the motivational power of judgements of supererogation. I will then argue that positing an internal connection between judgements of supererogation and feelings of admiration allows for an internalist account that is capable of explaining the ability of judgements of supererogation to motivate. (shrink)

Philosophy has as much to do with feelings as it does with thoughts and thinking. Philosophy, accordingly, requires not only emotional sensitivity but an understanding of the emotions, not as curious but marginal psychological phenomena but as the very substance of life. In this, the second book in a series devoted to his work on the emotions, Robert Solomon presents a defense of the emotions and of sentimentality against the background of what he perceives as a long history of (...) abuse in philosophy and social thought and art and literary criticism. The title piece reopens a classic debate about the role of sentimentality in art and literature. In subsequent chapters, Solomon discusses not only such "moral sentiments" as sympathy and compassion but also grief, gratitude, love, horror, and even vengeance. He also defends, with appropriate caution, the "seven deadly sins." The emotions, at least some emotions--are essential to a well-lived life. They are or can be virtues, features of the human condition without which civilized life would be unimaginable. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Recovering the Vestiges of Primeval Europe: Archaeology and the Significance of Stone Implements, 1750–1800Matthew R. GoodrumFor the antiquaries of the seventeenth and eighteenth centuries who studied the few broken monuments and obscure artifacts that survived from the earliest periods of human history there was a dawning realization that these remote epochs were not as inaccessible as had previously been believed. This attitude was mirrored in geological research where natural (...) historians were using fossils and geological formations to reconstruct the history of the earth, which was turning out to be considerably longer and more dynamic than had previously been thought.1 Antiquarianism and natural history shared many features and problems in common during this period and their fates would become more intertwined than either discipline realized at the time.2Despite the growing hope that archaeological monuments could illuminate the past, a great deal of early human history remained hidden, enveloped in a fog that the antiquary could only occasionally peer through.3 Yet [End Page 51] the nascent science of archaeology made great strides during the seventeenth and eighteenth centuries. Antiquaries throughout Europe were investigating field monuments, collecting artifacts, and excavating barrows in an attempt to throw some light on the original inhabitants of the continent. 4 Antiquarianism, a scholarly discipline dedicated to the study of antiquities and other historical documents, had close links with natural history during this period and many antiquaries employed methods and a mode of reasoning drawn from the sciences.5 By By the late eighteenth century, antiquarianism itself was changing and a new science of archaeology was emerging and defining its own professional identity.6Among the objects investigated by these antiquaries was a particularly curious class of artifacts that had long been collected and examined in Europe. Natural historians throughout the early modern period had collected a type of stone called ceraunia, or thunderstones. It was not until the end of the seventeenth century that antiquaries and natural historians suggested that these stones were not produced in clouds by natural processes but instead were stone arrowheads, axe-heads, and other implements fabricated by early Europeans. Once these objects were accepted as ancient human artifacts, entirely new sets of questions arose: for example, why would early Europeans make tools out of stone instead of metal, what were these objects used for, and what could they tell us about the culture of ancient peoples.7 The latter question was all the more disturbing since it [End Page 52] was apparent that the stone artifacts found in Europe were very similar to the stone implements and weapons used by the so-called “savages” of the New World and the South Pacific. By the middle of the eighteenth century there was an increasing amount of evidence and a growing consensus that the inhabitants of many parts of northern Europe prior to the Roman era possessed only stone implements and culturally were rude and barbarous peoples. This idea that early Europeans had been barbarians was not new; Roman historians had asserted as much, but what was new was the quantity of archaeological evidence for this idea and the way it was understood within the context of European contact with the indigenous peoples of the New World and the South Pacific who still used stone tools.Antiquaries and natural historians during the first half of the eighteenth century were still accumulating evidence to support the idea that so-called thunderstones were in fact archaeological artifacts. They were also attempting to understand what they meant as historical and cultural artifacts, and importantly they were trying to integrate this new understanding within the traditional biblical view of human history.8 A great deal has been written about the study of prehistoric stone artifacts in the early nineteenth century, especially since it was during this period that Scandinavian archaeologists formulated the Three Age System that organized prehistory into a succession of periods from the Stone Age through the Bronze Age to the Iron Age.9 In addition, the important theoretical breakthroughs of the early nineteenth century, combined with the expansion and professionalization of archaeology as a discipline during this period, have tended to focus the attention of historians of archaeology... (shrink)

