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  1. Glossing the title of Bernard Shaw's Arms and the Man.Subhasis Chattopadhyay - manuscript
    I believe that as a teacher I must provide high quality content for my students. And all these should be available for free online so that bright students globally can choose which editions of a seminal text they can study. In every UG, PG examination, one is asked about the importance of the title of Shaw's play. In this paper I have illustrated by my own reading how one should and can approach the play. For scholars, my annotations referring to (...)
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  2. Modifications to Aristotle's Poetics.E. Garrett Ennis - manuscript
    Aristotle's Poetics has been the basis for theories of entertainment for over 2,000 years. But the general approach it uses has led to a number of gaps, contradictions, and difficulties in predicting the success of books, plays, movies, and entertainment as a whole, so much so that sayings like "there are no rules, but you break them at your peril," and "in Hollywood, nobody knows anything" have become widespread and accepted. -/- However, it turns out that a model of entertainment (...)
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  3. A Tenaz (Tena-city).Mota Victor - manuscript
  4. Locking Force.Mota Victor - manuscript
    Lockin as a way of private honesty and preparation to a jump in social theory and literature.
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  5. Linguistic Turn.Mota Victor - manuscript
    semiology of social and global transformations on public relations and, by consequence, of human intimacy.
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  6. Por uma Literatura Fatal e Complacente.Mota Victor - manuscript
  7. Trouble (À Rasca).Mota Victor - manuscript
  8. Motherhood as resistance in the bio-performance Analfabeta, an Interdisciplinary dialogue between Biology and Performance.Paulina Bronfman - 2023 - Documenta 41 ( Special Edition: Parliament of).
    Interdisciplinary dialogue acts as a symbiosis for all the areas that participate and imply enormous projections for both art and science. This paper explores the potential of an interdisciplinary dialogue between Biology and Performance using as a case study the Performance Analfabeta created by the artist Paulina Bronfman. The work was shaped in the context of The Third Conference of the Nucleus of Artistic Research (NIA) of In/Inter/Disciplinary Laboratories hosted by the Faculty of Art of The Pontificia University of Chile (...)
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  9. Performance, Citizenship and Activism in Chile.Paulina Bronfman - 2023 - Santiago . Chile: Editorial Osoliebre..
    "This book explores the relationship between performance and activism in Chile as a form of political expression and citizen participation during the period 2010-2020. Since the student mobilizations of 2006, the social movements that have taken place in Chile are characterized, in many cases, by the appropriation of public space and the political use of the body. This became particularly evident during the social outbreak of October 2019. The social upheaval was accompanied by a cultural explosion, where the arts in (...)
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  10. Reimagining the Future: Comedy and Hope.Russell Ford & H. Peter Steeves - 2023 - In Ramona Mosse & Anna Street (eds.), Genre Transgressions: Dialogues on Tragedy and Comedy. New York: Routledge. pp. 147-164.
    This wide-ranging conversation explores the potential of comedy to effect social change; the connections and disconnections between comedy and tragedy; the problem of laughter, humor, and ridicule; and the power of feminist humor.
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  11. Sana esiintyy lihassa. [REVIEW]Jussi M. Backman - 2022 - Tiede Ja Edistys 47 (4):348-351.
    Book review of Esa Kirkkopelto, Logomimesis: tutkielma esiintyvästä ruumiista (Helsinki: Tutkijaliitto, 2020).
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  12. Zeami: Blumenspiegel. Ein Grundlagentext Zur Praxis und Ästhetik des Japanischen Nō-Theaters.Leon Krings (ed.) - 2022 - Paderborn: Brill | Fink.
    Das Buch bietet eine philosophisch kommentierte Übersetzung des altjapanischen Textes von Zeami zur Praxis und Ästhetik des Nō-Theaters. Zeami beschreibt nicht nur die Praxis des Schauspielers in verschiedenen Aspekten, sondern entwickelt auch zentrale ästhetische Kategorien für die Rezeption des Nō-Theaters. Die Übersetzung wird ergänzt durch einen Kommentar mit Worterklärungen sowie interpretierende Aufsätze zu Themen wie der Maske im Nō-Theater, dem Gebrauch des Körpers und der Ästhetik des Atmens. Der Band liefert somit eine solide Grundlage für eine philosophisch-ästhetische Auseinandersetzung mit einer (...)
