Intentionality

The current COVID-19 pandemic has underscored the need to “think outside the box”. As societies across the planet gradually become more interconnected, the dominance of outmoded social practices surrounding human interaction, work, leisure and space is being challenged on a daily basis. Mediatic productions such as film have always presented opportunities for expanding the reach of particular messages and disseminating topical views and perspectives. In honour of Federico Fellini (1920-1993) on the 100th anniversary of his birth, this paper undertakes a (...) comprehensive comparison between the bold and absurdist cinema of the Post-Neorealist filmmaker and today’s also strange and perplexing social environment. Contextualising his cinema within an auteurist framework, we highlight how ground-breaking Fellini was in embracing the unconventional; by doing so he provided a practical guide for navigating contemporary reality. With productions that seduce and impress viewers worldwide, Fellini defied established cinematographic practices, as exemplified by his experimentation with overlapping narrative styles. His films bestir a new way of thinking by generating an anomalous world, one where events take place beyond the scope of what the viewer anticipates as “natural”. But the appraisal of what is “natural” is contingent upon the viewer’s belief structure: by presenting a world where events happen outside the realm of practical expectations, Fellini’s timeless cinema questions outdated belief systems and sets the guidelines for how to navigate the unanticipated complexities of the contemporary world. Reality and fiction merge into one. (shrink)

I first show that a growing body of literature about the phenomenological and epistemic role of the structural features of experience can be recruited in favour of the view that absence experience is non‐veridical. Then I argue that such literature is in fact amenable to the view that absence experience is veridical if we rethink our conception of absence, and presence, itself.

This paper categorizes phenomena to derive inferences rather than determine reality, emphasizing a fundamental attribute of the observed world that shapes perception. It posits that early life forms relied on correlation—linking survival to pattern recognition—suggesting correlation precedes causation in cognitive development. The concept of continuity, particularly the persistence of consciousness, emerges as a central human motivator, surpassing procreation, power, or meaning. Pleasure and pain are tied to continuity, with pain arising as a reaction to threats against it, such as death. (...) The fear of death and feelings of unfairness, especially regarding an afterlife, are framed as misattributions of value, rooted in humanity's drive to persist. (shrink)

This article puts forth a perceptual–phenomenological defence of “thought theory” as a solid solution to the paradox of fiction. Arguing against Kendall Walton’s pretence solution to Charles’s fear and going along the lines of Peter Lamarque’s and Noël Carroll’s thought theory, my proposed defence makes use of the philosophy of a figure who is rarely discussed in the context of phenomenology and never discussed in the context of the paradox of fiction: Leopold Blaustein. To bring forth my proposed perceptual–phenomenological defence, (...) I devise Blaustein’s descriptive account of “perception” and its role in shaping aesthetic experience. Within this line of thought, I further develop a perceptualist reading of Blaustein, paralleling Christine Tappolet’s version, that may be of service to proponents of the “perceptual theory of emotions.”. (shrink)

The question of who possesses the moral rights of creative works made using the assistance of artificial intelligence (AI) is not fully resolved. In particular, the relationship between moral rights and moral agency in the production of creative works has been under-investigated in the literature. I explore these topics and argue that moral agency, intentionality and values-based reasoning are crucial for the entitlement of moral rights and hence the assignment of authorship. I conclude that, despite their great power to produce (...) creative works, current generative AI systems cannot be the moral author of such works due to the absence of intentionality with values-based reasoning. Instead, the human end-user of a generative AI system is the moral author in most cases. (shrink)

The aim of this article was to try to address the problem of theoretical coherence and adequacy theory in psychology from the perspective of one of the most influential schools of psychology in Europe at the time, namely the Brentano School. Unfortunately, this school has been marginalized in contemporary psychological science. The conceptual instrumentarium developed in the school—especially the concept of intentionality—offers attractive solutions, the greatest asset of which is the proposal of a coherent theoretical perspective for different types of (...) psychological variables, such as beliefs, emotions, and behavior, which could be defined and explained according to their specificity and not based on concepts adopted from different scientific disciplines. The lack of such a coherent perspective prevents the construction of adequate and precise definitions of variables that could be the starting point for strong psychological theories and resulting hypotheses. Psychological science should not limit its theoretical paradigms to deterministic explanations as these narrow the research perspective and, in many cases, transfer the researcher to the realm of mechanisms of little value for understanding the nature and even the function of mental processes. (shrink)