A curious irony hangs over the two similes of the lantern and the clepsydra which Empedocles used to describe his theories of seeing and breathing. Similes were a feature of Empedocles' style, and it is clear that on these two in particular he has lavished considerable care. They have been preserved in their entirety, as almost the longest continuous quotations which Aristotle makes from any author. Despite such auspicious beginnings, these two similes have proved peculiarly resistant to modern (...) attempts at interpretation. The reason for this, I shall try to show, is that certain features in the two similes took on a spurious significance as a result of Plato's remodelling of Empedocles' theories. Difficulties of interpretation have been caused by trying to read back these innovations of Platonic theory into details of the similes that in their original context were fortuitous and inessential.In Plato vision occurs when fire leaves the eye and joins fire outside to form a single compacted body, along which movements from the visible object are communicated as sensations to the eye.According to Theophrastus, Empedocles explained vision as the result of effluences which are given off from objects and enter the appropriate pores of the eye. Dark effluences enter the watery pores of the eyes, and bright effluences enter the fiery pores of the eye. As I have tried to show in an earlier article, Empedocles distinguished good and bad vision, by day and by night, for eyes with a predominance of fire and for eyes with a predominance of water. Good vision results when the dark and light elements which enter the eye are equally balanced. Poor vision results either when there is too much fire in the eye, so that we are dazzled, or when there is too much water in the eye, so that our vision is dimmed. In the whole of his detailed and one would have thought exhaustive account, Theophrastus says nothing about fire leaving the eye as a factor in the act of vision. (shrink)

Philosophy has as much to do with feelings as it does with thoughts and thinking. Philosophy, accordingly, requires not only emotional sensitivity but an understanding of the emotions, not as curious but marginal psychological phenomena but as the very substance of life. In this, the second book in a series devoted to his work on the emotions, Robert Solomon presents a defense of the emotions and of sentimentality against the background of what he perceives as a long history of (...) abuse in philosophy and social thought and art and literary criticism. The title piece reopens a classic debate about the role of sentimentality in art and literature. In subsequent chapters, Solomon discusses not only such "moral sentiments" as sympathy and compassion but also grief, gratitude, love, horror, and even vengeance. He also defends, with appropriate caution, the "seven deadly sins." The emotions, at least some emotions--are essential to a well-lived life. They are or can be virtues, features of the human condition without which civilized life would be unimaginable. (shrink)

What is suspense and how is it created? An answer to this question constitutes a theory of suspense. I propose that any theory of suspense needs to be able to account for three curious features: (1) Suspense is seldom felt in our daily lives, but frequently felt in response to works of fiction and other narrative artworks. [Narrative Imbalance] (2) It is widely thought that suspense requires uncertainty, but we often feel suspense in response to narratives when we have (...) knowledge of the outcome. [Paradox of Suspense] (3) The amount of suspense felt in response to a narrative typically diminishes on repeated encounters. [Diminishing Returns] I offer a theory of suspense that can explain these three features. I argue for a theory called the Desire-Frustration Theory of Suspense, which holds that suspense results when our desire to effect the outcome of an imminent event is frustrated. (shrink)