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  13. Il comico difficile.Ida E. A. Soldini - 2022 - Https://Mondodomani.Org/Dialegesthai/.
    Che gli esseri umani siano i soli animali capaci di ridere e piangere può essere messo in dubbio, ma che siano gli unici a sviluppare degli strumenti a questo scopo, non può esserlo. Tragedia e commedia, i due fronti dell’arte drammatica codificati da Aristotele nella "Poetica", sono proprio questi strumenti. La difficoltà a conferire un significato univoco a questi due magmatici termini, è sintomatica. In questo breve scritto tento di identificare la ragione di questa difficoltà e proporre un’ipotesi di lavoro (...)
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  14. Life Writing and Cognition.Lisa Zunshine - 2022 - Substance 51 (3):3-14.
  15. The Secret Life of Literature.Lisa Zunshine - 2022 - Cambridge, MA: MIT Press.
    An innovative account that brings together cognitive science, ethnography, and literary history to examine patterns of “mindreading” in a wide range of literary works.
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  16. Empathy and moral education, Theatre of the Oppressed, and The Laramie Project.Andrew J. Corsa - 2021 - Journal of Moral Education 50 (2):219-232.
    Notable theorists have argued that theatre and drama play positive roles in the moral education of children and adults, including cultivating their capacity for empathy. Yet other theorists have expressed concerns that plays and educational practices involving improvisation might not lead to positive changes in real life, and might even have negative influences on actors and audiences. This paper focuses in particular on the dramatic methods employed by Theatre of the Oppressed, devised by Augusto Boal, and on the methods involved (...)
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  17. Vom Fehlen des Sinnes zum Sinn des Fehlens. Euripides, "Iphigenie bei den Taurern", vv. 218ff. ökonomisch gelesen.Sergiusz Kazmierski - 2021 - In Ivo De Gennaro, Sergiusz Kazmierski, Ralf Lüfter & Robert Simon (eds.), Ökonomie als Problem. Interdisziplinäre Beiträge zu einer Kritik ökonomischen Wissens. Freiburg-München: pp. 139-184.
    Ausgehend von den vv. 218ff. der Iphigenie bei den Taurern zeigt der Beitrag, wie in dem Drama die tragische Dimension des menschlichen Daseins als eine unwirtliche zu Tage tritt. Diese offenbart eine wirtliche Ökonomie, die diesem Dasein ein Fundament geben kann, das nicht zunächst nach dem ausgerichtet ist, was recht und billig erscheint, sondern, allem voran, im sinnstiftenden Reichtum eines tragischen Schicksals wurzelt, das dem Menschen sein Eigenes und Freies zu gewähren vermag.
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  18. The Art of Uncertainty: A Scrutiny in Theatre of Michael Frayn.Midia Mohammadi - 2021 - International Journal of English Literature and Social Sciences 6 (3):245-252.
    The central idea upon which plays of Micheal Frayn are established is that a text or event is reborn and reconstructed every time it is recited or recalled. He sublimated history, physics, and various dramatic techniques into splendid drama to reflect upon the dilemmas thrown to the human in today’s world of indeterminacy. It will be explored how Frayn has plied the ‘uncertainty principle’ to drama with a distance from Becket and Brecht by analyzing three plays. Furthermore, his expressed perspective (...)
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  19. Un approccio ecologico cognitivo alla presenza scenica nelle arti della performance.Sarah Pini - 2021 - Antropologia E Teatro 12 (12):88-108.
    The concept of stage presence in performing arts is generally understood as the ability of the skilled performer to capture the attention of the audience, a prerogative of the talented actor, who occupies a position of power in respect to the audience. This work challenges the classic model of stage presence as an intrinsic quality of the performer and proposes instead a cognitive ecological ethnographic framework which considers the role played by various social actors — the public and the performers, (...)
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  20. Expanding empathic and perceptive awareness: The experience of attunement in Contact Improvisation and Body Weather.Sarah Pini & Catherine E. Deans - 2021 - Performance Research: A Journal of the Performing Arts 26 (3):106-113.
