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  1. Form and Content: A Defence of Aesthetic Value in Science.Alice Murphy - forthcoming - Philosophy of Science.
    Those who wish to defend the role of aesthetic values in science face a dilemma: Either aesthetic language is used metaphorically for what are ultimately epistemic features, or aesthetic language is used literally but it is difficult to see the importance of such values in science. I introduce a new account that gets around this problem by looking to an overlooked source of aesthetic value in science: the relation between form and content. I argue that a fit between the content (...)
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  2. Living fossils and conservation values.Derek Turner & Junhyung Han - 2023 - Frontiers in Earth Science 11.
    Horseshoe crabs (Limulus polyphemus) have been in decline in Long Island Sound, and recently there has been discussion of whether the state of Connecticut should stop issuing licenses for commercial harvesting. This paper argues that in spite of concerns about the living fossil concept, the fact that the horseshoe crabs are living fossils should count in favor of more stringent protection. The paper distinguishes four different views about the status of the living fossil concept: 1) eliminativism; 2) redefinition; 3) reframing; (...)
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  3. The Transformative Power of Literary Perspectives.Íngrid Vendrell-Ferran - forthcoming - Journal of Aesthetic Education.
    This paper employs the concept of “transformative experience” to develop a radical version of aesthetic cognitivism, according to which engaging with literary perspectives might lead the reader to experience not only an epistemic but also a personal transformation. It is argued that the reader’s imaginative and empathic abilities when subjected to the aesthetic norms that govern a literary work can mobilize other aspects of her psychology, eliciting in this way a change in her core values and, consequently, in the way (...)
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  4. Aesthetic value in the built environment.Eleri Lloyd - 2022 - Dissertation, Cardiff University
    Contemporary architects have a philosophical problem: how to justify the value of good design, specifically aesthetics, in an economy which favours the objective and quantifiable. Philosophy, however, has neglected serious engagement with the aesthetics of the built environment, despite widespread agreement within the architectural world that contemporary building is often ugly or bland. This thesis examines key philosophical issues in the crisis of aesthetics in architecture. Part One seeks a better understanding of what we mean by aesthetic value in the (...)
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  5. Artistic Exceptionalism and the Risks of Activist Art.Christopher Earley - forthcoming - Journal of Aesthetics and Art Criticism.
    Activist artists have to navigate a difficult tension. On the one hand, they pursue the political value of making measurable, positive impacts upon issues of social injustice. On the other hand, they pursue the artistic value that comes from strategies exempt themselves from the norms that govern conduct in other domains of life – what I will call ‘artistic exceptionalism’. Looking closely at Adrian Piper’s Four Intruders plus Alarm Systems (1980) I will show how this tension can negatively impact activist (...)
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  6. Art and Learning: A Predictive Processing Proposal.Jacopo Frascaroli - 2022 - Dissertation, University of York
    This work investigates one of the most widespread yet elusive ideas about our experience of art: the idea that there is something cognitively valuable in engaging with great artworks, or, in other words, that we learn from them. This claim and the age-old controversy that surrounds it are reconsidered in light of the psychological and neuroscientific literature on learning, in one of the first systematic efforts to bridge the gap between philosophical and scientific inquiries on the topic. The work has (...)
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  7. The Value of Aesthetic Value: Aesthetics, Ethics, and The Network Theory.Derek Matravers - 2021 - Disputatio 13 (62):189-204.
    The standard discussion of the relation between aesthetics and ethics tends to avoid the fundamental question: how are those two values ranked against each other in terms of importance. This paper looks at two arguments, the ‘resource allocation argument’ and the ‘relative weight argument’. It puts forward the view that any theory of aesthetic value should characterise aesthetic value in a way that allows for the existence of these arguments. It argues that hedonism does that successfully, but the more recent (...)
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  8. Aesthetic value in English, uzbek and tajik national cultures.Rakhmatova Mehriniso Musinovna - unknown
    Language plays indispensable role in understanding world picture of every nation. However, the problem of analyzing the expression of the concept of "beauty" in the language has not been studied from the point of view of cognitive linguistics and linguistic Culturology. Consequently, the aesthetic picture of the world in English, Uzbek and Tajik languages, the possibility of expressing and reflecting the concept of "beauty" on the phraseological and lexical tiers of the language, the interpretation of values in different cultures, comparative (...)