Most donated organs in the United States come from brain dead donors, while a small percentage come from patients who die in “controlled,” or expected, circumstances, typically after the family or surrogate makes a decision to withdraw life support. The number of organs available for transplant could be substantially if donations were permitted in “uncontrolled” circumstances–that is, from people who die unexpectedly, often outside the hospital. According to projections from the Institute of Medicine, establishing programs permitting “uncontrolled donation after circulatory (...) determination of death,” or uDCDD, throughout the United States has the potential to provide 22,000 more donation opportunities annually. In contrast, U.S. controlled donation after circulatory determination of death, or cDCDD, cases have increased progressively over the past decade from 87 to 848 donors, but currently account for only 10.6 percent of all deceased donors. Following the IOM recommendations, several projects exploring the feasibility of uDCDD were funded by the federal government, including a grant from the Health Resources and Services Administration that supported a pilot project in New York City in which the authors of this article participated.A key feature of our protocol, and indeed of many uDCDD protocols, is the initiation of preservation methods such as chest compressions and extracorporeal membrane oxygenation shortly after death in order to perfuse and preserve the donor's organs. Critics of uDCDD argue that the means of determining death deviates from generally ascribed principles. They assert that reinstituting circulation in order to preserve organs has the effect of “undoing” the prior determination of death. The result is that cDCDD is widely accepted and practiced routinely even though it only marginally increases the number of organs available for transplantation, and uDCDD is widely considered unacceptable despite being ethically embraced and proven to significantly increase organ donation opportunities in other countries. This article explores the evolution of this counterintuitive state of affairs and calls for a policy that, in line with the IOM report, allows for both cDCDD and uDCDD protocols. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 28.2 (2004) 324-341 [Access article in PDF] Charles Lamb: Professor of Indifference Tim Milnes University of Edinburgh Nothing puzzles me more than time and space, and yet nothing puzzles me less, for I never think about them.1 I The name of Charles Lamb—essayist, poet, and notorious punster—does not loom large in studies of the philosophy of the English Romantics. The reasons for this initially unsurprising fact (...) range from the personal and obvious to the cultural and curious. Tied for most of his adult life to a clerk's desk at the East India Company, and to the care of his mentally ill sister at home, Lamb was rarely permitted the leisure even to dally in the expansive visionary landscapes explored in the epic works of consciousness of his friends Samuel Taylor Coleridge, William Wordsworth and Robert Southey. And yet, as the 1810 quip to Manning recorded above suggests, his reluctance to engage with philosophy is not merely attributable to the straitened life of the journeyman scribe. Such a remark is quite typical of Lamb's conscious attempt, in the face of a culture increasingly driven by the dissemination of knowledge, to cultivate an imaginative space the reverse of the knowing or "philosophical." It is this attitude that makes him more, not less, interesting alike for the intellectual historian and the philosopher.Lamb's avowed carelessness about matters philosophical is as familiar to his readers as the persona of "Elia" adopted for the essays he wrote for the London Magazine in the early 1820s. It is also just as beguiling and intriguing. Lamb's resistance to philosophy and his epistemic insouciance both trade on the suggestion that the desirable mind is the [End Page 324] ironic mind, reflecting—or, perhaps, refracting—a transitional and forever "imperfect" subjectivity. Correspondingly, his essays frequently invoke figures of liminality, of being in two or more states at once: whether between dreams and consciousness in "Witches, and other Night Fears" (1821); past and present in "Distant Correspondents" (1822); truth and lies in "Imperfect Sympathies" (1821); or literal and figurative selves in the imponderable relationship between "Lamb" of "On Christ's Hospital" (1813) and "Elia" of "Christ's Hospital Five and Thirty Years Ago" (1820).2 Moreover, this self-styled figure of the writer as always between alternate and often contrary conditions, beliefs and identities—what Lamb termed his "bi-parted nature"—has itself become a stock descriptor among Lamb's commentators.3 It is not difficult, for example, to detect its presence in Coleridge's portrayal of his friend as "one hovering between earth and heaven,"4 as well as De Quincey's depiction of a sleeping Lamb as "the image of repose midway between life and death, like the repose of a sculpture."5 More recently, it has shaped Jane Aaron's exploration of his proclaimed "double singleness"6 and Seamus Perry's characterisation of his "borderland," "serious-non-seriousness."7Understandably, critics of a certain bent have sought to link these features of Lamb's work, arguing that the centrifugal properties of his writing display an aversion to categorical "difference" that is directly related to his suspicion of the dualisms of systematic belief-systems. Gerald Monsman, for example, argues that insofar as Lamb's essays undermine "all transcendental reconciliations or definitive closures," they "appear to be sly critiques of the central dogmas of romanticism."8 However, to class Lamb's writing as radically decentred or self-deconstructing is to miss the profound nostalgia it evinces at critical moments for a neutral ground and a sense of belonging. Lamb's indifference to knowledge, and to philosophy as the pursuit of certain knowledge, is constantly challenged by his fear of imaginative dissolution. Correspondingly, Lamb/Elia's indifferent location between the real and the fictive never quite manages completely to repress the desire for truth. And yet, "indifference," quite apart from being a term that both fascinated and repelled Lamb himself, aptly characterises both his attitude to philosophy and knowledge on one hand, and the liminal properties of his prose on the other. Freud provides a... (shrink)

We consider various curious features of general relativity, and relativistic field theory, in two spacetime dimensions. In particular, we discuss: the vanishing of the Einstein tensor; the failure of an initial-value formulation for vacuum spacetimes; the status of singularity theorems; the non-existence of a Newtonian limit; the status of the cosmological constant; and the character of matter fields, including perfect fluids and electromagnetic fields. We conclude with a discussion of what constrains our understanding of physics in different dimensions.

