In the third book in the trilogy that includes Reduction and Givenness and Being Given. Marion renews his argument for a phenomenology of givenness, with penetrating analyses of the phenomena of event, idol, flesh, and icon. Turning explicitly to hermeneutical dimensions of the debate, Marion masterfully draws together issues emerging from his close reading of Descartes and Pascal, Husserl and Heidegger, Levinas and Henry. Concluding with a revised version of his response to Derrida, In the Name: How to Avoid (...) Speaking of It, Marion powerfully re-articulates the theological possibilities of phenomenology. (shrink)

A phenomenon is that which appears. In his phenomenology, Jean-Luc Marion shows how a phenomenon that appears in and out of itself evades the metaphysical demand of grounding. Classical philosophy has acknowledged phenomena only in so far as they can be sanctioned by the concepts of the intellect. This holds good also of Husserl’s constitutive ego. Now, Marion distinguishes between such intuitively “poor phenomena” and the “saturated phenomena” that exceed the intentional consciousness; they are given not (...) by the consciousness but to the consciousness in an excess of intuition. This “gift of appearance” is Marion’s main concern, in the visible in general, and in painting in particular. But whereas idols only reflect our own desire to see and to be seen, icons surprise us by the gaze the saint directs on us. A picture is the scene of a possible revelation; and the revelation is nothing but the phenomenon taken in its fullest meaning: intuitive saturation at its maximum. A crucial question, nonetheless, remains: What is the relation between revelation as a phenomenological possibility, and Revelation as a theological dogma of the utmost importance? (shrink)

In this article, I will argue that while Marion’s criticism of Heidegger’s project of fundamental ontology is in many ways sound, Marion remains bound to the conceptual opposition that existential phenomenology has successfully overcome. Namely, I will argue that Marion remains dependent upon the transcendental dilemma according to which we must rely on the strict differentiation between explanans and explanandum. Marion sees no way of departing from Heidegger’s project other than reversing the order of explanation and switching the places of (...) the explanans and explanandum, which means that phenomena start appearing as explanans. I will demonstrate how existential phenomenology has overcome this conceptual dilemma, and then I will argue that we could make a much better account of saturated phenomena, if we ground our insights in the idea of being-in-the-world. (shrink)

Introduction -- Marion's claims -- The hermeneutic structure of phenomenality -- The theory of saturated phenomena -- Events -- Dazzling idols and paintings -- Flesh as absolute -- The face as irregardable icon -- Revelation : the phenomenon of God's appearing -- Conclusion: Revising the phenomenology of givenness.

The philosophical work of Jean-Luc Marion has opened new ways of speaking about religious convictions and experiences. In this exploration of Marion’s philosophy and theology, Christina M. Gschwandtner presents a comprehensive and critical analysis of the ideas of saturated phenomena and the phenomenology of givenness. She claims that these phenomena do not always appear in the excessive mode that Marion describes and suggests instead that we consider degrees of saturation. Gschwandtner covers major themes in Marion’s work—the historical (...) event, art, nature, love, gift and sacrifice, prayer, and the Eucharist. She works within the phenomenology of givenness, but suggests that Marion himself has not considered important aspects of his philosophy. (shrink)

ABSTRACT The question of this article is whether the saturated phenomenon as articulated in the early work of Jean-Luc Marion may appear within language and history, or in other words how a non- or extra-horizonal event can appear within the horizons necessary for communication and communality. This problem is significant, among other reasons, because saturated aesthetic, ethical, and religious phenomena constitute important bases for communal values. The article argues that Hans-Georg Gadamer’s philosophy of language offers resources that (...) allow us to understand how a saturated phenomenon can appear communicably and communally without sacrificing the irreducible excessiveness of its appearance. The author draws on parallels between Marion and Gadamer to argue that the poetic word and the conversation present possibilities of the saturated phenomenon occurring within language and history, and suggests the “saturated question” as a name for this mode of appearance. (shrink)

During the last few decades, many thinkers have advocated for the importance of the phenomenological approach in developing the understanding of the lived experience of illness. In their attempts, they have referred to ideas found in the history of phenomenology, most notably, in the works of Edmund Husserl, Martin Heidegger, Maurice Merleau-Ponty and Jean-Paul Sartre. The aim of this paper is to sketch out an interpretation of illness based on a yet unexplored conceptual framework of the phenomenology of French thinker (...) Jean-Luc Marion. Focusing on concepts of the saturated phenomenon and flesh, the paper develops an interpretation of illness as the saturated phenomenon, which highlights a variety of dimensions of illness already elaborated within the phenomenology of medicine, such as the affective dimension of illness, the disruptive dimension of illness, the transformed perception of the self in illness, mineness of flesh in illness and the inexpressible and hermeneutical dimension of illness. In addition to that, the paper explores some of the consequences the proposed interpretation of illness offers regarding the nature of illness and health. It is argued that illness in its essence is very similar to the experience of other saturated phenomena, suggesting that the difference between them does not lie within the character of the affective givenness, but rather within the dynamic relationship between the affective givenness and its conceptualization. It is also shown that the experience of health is compatible with the experience of saturation and thus is not limited to the tacit and harmonious background state. (shrink)

The “saturated phenomenon” is Jean-Luc Marion’s principal hypothesis, by which he tries to ground the source of phenomenality. Against the transcendental phenomenology, Marion finds phenomena that go beyond the constitutional power of intention. The saturated phenomenon is never possessed because the saturated phenomenon withdraws itself and thus it endlessly escapes from us. A problem of intelligibility thus arises. The essential finitude of the subject requires that the subject passively receives what the saturated phenomenon gives. Marion, (...) however, endows the gifted with more than the mere passivity. The subject is invited as a “witness” who actively responds to the call of the phenomenon. Marion posits the interpersonal relationship. The problem of the interpretability of intention is another problem inherent in the infinity of interpretation of the other. In our ordinary lives, we habitually search out the other’s intention, infinitely. Emmanuel Levinas clearly points out that the other is the transcendent source of ethics, a source which is not intelligible to us. The other, for Levinas, does not appear to the subject, but conditions it. Marion, by contrast, neutralizes the other and “the face” imposes “oneself” as the other who is neutrally visible to us. I assume Marion is more interested in the world of objects, rather than the world of persons, and thus misses the peculiarity resident in the personhood of persons. We become passive in the presence of the personality, not because we want to become passive, but because we realize our own power of illustration does not fill in the personality. (shrink)