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  9. Philosophical An(n)ales: Laideur Abject Dégoût...comme une allergie à l’Autre (féminin).Marina Christodoulou - 2017 - In Bertrand Naivin & Lars Aagaard-Mogensen (eds.), Sur la laideur. [Actes du symposium On Ugliness, organizé par Lars Aagaard- Mogensen au Wassard Elea (Ascea, Italie) en juin 2016]. Paris, France: pp. 97-109.
    Citation: Christodoulou, Marina. “Philosophical An(n)ales: Laideur Abject Dégoût...comme une allergie à l’Autre (féminin),” (trans. Bertrand Naivin) in Sur la laideur. [Actes du symposium On Ugliness, organizé par Lars Aagaard- Mogensen au Wassard Elea (Ascea, Italie) en juin 2016], edited by d Bertrand Naivin and Lars Aagaard-Mogensen (Paris: Editions Complicités, 20178, 97-109. ISSN: 9782351201435 -/- -------------------- -/- Laideur Abject Dégoût ... comme une allergie à l’Autre (féminin) Sur l’art et l’esthétique sexués. -/- Pourquoi le dégoût est-il (ou peut-il être considéré) comme (...)
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  10. Naturästhetik.Zhuofei Wang - 2016 - In Handbuch Umweltethik. Stuttgart: Metzler Verlag. pp. 142-147.
  11. Markosian’s Sideways Music and Aesthetic Value Gluts.Jeremiah Joven B. Joaquin - 2022 - Acta Analytica 37 (3):431-439.
    In “Sideways Music”, Ned Markosian presents the aesthetic value variance of sideways music as a case against what the Spacetime Thesis—the thesis that time is one of four similar dimensions that make up spacetime. Critics have already raised worries about the premises of his argument. In this paper, I focus on Markosian’s assumed aesthetic realism. I argue that there is a version of aesthetic realism—a version that admits aesthetic value gluts—that is consistent with both the Spacetime Thesis and the aesthetic (...)
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  12. Why Aesthetic Value Judgements Cannot Be Justified.Tomáš Kulka - 2020 - Estetika: The European Journal of Aesthetics 46 (1):3.
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  13. Aesthetic Insight: The Aesthetic Value of Damaged Environments.María José Alcaraz León - 2020 - Estetika: The European Journal of Aesthetics 50 (2):169.
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  14. Aesthetic Experience, Aesthetic Value.Jane Forsey - 2020 - Estetika: The European Journal of Aesthetics 54 (2):175.
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  15. The Significance of Nichtigkeit in Schopenhauer’s Account of the Sublime.Patrick Hassan - forthcoming - In David Bather Woods & Timothy Stoll (eds.), The Schopenhauerian Mind.
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  16. Existential Aesthetics.Hans Maes - 2022 - Journal of Aesthetics and Art Criticism 80.
    The aim of what I propose to call “existential aesthetics” is to investigate the various ways in which art and certain kinds of aesthetic practice or aesthetic experience can be of existential importance to people. Section I provides a definition of existential aesthetics, while Section II delineates this emerging field from cognate areas of research. Sections III and IV explore various subcategories and examples of existential aesthetics. Section V seeks to identify important avenues for future research and Section VI presents (...)
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  17. Aesthetic values are distal versions of practical values.Tom Cochrane - forthcoming - Journal of Aesthetics and Art Criticism.
    This is a 1000 word summary of my theory of aesthetic value. I claim that value should be understood as an activity rather than a property, that aesthetic values are objectified final values, that they are distal versions of practical values, and that each one involves balancing a tension. This is for an upcoming symposium at the JAAC in which 11 philosophers outline their positions on aesthetic value.
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  18. Intelligible Beauty.James Shelley - 2022 - Aristotelian Society Supplementary Volume 96 (1):147-164.
    Arthur Danto argued from the premiss that artworks are essentially cognitive to the conclusion that they are incidentally aesthetic. I wonder why Danto, and the very many of us he persuaded, came to believe that the cognitive and the aesthetic oppose one another. I argue, contrary to Danto’s historical claims, that the cognitive and the aesthetic did not come into opposition until the late nineteenth or early twentieth century, and that they were brought into opposition for reasons of art-critical expediency (...)
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  19. The Aesthetic Value of Literary Works in Roman Ingarden’s Philosophy.Hicham Jakha - 2022 - Kultura I Wartości (32):165-185.