    Dance as a complex human activity is a rich test case for exploring perception in action. In this article, we explore a 4E approach to perception/action in dance, focussing on the intersubjective and ecological aspects of kinaesthetic attunement and their capacity to expand empathic and perceptive experience. We examine the question: what are the ways in which the performance ecology co-created in different dance practices influences empathic and perceptive experience? We adopt an enactive ethnographic and phenomenological approach to explore two (...)
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  21. Transmitting Passione: Emio Greco and the Ballet National de Marseille.Sarah Pini & John Sutton - 2021 - In Jill Nunes Jensen Kathrina Farrugia-Kriel (ed.), The Oxford Handbook of Contemporary Ballet. Oxford, UK: pp. 594-612.
    This work addresses the case of the Ballet National de Marseille (BNM) and the 2017 recreation of the piece Passione, created by the artistic directors Emio Greco and Pieter C. Scholten. This study, informed by a phenomenological approach, adopts ethnographic methods, including participant observation, in-depth interviews, and one researcher’s direct involvement with the practices of enculturation and enskillment in this dance form. It investigates how the dancers of the BNM articulate their diverse forms of agency in relation to the choreographer’s (...)
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  22. Stellvertretung: Zur Szene der Person.Katrin Trüstedt - 2021 - Konstanz: Konstanz University Press.
    Current crises give new urgency to the question of speaking and acting for others. How does one advocate for those whose voices are not heard? For stateless people, future generations, non-human actors, environments? The question of the possibilities and limits of representation arises anew against this backdrop and can be turned differently through the technique of "representation by proxy" (Stellvertretung) that steps in here. This technique does not prove to be a mere exception for supposed borderline cases. Rather, as this (...)
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  23. The Problems of Viewing Performance: Epistemology and Other Minds.Michael Y. Bennett - 2021 - London, UK: Routledge.
    The Problems of Viewing Performance challenges long-held assumptions by considering the ways in which knowledge is received by more than a single audience member, and breaks new ground by, counterintuitively, claiming that viewing performance is not a shared experience. Given that viewers come to each performance with differing amounts and types of knowledge, they each make different assumptions as to how the performance will unfold. Often modified by other viewers and often after the performance event, knowledge of performance is made (...)
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  24. Intrinsic-Extrinsic Properties in Theater.Michael Y. Bennett - 2021 - Philosophy and Literature 45 (1):34-38.
    David Friedell has recently discussed the relationship between intrinsic and extrinsic properties of art, specifically in music. Friedell claims that normative social rules dictate who can change the intrinsic or extrinsic properties of a piece of music. I claim that in text-based theater—as a particular art form—the dividing line between intrinsic and extrinsic properties of a play is sometimes tenuous. This tenuousness is due to a play's bifurcated existence as a dramatic text and as many theatrical performances.
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  25. Accidents Made Permanent: Theater and Automatism in Stanley Cavell, Michael Fried, and Matías Piñeiro.Byron Davies - 2020 - Modern Language Notes 135 (5):1283-1314.
    This essay provides an interpretation of the potential and limits of Michael Fried's difficult claims in his essay "Art and Objecthood" (1967) that cinema by its nature escapes the problems of modernism and also escapes the problems of theater. By focusing on Stanley Cavell's account of how cinema as an automatic medium escapes problems associated with variability across performances, I try to render a version of Fried's claim about cinema and theater that can ground a figurative version of his claim (...)
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  26. Vocal Traditions: Rodenburg Voice and Speech (14th edition).Amy Leavitt - 2020 - Voice and Speech Review 14 (14.1):96-107.
    ABSTRACT Vocal Traditions is a series in the Voice and Speech Review that highlights historically important voice teachers and schools of thought in the world of vocal pedagogy. This essay introduces the reader to Patsy Rodenburg’s teaching processes and artistic philo- sophy; her innovative marrying of voice, presence, and text work; and her distinctive approach to speaking Shakespeare.
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  27. Challenges Kenyan Television Journalists Face in Spotting Fake News.Kabucua John Mutugi - 2020 - Journal of Development and Communication Studies 7 (1).
    A fake news story can travel half way across the world as the truth puts on its socks. There are myriads of challenges facing journalists in spotting fake news hence its wide proliferation. Fake news has become a prominent subject of enquiry especially following its alleged influence of the 2016 general elections in US. Unfortunately, research on fake news has focused on social media, politics, elections, and economies. Few studies have focused on the challenges that TV journalists face in spotting (...)