Along with Husserl's Ideas and Heidegger's Being and Time, Being Given is one of the classic works of phenomenology in the twentieth century. Through readings of Kant, Husserl, Heidegger, Derrida, and twentieth-century French phenomenology (e.g., Merleau-Ponty, Levinas, and Henry), it ventures a bold and decisive reappraisal of phenomenology and its possibilities. Its author's most original work to date, the book pushes phenomenology to its limits in an attempt to redefine and recover the phenomenological ideal, which the author argues has never (...) been realized in any of the historical phenomenologies. Against Husserl's reduction to consciousness and Heidegger's reduction to Dasein, the author proposes a third reduction to givenness, wherein phenomena appear unconditionally and show themselves from themselves at their own initiative. Being Given is the clearest, most systematic response to questions that have occupied its author for the better part of two decades. The book articulates a powerful set of concepts that should provoke new research in philosophy, religion, and art, as well as at the intersection of these disciplines. Some of the significant issues it treats include the phenomenological definition of the phenomenon, the redefinition of the gift in terms not of economy but of givenness, the nature of saturated phenomena, and the question “Who comes after the subject?” Throughout his consideration of these issues, the author carefully notes their significance for the increasingly popular fields of religious studies and philosophy of religion. Being Given is therefore indispensable reading for anyone interested in the question of the relation between the phenomenological and the theological in Marion and emergent French phenomenology. (shrink)

This essay addresses the questions of whether the givenness of God is something possible, intelligible—and, if so, what such givenness might involve. In the interest of situating these questions in historical context, I first summarize Kant’s, Hegel’s, and Habermas’s respective accounts of the relationship between belief in God and philosophical knowledge. I then further situate critical philosophy’s appropriation of God by way of a discussion of how some of this appropriation’s fiercest critics—existentialists such as Sartre, Shestov, and Kierkegaard—object to its (...) gambit of using God to serve moral and cultural goals even as it denies God’s actual existence. Though this objection is a salient one, it leaves something to be desired. For although the existentialists may demonstrate what is misguided about the philosophers’ God, they do not have anything especially compelling to say about whether or how God can be given experientially. I address this aporia by exploiting what I take to be a happy intersection between the phenomenological conception of the saturated phenomenon and two moods—agape love and ecstatic joy—the mystical tradition frequently attributes to the nature of divine givenness. I argue that, when mystical experience is situated within the framework of saturated phenomena rather than within the Kantian enclosures of phenomenality, two intriguing possibilities emerge. First, it seems plausible that the religious experience of the mystic can, in principle, involve the very givenness of God that Kant and his heirs denied to be possible. Second, though phenomenology has yet to provide a complete positive portrait of the religious life, the mystical tradition emerges as a legitimate, invaluable source with which such a phenomenological portrait might begin. (shrink)

This article gives an account of Jean‑Luc Marion’s thought concerning the anamorphosis of works of art. The initial considerations regarding the phenomenon of anamorphosis in art are followed by a presentation of the innovative character of Marion’s phenomenological project, together with the characteristics of saturated phenomena. The article examines selected examples of anamorphosis of works of art and also categorizes different varieties of anamorphosis. The author aims mainly at proving that Marion’s phenomenological thought reaches beyond the limits of (...) traditionally understood aesthetics, pointing towards the category of excess of intuition (saturation, saturé) in art. (shrink)

Pour la phénoménologie de Jean-Luc Marion, Descartes est le philosophe ayant achevé la métaphysique. Mais il faut entendre toute la polyphonie de ce terme. D’un côté, il l’a achevée au sens où il l’a parachevée, la portant à son sommet en fixant ses concepts et ses enjeux pour la modernité à venir. De l’autre, il l’a achevée en montrant ses brisures, la rendant caduque par la mise au jour de son dépassement possible selon deux concepts qui déterminent aussi deux moments (...) cartésiens : l’infini puis la chair. Cette ambivalence eu égard à la métaphysique (fixation puis dépassement), résonne dans la phénoménologie de la donation puisqu’elle détermine la mise en place de la distinction entre les phénomènes saturés et les phénomènes de droit commun. Ainsi, Descartes est utilisé comme le philosophe qui fixe les frontières, non seulement entre philosophie et métaphysique, mais aussi celles qui passent au cœur même de la phénoménologie. Pourtant, à de nombreuses reprises, Marion montre que cette fixation des frontières n’est pas aussi aisée à opérer qu’il n’y paraît, et qu’il y a un brouillage essentiel et originaire de celles-là. Pour la phénoménologie de la donation, Descartes est donc à la fois un repoussoir et un aimant, ce qu’il faut dépasser et ce à partir de quoi on le dépasse, ce qui disparaît dans la mort de la métaphysique, mais aussi ce qui s’attarde dans ce qui lui survit. (shrink)

