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  1. Different approaches to the scientific investigation of music.Sanja Sreckovic - 2019 - Theoria: Beograd 62 (4):61-71.
    The paper deals with the approaches to researching music from the scientific perspective. It is argued that the scientific literature concerning music contains two different methodological approaches which significantly determine the range of possible conclusions to be reached by the research. The approach „from the outside“ investigates music by automatically applying to music the more general conclusions concerning human cognition and other capacities and behaviors. Thus, this approach omits music’s internal factors. In contrast, the approach „from within“ consists in empirically (...)
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  2. Musical Jabberwocky? [REVIEW]Timothy Justus - 2002 - Trends in Cognitive Sciences 6:144–145.
    In this book review essay, Justus discusses Virtual Music: Computer Synthesis of Musical Style (2001) by David Cope. The review begins by drawing a parallel between the Turing Test and evaluating the compositions of Cope’s Experiments in Musical Intelligence (EMI) before providing an overview of how this computer programme works and the commentaries included in the book (by Douglas Hofstadter, Eleanor Selfridge-Field, Bernard Greenberg, Steve Larson, Jonathan Berger, and Daniel Dennett). The essay then raises questions of absolute music versus music (...)
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  3. The audibility problem and indirect listening.Wouter A. Cohen - forthcoming - Australasian Journal of Philosophy.
    There is a strong intuition that we can listen to works of music, yet musical ontologies on which works of music are abstract objects, perhaps most notably, type theories of music, seem to imply that this is impossible. This problem has received relatively little attention in the literature. I here explore and develop a solution suggested by Julian Dodd and argue that it has at least two problematic consequences, namely (i) that some works of music cannot be listened to unless (...)
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  4. The Body Technology. The Sensuality of Low Frequency Sound / Cat Hope ; Cynosuric Bodies / Susan E. Green-Mateu and Margaret Schedel ; The Violining Body in Anthèmes II by Pierre Boulez / Irine Røsnes ; 'Try to walk with the sound of my footsteps so that we can stay together' : Sonic Presence and Virtual Embodiment in Janet Cardiff and Georges Bures Miller's Audio and Video Walks / Sophie Knezic ; Breathing (as Listening) : An Emotional Bridge for Telepresence / Ximena Alarcón-Díaz ; Foley Performance and Sonic Implicit Interactions : How Foley Artists Might Hold the Secret for the Design of Sonic Implicit Interactions.Sandra Pauletto - 2022 - In Linda O'Keeffe & Isabel Nogueira (eds.), The Body in Sound, Music and Performance: Studies in Audio and Sonic Arts. Routledge, Taylor & Francis Group.
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  5. Gendered Sounds, Spaces and Places. Deep Situated Listening Among Hearing Heads and Affective Bodies / Sanne Krogh Groth ; The Field is Mined and Full of “Minas”- Women's Music in Paraíba : Kalyne Lima and Sinta A Liga Crew / Tânia Mello Neiva ; Working with Womens Work : Towards the embodied curator / Irene Revell ; Tejucupapo Women : Sound Mangrove and Performance Creation / Luciana Lyra ; New Methodologies in Sound Art and Performance Practice ; Looking for Silence in the Body / Ida Mara Freire ; OUR body in #sonicwilderness & #soundasgrowing / Antye Greie (AGF/poemproducer) ; What makes the Wolves Howl Under the Moon? Sound Poetics of Territory-Spirit-Bodies for Well-Living / Laila Rosa & Adriana Gabriela Santos Teixeira ; Dispatches: Cartographing and Sharing Listenings / Lílian Campesato and Valéria Bonafé ; Applying Feminist Methodologies in the Sonic Arts : Listening To Brazilian Women Talk about Sound.Linda O. Keeffe & Isabel Nogueira - 2022 - In Linda O'Keeffe & Isabel Nogueira (eds.), The Body in Sound, Music and Performance: Studies in Audio and Sonic Arts. Routledge, Taylor & Francis Group.