    In this paper, I attempt to formulate an Ingardenian conception of the literary work’s aesthetic value. Following Mitscherling’s lead, I attempt to place Ingarden’s aesthetics within his overall phenomenological-ontological project. That is, I argue that Ingarden’s aesthetics can only be properly fathomed in the context of his ontological deliberations, since, as he himself often enunciated, all his philosophical investigations constitute a realist rejoinder to Husserl’s turn toward transcendental idealism. To this end, I bring together insights from his aesthetics and ontology (...)
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  20. On the Wellbeing of Aesthetic Beings.Sherri Irvin - forthcoming - In Helena Fox, Kathleen Galvin, Michael Musalek, Martin Poltrum & Yuriko Saito (eds.), Oxford Handbook of Mental Health and Contemporary Western Aesthetics. Oxford University Press.
    As aesthetic beings, we are receptive to and engaged with the sensuous phenomena of life while also knowing that we are targets of others’ awareness: we are both aesthetic agents and aesthetic objects. Our psychological health, our standing within our communities, and our overall wellbeing can be profoundly affected by our aesthetic surroundings and by whether and how we receive aesthetic recognition from others. Being aware of and responsive to how others aesthetically experience us shapes our sense of self and (...)
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  21. On the Relative Unimportance of Aesthetic Value in Evaluating Visual Arts.Tomas Kulka - 2022 - British Journal of Aesthetics 62 (1):63-79.
    Contrary to the received view according to which the value of works of art consists exclusively or primarily in their aesthetic value I argue that the importance of aesthetic value has been grossly overrated. In earlier publications I have shown that the assumption stipulating that the value of artworks consists exclusively in their aesthetic value is demonstrably wrong. I have suggested a conceptual distinction between the aesthetic and the artistic value arguing that when it comes to evaluation the artistic value, (...)
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  22. Toward a Communitarian Theory of Aesthetic Value.Nick Riggle - 2022 - Journal of Aesthetics and Art Criticism 80 (1):16-30.
    Our paradigms of aesthetic value condition the philosophical questions we pose and hope to answer about it. Theories of aesthetic value are typically individualistic, in the sense that the paradigms they are designed to capture, and the questions to which they are offered as answers, center the individual’s engagement with aesthetic value. Here I offer some considerations that suggest that such individualism is a mistake and sketch a communitarian way of posing and answering questions about the nature of aesthetic value.
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  23. Interpreting Art.Sam Rose - 2022 - London, UK: University College London Press.
    Art interpretation in practice, not theory. -/- How do people make sense of works of art? And how do they write to make others see the same way? There are many guides to looking at art, histories of art history and art criticism, and accounts of various ‘theories’ and ‘methods’, but this book offers something very unlike the normal search for difference and division: it examines the general and largely unspoken norms shared by interpreters of many kinds. -/- Ranging widely, (...)
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  24. The Truthful Portrait: Can Posing Be a Tool for Authenticity in Portraiture?Aurélie J. Debaene - 2021 - The Journal of Aesthetics and Art Criticism 79 (4):440-451.
    This article explores the compatibility of posing and authenticity in portraiture. Often understood as a source of inauthenticity, I propose that posing in fact functions as an artistic tool that can support a truthful portrayal. My argument first discusses authenticity in relation to portraiture through the lens of Bernard Williams’s idea of “truthfulness,” which relies on his notions of “accuracy” and “sincerity.” Second, I introduce a phenomenology of posing. I identify two aspects of posing that can be present in the (...)
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  25. Aesthetics of the Everyday.Sherri Irvin - 2009 - In Stephen Davies, Kathleen J. Higgins, Robert Hopkins, Robert Stecker & David Cooper (eds.), A Companion to Aesthetics. Wiley-Blackwell. pp. 136-139.
    This reference essay surveys recent work in the emerging sub-discipline of everyday aesthetics, which builds on the work of John Dewey to resist sharp distinctions between art and non-art domains and argue that aesthetic concepts are properly applied to ordinary domains of experience.
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  26. Aesthetics as a Guide to Ethics.Sherri Irvin - 2010 - In Robert Stecker & Theodore Gracyk (eds.), Aesthetics Today: A Reader. Rowman and Littlefield. pp. 370-377.
    This paper argues for several claims about the moral relevance of the aesthetic: that attention to aesthetic values may promote moral motivation; that aesthetic values should be regarded as constraining moral demands; and that the pursuit of aesthetic satisfactions may itself have positive moral value. These arguments suggest that moral thinking should be aesthetically informed to a much greater degree than has been typical. The aesthetic is a central dimension of a good life, and a life’s being good for the (...)