After Husserl and Heidegger, phenomenology has attempted to push the reduction beyond the reference of objects to the performances effected by consciousness, or of beings to Being. First, a new level of the reduction comes forth in M. Henry's radical reduction of appearing to the appearing of appearing, and leads to the disclosure of a dimension in which no horizons are to be fulfilled because the superabundance of life holds sway. Secondly, according to H. Rombach, the phenomena decribed in (...) the first two levels are nothing but epiphenomena, and must be explained in terms of structures that emerge in a creative development. Reality brings forth something from itself, and we must take advantage of this contribution in order to obtain more than what is anticipated in our projects. Thirdly, J.-L. Marion advances a theory on saturated phenomena in order to account for phenomena that surpass the bounds outlined for them in the mere significational intentions because they show a surplus of intuition. The three trends lead respectively to an originary phenomenality, an outbreak of phenomena, and saturated phenomena. The article contends that they tend to come together because they link the third level of phenomenology to a reflection that turns on the duality between what appears and its appearing, and, in doing so, disclose a surplus with regard to three different aspects of the duality, i.e., appearing as such, the overall condition of what appears, or the appearing of some preeminent phenomena. Finally, some anticipations of these trends in Husserl's transcendental phenomenology are shown.Luego de Husserl y Heidegger, la fenomenología ha intentado llevar la reducción más allá de la referencia de los objetos a las operaciones efectuadas por la conciencia o de los entes al ser. En primer lugar, un nuevo nivel de reducción se manifiesta en la reducción radical propuesta por M. Henry para retroceder del aparecer al aparecer del aparecer, y conduce al descubrimiento de una dimensión en que no hay horizontes que puedan ser plenificados porque impera la sobreabundancia del la vida. En segundo lugar, según H. Rombach, los fenómenos descritos en los dos primeros niveles no son otra cosa que epifenómenos y tienen que ser explicados en términos de estructuras que emergen en un desarrollo creador. La realidad produce algo a partir de sí misma, y esta contribución debe ser aprovechada a fin de alcanzar más de lo anticipado en nuestros proyectos. En tercer lugar, J.-L. Marion presenta una teoría sobre los fenómenos saturados a fin de dar cuenta de aquellos casos que exceden los límites que les han sido delineados en las intenciones significativas vacías porque muestran una demasía de intuición. Las tres tendencias conducen respectivamente a una fenomenalidad originaria, a un estallido del fenómeno y a una saturación del fenómeno. El artículo sostiene que tienden a converger porque vinculan el tercer nivel de la fenomenología con una reflexión en torno de la dualidad entre lo que aparece y su aparecer, y que, al hacerlo, ponen de manifiesto una excedencia respecto de tres aspectos distintos de la dualidad, esto es, el aparecer en cuanto tal, la condición general de lo que aparece o la aparición de algunos fenómenos preeminentes. Finalmente, se indican algunas anticipaciones de estas tendencias en la fenomenología trascendental de Husserl. (shrink)

In marked contrast to Husserlian “unities of sense” that structure consciousness around _egoic_ ideal-meaning intention, contemporary phenomenology orders sense according to an excess of givenness – a surfeit of presence – that surpasses this intentional relation. But Emmanuel Falque argues that there is a resistance that _precedes_ the phenomenological order of givenness and sense. Before the saturated phenomena (Marion), the _pathos_ of the flesh (Henry), and the irruption of the Other (Levinas), there is a resistance of presence that (...) is not _sensu stricto_ given at all. Falque turns to the early writings of Emmanuel Levinas on trauma and insomnia and the hum and buzz of the _il y a_ (the “there is …”) that precedes the order of givenness and sense, including the Levinasian Other, in order to make sense of this _a priori_ resistance. There is a presence of the body, experienced in some sense via trauma, insomnia, and Falque’s own notion of the “spread body” that is not given yet constitutes an integral part of embodied experience. The way Falque engages with these bodily experiences reformulates the phenomenological limit, not in terms of excess and givenness, but in terms of resistance and the “extra-phenomenon.” Phenomenological engagement with resistance thus becomes a wager on meaning and sense, the outcome of which cannot be known in advance, that is, cannot be always and already ordered to phenomenological givenness. (shrink)

The first part of this essay presents Patrick Masterson’s exposition of the phenomenology of religion developed by Jean-Luc Marion, and his exposition of the Thomistic philosophy of religion. Masterson argues that phenomenology can be helpful as an analysis of faith and religious experience, but it remains within subjective immanence. It needs to be complemented by a metaphysical analysis that deals with causation and explanation, as Thomism does. The essay then makes three points: first, that phenomenology need not be limited to (...) the merely subjective domain nor need it fail to speak about being; second, that Thomistic “cognitional existence,” as developed by Joseph Owens, can be fruitfully compared with the domain studied by phenomenology as the analysis of being as truth; third, that the “saturated phenomena” introduced by Marion and used by Masterson involve categorial articulation and hence some initiative on the part of the knower, even in matters of religious faith. The essay discusses issues such as the nature of philosophical discourse, the differences between the modern and the premodern understandings of appearance; and the nature of cognitional existence in words and images. (shrink)

This article offers a reading of Jean-Paul Sartre’s phenomenology in light of Jean-Luc Marion’s more recent phenomenology. It may seem odd to compare Sartre to Marion, given that Sartre is well-known for his avowed atheism and his account of intentionality while Marion is primarily known for his work on religious phenomena and counter-intentionality. However, this article shows that there are many ways in which Sartre anticipates Marion’s work on phenomenological reduction and excessive phenomenality. By reading Sartre’s phenomenology in light (...) of Marion’s, and particularly Sartre’s analysis of the viscous slime in Being and Nothingness in relation to Marion’s account of ‘saturated phenomena’, this article presents a fresh interpretation of Sartre as a phenomenologist who has invaluable insights not only on the structures of consciousness and phenomenality, but also for the contemporary theoretical interest in the relationship between human and nonhuman entities. (shrink)

The reformulation of the subject as the gifted allows Jean-Luc Marion to incorporate saturated phenomena into his phenomenology but also introduces a serious problem to his project. Specifically, when confronted with the choice between absolute, unconditioned phenomena and the active role of the gifted, Marion chooses the unconditioned phenomena, and as a result, his project loses the ability to maintain meaning. In response to this issue, I advocate for a more active role for the gifted by (...) turning to Iain Thomson’s recent work on Heidegger. I conclude by affirming the validity of a more active role for the gifted by turning to Heidegger’s early lectures on the phenomenology of religion. My aim will be to show that this more active role still allows the gifted to be affected by the phenomenon and can avoid the problems of objectivity and ontotheology, while better preserving the account of meaning. (shrink)