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  28. Ἐγώ εἰμι.Andrej Poleev - 2020 - Enzymes 18.
    Появление человека, говорящего о себе Ἐγώ εἰμι, люди воспринимают в той же логике абсурда, к которой они привыкли. То, что кто-то может не играть и не носить маску, а реально быть, жить настоящей, а не выдуманной жизнью, для них немыслимо, невозможно, невыносимо и недопустимо. Но такой человек был, есть, и будет, и именно он преображает всё остальное человечество своим Ἐγώ εἰμι.
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  29. Patriarchy in Perspective (A Review of the film Run Kalyani). [REVIEW]Sankar Varma - 2020 - Frontline 8.
    This is a movie review of Run Kalyani through a critique of feminist discourses and the idea of differences and repetition.
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  30. "The Philosophy of Theater".Michael Y. Bennett - 2020 - Oxford Bibliographies.
    Theater—i.e., traditional text-based theater—is often considered the art form that most closely resembles lived life: real bodies in space play out a story through the passage of time. Because of this, theater (or theatre) has long been a laboratory of, and for, philosophical thought and reflection. The study of philosophy and theater has a history that dates back to, and flourished in, ancient Greece and Rome. While philosophers over the centuries have revisited the study of theater, the past four decades (...)
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  31. "Who Is He to Speak of My Sorrow?".Lisa Zunshine - 2020 - Poetics Today 41 (2):223-41.
    This article suggests that comparative literature scholars may benefit from the awareness that different communities around the world subscribe to different models of mind and that works of fiction can thus be fruitfully analyzed in relation to those local ideologies of mind. Taking as her starting point the “opacity of mind” doctrine, the author compares cultural practices originating in communities in which people think but do not talk publicly about others’ internal states, to those originating in communities in which people (...)
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  32. Review of Siddhartha Biswas's Theatre Theory and Performance: A Critical Interrogation. [REVIEW]Subhasis Chattopadhyay - 2019 - Prabuddha Bharata or Awakened India 124 (9):672-4.
    Biswas's book is a panoramic treatment of contemporary world theatre. The book under review will help both the neophyte, as also a scholar to negotiate ancient dramaturgy and more recent theatre. Biswas's eye for details is also remarked in this review. The review shows how Biswas, as it were, has written a manifesto of protest in this book.
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  33. Multiculturalism in Nigeria as a Factor in Promoting National Integration through Cross-Cultural Communication.Barigbon Gbara Nsereka - 2019 - International Journal of Innovative Research and Development 8 (1).
    It is widely believed that Nigeria consists of a minimum of 250 ethnic groups with Hausa, Yoruba and Igbo as the three dominant ones. Each group has its own language and custom and accepts one or more of the main religions of Christianity, Islam and African traditional religion. This multi-ethnic, multi-cultural, multi-lingual and multi-religious nature of the country makes the pursuit of national unity, unity in diversity, a difficult task. And this is the background for the disruption and violence that (...)
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  34. In the Court of the Jester: On Comedy and Democracy.Cade M. Olmstead - 2019 - Kritika and Kontext 1 (56):142-147.
    This paper seeks to make an assessment of the current political landscape with regard to the way comedy gets deployed as a form of political rhetoric and action. It begins with Alenka Zupančič’s analysis in 'The Odd One In' (2008) of G.W.F. Hegel’s developmental account of ancient Greek theatrical forms. The conclusion of comedy as a concrete universal is then expanded through reference to the performance theory of JeffreyC. Alexander. Attention is given to ineffective forms of comedy as political action, (...)
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  35. Coordenadas epistemológicas para una estética en construcción.Mayra Sánchez Medina & José Ramón Fabelo-Corzo (eds.) - 2019 - Puebla, Pue., México: Colección La Fuente.
    Desde la certidumbre del sentido necesariamente inacabado, nómada y abierto de sus propuestas, el presente volumen de la Colección La Fuente da cuentas del esfuerzo de un grupo de investigadores del Instituto de Filosofía de La Habana (IF) y de la Universidad Autónoma de Puebla (BUAP) por esbozar, más que respuestas, aquellas interrogantes sociales, culturales y artísticas que, desde constelaciones cambiantes de conceptos y reflexiones estéticas, puedan ser emplazadas en sus respectivas realidades. El presente libro es el tercero de la (...)
