According to Peter Kivy, to be profound, music would have to be about a profound subject that is treated in an exemplary way. Instrumental music does not satisfy this definition; usually it is not about anything humanly important, and when it is, it can convey no more than banalities. Like others, I argue against the propositional character of Kivy's ‘aboutness’ criterion; profundity can be revealed or displayed other than via statements and descriptions. I am less inclined than some of (...) Kivy's critics to argue that music conveys profound insights into the emotions or abstract metaphysical ideas, such as unity and identity. Instead, I draw a parallel with great chess, which illustrates the fecundity, flexibility, insight, vitality, subtlety, complexity, and analytical far-reachingness of which the human mind is capable. That demonstration is of deep significance, given the wider importance of an appreciation of our intellectual and imaginative powers, even if chess says nothing about the skills to which it draws attention. My thesis is that some instrumental music is profound in a similar way; namely, for what it exemplifies and thereby reveals about the capacities of the human mind. (shrink)

Philosophers of music, like Charles Swann in Proust’s novel (Proust 1913/1992, p. 360), have traditionally found it difficult to utter the word ‘profound’ unironically. But this changed with Peter Kivy’s 1990 paper ‘The profundity of music’ The problem Kivy draws our attention to is this: we do call some musical works profound. However, Kivy argues, given that a work is profound only if it is about something profound and given that music (or ‘music alone’) is not about anything, this (...) leads to something of a paradox: how can music be profound if it is not about something profound. My aim in this paper is to argue that what makes a work profound is not that it is about something profound, but that it actively challenges any straightforward interpretative activity (while at the same time nudges you to keep on trying to interpret it). I argue that this line of argument is very much in tune with Kivy’s general theoretical commitment that “music alone isn’t about anything” (Kivy 1990, p. 245). (shrink)

The current debate concerning musical profundity was instigated, and set up by Peter Kivy in his book Music Alone (1990) as part of his comprehensive defense of enhanced formalism, a position he championed vigorously throughout his entire career. Kivy’s view of music led him to maintain utter skepticism regarding musical profundity. The scholarly debate that ensued centers on the question whether or not (at least some) music can be profound. In this study I would like to take the (...) opportunity to relate Wittgenstein’s ideas on music to this current debate, thereby achieving a twofold goal: not only to reintroduce Wittgenstein’s ideas into the current debate, but also to use the current debate as a foil to better appreciating Wittgenstein’s otherness as a philosopher of music. I argue that Wittgenstein’s unique philosophical response to the Romantic framing of the discourse concerning musical profundity —specifically, its threefold emphasis on the specificity, aboutness, and artistically exalted status of music— occasioned a view, which was bound to be glossed over by a philosophical tradition, whose origins had made it inimical to Wittgenstein’s original philosophical insights. I conclude that, in a sense, Wittgenstein occasions a paradigm shift by his philosophical thrust to undo the gravitational forces which form the current debate: the very idea of aboutness pertaining to music, and the very idea that a clear line could ever be drawn between music and language. (shrink)

Harrell contends, to the contrary, that there exists one major value that is universal to humans, regardless of context. That value is profundity, or depth.

The crisis or "death" of philosophy currently identified both within and outside professional circles is commonly attributed to the failure to find universals in metaphysics, epistemology, and, most obviously, in valuational judgment. _Profundity_ concentrates on an assumption uniformly upheld in the theory of value, that all human values are contextually dependent. Harrell contends, to the contrary, that there exists one major value that is universal to humans, regardless of context. That value is profundity, or depth. Considering how "profundity" (...) is used in our language leads Harrell to identify two fundamental sensory patterns that are common to all human life at its origin—an auditory pattern that is first experienced before birth and a visual one that is experienced immediately after birth. From analysis of these patterns as they recur in music and the visual arts, Harrell moves on to discuss their related manifestations in religious doctrine, ceremony, and experience and also in works of literature. Overall her theory entails a radical revamping of the concept of creativity, since no artist can create profundity as a universal value, and provides the first full-scale treatment of profundity in the history of Western philosophy. (shrink)

The significance and use of absence of a thing is highlighted as its presence. The role of absence in various disciplines of mathematics, physics, semi-conductor electronics, computing and cognitive sciences for ease in conceptualizing is discussed. The use of null set, null vector and null matrix are also presented.