The mimetic theory forged by René Girard is completely closed by its own violence. Given that human violence was contained for centuries, by the victimary mechanism, its deconstruction by the Cross has unleashed a complete and total violence, leading us to the possibility of a real Apocalypse. We show here that this closure is based on a metaphysical view of desire, guiding us from the objet to the being of the model. Since Girard is always confined into metaphysics by his (...) constant use of the paradigm of the image, the presence and, consequently, the idol, we demonstrate that there is still a way out of violence, the same way that is today the way out of metaphysics. With Jean-Luc Marion and his phenomenology of givenness, we oppose the paradigm of the icon to the one of the idol, and therefore the model of the sign to the one of the image. We demonstrate then that global mimetic violence can be stopped if we no longer desire objects and start desiring saturated phenomena, which implies a complete shift in the way we think and receive phenomena. (shrink)

This paper explores the ambiguity in Rudolph Otto's discussion of the mysterium tremendum in order to address a broader set of difficulties in The Idea of the Holy (1917). In doing so, I outline two common criticisms of Otto's position. The first attacks Otto for not providing a secure transition from the numinous experience of terror to the holy experience of faith. The second attacks Otto for upholding a kind of theistic dualism, which seemingly puts his thought at odds with (...) mysticism. Rather than reconstruct Otto's argument in favour of theism, I maintain that numinous experience, while still a form of otherness or alterity, is best characterized as the breakdown of subject-object dualism. I further suggest that this breakdown is best understood in non-theistic terms. For examples of the latter, I briefly turn to Jean-Luc Marion's notion of saturated phenomena. (shrink)

From Jean-Luc Marion’s examination of Gustave Courbet and his painting, it is shown how grief can operate as a model for the hermeneutics of love. This hermeneutics of grief, in turn, makes possible a consideration of all phenomena, and not only the human, as saturated phenomena.

In his recent article, ‘A Gift to Theology? Jean-Luc Marion's ‘Saturated Phenomena’ in Christological Perspective’, Brian Robinette has critiqued Marion's phenomenology for confining theology to a one-sided approach to Christology, one that stresses only the passive, mystical reception of Christ. To correct this imbalance, Robinette brings Marion into dialogue with those more active Christologies or ‘prophetical-ethical’ liberation theologies of Gustavo Gutierrez, Johann Baptist Metz and others that stress a life-praxis focused on confronting evil and suffering. In this essay (...) I am arguing that Robinette has not fully developed the ‘logic’ of Marion's phenomenology of the ‘call and the gifted’, in which both a passive and an active element are operative. I explore more fully that very dynamic phenomenological process of the call-and-the-gifted as developed in Marion's work Being Given: Toward a Phenomenology of Givenness. Once viewed in Christological perspective, and especially in light of Christ's death and resurrection, Marion's phenomenology entails an ethical trope consistent with the mission of Christ as rendered in Scriptural revelation, and thus the gap between Marion's work and the prophetical-ethical theologies of Gutierrez and Baptist Metz becomes narrowed. (shrink)

The notion of “event” is often used, in contemporary philosophy, as a way to overcome the end of metaphysics since it challenges both the metaphysical conditions of appearing and knowing. Thanks to a comparative analysis of the works of Hannah Arendt and Jean-Luc Marion, the authors show that even though the event appears as a questioning of the modern concept of history in the texts of the former, and as a modality of saturated phenomena in the Marion’s phenomenology (...) of givenness, its use allows us to re-evaluate the relationship of both philosophers with metaphysics. After pointing out a fundamental difference of the conception of the event in Arendt and Marion, it is then possible to reveal their position regarding the possibility of thinking after the end of metaphysics. (shrink)

This text is based on the lecture held by Jean-Luc Marion at the Institute for Philosophy and Social Theory, on December 4., 2015. By thematizing the?limits of phenomenality?, Marion analyzes what exceeds the horizon of objectivity and the framework of subjectivity. By relying on some of the most important philosophers of the history of metaphysics, Marion offers an alternative way, namely, a phenomenology of givenness that focuses on saturated phenomena. nema.

Jean-Luc Marion: The Essential Writings is the first anthology of this major contemporary philosopher's writings. It spans his entire career as a historian of philosophy, as a theologian, and as a theoretician of "saturated phenomena." The editor's long general Introduction situates Marion in the history of modern philosophy, especially phenomenology, and shorter introductions preface each section of the anthology. The entire volume will enable professors to teach Marion by assigning a single book, and the editor's introductions will make (...) it possible for students to learn enough about phenomenology to read Marion without having to take preliminary courses in Husserl and Heidegger. (shrink)

The article deals with the problem of phenomenological interpretation of Cartesian idea of evidence. The author demonstrates that implicit but constitutive characteristic of evidence is a property of excessiveness. The analysis of its conceptual versions and methodological representations in Husserl, Marion and Derrida’s philosophies deconstructs some stereotype interpretations of evidence as an attribute of I-centric philosophical systems and also as a carrier of qualities of fullness and presence. The author claims that excessiveness of evidence has two main aspects: (1) non-belonging (...) to the system assured by this very evidence and (2) tendency to self-surpassing (hyperbolization). The excessiveness of evidence is shown in particular with regard to the system of thinking governed by the “truth-falsehood” opposition. The author brings to light a trend to the increasing of degrees of evidence as a consequence of phenomenological critique and deconstruction as methodological hyperbolizations of Cartesian doubt. The common ground between Marionian and Derridian critiques of Husserl’s conception of evidence is found that is inconsistency between the principle of fulfillment of intention and the unrealizable regulative of the “Idea in Kantian sense” as two main ways of representation of evidence idea in Husserlian phenomenology. It is shown that in accordance with the paradigm of possibility as the common denominator of phenomenological attitude in general the very same criticized evidence becomes assimilated in Marion’s conception of “saturated phenomena” (a principle of hyperbolical givenness) and in Derridian deconstruction (hyperbolicity-excessiveness as heterogeneity and impossibility within the framework of his critique of presence). The author uncovers the essential connection between the idea of evidence and basic elements of deconstructive discourse, such as the metaphorical concept of secret and the quasi-concept différance. (shrink)