This article brings two outstanding figures into conversation about the problem of fictional entities and their indeterminacies: Roman Ingarden and David Lewis. Lewis’s account of fiction lacks an adequate ontology of ficta-qua-objects. Relying on his modal realism does not help, for it would make ficta “concrete” entities that merely indexically differ from our world’s entities. In this regard, I refer to Ingarden’s “purely intentional entities”. I read Lewis’s possible worlds in terms of Ingarden’s ontology; hence establishing what I term a (...) “Purely Intentional Modal Fictionalism”. In so doing, the demarcation between fiction and actuality is preserved. In return, Lewis’s Analyses adequately account for Ingarden’s “spots of indeterminacy”. Therefore, my proposal reconciles Ingarden’s ficta with Lewis’s possibilist approach to truth in fiction. This approach grounds Lewis’s account in a less problematic ontology with a distinct sui generis status for ficta and provides Ingarden’s ficta with better determination principles. (shrink)

An active area of research in the philosophy of mind concerns the relation between the two marks of the mental: intentionality and phenomenal consciousness. One position that has recently gained in popularity is the _phenomenal intentionality theory_, according to which intentionality arises from phenomenal consciousness. Proponents of the phenomenal intentionality theory recognize Edmund Husserl’s phenomenology as a precedent, but little work has been done to locate Husserl within the contemporary landscape of views on the relation between the marks of the (...) mental. My aim is to do just that. I start by arguing that Husserl qualifies as an _inseparatist_: he holds that original intentionality and phenomenal consciousness necessarily co-vary. I then give a Husserlian critique of a notable and radical version of the phenomenal intentionality theory defended by Angela Mendelovici, focusing on her accounts of color perception and thought. Finally, I sketch a Husserlian version of the phenomenal intentionality theory that I think ought to be a serious contender in the contemporary scene. (shrink)

A theory of reference attributed to Frege, Russell, and others holds that referring to an object requires the ability to uniquely individuate it. According to a famous story told around campfires on winter nights, a group of young revolutionaries, led by Kripke and Donnellan, was destined to tear down the Frege–Russell edifice of reference—and indeed, they did. Reflecting the spirit of the 60s and 70s, this makes for a compelling tale. However, the truth is that what these young revolutionaries actually (...) did was to merely suggest a type of reference largely ignored by others. The norms of success for this type of reference, constrained by its specific profile, cannot be generalized to all reference. Moreover, it presupposes a more fundamental kind of reference that lacks this distinctive profile. (shrink)

The fundamental problem for theoretical aesthetics is its inability to account for art’s meaning-value (Trimarchi, 2022). As previously argued, Art’s higher meaning is only found emerging from the artwork’s tacit dimensions, where empirical-historical intentionality is almost completely inconsequential (Trimarchi, 2024b). The latter’s interpretable ‘phenomenology of sequence’ produces a false theorising tendency, disconnecting art from the history of ideas and severing aesthetics from ethics and logic. Art appears ‘infinitely interpretable’, hence entirely subjective. Adapting Arnold’s (2011) actantial processual approach, I show how (...) Peircian semiotics, via ‘real Secondness’, uncovers art’s higher meaning. Peirce’s ‘diagrammatic thinking’ exposes art’s unique role of ‘objectifying’ the Person (in any subject, via appropriate propositions), without de-valuing this bearer of moral values. His ‘semiotic realism’ helps unveil Scheler’s anthropological (also termed ‘ethical’) phenomenology emerging from Merleau-Ponty’s ‘obscure zone’, to discern poetic from other speculation. Art’s ‘subject-objectivation’ (or, ethical intentionality) is thus able to be mapped phenomenologically to reveal any artwork’s meaning-value orientation. This paper combines Peirce’s ‘phenomenology of reason’ with Scheler’s hierarchy of values and Schelling’s ‘mythological categories’ (Trimarchi 2024b) to suggest a methodology for moving beyond neo-Kantian theoretical aesthetics (and analytical philosophy’s grip on the anti-art of ‘modernity’). That is, moving from the realm of perception to knowing, reviving art’s ontological connection to normative aesthetics. In conclusion, Peirce’s ‘science of ideals’ is thus revealed as Complexity Science, which – via his ‘suspended second’ (or, Ricoeur’s ‘second ontology’) - vindicates Schelling’s claim for how ‘aesthetics becomes objective’ (Trimarchi, 2024a). (shrink)