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  27. Reasons, normativity, and value in aesthetics.Alex King - 2022 - Philosophy Compass 17 (1):1-17.
    Discussions of aesthetic reasons and normativity are becoming increasingly popular. This piece outlines six basic questions about aesthetic reasons, normativity, and value and discusses the space of possible answers to these questions. I divide the terrain into two groups of three questions each. First are questions about the shape of aesthetic reasons: what they favour, how strong they are, and where they come from. Second are relational questions about how aesthetic reasons fit into the wider normative landscape: whether they are (...)
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  28. Poetry and the Possibility of Paraphrase.Gregory Currie & Jacopo Frascaroli - 2021 - The Journal of Aesthetics and Art Criticism 79 (4):428-439.
    Why is there a long-standing debate about paraphrase in poetry? Everyone agrees that paraphrase can be useful; everyone agrees that paraphrase is no substitute for the poem itself. What is there to disagree about? Perhaps this: whether paraphrase can specify everything that counts as a contribution to the meaning of a poem. There are, we say, two ways to take the question; on one way of taking it, the answer is that paraphrase cannot. Does this entail that there is meaning (...)
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  29. Architectural Value and the Artistic Value of Architecture.Harry Drummond - 2021 - Debates in Aesthetics 17 (1):13-28.
    This paper seeks to refute the claim that architectural value is one and the same value as the artistic value of architecture. As few scholars explicitly endorse this claim, instead tacitly holding it, I term it the implicit claim. Three potential motivations for the implicit claim are offered before it is shown that, contrary to supporting the claim, they set the foundations for considering architectural value and the artistic value of architecture to be distinct. After refuting the potential motivations and (...)
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  30. Two Dogmas of Aesthetic Empiricism.Dominic McIver Lopes - 2021 - Metaphilosophy 52 (5):583-592.
    Aesthetic hedonism is the default theory of aesthetic value. Some of its critics share with it a pair of unquestioned assumptions, namely, that any theory of aesthetic value should make special appeal to its being the case that the canonical form of aesthetic evaluation is a state of pleasure and to its being the case that the canonical purpose of aesthetic acts is to access pleasure. This paper argues that there is reason to doubt both assumptions. Doubting both assumptions suggests (...)
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  31. Art as pharmakon.Salah El Moncef - 2021 - Angelaki 26 (6):144-175.
    This essay proposes an interpretation of Don DeLillo’s Falling Man based on a combination of textual analysis and contemporary theoretical approaches to the specific questions of trauma, grief, and...
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  32. Laying One’s Cards on the Table: Experiencing Exile and Finding Our Feet in Moral Philosophical Encounters.Camilla Kronqvist & Natan Elgabsi - 2021 - Open Philosophy 4 (1):404-424.
    Engaging with the philosophical writings of Iris Murdoch, we submit that there are difficulties associated with providing a good description of morality that are intimately connected with difficulties in understanding other human beings. We suggest three senses in which moral philosophical reflection needs to account for our understanding of others: the failure to understand someone is not merely an intellectual failure, but also engages us morally; the moral question of understanding is not limited to the extent to which we understand (...)
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  33. Defending Games: Reply to Hurka, Kukla and Noë. [REVIEW]C. Thi Nguyen - 2021 - Analysis 81 (2):317-337.
    This is my reply to commentators in the symposium on my book, GAMES: AGENCY AS ART. The symposium features commentary by Thomas Hurka, Quill Kukla, and Alva Noe, and originally appeared in Analysis 81 (2).
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  34. The "Work" of Art: Stanisław Brzozowski and Bernard Stiegler.Adrian Mróz - 2021 - Humanities and Social Sciences 28 (3):39-48.
    This article relates the ideas of Stanisław Brzozowski (1878-1911) with those of Bernard Stiegler (1952-2020), both of whom problematize the "work" of art understood as a labor practice. Through the conceptual analysis of epigenetics and epiphylogenetics for aesthetic theory, I claim that both thinkers develop practical concepts relevant to contemporary art philosophy. First, I present an overview of Brzozowski's aesthetics, for whom literature and the arts are linked with ethics, and aesthetic form is tied with moral judgment. Then, I continue (...)
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  35. Peirce's Esthetics as a Science of Ideal Ends.James Liszka - 2018 - Cognitio 18 (2):205-229.