One of the most persistent questions in modern theology has been that of how we can adequately acknowledge the stranger. Drawing upon the work of post‐Heideggerian theorist of language and death, Jacques Derrida, and his own creative re‐reading of Martin Heidegger and Emmanuel Levinas, the Catholic theologian and phenomenologist Jean‐Luc Marion has attempted to reconstruct what he regards as a genuinely Husserlian phenomenology. In so doing he has mapped out a phenomenology of love and a phenomenology of that divine gift (...) as ‘being given as givenness’; that is, a condition of life itself. In fact, as I will argue, this rests on the boundary between theology and thanatology (the philosophy of our encounter with that most radical stranger, death) and in his recent reflections upon ‘saturated phenomena’ Marion has explored the interplay between traditional theological topics such as hope and death and contemporary arguments on meaning, symbol and ritual. Christian hope resides in an act of remembrance and Marion argues for the eucharist – in its recollection of the life, death and resurrection of Jesus Christ – as the site of human hope; only this crucial eucharistic move upwards and outwards can overcome the burden of Western metaphysics. It is a literary move which takes us some way towards elevating the language which we use in talking about and recognising the other beyond that of the narrow model offered to us by some commentators of Levinas and one which encourages us to look again at poetry, hymn and Scripture. (shrink)

Along with Husserl's _Ideas_ and Heidegger's _Being and Time_, _Being Given_ is one of the classic works of phenomenology in the twentieth century. Through readings of Kant, Husserl, Heidegger, Derrida, and twentieth-century French phenomenology, it ventures a bold and decisive reappraisal of phenomenology and its possibilities. Its author's most original work to date, the book pushes phenomenology to its limits in an attempt to redefine and recover the phenomenological ideal, which the author argues has never been realized in any of (...) the historical phenomenologies. Against Husserl's reduction to consciousness and Heidegger's reduction to _Dasein_, the author proposes a third reduction to givenness, wherein phenomena appear unconditionally and show themselves from themselves at their own initiative. _Being Given_ is the clearest, most systematic response to questions that have occupied its author for the better part of two decades. The book articulates a powerful set of concepts that should provoke new research in philosophy, religion, and art, as well as at the intersection of these disciplines. Some of the significant issues it treats include the phenomenological definition of the phenomenon, the redefinition of the gift in terms not of economy but of givenness, the nature of saturated phenomena, and the question "Who comes after the subject?" Throughout his consideration of these issues, the author carefully notes their significance for the increasingly popular fields of religious studies and philosophy of religion. _Being Given_ is therefore indispensable reading for anyone interested in the question of the relation between the phenomenological and the theological in Marion and emergent French phenomenology. (shrink)

It is now almost 20 years since Janicaud’s critique of the ‘theological turn in French phenomenology’ (Janicaud 1991, 2000), with its emphasis on phenomenology and theology as two and never one. Yet since that time there been an explosion of phenomenologies which are, if not overtly, implicitly religious and phenomenology. Thus, we have phenomenologies of prayer, or love, or hope, and the possibilities of further phenomenologies. The challenge of these emerging phenomenologies is that there seems to be no noematic correlate (...) to a noesis in intentionality. To the fore in the reconsideration of this phenomenological challenge is Jean-Luc Marion (although there are others such as Levinas, Jean-Louis Chrétien, and Michel Henry): all aspects of lived experience appear now to belong to the proper scope of phenomenology. Marion considers the relation in Husserl between intentions and intuitions which fulfil these intentions, and suggests a reversal. In Marion, although intentionality is not rejected, the phenomenological flow which the reduction brings to light is from the object as such as it gives itself in intuition, and then from intuition to intention. For Marion, phenomena are saturated—they give too much. Religion becomes a test-case for all phenomenology. This bearing, drawing mainly on The Visible and the Revealed, offers some of the key things in Marion’s phenomenology. (shrink)

Much of recent philosophy of perception is oriented towards accounting for the phenomenal character of perception—what it is like to perceive—in a non-mentalistic way—that is, without appealing to mental objects or mental qualities. In opposition to such views, I claim that the phenomenal character of perception of a red round object cannot be explained by or reduced to direct awareness of the object, its redness and roundness—or representation of such objects and qualities. Qualities of perception that are not captured by (...) what one is directly aware of or by representational content are instances of what Gilbert Harman has called “mental paint” (Block, 1990; Harman, 1990). The claim of this paper is that empirical facts about attention point in the direction of mental paint. The argument starts with the claim (later modified) that when one moves one's attention around a scene while keeping one's eyes fixed, the phenomenology of perception can change in ways that do not reflect which qualities of objects one is directly aware of or the way the world is represented to be. These changes in the phenomenology of perception cannot be accounted for in terms of awareness of or representation of the focus of attention because they manifest themselves in experience as differences in apparent contrast, apparent color saturation, apparent size, apparent speed, apparent time of occurrence and other appearances. There is a way of coping with these phenomena in terms of vague contents, but vague contents cannot save direct realism or representationism because the kind of vagueness required clashes wth the phenomenology itself. (shrink)

We study complex phenomena arising from a simple optimal choice consumer model, starting from the classical framework in Benhabib and Day :459–471, 1981). We introduce elements of increasing complexity and we investigate their effects on the resulting social behaviors. The dynamics introduce the dependence of current preferences on past consumers actions. A non-monotone updating preference function allows us to obtain a threshold effect, according to which the agents adopt a bandwagon/snob behavior if the preferences are below/above a certain saturation (...) level. We consider homogeneous and heterogeneous agents and we introduce local/global interaction when they are spatially distributed. We show through simulations several phenomena which are absent in the classical model and which reproduce significant social behaviors, such as path dependence, coexistence of different periodic and chaotic attractors, emergence of spatial patterns. (shrink)

We study one way in which stable phenomena can exist in an NIP theory. We start by defining a notion of ‘pure instability’ that we call ‘distality’ in which no such phenomenon occurs. O-minimal theories and the p-adics for example are distal. Next, we try to understand what happens when distality fails. Given a type p over a sufficiently saturated model, we extract, in some sense, the stable part of p and define a notion of stable independence which (...) is implied by non-forking and has bounded weight. (shrink)