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  36. Material und Begriff. Arbeitsverfahren und theoretische Beziehungen Walter Benjamins.Frank Voigt, Nicos Tzanakis-Papadakis, Jan Loheit & Konstantin Baehrens - 2019 - Hamburg, Deutschland: Argument.
    Die Rezeption von Walter Benjamins Arbeiten ist von einer Paradoxie durchzogen: Obwohl Konsens darüber besteht, dass er seine Begriffe in ›enger Fühlung‹ mit dem jeweiligen Material entwickelt, werden seine Schriften häufig ohne ein eigenständiges Studium seiner Quellen gelesen, losgelöst vom jeweiligen Problem- und Debattenzusammenhang. Das verstärkt den Eindruck einer Esoterik seiner Texte und kann zu der Annahme verleiten, Benjamin entnehme Motive willkürlich aus seinem Material- und Quellenstudium und nutze sie als Vehikel eines an sich schwer in eine Tradition einzuordnenden Denkens. (...)
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  37. سوسيولوجيا السينما: الصورة والمجتمع.الصديق الصادقي العماري & Seddik Sadiki Amari - 2019 - Revue Sinvilya مجلة سينفيليا 1 (19):14-17.
     تقديم تعد السينما فنا من بين الفنون عرفت مجموعة من التحولات العميقة في مسارها التاريخي، بدأ من تجارب الأخوين لوميير كرائدي اختراع جهاز العرض السينمائي، مرورا بالسينما الصامتة خاصة مع شارلي شابلن، ثم المزج بين الصورة والصوت. وخلال هذه المحطات بلورت السينما نضجا على مستوى الممارسة والتنظير خاصة مع الموجة الجديدة الفرنسية. و "قد يتبادر إلى الذهن أن السينما مجرد آلات تقنية لعرض الصورة، ولعب فنية تصلح لإيهام المتفرج وجعله يتماهى مع ما يشاهد من صور متحركة. معتقدا أن المشاهدة (...)
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  38. “Propositions in Theatre: Theatrical Utterances as Events”.Michael Y. Bennett - 2018 - Journal of Literary Semantics 47 (2):147-152.
    Using William Shakespeare’s Hamlet and the play-within-the play, The Murder of Gonzago, as a case study, this essay argues that theatrical utterances constitute a special case of language usage not previously elucidated: the utterance of a statement with propositional content in theatre functions as an event. In short, the propositional content of a particular p (e.g. p1, p2, p3 …), whether or not it is true, is only understood—and understood to be true—if p1 is uttered in a particular time, place, (...)
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  39. Visual Experiences in Cinquecento Theatrical Spaces.Javier Berzal de Dios - 2018 - Toronto, ON, Canada: University of Toronto Press.
    Through an interdisciplinary examination of sixteenth-century theatre, Visual Experiences in Cinquecento Theatrical Spaces studies the performative aspects of the early modern stage, paying special attention to the overlooked complexities of audience experience. Examining the period’s philosophical and aesthetic ideas about space, place, and setting, the book shows how artists consciously moved away from traditional representations of real spaces on stage, instead providing their audiences with more imaginative and collaborative engagements that were untethered by strict definitions of naturalism. In this way, (...)
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  40. A Theater of Ideas: Performance and Performativity in Kierkegaard’s Repetition.Martijn Boven - 2018 - In Eric Ziolkowski (ed.), Kierkegaard, Literature, and the Arts. Evanston, IL, USA: Northwestern University press. pp. 115-130.
    In this essay, I argue that Søren Kierkegaard’s oeuvre can be seen as a theater of ideas. This argument is developed in three steps. First, I will briefly introduce a theoretical framework for addressing the theatrical dimension of Kierkegaard’s works. This framework is based on a distinction between“performative writing strategies” and “categories of performativity.” As a second step, I will focus on Repetition: A Venture in Experimenting Psychology, by Constantin Constantius, one of the best examples of Kierkegaard’s innovative way of (...)
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  41. L'autre scène du désir : Strange Fruit de Caryl Phillips.Frédéric Lefrançois (ed.) - 2018 - Paris: Yehkri.