    Peirce considered his esthetics to be one of a trio of normative sciences. Ostensibly, the sciences of logic, ethics and esthetics, would study the traditional norms of truth, goodness and beauty. Logic was normative in the sense that it studied how people ought to reason, if truth is to be the result. Similarly, ethics is the study of how we ought to conduct ourselves, if good is to happen. At the same time, Peirce seems to have difficulty fitting the study (...)
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  36. Stephanie Ross, Two Thumbs Up: How Critics Aid Appreciation. [REVIEW]Anthony Cross - 2021 - Ethics 132 (1):269-274.
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  37. Theory and Practice of Contrast: Integrating Science, Art and Philosophy.Mariusz Stanowski (ed.) - 2021 - London: Crc Press.
    The book Theory and Practice of Contrast completes, corrects and integrates the foundations of science and humanities, which include: theory of art, philosophy (aesthetics, epistemology, ontology, axiology), cognitive science, theory of information, theory of complexity and physics. Through the integration of these distant disciplines, many unresolved issues in contemporary science have been clarified or better understood, among others: defining impact (contrast) and using this definition in different fields of knowledge; understanding what beauty/art is and what our aesthetic preferences depend on; (...)
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  38. Judgments of Beauty in Theory Evaluation.Devon Brickhouse-Bryson - 2021 - Lanham, Maryland: Lexington Books.
    The role of judgments of beauty in scientific theory evaluation is the subject of significant debate in contemporary philosophy of science. This book advances that debate by broadening its scope. In Judgments of Beauty in Theory Evaluation, the author argues that judgments of beauty are a justified part of theory evaluation of all sorts: not only scientific theory evaluation, but also philosophical theory evaluation. The author argues for this thesis by providing an account of beauty—inherited from Kant and Mothersill—on which (...)
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  39. Comparison of Moral Evolution Art Works Model from the Perspective of Noël Carroll and Berys Gaut.Javad Amin Khandaqi - 2021 - Ferdows Art 3 (1):10-23.
    One of the important issues in the philosophy of art regarding the relationship between art and ethics is the relationship between aesthetic value and moral value in a work of art. Among the analytical philosophers of art, there was a trend that saw a positive relationship between the "moral value" and the "aesthetic value" of works of art. There is a new movement that presents a kind of new moralism for art's moral evaluation. This movement is a protest against “radical (...)
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  40. Introduction: Reading After Blanchot.Zakir Paul - 2021 - Substance 50 (2):3-10.
    "Blanchot is an even greater waste of time than Proust". George Poulet's judgment, in Ann Smock's wry translation, gives pause to anyone who might claim contemporary literary or political relevance for the French writer, critic, and journalist. Poulet writes, "Thus, much more radically even than Proust, Maurice Blanchot appears a man of 'lost time'".1 How does relegating him to such a forgotten past, only accessed involuntarily through missteps, square with his enduring influence over post-war French thought and narrative? Blanchot seems (...)
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  41. Los valores estéticos en la perspectiva de Jan Mukarovsky.José Ramón Fabelo Corzo - 2002 - El Cuervo, Revista de la Universidad de Puerto Rico 14 (28):11-15.
    El filósofo checo Jan Mukarovsky (1891-1975) fue uno de los fundadores del Círculo de Praga. Fue el primero en intentar desarrollar una estética semiológica, cuya herramienta metodológica fundamental es el signo. Él está consciente de que el fenómeno estético no es igual ni reductible al lingüístico, por lo que procura una definición del signo mucho más amplia de la que es habitual en los medios lingüísticos. Por ese camino se topa con el tema de los valores estéticos. Su enfoque de (...)
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  42. The Stoic Theory of Beauty. By Aistė Čelkytė. [REVIEW]William O. Stephens - 2021 - Bryn Mawr Classical Review 7 (44).
    This book explores both the historical and philosophical contexts of the Stoics’ aesthetic terms focusing on the concept of beauty in metaphysical, epistemological, and ethical arguments attributed to Chrysippus. The author shows that the Stoic theory of value and Stoic aesthetics were not mutually exclusive areas of study, analyzes the Stoic paradox that only the sage is beautiful, and explains the Stoic view that rationality manifests as order, which manifests as proportion, which produces the formal property of beauty, which results (...)
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  43. An Interview with Tom Cochrane.Tom Cochrane, Rohan Srivastava & Alexandra Crotty - 2021 - Washington University Review of Philosophy 1:34-40.