A leading young Italian semiologist scrutinizes today's cultural phenomena and finds the prevailing taste to be "neo-baroque"--characterized by an appetite for virtuosity, frantic rhythms, instability, poly-dimensionality, and change. Omar Calabrese locates a "sign of the times" in an amazing variety of literary, philosophical, artistic, musical, and architectural forms, from the Venice Biennale through the "new science" to television series, video games, and "zapping" with the remote control device from channel to channel! Calabrese admits that he begins the book with (...) a refusal to distinguish between "Donald Duck and Dante." Avoiding hierarchies or ghettos among works, he takes his readers on a fast-paced expedition through contemporary culture that closes with an elegant essay on evaluation and classical form. According to Calabrese, the enormous quantity of narrative now being produced has led to a new situation: everything has already been said, and everything has already been written. The only way of avoiding saturation has been to turn to a poetics of repetition. The author shows that pleasure in texts is now produced by tiny variations, and a certain kind of citation from other works has taken on a central importance that would have been unthinkable only a few years ago. In describing this development, and others shared by both avant-garde and mass media, he makes us aware of the rapid shrinkage in the once ample space between "highbrow" and "lowbrow." Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

In concept, an image has both verticality and horizontal dimensions. Saturated images within this space have a horizon and can exceed that horizon. Within that horizon where the image dwells something chances itself upon the observer and the observed. Into that public space between self and other, students bring an instrumental approach to how they plan to deploy their new fund of knowledge, only to discover that the setting itself has become an event where surprise and upheaval disrupt their (...) illusion of self-continuity and the façade of familiarity. Phenomenologically, upheaval shows itself when givenness both precedes and participates in the giving of phenomena such as medical students’ “before and after” images of psychoanalysis. They discover and reconfigure their erstwhile absolute positions and values into reconfigurations of self and prior commitments. The turning point from their instrumental use of knowledge to reconfigurations of how they situate themselves in the world decisively comes when teaching and learning become an event in se that disturbs their sense of order.Following Husserl, phenomenological psychological observation has required us to go from the events of history to a sense of history. Would, however, that we could stay at the level of events much longer to see images explode and exceed their horizons from the illusion of order, and patterned repetition disrupted by surprise, upheaval and indeterminacy in the spirit of Alain Badiou! (shrink)

In the dominant “climate change” imaginary, this phenomenon is distant and abstracted from our experiences of weather and the environment in the privileged West. Moreover, climate change discourse is saturated mostly in either neoliberal progress narratives of controlling the future or sustainability narratives of saving the past. Both largely obfuscate our implication therein. This paper proposes a different climate change imaginary. We draw on feminist new materialist theories—in particular those of Stacy Alaimo, Claire Colebrook, and Karen Barad—to describe our (...) relationship to climate change as one of “weathering.” We propose the temporal frame of “thick time”—a transcorporeal stretching between present, future, and past—in order to reimagine our bodies as archives of climate and as making future climates possible. In doing so, we can rethink the temporal narratives of climate change discourse and develop a feminist ethos of responsivity toward climatic phenomena. This project reminds us that we are not masters of the climate, nor are we just spatially “in” it. As weather-bodies, we are thick with climatic intra-actions; we are makers of climate-time. Together we are weathering the world. (shrink)