    Strange Fruit is an exemplary study of the question of the integration of West Indians of immigrant origin living in England in the 1980s. Through this play structured in three acts, Caryl Phillips offers the reader-viewer privileged access to the inner world of a West Indian family living in a deprived London neighborhood. At the heart of this intimate drama with tragic overtones, there is a cultural conflict between two successive generations of immigrants. Philosophical and existential issues are deftly treated (...)
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  42. Analytic Philosophy and the World of the Play.Michael Y. Bennett - 2017 - London: Routledge.
    Theatrical characters’ dual existence on stage and in text presents a unique, challenging case for the analytical philosopher. -/- Analytic Philosophy and the World of the Play re-examines the ontological status of theatre and its fictional objects through the "possible worlds" thesis, arguing that theatre is not a mirror of our world, but a re-creation of it. Taking a fresh look at theatre’s key elements, including the hotly contested relationships between character and actor; onstage and offstage "worlds"; and the play-text (...)
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  43. New Media-New Voices: Satirical Representations of Nigeria's Socio-Politics in Ogas at the top.Philip Effiom Ephraim, Tutku Atker & Martin A. M. Gansinger - 2017 - Critical Studies in Media Communication 34 (1):44-57.
    New media are increasingly providing spaces and opportunities for media houses and activist groups engaged in socio-political reform in Africa. In Nigeria, social media are becoming platforms for communicating messages of resistance against oppressive political and exploitative economic power structures. This study analyzed Ogas at the top (OATT), an online puppetry series by Buni TV, as a way of examining new platforms and message content in Nigeria’s rapidly changing media sphere. Relying on semiotics and critical discourse analysis perspectives, the study (...)
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  44. Trump is Gross: Taking Political Taste Seriously.Shelley Park - 2017 - Kennedy Institute of Ethics Journal 27 (S2):23-42.
    My 5-year-old granddaughter refers to foods, clothes, and people she does not like as “supergross.” It is a verbiage that I have found myself adopting for talking about many things Trumpian, including the man himself. The gaudy, gold-plated everything in Trump Towers; his ill-fitting suits; his poorly executed fake tan and comb-over; his red baseball cap emblazoned with “Make America Great Again;” his creepy way of talking about women ; his racist vitriol about Blacks, Muslims and Mexicans; his blatant over-the-top (...)
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  45. Performance como uma Prática de si: mapeando noções de treinamento performativo.Ronaldo Francisco dos Santos - 2017 - Dissertation, Unicamp, Brazil
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  46. Hamlet (Bilingual Edition).William Shakespeare - 2017 - Tehran: Mehrandish Books.
    A Persian translation of William Shakespeare's Hamlet along with the original text.
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  47. Un manifesto dell'inumano. Carmelo Bene a quindici anni dalla morte.Fabio Vergine - 2017 - Kasparhauser 1.
    Articolo in occasione del quindicesimo anniversario della morte di Carmelo Bene.
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  48. Yeats considered as the Archetypal Fool.Margot Wilson - 2017 - Dissertation, Sheffield University
    I argue a case for interpreting Yeats through the metaphysics of The Order of the Golden Dawn and the human/cosmic life cycle of their Rider-Waite tarot deck. In doing so, I will explain how the metaphysics of Indian and Egyptian sacred geometry inform his poetry, and his plays, in particular, ‘A Vision’ (1925) and ‘The Herne’s Egg’ (1938).
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  49. A Dramaturgia Negativa: Dialética Trágica e Formação do Teatro Brasileiro.Ivan Delmanto Franklin de Matos - 2016 - Dissertation, Usp, Brazil
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  50. Entre dos tempestades. Boal dialoga con Shakespeare.José Ramón Fabelo Corzo & Ana Lucero López Troncoso - 2016 - In José Ramón Fabelo Corzo & Ana Lucero López Troncoso (eds.), Teatro y Estética del Oprimido. Homenaje a Augusto Boal. Puebla, Pue., México: pp. 285-299.
    Los autores realizan un análisis comparativo entre The Tempest de Willian Shakespeare y La Tempestad de Augusto Boal, siguiendo la pauta de este último autor, quien ve en su obra no la adaptación de la del clásico dramaturgo inglés, sino la respuesta a aquella desde la perspectiva de Caliban y no de Próspero.
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