    3500 word interview with Tom Cochrane discussing his philosophical background, the nature of aesthetic value, the benefits of art, and aestheticism.
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  44. Ugliness Is in the Gut of the Beholder.Ryan P. Doran - 2022 - Ergo: An Open Access Journal of Philosophy 9 (5):88-146.
    I offer the first sustained defence of the claim that ugliness is constituted by the disposition to disgust. I advance three main lines of argument in support of this thesis. First, ugliness and disgustingness tend to lie in the same kinds of things and properties (the argument from ostensions). Second, the thesis is better placed than all existing accounts to accommodate the following facts: ugliness is narrowly and systematically distributed in a heterogenous set of things, ugliness is sometimes enjoyed, and (...)
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  45. Pragmatic Saintliness: Toward a Criticism and Celebration of Community.Benjamin Davis - 2021 - Contemporary Pragmatism 1 (18):72-94.
    This essay responds to John McDermott’s diagnosis of politics and religious life in the U.S.: “[B]oth traditional political and religious institutions are no longer an adequate let alone rich resource for a celebratory language.” I present a new celebratory language by reading William James’s description of saintliness in Varieties of Religious Experience. James gives me the resources to naturalize and democratize saintliness. Distinguished not by her transcendent miracles but by her this-worldly energies and experiments, the pragmatic saint remakes the experience (...)
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  46. Traditional Kitsch and the Janus-Head of Comfort.C. E. Emmer - 2014 - In Justyna Stępień (ed.), Redefining Kitsch and Camp in Literature and Culture. Cambridge Scholars Publishing. pp. 23-38.
    "C.E. Emmer’s article addresses the ongoing debates over how to classify and understand kitsch, from the inception of postmodern culture onwards. It is suggested that the lack of clear distinction between fine art and popular culture generates 'approaches to kitsch – what we might call 'deflationary' approaches – that conspire to create the impression that, ultimately, either 'kitsch' should be abandoned as a concept altogether, or we should simply abandon ourselves to enjoying kitschy objects as kitsch.' The author offers critical (...)
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  47. Empathy in Appreciation: An Axiological Account.Íngrid Vendrell Ferran - 2021 - Journal of Aesthetics and Art Criticism 79 (2):233-238.
    This paper argues that certain literary works can only be fully appreciated if the reader is able to experience through empathy the character’s values. I call it "the axiological account" because it makes the grasping of aesthetic values dependent on the experience of other values embodied in the work. I develop my argument in three stages. First, I argue that in empathy we not only apprehend but also experience something similar to what the target is going through. Next, I show (...)
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  48. A song turned sideways would sound as sweet.Zachary Ferguson - 2021 - Analysis 81 (1):14-18.
    Markosian presents an argument against certain theories of time based on the aesthetic value of music. He argues that turning a piece of music sideways in time destroys its intrinsic value, which would not be possible if the Spacetime Thesis were true. In this paper I show that sideways music poses no problems for any theory of time by demonstrating that turning a piece of music sideways does not affect its intrinsic value. I do this by appealing to spatial analogies (...)
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  49. Disjecta Membra: Althusser’s Aestethics Reconsidered.William S. Lewis & Bargu Banu - 2021 - Filozofski Vestnik 1 (41):7-59.
    This essay takes a synthetic and critical approach to the scattered pieces of art criticism and aesthetic theory authored by Louis Althusser. Connecting these texts to his larger philosophical and political project, we argue that these reflections make an independent contribution to its worth and that they offer different perspectives on lingering theoretical problems. We piece together the insights that form the core of the Althusserian approach to aesthetics and show how these are formulated (in connection with the work of (...)
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  50. Presentación. Arte e identidad. Entre lo corporal y lo imaginario.José Ramón Fabelo Corzo - 2015 - In José Ramón Fabelo Corzo & Jaime Torija Aguilar (eds.), Arte e identidad. Entre lo corporal y lo imaginario. Puebla, Pue., México: pp. 11-13.
    La identidad, el cuerpo y los imaginarios, en su vínculo con el arte y la cultura, son los conceptos básicos presentes en este libro. La asociación entre ellos no es nada casual. Responde a importantes necesidades epistemológicas y prácticas en la comprensión de lo que somos, de la medida en que el arte y la cultura nos constituyen y del modo en que lo corporal y lo imaginario se convierten en depositarios de los atributos que nos identifican. Esta sexta entrega (...)
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