Tschumi believes that the quality of architecture depends on the theoretical factor it contains. Such a view led to the creation of architecture that would achieve visibility and comprehensibility only after its interpretation. On his way to creating such an architecture he took on a purely philosophical reflection on the basic building block of architecture, which is space. In 1975, he wrote an essay entitled Questions of Space, in which he included several dozen questions about the nature of space. The (...) questions he formulated could be regarded as analogous to the situation in the philosophy of the time, in which the interest in questioning the most obvious forms of understanding the world and intellectual categories increased. The research on space is an area common to many fields of natural sciences, humanities and artistic creation, but it also deals with other problems, such as issues of experience. The concept of space-time continuum proposed by Hermann Minkowski drew attention to the identity of time and space with the events taking place. Probably regardless of the postulates of physicists commenting on Einstein’s discoveries, also in philosophy it increased the importance of the concept of the event which became dominant in Heidegger’s latest work Contributions of Philosophy. Of the event. Furthermore, Tschumi’s reflections on space entered into relation with the problem of experience, which aroused the interest of a group of French philosophers trying to assimilate Georges Bataille’s concept of “inner experience”. Both Tschumi and Derrida referred to Bataille because his views could be used not only to modify the concept of the subject, but also to change the understanding of what constitutes the area of architecture. The discussion on experience has led to the recognition that the subject is not sovereign, but actually a form of what is on their outside. Such insights make it possible to treat the area of the Parc de La Villette as existing mainly when it is organised by its users. The decisive features of the Park are its assumptions, according to which it is a variety of active void that leads to agreeing new social relations with it. The park does not force to participate in already existing moral or political communities, but tries to move into an unknown future in which the scope of free functioning of individuals will be increased. Doubts about the principles of functioning of the individual self and its discovery as a whole composed of non-coherent parts, as well as its dependence on its own depth full of disordered forces, influenced the understanding of architecture as a set of contradictions whose source is a fundamental void anticipating the empty phenomenal space. The use of this phenomenal void in architecture, as well as the rejection of the whole and unity, had a specific political purpose and drew its inspiration from political analyses. In the Parc de La Villette, metaphysics and politics were brought closer together because the philosophy of void was used to create new conditions for community action. It can be argued that the source of this philosophy was the perception of errors in existing societies dependent on the shortcomings of traditional metaphysics. Spacing (espacement) was one of the key terms in Derrida’s philosophy, which was also combined with the concepts of différance and chôra. The study of the nature of space, especially its transition from the level of pure possibility to the level of sensual phenomenon, also contributes to understanding how well designed space can have an impact on its audience. This explanation is based on Tschumi’s assumption that the space of the Parc de La Villette contradicts the integrating approaches and instead exposes contradictions, but it does so in a way that combines incompatible properties into a single piece of architecture. The specificity of such integration is similar to the invention of a musical phrase, which is an ideological message: moral and political. Such a thesis may raise doubts, however, if both the clearly adopted assumptions and those deduced from the work allow for their ↪Quart Nr 2(52)/2019 logically ordered presentation then to a limited extent it may be assumed that the work has achieved a connection between a specific philosophy of space and its practical application. Derrida combined the problem of spatiality with the problem of transcendental imagination in Kant’s philosophy, who in the first version of Critique of Pure Reason assumed that pure imagination precedes the appearance of time and space, even in their transcendental forms. The imagination in such a situation can be described as a factor activating time and space, which indicates what function is played by movement in this activity. This leads us to recognize that the ultra originary source of pure forms of sensual intuition is movement, which in early Greek philosophy was identified with void and its lack of resistance to phenomena occurring in it. Derrida’s philosophy in search of a certain super-transcendental source of time and space pointed to différance which, like void or the chôra, does not have material features or even any other form of being. Différance is the primary cause of the disruption of motionlessness and the introduction of activity into motionless time and space, thus its activity can be described as spacing (espacement). Derrida’s discoveries in this respect are not entirely original, because Hegel already pointed out when examining the present that it is primarily a differential relation (differente Beziehung), which, being seemingly neutral, influences the present with supernatural force and makes it unidentifiable with itself. Differente Beziehung must similarly influence the originary space, negating its initial character by multiplying its divisions and expanding its boundaries. Différance acts by revealing contradictions wherever there is apparent undifferentiation. Tschumi, composing the Parc de La Villette as a variety of void and a set of incompatible layers, followed the rules of différance or the chôra: he made void visible together with its saturation with contradictions. If space can be considered to be the result of the activity of difference, such activity has a certain regularity, which influences the behaviour of its observers. Differences or contradictions fall into a certain rhythm, which can be considered a manifestation of transcendent order. The problem is that what can be considered the source of such order, namely the logos or God, is partly disorder and error. According to descriptions contained in Timaeus, the world is a combination of forces that drive to order with forces of erroneous necessity that resounds in every order and forces it to return to disorder. Derrida denied the possibility of understanding différance as a theological value, even if it were a negative or apophatic theology, but no categorical denial could be perfect. The assumption that différance or the chôra are not endowed with any substance properties cannot deny their activity, and thus a certain force. Already since Democritus, philosophy has multiplied the names of such a force and the contradictory variety of its manifestations, never forgetting also the necessity for reason to withdraw from the possibility of giving its correct characteristics. Such a withdrawal may be interpreted as an expression of respect and, in certain situations, as a cult of the force that precedes reasonableness. The Parc de La Villette, which is an artistic divagation about the contradictions and forces behind them, can be considered as a place of their sublimation, and therefore as a variation of the temple of what differs from order and disorder. (shrink)

How does propaganda differ from the legitimate persuasive practices that animate a healthy democracy? The question is especially salient as digital technologies facilitate new modes of political persuasion and the public square saturates with information factual and fabricated alike. In answer, we propose a typology based on the rhetorical strategies that propaganda and its legitimate counterpart each employ. We argue that the point of contrast between the phenomena turns on two key features: whether the rhetorical strategy sufficiently engages our (...) deliberative capacities, and whether it runs counter to our epistemic interests. While in practice the boundary between the concepts is not always sharp, the account identifies a set of conceptual tools that help better frame and come to grips with propaganda and legitimate political persuasion in an information-dense and increasingly complex media landscape. (shrink)

With a focus on hormone treatments, this article contributes to recent problematizations of the ontology of bodies, illnesses and medication. Hormone treatment is conventionally understood to comprise preparations like pills, patches or injections, and following from this understanding, the materiality of risk is perceived as potential adverse effects of pharmaceuticals within individual bodies. By discussing Finnish trans persons’ experiences of hormone treatments, and drawing from material feminisms and trans/feminist studies, this article rethinks what ‘hormone treatments’ and their risks materially entail. (...) Stressing the importance of accounting for the relationality of risks, the article suggests that hormone treatment risks can be seen as Baradian ‘phenomena’ that materialize contextually within specific ‘treatment apparatuses’ and the power relations that saturate them. This process of materialization includes the gendering of risks and how the gender binary itself may at times constitute a risk. (shrink)