This paper explores self-envy as a kind of envy in which the subject targets herself. In particular, I argue that self-envy should be regarded as a variation of existential envy, i. e., envy directed toward the rival’s entire existence, though in the case of self-envy, the rival is oneself. The paper starts by showing that self-envy is characterized by an apparent weakening of envy’s triangular structure insofar as the subject, the rival, and the good coincide in the self. After discussing (...) an interpretation of self-envy in terms of a splitting of the self, I present an alternative explanation in terms of the ontological possibilities inherent in our actual and past empirical selves to become our ideal self. I argue that in self-envy, an actual empirical self envies her past empirical self for having more ontological possibilities of becoming her ideal self. I proceed to show that self-envy can be interpreted as a variety of existential envy. I argue that the existential self-reproach so characteristic of self-envy can be counterbalanced by feeling unconditionally loved by others and God. (shrink)

In order to compare the relationship between the intended aims of journalists and the journalistic texts produced, this article develops further the notion of the reader in two directions: first, as an intended ‘model reader’ of a media concept that is collectively construed in the editorial process and, second, as a ‘construed reader’ that is analyzed from the texts. Media concept and model reader are concepts and tools for making visible and analyzing the goals, values, content and organization of work (...) in media organizations, whereas with the concept of a construed reader it is possible to assess the texts as outcomes of the editorial process and in this way compare them with the intentions. The construed reader in the text is analyzed from the viewpoint of cognitive grammar theory and its ‘dimensions of construal’ in which ‘specificity’, ‘focusing’ and ‘perspective’ are used as linguistic tools for analysis. The case study data come from a Finnish third-sector magazine. (shrink)

Standardized academic English is now understood to be rooted in histories and practices that are colonial, classist, nationalist, heteronormative, ableist, and sexist. Current teaching of academic English carries an ethos of making practices of research writing accessible to students from marginalized backgrounds through explicit attention to language patterns and genre structures. In the context of both ideological critique and explicit pedagogy, I discuss three pragmatic elements of research writing—positionality, citation, and evaluation—with examples from one of my courses. I present these (...) elements and my approach to teaching them as a practice that is attentive to both details of published scholarship and students’ agency and intentionality in shaping their own writing projects, claims, and arguments. My work is framed by a functional approach to grammar where grammar is not interesting as a standardized apparatus but as a code that provides a range of options for producing performative effects. I call this spacious grammar. (shrink)

In this paper, the author will explore the relationship between agency and intentionality of the artificial agent in the following seven ways.

Natural scientists working at the intersection of virtual reality, psychology, and computer science have recently explored the question of whether Embodied Virtual Reality (EVR) can be employed to train empathy. While for some authors (e.g., Bertrand et el. 2018), EVR can enhance empathy by means of creating a series of perceptual illusions, which lead users to adopt the other’s perspective and resonate with her experience, other authors (e.g., Sora-Domenjó 2022; Sutherland 2016) have been more skeptical about the powers of EVR (...) to increase empathy in its users. This chapter aims at contributing to this recent debate by exploring how perspective-taking contributes to empathy in EVR. After an analysis of perspective-taking in non-virtual and virtual environments, the chapter introduces the distinction between sensual and emotional empathy found in classical and contemporary phenomenology (Stein 1989 ; Sveaneus 2018). While in sensual empathy, the user empathizes with the other’s lived body, in emotional empathy, she apprehends the other’s emotional states and their related values. It is argued that while the perceptual illusions elicited by EVR can lead the user to the impression of a body swap and, in so doing, foster sensual empathy, for the apprehension of the other’s emotions, which is crucial to emotional empathy, EVR must be supplemented with a series of narrative devices which that make the other’s emotions and values accessible to her. (shrink)

I respond to comments from Mark Bowker, Jessica Keiser, and Eliot Michaelson on my book, Talking About. The response clarifies my stance on the nature of reference, conflicting intentions, and the sense in which language may have proper functions.

Control is typically accepted as a necessary condition for moral responsibility. Thus, humans are morally responsible for their actions only if we can realise the right kind of control. Are there good reasons to think that humans can psychologically realise control? This paper is an attempt to address this question by establishing choice and agenthood as separate but interconnected aspects of control. I consider two challenges to the claim that humans can realise the kind of control required for moral responsibility. (...) First, an empirical challenge from cognitive neuroscience provides a familiar way to argue against the realisation of the choice aspect by human psychology. Second, a more formidable conceptual challenge to the aspect of agenthood presents us with scepticism about the kind of explanations that psychology can provide. The second challenge suggests that, in psychological accounts of choice, the agent disappears. Drawing on recent empirical models of cognitive control and philosophical accounts of agency, I conclude that the psychological explanation of choice is consistent with the aspect of agenthood being realised by human psychology. (shrink)