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  6. New Epistemologies of Sound. Forces at Play / Heather Frasch ; Why should we care about the body? On what Enactive-Ecological Musical Approaches have to Offer / Lauren Hayes ; Under Mar Paradoxo [Paradox Sea] and Coastal Silences.Raquel Stolf - 2022 - In Linda O'Keeffe & Isabel Nogueira (eds.), The Body in Sound, Music and Performance: Studies in Audio and Sonic Arts. Routledge, Taylor & Francis Group.
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  7. PART IV. Recorded Sound in Changing Environments. Adorno and Jazz : A Critical Revision from an Audiotactile Perspective / Vincenzo Caporaletti ; 'To become transformed into an insect, man needs that energy which might possibly achieve his transformation into a man' : Adorno, the domination of nature and the becoming-insect of music.Makis Solomos - 2022 - In Gianmario Borio (ed.), Immediacy and the Mediations of Music: Critical Approaches After Theodor W. Adorno. Routledge.
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  8. PART II. Notation and Performance. 'Jedes Notenzeichen... ein Schlag' : Rethinking Adorno's critique of notation / Andreas Meyer ; Towards a Practice of Musical Performance Creativity / Daniel Leech-Wilkinson ; A 'Radical Mediation' Approach to the Text/Performance Relation in Music. [REVIEW]Alessandro Cecchi - 2022 - In Gianmario Borio (ed.), Immediacy and the Mediations of Music: Critical Approaches After Theodor W. Adorno. Routledge.
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  9. PART I. The Dynamics of Musical Mediation. 'Music is the Logic of Judgmentless Synthesis' : Adorno on Music, Language, and Mediation / Dietrich Mersch ; Beyond Mediation / Esteban Buch ; Radio Voices : Progressive Broadcasting between Aesthetics and Mass Pedagogy.Michela Garda - 2022 - In Gianmario Borio (ed.), Immediacy and the Mediations of Music: Critical Approaches After Theodor W. Adorno. Routledge.
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  10. Part III. Memory, Mourning and Commemoration. Béranger's Napoleonic songs : mourning, memory, and the future / Sophie-Anne Leterrier ; Paul Hindemith's Minimax and the Trauma of War / Lesley Hughes ; A transatlantic repertoire of resistance and mourning in the post-war years : The songs from the ghettos and camps collected by Shmerke Kaczerginski (Vilnius, New York, Buenos Aires) / Jean-Sébastien Noël ; Singing the Unspeakable in Rwanda in the Summer of 1994 : Music in the Context of the Genocidal Abyss through a Portrait of the Artist.Assumpta Mugiraneza & Benjamin Chemouni - 2023 - In Anaïs Fléchet, Martin Guerpin, Philippe Gumplowicz & Barbara L. Kelly (eds.), Music and Postwar Transitions in the 19th and 20th Centuries. Berghahn Books.
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  11. Part II. A Gradual Demobilisation : Music, Cultures of War, and National Imaginations. Discourse on music and the post-war transition : The case of France after the Franco Prussian conflict of 1870-1871 / Emmanuel Reibel ; Singing about war and the enemy after a conflict : Two post-war transitions in France (1871, 1914-1918) at the café-concert and the music hall / Martin Guerpin ; From Cœuroy to Céline : Popular music in the 'war of good taste' during the false post-conflict transition period, 1940-1942 / Philippe Gumplowicz ; Wars, Ethnic Conflicts and the Political Use of Folk Music. [REVIEW]Michael Wedekind - 2023 - In Anaïs Fléchet, Martin Guerpin, Philippe Gumplowicz & Barbara L. Kelly (eds.), Music and Postwar Transitions in the 19th and 20th Centuries. Berghahn Books.
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  12. Part 5. Nation and Narrative. Under an American Spell : U2's The Joshua Tree in the Shadow of Flannery O'Connor / Scott Calhoun ; Rock, Hard-Boiled : The Mekons and American Crime Fiction / Peter Hesseldenz ; When Poetry Meets Popular Music : The Case of Polish Rock Artists in the Late Twentieth Century. [REVIEW]Marek Jeziński - 2022 - In Ryan Hibbett (ed.), Lit-Rock: Literary Capital in Popular Music. Bloomsbury Academic.