In this paper we examine the role the Dutch gymnasium continues to play in the institutional maintenance of educational inequality. To that end we examine the relational and spatial features of state-sponsored elite education in the Dutch system: the unique identity the gymnasium seeks to cultivate; its value to its consumers; its geographic significance; and its market position amidst a growing array of other selective forms of schooling. We argue that there is a strong correlation between a higher social class (...) background and the concern to transmit one’s cultural habitus. We further speculate on the moral implications of state-sponsored elite education, both as it concerns the specific role of the gymnasium in the reproduction of social inequality as well as the curious tendency among its supporters to rationalise the necessity of its existence. (shrink)

Moral philosophy has been increasingly concerned with the nature of emotion and its ethical significance. Almost no attention, however, has been paid to disgust, in spite of its evident connections to taboos, exclusionary policies, and severe forms of moral, political, and aesthetic condemnation. This dissertation offers a theory of revulsion. On the basis of this account, it also gives us a way of thinking about intimate or tactile features of moral agency, which play a vital role in maintaining those various (...) practices. ;The analysis begins with a detailed portrait of the expansive and curious realm of disgust and derives from the portrait a set of desiderata by which to build a theory of revulsion. The views of the three primary theorists of disgust are evaluated: the anomaly thesis of the anthropologist Mary Douglas, the animal reminder theory of the empirical psychologist Paul Rozin, and the generative lowliness account of the social historian William Ian Miller. None of these satisfies the desiderata, and they also fail for reasons internal to their own viewpoints. The works of Julia Kristeva on abjection and Noel Carroll on art-horror are also considered. ;Both the portrait and the set of desiderata direct attention upon not just objects commonly deemed to be impure, but pollution processes and the wider emotional dynamics with which they are integrated. Due consideration of these various factors reveals that disgust is generally about carnal disvalue, or somatic unwholesomeness, and paradigmatically about filthiness and its smear. Disgust is so concerned because its phenomenology functions as a foretaste of unhealthiness. And it is aided in its task by a physiognomic structure calibrated to various organic signs taken to indicate deeper somatic defilement. One of the special features of such carnal disvalue is the facility with which it extends to larger and more abstract realms of disvalue, like the morally or aesthetically repulsive. These reflections on revulsion suggest that our mortality is as much about the organic or carnal character of living and dying, as it is cessation of life. (shrink)

Suppose we discovered that all the women in the Slobbovian culture exhibit a strong preference for blue-handled knives and red-handled forks. They would rather starve than eat with utensils of the wrong color. We’d be rightly puzzled, and eager to find an explanation. ‘Well,” these women tell us, “blue-handled knives are snazzier, you know. And just look at them: these red-handled forks are, well, just plain beautiful!” This should not satisfy us. Why do they say this? Their answers may make (...) sense to them, and even to us, once we’ve managed to insert ourselves to some degree into their culture, but that is not the end of it. We want to know why there is a culture with such apparently arbitrary and unmotivated preferences. To us outsiders, the need for an answer stands out, even if the Slobbovians themselves think their answers are self-evident and quite satisfying. Similarly, we may think it is just obvious that laughter is the appropriate response to humor. Why are some female shapes sexy and others not? Isn’t it obvious? Just look at them! But that is not the end of it. The universalities, regularities and trends in our responses to the world do indeed guarantee, trivially, that they are part of “human nature,” but that still leaves the question of why. Something must pay for these extravagant features. What? To answer, we need to adopt an evolutionary point of view, which encourages us to look at all aspects of human nature from the sort of alien, Martian perspective that science thrives on. This perspective, self-consciously objective and bristling with hooks for attachment to the rest of science, is anathema to John Dupré. It reeks of “reductionism” and “scientism” and “economism”. He wants to preserve and even privilege the traditional “explanations” of such features of human nature, not just as part of the story but as a part that excuses us from hunting for deeper, unifying explanations of the same features. Wittgenstein famously said that explanation has to stop somewhere, and Dupré seems to want it to stop just before these curiously invasive evolutionary questions get posed. (shrink)

This paper seeks to answer the question: Can contemporary forms of artificial intelligence be creative? To answer this question, I consider three conditions that are commonly taken to be necessary for creativity. These are novelty, value, and agency. I argue that while contemporary AI models may have a claim to novelty and value, they cannot satisfy the kind of agency condition required for creativity. From this discussion, a new condition for creativity emerges. Creativity requires curiosity, a motivation to pursue epistemic (...) goods. I argue that contemporary AI models do not satisfy this new condition. Because they lack both agency and curiosity, it is a mistake to attribute the same sort of creativity to AI that we prize in humans. Finally, I consider the question of whether these AI models stand to make human creativity in the arts and sciences obsolete, despite not being creative themselves. I argue, optimistically, that this is unlikely. (shrink)