In recent years, research on modeling the human mind has been progressing rapidly in Japan, which has provided a framework for programming the mind in the current development of artificial intelligence. Despite the skepticism about this subject, it is possible to model the mind according to the same pattern as long as people feel the same way when placed in the same situations and if they can understand the feelings of others when placed in specific situations. In addition, as people (...) tend to understand other’s emotions by applying some model of the mind, the existence of such a model for understanding people’s emotions is not surprising. Therefore, this book introduces the main ideas of the model of the mind, indicating that the human mind is inevitably equipped with various emotions. In other words, this model yields several qualitatively different impulses defined as human emotions. Currently, the field of research that analyzes this model of the mind is called the “economics of emotions,” which is expected to become a unified theory applied across the humanities and social sciences. There is no human mind left that cannot be modeled by the economics of emotions as this concept focuses on the human mind as a whole. In this regard, this book (published in 2022 in Japan) touches on the key points discussed in the economics of emotions. While this book aims to present an overall picture to readers intending to study the economics of emotions, it will also help them organize the overall contents, whose English translation will be published in 2024. (shrink)

Esse trabalho pretende entender quais mecanismos da linguagem revelam a intencionalidade, analisando o trabalho de John Searle. Após a exposição de parte da teoria de Searle sobre a intencionalidade, será feito um comentário a respeito dos recentes avanços da Inteligência Artificial, em especial àquelas ferramentas que lidam com a linguagem natural. Por fim, explicaremos por que, por mais sofisticados que sejam, essas ferramentas estão longe de apresentar algum tipo de intencionalidade aos moldes da teoria de Searle.

Karl Pfeifer argues against Searle's "Connection Principle" which requires that unconscious intentional mental states must be in principle accessible to consciousness.

The distinction between personal and subpersonal levels of psychological explanation has proved useful in order to differentiate ways of understanding human behavior. Yet little has been discussed about how these kinds of explanations would work in making sense non-animals’ intelligent behavior. In this paper I assess the main characterizations of personal and subpersonal explanations and how they could be applied in interpreting animal behavior in a scientific setting. Specifically, my claim is that personal level explanation is especially relevant to explain (...) human actions as singular events. Through this, I will argue that instances of animal behavior can potentially be taken as singular events in the same way in which we take human action to be. Thus, personal level explanation plays an important role in behavioral sciences of non-human animals. -/- La distinción entre los niveles personal y subpersonal de explicación psicológica ha resultado de gran utilidad para diferenciar distintos modos de comprender el comportamiento humano. La discusión teórica en torno a la distinción se ha enfocado particularmente en torno a cómo caracterizar el nivel personal. Sin embargo, poco se ha dicho sobre cómo estas explicaciones operarían a la hora de hacer inteligible el comportamiento inteligente de animales no humanos. En este trabajo analizo las principales caracterizaciones que se han dado de las explicaciones de nivel personal y cómo éstas aplicarían a la interpretación del comportamiento animal en contextos científicos. Específicamente, defenderé que las explicaciones de nivel personal son especialmente relevantes para explicar las acciones humanas en tanto eventos singulares. A partir de esto, argumentaré que también los comportamientos animales pueden potencialmente ser eventos singulares como lo son las acciones humanas. Así, las explicaciones de nivel personal juegan un rol importante en las ciencias del comportamiento animal. (shrink)

Drawing on insights found in both philosophy and psychology, this paper offers an analysis of hate and distinguishes between its main types. I argue that hate is a sentiment, i.e., a form to regard the other as evil which on certain occasions can be acutely felt. On the basis of this definition, I develop a typology which, unlike the main typologies in philosophy and psychology, does not explain hate in terms of patterns of other affective states. By examining the developmental (...) history and intentional structure of hate, I obtain two variables: the replaceability/irreplaceability of the target and the determinacy/indeterminacy of the focus of concern. The combination of these variables generates the four-types model of hate, according to which hate comes in the following kinds: normative, ideological, retributive, and malicious. (shrink)

The idea that our perceptual openness to the world is normative can mean different things. In the Kantian tradition of Peter Strawson, Wilfrid Sellars and John McDowell, this openness is essentially tied to epistemic justification, that is to say, to our readiness to provide reasons for our actions and our beliefs about how things are. In the phenomenological tradition inaugurated by Edmund Husserl, the notion of norm-responsiveness that is relevant to perceptual experience has less to do with epistemic justification than (...) with perception’s capacity to guide action or elicit certain behaviors. In the lectures on Active and Passive Synthesis, Husserl explains how perception involves a pull towards gaining a more optimal view of the object by moving around it or scrutinizing it in various ways. On his part, Maurice Merleau-Ponty invokes the notion of norm in reference to our capacity to skillfully move our bodies and alter our points of view according to the particular demands of our perceptual situation. (shrink)