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  13. Lit-rock: literary capital in popular music.Ryan Hibbett (ed.) - 2022 - New York: Bloomsbury Academic.
    Discusses the relationship between popular music and literature in conjunction with the connection between high and low art.
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  14. Artificial intelligence and music ecosystem.Martin Clancy (ed.) - 2022 - New York: Routledge.
    Artificial Intelligence and Music Ecosystem highlights the opportunities and rewards associated with the application of AI in the creative arts. Featuring an array of voices, including interviews with Jacques Attali, Holly Herndon and Scott Cohen, this book offers interdisciplinary approaches to pressing ethical and technical questions associated with AI. Considering the perspectives of developers, students and artists, as well as the wider themes of law, ethics and philosophy, Artificial Intelligence and Music Ecosystem is an essential introduction for anyone interested in (...)
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  15. Why music matters.David Hesmondhalgh - 2013 - Malden, MA, USA: Wiley.
    Music as intimate and social, private and public -- Feeling and flourishing -- Love and sex -- Sociability and place -- Commonality and cosmopolitanism.
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  16. Pesni︠a︡ kak sot︠s︡iokulʹturnoe deĭstvie.I︠U︡. S. Druzhkin - 2013 - Moskva: Gosudarstvennyĭ institut iskusstvoznanii︠a︡.
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  17. Lowbrow entertainment to highbrow art form: the case of jazz and heavy metal.Roscoe C. Scarborough - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  18. Skinhead identity contested: ska music, racism, and youth culture.Daniel Sarabia - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  19. Re)Presentin' the tragic mulatto: an analysis of multiracial identity in rap music.Matthew Oware - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  20. Race.Russell A. Potter - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  21. The jazz solo as ritual: conforming to the conventions of innovation.Roscoe C. Scarborough505 0 $A. Iii Experience Of Music: Stratification & Identity : - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  22. Authenticity in Latino music: scenes of place.M. Nowotny Kathryn, L. Fackler Jennifer, Carol Vargas Gianncarlo Muschi, Joseph Lindsey Wilson & A. Kotarba - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  23. Moving past violence and vulgarity: structural ritualization and constructed meaning in the heavy metal subculture.Jan-Martijn Meij, Meghan D. Probstfield, Joseph M. Simpson & J. David Knottnerus - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  24. Music as ritual: a hotline to collective conscious.Sara Towe Horsfall - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  25. The industrialization of popular music, part I.Simon Frith - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  26. What is sociological about music?William G. Roy, Timothy J. Dowd505 0 $A. I. I. Experience of Music: Ritual & Authenticity : - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  27. American popular song.Howard S. Becker - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  28. Five important moments in American musical history, the rest of the story.Sara Towe Horsfall - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  29. A universal body of folk music, a technical argument.Paul Robeson - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Paradigm Publishers.
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  30. Music sociology: examining the role of music in social life.Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.) - 2013 - Boulder, CO: Paradigm Publishers.
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  31. Eye hEar the visual in music.Simon Shaw-Miller - 2013 - Burlington, VT: Ashgate.
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  32. Humanismo y música: propuesta formativa y de transformación social.Esther Sestelo Longueira - 2012 - Madrid: Fundación Universitaria San Pablo.
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  33. Age d'or, décadence, régénération: un modèle fondateur pour l'imaginaire musical européen.Timothée Picard - 2013 - Paris: Classiques Garnier.
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  34. Musik som en mystisk rejse: en kalden fra sjælen og det hinsides.Daniel Gilbert Perret - 2013 - København: Books on Demand.
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  35. Intent︠s︡ionalʹnistʹ u prostori kulʹtury: mystet︠s︡tvoznavchyĭ, kulʹturolohichnyĭ ta filosofsʹkyĭ aspekty.Oleksandr Opanasi︠u︡k - 2013 - Lʹviv: Liha-Pres.