The Tannhäuser Gate. Architecture in science fiction films of the second half of the 20th and the beginning of the 21st century as a component of utopian and dystopian projections of the future. -/- The films of science fiction genre from the second half of the 20th and early 21st century contained many visions of the future, which were at the same time a reflection on the achievements and deficiencies of modern times. In 1960s, cinematographic works were dominated by optimism (...) and faith in the possibility of never-ending progress. The disappearance of political divisions between the blocs of states and the joint exploration of the cosmos was foreseen. The designers undertook cooperation with scientists, which manifested itself in showing cosmic constructions far exceeding the real technical capabilities. Starting from the 1970s, pessimism and the belief that the future will bring, above all, the intensification of negative phenomena of the present began to grow in films. Fears of the future were connected with indicating various possible defects and insoluble contradictions between them. When, therefore, some dystopian visions illustrated the threat of increase in crime, others depicted the future as saturated with state control mechanisms and the prevalence of surveillance. The fears shown on the screens were also aroused by the growth of large corporations, especially by their gaining political influence or staying outside the system of democracy. The authors of the films also presented their suspicions related to the creation of new types of weapons by corporations, the use of which might breach the current legal norms. Particular objections concerned research on biological weapons and the possible spread of lethal viruses. The development of robotics and research into artificial intelligence, which must have resulted in the appearance of androids and inevitable tensions in their relations with humans, also triggered fear. Another problem for film-makers has become hybrids that are a combination of people and electronic parts. Scriptwriters and directors likewise considered the development of genetic engineering, which led to the creation of mutant human beings. A number of film dystopias contemplated the possibility of the collapse of democratic systems and the development of authoritarian regimes in their place, often based on broad public support. This kind of dystopia also includes films presenting the consequences of contemporary hedonism and consumerism. The problem is, however, that works critical of these phenomena were themselves advertisements for attractive products. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Weight of Rhetoric: Studies in Cultural DeliriumThomas B. FarrellThere is something of this anachronistic doggedness in all importance, and to use it as a criterion of thought is to impose on thought a spellbound fixity, and a loss of self-reflection. The great themes are nothing other than primeval rumblings which cause the animal to pause and try to bring them forth once again. This does not mean that (...) the hierarchy of importance should be ignored. Just as its narrow- mindedness reflects that of the system, so it is saturated with all the latter’s force and stringency. Thought ought not, however, to repeat this hierarchy, but by completing, end it. The division of the world into important and unimportant matters, which has always served to neutralize the key phenomena of social injustice as mere exceptions, should be followed up to the point where it is convicted of its own untruth. The division which makes everything objects must itself become an object of thought, instead of guiding it. The large themes will then make their appearance, though hardly in the traditional “thematic” sense, but refractedly and eccentrically.—Theodor Adorno, Minima MoraliaBoy, you’re going to carry that weight, carry that weight a long time.—The Beatles [End Page 467]Preface: on Attachments—Flowers and the InfinitesimalThe number of adjustments it takes to make a square into a circle, the number of times any real number may be subdivided before reaching zero, the grainy inflections differentiating snowflakes, the differences among petals in a tulip—these are the sort of qualitative distinctions some of us might call minute and other cynical souls might consider trivial. But if the attachment of real human interest to objects of longing is any measure of worth, then they are far from insignificant.Imagine the following sequence of events. A young kid, fourteen or so, is out with some friends one summer evening and decides—on a whimsical adolescent impulse—to pick some tulips from a neighbor’s garden to leave at a girlfriend’s front porch. What follows?The neighbors, one of whom turns out to be a self-professed horticulturist and gardening aficionado, call the police and file a criminal complaint. The girlfriend’s parents give the alleged offender’s name to the same authorities. When the kid comes to the door of the neighbors to apologize, he is verbally threatened. When he writes a letter of contrition and remorse to the neighbors, they turn the letter over to the police as evidence. One day later, the neighbors angrily phone local school officials to complain of his behavior. Two days later, when two of the kid’s accomplices are summarily removed from eighth grade, taken to the police station, fingerprinted, and booked (without being informed of their rights), the parents reluctantly secure the services of an attorney (two attorneys, actually). When an outof- court settlement is finally agreed to, it is discovered that the city police have already passed the case on to the State’s Attorney’s Office. A criminal hearing will now need to be held in juvenile court. When the hearing is held, the charges are summarily dismissed. The cost? Several hundred dollars a tulip (with side effects including migraines, despondency, two trips to the emergency room, not to mention rather hefty attorneys’ fees).As the reader has probably surmised by now, this thinly disguised episode did not occur to Gregor Samsa but to someone near and dear to your author. It did not occur in Singapore but in Evanston, Illinois. All of us can probably recall occasions when things seemed to careen wildly out of control and apparently minor matters took on disproportionately inflated significance. We struggle to “make sense” of these episodes, for ourselves and others. In the above example, two allegories about magnitude surfaced. One, relayed to me by our grizzled Chicago attorney, addressed the question [End Page 468] of how to explain these events to our son. “Tell him,” he said, “that there are a lot of jerks in the world” (except he didn’t use the word “jerks”). A second allegory emerged rather belatedly. There was more than one nonrational attachment in... (shrink)

This book explores new territory at the interface between semantics and pragmatics, reassessing a number of linguistic phenomena in the light of recent advances in pragmatic theory and presenting stimulating insights by experts in linguistics and philosophy. The authors begin by reassessing the definition of four theoretical concepts: saturation, free pragmatic enrichment, completion and expansion. They go on to confront disciplines that have addressed similar issues but that have not necessarily been in close contact, and then turn to questions (...) related to reported speech, modality, indirect requests and prosody. Chapters investigate lexical pragmatics and lexical semantics and other interactions involving experimental pragmatics, construction grammar, clinical linguistics, and the distinction between mental and linguistic content. The authors bridge the gap between different disciplines, subdisciplines and methodologies, supporting cross-fertilization of ideas and indicating the empirical studies that are needed to test current theoretical concepts and push the theory further. Readers will find overviews of the ways in which concepts are defined, empirical data with which they are illustrated and explorations of the theoretical frameworks in which concepts are couched. This exciting exchange of ideas has its origins in the editors’ workshop series on the theme ‘The semantics/pragmatics interface: linguistic, logical and philosophical perspectives’, held at the University of Lille 3 in 2012-13. Scholars of linguistics, logic and philosophy and those interested in the research benefits of crossing disciplines will find this work both accessible and thought-provoking, especially those with an interest in pragmatic theory or semantics. (shrink)

The theory of vortices seems to contradict Descartes’s willingness to accept in physics only “principles also accepted in mathematics.” We show that this cosmological theory is on the contrary consistent with the Cartesian mathematical norm – explaining phenomena only by the properties that bodies have in common with mathematical objects – and partly implied by the thesis according to which the essence of matter consists of extension – circular motion being the only one allowing movement in a world (...) class='Hi'>saturated by a homogeneous extension. In this respect, the incoherence of the Principles of Philosophy resides rather in the gap between the claim to have “proved by mathematical demonstration” and in the fact that, to pass from the level of general principles to that of cosmology, Descartes sets up a series of auxiliary hypotheses concerning the genesis of the world. (shrink)

This article explores cynicism as an ethical issue associated with the blurring of content and advertising in mass media. From a communitarian perspective and adapting Hardin's (1968) metaphorical use of “commons” to the domain of broadcasting, we surveyed the attitudes of individuals toward two phenomena of media saturation (product placement and video news releases) and three constructs (cynicism directed toward government, cynicism directed toward marketers, and the individual's assessment of their marketing literacy). Respondents were highly cynical about government regulation (...) of advertising and nearly as cynical of the ability of marketer's to self-regulate. (shrink)