We offer a critical review of the concept of neural information, as received within mainstream neuroscience from Artificial Intelligence. This conception of information is constructed as a conditional probability of a stimulus given a certain neural activation, a correlation that cannot be accessed by the organism and fails to explain its causal organization. We reconstruct an alternative conception of neural information: a pattern of signals that is selected by the organism (as an autonomous system) to contribute to its self-maintenance in (...) virtue of its correlation with external conditions, a correlation that might further be evaluated by the very system. (shrink)

A prominent version of emotional cognitivism is the view that emotions are preceded by awareness of value. In a recent paper, Jonathan Mitchell (2019) has attacked this view (which he calls the content-priority view). According to him, extant suggestions for the relevant type of pre-emotional evaluative awareness are all problematic. Unless these problems can be overcome, he argues, the view does not represent a plausible competitor to rivaling cognitivist views. As Mitchell supposes, the view is not mandatory since its core (...) motivations can be accommodated by competing views, too. I argue that Mitchell's case against the content-priority view is unconvincing as it misconceives the principal motivation for the view. As I show, properly reconstructed, this motivation provides a strong case for the indispensability of the view to any adequate cognitivist treatment of emotion. Moreover, Mitchell's survey of candidates for pre-emotional value awareness can be seen to rest on problematic phenomenological assumptions. (shrink)

The universe is a metaverse. Proven by quantum entanglement on all levels. Meaning 'what you see is never what you get.' No such thing as 'reality.' It's all in your 'mind.' (Everybody's 'mind.') Why observation cannot provide the 'truth.'.

The phenomenal view of thought holds that thinking is an experience with phenomenal character that determines what the thought is about. This paper develops and responds to the objection that the phenomenal view is chauvinistic: it withholds thoughts from creatures that in fact have them. I develop four chauvinism objections to the phenomenal view—one from introspection, one from interpersonal differences, one from thought experiments, and one from the unconscious thought paradigm in psychology—and show that the phenomenal view can resist all (...) four. (shrink)

Perception involves the processing of content or information about the world. In what form is this content represented? I argue that perception is widely compositional. The perceptual system represents many stimulus features (including shape, orientation, and motion) in terms of combinations of other features (such as shape parts, slant and tilt, common and residual motion vectors). But compositionality can take a variety of forms. The ways in which perceptual representations compose are markedly different from the ways in which sentences or (...) thoughts are thought to be composed. I suggest that the thesis that perception is compositional is not itself a concrete hypothesis with specific predictions; rather it affords a productive framework for developing and evaluating specific empirical hypotheses about the form and content of perceptual representations. The question is not just whether perception is compositional, but how. Answering this latter question can provide fundamental insights into perception. (shrink)

This paper explores the relationship between technological and human intelligence through ‘The New Natural’, a term which at once accepts the nature of technological intelligence as real instead of forever ‘artificial’. It supports an evolutionary, reciprocal relationship between humans and technology that culminates in technological singularity and rejects the primacy of human perception known to popular human access theories, before seriously considering the ‘decentered’ implications of posthuman access. In conversation with western-centric sci-fi film of the late twentieth century, then, this (...) philosophical study explores how the concept of a technology-only intelligence entity can: (1) help us dispose of the core problems often associated with human-only access, (2) neutral-ize our fears of human annihilation at the hands of technological intelligence, and (3) establish strong grounds for why we may have to push back against early conceptions of nature’s opposition to technology, if only so we may resist falling into the great, and most human-centered traps known to the Anthropocene. (shrink)

Schelling’s Principle of Art returns us to an ancient epic sensibility, laying the foundations for reversing the unrealistic ‘modern mythology’ arguably at the core of humanity’s ecological/existential crisis. This contribution examines how, by detailing his systematic approach to constructing art ‘in the particular’ (art-forms/works). ‘Particularity’ is subject only to the reason inherent in the potences (or consequences) of the affirmation of the whole unity (Principle). Hence Schelling’s ‘affirming principles’ determine boundary conditions for his ‘mythological categories’, revealing why their generalities inform (...) a ‘scientific sequence’ for explaining the features of the Formative and Verbal arts (ie., all artforms, ‘for all time’). Examining specific examples shows how Schelling resolves key difficulties (appearance/reality, form/non-form, intentionality, and purpose) for assessing art’s higher meaning-value directionality; why phenomenology is key to understanding it; and how we arrived at the problematic modern ‘epic’ reversal of ancient universalising focusing our attention on ‘efficient’ over ‘final’ causes in art-making/admiring. Explaining practical application of the Principle-in-action expands on why Schelling’s ‘dialectical aesthetics’ presents a hitherto unrecognised radical advance on Kant’s. My conclusion summarises what shifts in attendance to the art object Schelling’s system demands, and why his Philosophy of Art offers a suitable framework for collectively re-worlding the world. (shrink)