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  36. Music: function and value: proceedings of the 11th International Congress on Musical Signification: 27 IX-2 X 2010, Kraców. [REVIEW]Teresa Malecka & Małgorzata Pawłowska (eds.) - 2013 - Kraców, Poland: Akademia Muzyczna w Krakowie.
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  37. The occult arts of music: an esoteric survey from Pythagoras to pop culture.David Huckvale - 2013 - Jefferson, North Carolina: McFarland & Company, Inc., Publishers.
    Music has often attempted to express mystical states of mind, cosmic harmony, the demonic and the divine. This wide-ranging survey explores how such film music works and uncovers its origins in Pythagorean and Platonic ideas about the divine order of the universe and its essentially numerical/musical nature.
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  38. Barokní afektová teorie.Sylvia Georgieva - 2013 - Praha: Akademie múzických umění v Praze.
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  39. Filosofia della musica occidentale.Paolo De Lalla - 2013 - Napoli: Guida.
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  40. Music after Deleuze.Edward Campbell - 2013 - New York: Bloomsbury Academic.
    Music, difference and repetition -- Producing new music : rhizomes, assemblages and refrains -- Rethinking musical pitch : the smooth and the striated -- Thinking musical time -- A Deleuzian semiotics of music.
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  41. Éléments pour une métaphysique de la musique.Jacques Atlan - 2013 - Toulon: Les Presses du Midi.
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  42. Entendre comme: Wittgenstein et l'esthétique musicale.Alessandro Arbo - 2013 - Paris: Hermann.
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  43. Wahrnehmung, Erkenntnis, Vermittlung: musikwissenschaftliche Brückenschläge: Festschrift für Wolfgang Auhagen.Wolfgang Auhagen, Veronika Busch, Kathrin Schlemmer & Clemens Wöllner (eds.) - 2013 - Hildesheim: Georg Olms Verlag.
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  44. Speaking of music: addressing the sonorous.Keith Moore Chapin & Andrew Herrick Clark (eds.) - 2013 - New York: Fordham University Press.
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  45. The ethics of singing along : the case of "Mind of a lunatic".Aaron Smuts - 2013 - In Jeanette Bicknell & John Andrew Fisher (eds.), Song, songs, and singing. Wiley.
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  46. Noise in and as music.Aaron Cassidy & Aaron Einbond (eds.) - 2013 - Huddersfield: University of Huddersfield Press.
    One hundred years after Luigi Russolo's "The Art of Noises," this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The book's focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material--as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first (...)
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  47. Neuroestetyka muzyki.Marcin Bogucki (ed.) - 2013 - Poznań: Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk.
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  48. Deuxième partie. Lettres. Remarques historiques et anthropologiques sur l'écriture informatique / J. Lassègue ; Les métastes de la trace / R. Moati ; De l'écriture de la mutation à la mutation de l'écriture. [REVIEW]C. Alunni - 2013 - In François Nicolas & Aurélien Tonneau (eds.), Les mutations de l'écriture. Publications de la Sorbonne.
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  49. Troisième partie. Sciences. Figures, lettres et preuves / R. Guitart ; Diagrammes et amplitudes de Feynman / G. Cohen-Tannoudji ; Mutations d'écriture en chimie / P. Laszlo ; Poincaré et la déconstruction du négatif. [REVIEW]T. Paul - 2013 - In François Nicolas & Aurélien Tonneau (eds.), Les mutations de l'écriture. Publications de la Sorbonne.
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  50. Première partie. Arts. Les enjeux logiques de l'écriture musicale / F. Nicolas ; De l'écoute-lecture à l'écoute-écriture, ou, la main-oreille dans tous ses états / F. Bayle ; Chorégraphie et Cinétographie. [REVIEW] E. Barbin - 2013 - In François Nicolas & Aurélien Tonneau (eds.), Les mutations de l'écriture. Publications de la Sorbonne.
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