Japan is the world’s largest producer of love simulation games, revealing a curious feature: these games, in theory, assign female players to the unique task of seducing a male character, but, in reality, they promote the establishment of a network of friendship between women. Love cannot be achieved if this network is not carefully woven both in play and in real life. Based on the analysis of this double dynamics, outwardly contradictory, I would like to advance the following (...) hypothesis: that such games enable their users to ‘outsmart’ gender expectations. These games, called otome games, became popular in the context of a national panic related to the declining birthrate: they target the market of women who – living alone or with their parents – are held responsible for the future shortfall of the system. These new generations of women don’t start a family. They have no children. How do they manage to ward off exclusion and stigma? The study will focus on the strategies collectively devised to turn otome games into an identity-building tool, promoting friendship between players as a means of resistance against social norms. (shrink)

It is a curious feature of early modern epistemology and its contemporary heirs in analytic philosophy that belief is held both to be involuntary, and to be subject to a prescriptive norm of evidence. I begin by laying out these theses, pointing out the tension that exists between them, as well as discussing how they put pressure on religious faith. I then ask why the first thesis—doxastic involuntarism—has come to be so dominant. Following my diagnosis, I advance reasons (...) to think that the thin concept of belief presupposed by doxastic involuntarism is not faithful to our ordinary and more substantial concept of belief. I conclude by outlining an alternative understanding of what it means to believe that p, based on insights of St. Thomas Aquinas and Gabriel Marcel regarding belief and opinion, as well as the relationship between persons and their beliefs. (shrink)

Martin traces the genealogies of what he considers three of the most distinct and historically immediate fields of modern visual culture: the collection, the body, and the mapping of spaces.

Martin traces the genealogies of what he considers three of the most distinct and historically immediate fields of modern visual culture: the collection, the ...

The longstanding critical refrain that Virginia Woolf's fiction represents a turn "inward" to the vagaries of the inner life has more recently been countered with an "outward" approach emphasizing Woolf's interest in the material world, its everyday objects and their social and political significance. Yet one of the most curious and pervasive features of Woolf's oeuvre is that characters are so frequently wrong in their perceptions. This essay consolidates the inward and outward approaches by tracing the trope of misperception (...) in Woolf's fiction as well as in her conceptions of the work of author and reader. For Woolf, the modern literary experience derives from the nature of the faculties of perception, the tenuous points of connectionand disjunctionbetween the inner and the outer worlds. (shrink)

The Gift of Death, Jacques Derrida’s most sustained consideration of religion, explores questions first introduced in his book Given Time about the limits of the rational and responsible that one reaches in granting or accepting death, whether by sacrifice, murder, execution, or suicide. Derrida analyzes Czech philosopher Jan Patocka’s Heretical Essays in the Philosophy of History and develops and compares his ideas to the works of Heidegger, Lévinas, and Kierkegaard. One of Derrida’s major works, The Gift of Death resonates with (...) much of his earlier writing, and this highly anticipated second edition is greatly enhanced by David Wills’s updated translation. This new edition also features the first-ever English translation of Derrida’s Literature in Secret. In it, Derrida continues his discussion of the sacrifice of Isaac, which leads to bracing meditations on secrecy, forgiveness, literature, and democracy. He also offers a reading of Kafka’s Letter to His Father and uses the story of the flood in Genesis as an embarkation point for a consideration of divine sovereignty. “An important contribution to the critical study of ethics that commends itself to philosophers, social scientists, scholars of religion... [and those] made curious by the controversy that so often attends Derrida.”—Booklist, on the first edition. (shrink)

In this essay I propose an interpretative and explanatory structure for the so-called argumentum ex silento, or argument from silence (henceforth referred to as the AFS). To this end, I explore two examples, namely, Sherlock Holmes’s oft-quoted notice of the “curious incident of the dog in the night-time” from Arthur Conan Doyle’s short story “Silver Blaze,” and the historical question of Paul of Tarsus’s silence on biographical details of the historical Jesus. Through these cases, I conclude that the AFS (...) serves as a dialogical topos best evaluated and understood through the perceived authority of the arguer and the willingness of the audience to accept that authority, due to the “curious” nature of the negative evidence that the argument employed. (shrink)