The words we wield possess the power to sculpt our realities and selves. This paper introduces a dichotomy of Kalimaat-e-Safa (کلمات صفا) i.e., Puritative Words and Kalimaat-e-Ghubar (کلمات غبار) i.e., Dustitative Words, exploring their impact on the Self's integration and disintegration. Through a lens that connects existential philosophy, cognitive psychology, and linguistic analysis, we define the transformative potential of Puritative Words to foster resilience, clarity, and growth amidst life's adversities. Conversely, Dustitative Words are examined for their capacity to cloud perception (...) and fragment the Self. Beyond theoretical exploration, this paper offers pragmatic strategies for cultivating linguistic mindfulness, advocating for a deliberate choice of words as a pathway to personal and collective well-being. By redefining our linguistic choices, we not only ease the complexities of existence with greater agency but also contribute to a more integrative and coherent narrative of the Self. (shrink)

Written more than a hundred years ago, Stein’s On the Problem of Empathy is, today more than ever, essential reading material for anyone interested in social cognition. In this book – which still inspires current research – Stein provides a systematic account of the empathic experience. Stein’s view of empathy as a process, and her understanding of its main forms and functions in presenting the other as a spiritual being, provide valuable insights on the intersubjective nature of the human being. (...) Yet, it is not only from the perspective of social cognition that Stein’s book is relevant today. In fact, the book approaches a wide range of issues, from the idea of personhood to social ontology and ethics, and it exemplifies the power of phenomenology to shed light on the basic structure of human consciousness (for an overview: Calcagno 2007; Lebech 2004; MacIntyre 2006; Moran 2004). In this chapter, my aim is to explore the relevance of Stein’s book on empathy for contemporary research by focusing on three main issues which, in my view, can enrich current scholarship. The first issue concerns Stein’s understanding of empathy as a three-step process through which we become conscious of the other’s experience. The second relates to her views of the intentional structure of the emotions as revelatory of the realm of value. The third is her idea that not only emotions but also moods might have correlates, e.g., the fact that the world appears to be bathed in black for the depressive person. These three issues are not exhaustive of the ways in which Stein’s early work can be an inspiration for today’s researchers, but they are illustrative of how her insights can advance three central debates of contemporary philosophy: on social cognition, on the relation between emotion and value, and on the intentionality of moods. (shrink)

In this enquiry I establish Universal Desire Theory as the nominal designation of my active ethical framework, a system heavily influenced by the natural essentialists Philippa Foot and Jenny Teichman, wherein the comparative amalgamation of all subjectively experienced biological harm and benefit is the foundation of objective normativity. Highlights of this paper include the sections where I discuss the moral life of the cell, as well as the moral fallibility of hallucinating persons under this system which combines biological observation with (...) conscious awareness of action. I hope you enjoy. (shrink)

The resolution of subjective-objective dichotomy is not lies in reduction rather grounded on the synthesis of phenomenal aspect and intentional-representational aspect of experience. We have to acknowledge the limits of both physical and mental objectivity and gradually transcend and expand the scope of physical as well as mental objectivity through neutral perspective. The Nagelian version of phenomenal realism has indicated for resolving the subjective-objective dichotomy by observing the interaction of subjective point of view and objective point of view about the (...) reality from neutral perspective. (shrink)

According to Brentano and his followers, there is a genuine affective mode of intentional reference which consists in presenting the targeted objects imbued with value as being good or bad, and as inviting us to adopt a pro- or contra-attitude toward them. Let us call this view “the affective intentionality thesis”. In Brentano’s version of this thesis, not only do strictly affective phenomena such as feelings and emotions exhibit a sui generis affective intentionality, but so do conative ones, such as (...) wishes, desires, and acts of the will. However, in the version defended by the majority of his early phenomenological followers, this thesis applies only to affective phenomena in the narrow sense. This paper analyzes the reception of this later version of “the affective intentionality thesis” in Edith Stein’s early works, arguing that a further transformation of the thesis took place within her work. It argues that, for Stein, the intentionality exhibited by affective phenomena comes in different forms. According to this reading, the mode in which states that are affective in the strictest sense present their object as imbued with value admits variations. As I will demonstrate, a close analysis of her views on the stratification of the affective life and the different types of affective phenomena (general feelings, moods, emotions, and sentiments) suggests that at least three different forms of affective intentionality can be identified. I call them object intentionality, horizon intentionality, and personal intentionality. Since similar views can be found in other early phenomenologists, I suggest that Stein’s views can be taken as representative of a transformation that took place within this movement. -/- . (shrink)

Human language, hominin tool production modes, and multimodal communications systems of primates and other animals are currently well-studied for how they display compositionality or combinatoriality. In all cases, the former is defined as a kind of hierarchical nesting and the latter as a lack thereof. In this article, I extend research on combinatoriality and compositionality further to investigations of everyday primate skills. Daily locomotion modes as well as behaviors associated with subsistence practices, hygiene, or body modification rely on the hierarchical (...) nesting of different behavioral and cognitive actions into complex skills. I introduce a scheme which uses hierarchical organization to differentiate combinatorial from compositional skills. Combinatorial skills are defined either as aggregational or linearly hierarchical depending on whether the skill occurs momentarily in space or unfolds sequentially over time. Compositional skills are defined either as nested or interactionally hierarchical depending on whether the skill results in new constructs or in new interactions between existing constructs. The methodology I propose combines epistemological hierarchy theory with data from primatological field research and experimental and comparative psychological research and provides a means to integrate current constructionist and extended views on cognition and action with older research on behavioral logics in psychology and operational chain thinking in anthropology. The approach furthermore synchronizes with ongoing research on teleonomy, intentionality, and creativity. -/- . (shrink)

Book review of Hallie Liberto's Green Light Ethics.

In this paper, I defend a tripartite metaphysics of intentional mental states, according to which mental states are divided into subject, content, and attitude, against recent attempts at eliminating the attitude component (e.g., Montague, Oxford studies in philosophy of mind, 2022, 2, Oxford University Press). I suggest that a metaphysics composed of only subject and content cannot account for (a) multisensory perceptual experiences and (b) phenomenological differences between episodes of perception and imagination. Finally, I suggest that some of the motivations (...) behind the rejection of the attitude component can be accommodated within the tripartite framework. (shrink)

How does character information inform judgments of blame? Some argue that character information is indirectly relevant to blame because it enriches judgments about the mental states of a wrongdoer. Others argue that character information is directly relevant to blame, even when character traits are causally irrelevant to the wrongdoing. We propose an empirical synthesis of these views: a Two Channel Model of blame. The model predicts that character information directly affects blame when this information is relevant to the wrongdoing that (...) elicits blame. Further, the effect of character information on blame depends on judgments about the true self that are independent of judgments of intentionality. Across three pre-registered studies (N = 662), we found support for all three predictions of the Two Channel Model. We propose that this reflects two distinct functions of blame: a social regulatory function that encourages norm compliance and a pedagogical function that encourages personal improvement. (shrink)

Evaluativism about unpleasant pains offers one way to think about unpleasant pain experience. However, extant Evaluativist views do not pay enough attention to the affective dimension of pain experience and the complex relations between the affective, evaluative and sensory dimensions. This paper clarifies these relations and provides a view which more closely reflects the phenomenology of unpleasant pains. It argues that the intentional structure of paradigmatic unpleasant pain is as follows: unpleasant pains essentially involve a proprietary intentional mode—what I call (...) affective-interoception—and a distinctive kind of evaluatively qualified sensory content. The resulting view is Affective-Evaluativism. (shrink)

William Lycan is a notable early proponent of representationalism, which is, roughly, the view that a mental state's phenomenal features are nothing over and above its representational features (perhaps in addition to some further ingredients). Representationalism faces a challenge in accounting for perspectival experiences, which are, roughly, experiences that arise from our occupying a particular real or perceived perspective on the world. This paper presents representationalism, situating Lycan's version of representationalism within the representationalist landscape, and describes the challenge from perspectival (...) experiences. It considers three different representationalist treatments of perspectival experiences: the Layered View, which is developed by Lycan; the Relational Properties View, which Lycan eventually comes to endorse; and the Naive View, which, I will argue, combines elements from both views to achieve the best overall view. (shrink)

If, as argued in some simulationist accounts, empathy aims at grasping the phenomenal richness of the other’s experience and resonating with it, it is difficult to explain our empathy with emotions that we have never experienced ourselves. According to a long philosophical tradition, imagination is constrained by experience. We have to be acquainted with the qualitative feel of the other’s experience in order to imagine it. A critical view of simulationist accounts would claim that if we cannot imagine how the (...) other feels because we are not acquainted with it, empathy cannot take place. Contrary to such criticism, this paper takes a moderately optimistic view of the simulationist claim. It develops a model to explain how we imagine the other’s emotions by drawing on phenomenal concepts, affective memories, and imaginative scaffoldings. I argue that this model can explain how we empathize with the other’s emotions regardless of whether these are familiar or novel to us. However, in the latter case, the imagined phenomenal quality is not identical but probably only similar to the other’s emotion. This similarity suffices for us to speak about empathy. (shrink)

Your belief that Obama is a Democrat would not be the belief that it is if it did not represent Obama, nor would the pain in your ankle be the state that it is if, say, it felt like an itch. Accordingly, it is tempting to hold that phenomenal and representational properties are essential to the mental states that have them. But, as several theorists have forcefully argued (including Kripke (1980) and Burge (1979, 1982)) this attractive idea is seemingly in (...) tension with another equally attractive thesis, namely, the token-identity thesis; the thesis according to which every mental state token is identical with some or other token physical state. In this paper, we show that these seemingly incontrovertible essentialist intuitions are in fact compatible with “token physicalism” regarding the mental. Given a suitably plentitudinous ontology of objects, we argue that there are physical things with which our token mental states can be identified. This is preferable to existing views that give up the essentiality claims or simply reject the token-identity thesis. (shrink)

In this paper I examine the relationship between phenomenology and metaphysics by reassessing the relationship between phenomenological and metaphysical transcendence. More specifically, I examine the notion of phenomenological transcendence in Husserl and the early Heidegger: Husserl defines transcendence primarily as the mode of givenness of phenomena that do not appear all at once, but must be given in partial profiles; Heidegger defines transcendence primarily as Dasein’s capacity to go beyond entities toward being. I argue that these divergent understandings of phenomenological (...) transcendence have resulted in a significant difference in reception among French phenomenologists of religion. These thinkers assert that phenomenology, when properly conceived and utilized, can make room for the divine and its revelation, i.e., for a metaphysical transcendence. I further argue that these thinkers prefer Heidegger’s phenomenology to Husserl’s because they understand Heidegger’s transcendence as the subject’s openness to being, while they understand Husserl’s transcendence as a limit, as the inability to capture worldly objects. I take up Jean-Luc Marion’s phenomenology of givenness as a “case study” to illustrate this point. Finally, I argue that this preference for Heidegger over Husserl is misplaced and should be reversed. A close reading of Heidegger’s Phenomenology of Religious Life shows that Dasein is confined to its own possibilities and cannot be open to a relationship with the divine. By contrast, Husserl’s phenomenology provides the radical openness necessary to welcome revelation. While Husserl cannot envision a “worldly God,” the structures of horizonality and temporality characterize a subject capable of an authentic openness to revelation. (shrink)

In this article, I explore the problems of ficta ‘generation’ and ‘properties’ in light of the philosophies of Alexius Meinong and Roman Ingarden. Comparing Ingarden and the historical Meinong is not a novel idea. By contrast, comparing Ingarden and a phenomenological Meinong has not, to my knowledge, yet been explored. Here, I rely on Alberto Voltolini’s ‘phenomenological conception of außerseiende entities’. I devise Ingarden’s phenomenological ontology to account for the problems of ascription and generation that cripple Meinong’s account. In short, (...) I argue that Ingarden’s account is better suited to accommodate ficta’s generation and properties in a way that does not complicate our approach to fiction. (shrink)

The possibilities of unconscious perception and unconscious bias prompt parallel debates about unconscious mental content. This chapter argues that claims within these debates alleging the existence of unconscious content are made fraught by ambiguity and confusion with respect to the two central concepts they involve: consciousness and content. Borrowing conceptual resources from the debate about unconscious perception, the chapter distills the two conceptual puzzles concerning each of these notions and establishes philosophical strategies for their resolution. It then argues that empirical (...) evidence for unconscious bias falls victim to these same puzzles, but that progress can be made by adopting similar philosophical strategies. Throughout, the chapter highlights paths forward in both debates, illustrates how they serve as fruitful domains in which to study the relationship between philosophy and empirical science, and uses their combined study to further understanding of a general theory of unconscious content. (shrink)