I have argued previously that the art of absolute music, unlike, for example, the art of literature, is not capable of profundity, which I characterized as treating a profound subject matter, at the highest artistic level, in a manner appropriate to its profundity. Stephen Davies has recently argued that there is another way of being profound, which he calls non-propositional profundity, and for which chess provides his principal example. He argues, further, that absolute music also exhibits this (...) non-propositional profundity. I argue in the present paper that Davies's attempt to rescue profundity for absolute music will not work, because it does not allow what I take to be the crucial distinction between great works of absolute music that are profound and great works of absolute music that are not. In other words, it has the unwelcome implication that all great works of absolute music are profound works. (shrink)

In this paper I argue that Peter Kivy’s contention that music is incapable of profundity is correct only in a limited sense. So long as we associate profundity with depth of subject matter, even the revisions proposed by Stephen Davies and Julian Dodd are incapable of delivering an account of musical profundity which has the correct scope. Theories of profundity based on criteria of exemplification and non-denotational expression of content remain vulnerable to Kivy’s well-chosen counter-examples of (...) non-profound artworks which meet these criteria. However, the established debate presumes that profundity is only possible through a depth of subject matter; I argue that there is an alternative form off profundity which music does exhibit, relating to its formal complexity. This profundity I term ‘anti-humanist’. (shrink)

In this article we confront the ineffability of music to seek out a tenable conception of profound depths being plumbed in many such works. We take our initial bearings from the writings of the late Peter Kivy, who was a musically trained thinker and tackled the subject no less than four times. Our main interest lies in his outright dismissal of the idea. However, the scaffolding of his arguments reveals that he privileges the discursive metier without any evidence in his (...) support. Hence the bulk of the article is devoted to an analysis of the criteria relevant to this form of experience and to the construction of a more tenable perspective. It will be shown that the issue of profundity in music cannot be segregated from the implications of our reactions and responses to literature and, by extension, to the arts as a whole. (shrink)

In this paper it is argued that we have three dispositions, each of which is very laudable in itself: a preference for the positive, constructive and creative aspects of human endeavours; a desire to be open‐minded and tolerant concerning ideas and beliefs; and an admiration of profundity. I have suggested that these dispositions can, if exaggerated or employed uncritically, seduce us into intellectual positions that are very dubious. These arguments are applied to some of the debates within the philosophy (...) of nursing. (shrink)

Seemingly, “independent genesis” refers to the independent existence and changes of each thing, but it is clear that there cannot be any truly “independent” things at all. Each thing in the world has to stay in connection or relationship with other things outside itself if it wants to represent its own “independence” and “genesis” in terms of form; and inevitably such connection or relationship itself has to be embodied in the internal nature of each thing. In the metaphysical thought of (...) Guo Xiang, the former was known as the quality of “interdependence”; and the latter the characteristics of “quality” or “quality image.” Such characteristics of “quality” or “quality image” were interdependent, which constituted the essence of each thing itself as “beingness” and “beinglessness,” and thus resulted in the independent manifestation and change of things in terms of their external forms. The grasping of essence of things as “beingness” and “beinglessness” depended upon comprehension or rational intuition, and that was the realm of “profundity” in Guo Xiang’s terms. (shrink)

Its power to illuminate the text..., its ecumenicity of inspiration, its methodological rigor, its originality, and its philosophical profundity—all together make it one of the few philosophical interpretations that the philosopher will ...

With precision and profundity born of 30 years of devoted study, John Boyle offers an essential introduction to St. Thomas Aquinas on Scripture, shedding helpful light on the goals, methods, and commitments that animate the Angelic Doctor's engagement with the sacred page. Because the genius of St. Thomas's approach to the Bible lies not so much in its novelty but rather in the fidelity and clarity with which he recapitulates the riches of the preceding interpretive Tradition, this initiation into (...) St. Thomas's vision of Scripture is itself an orientation to the Church's vision of Scripture, from the Fathers through and beyond the Middle Ages. St. Thomas's embeddedness within the Church's Tradition and his own historical context is integral to his approach to Scripture, yet it sets him at some distance from modern readers, for whom his interpretive vision may seem perplexing or even impenetrable. In this Primer, Boyle first provides an acclimation to this medieval context through a survey and explanation of pertinent technical terminology used by St. Thomas and characteristic of the scholastic theology of the time. With an eye to the medieval practice of considering Scripture according to the fourfold division of causes, Boyle builds on this initial foundation by exploring in turn St. Thomas's accounts of the end or use of Scripture (final cause), its divine and human authorship (efficient cause), its order and division (material cause), and its literary styles or genres (formal cause). Drawing on writings from across St. Thomas's corpus, but especially his work On the Commendation and Division of Sacred Scripture and the prologues to his biblical commentaries, Boyle masterfully elucidates both the hermeneutical principles and deep wisdom of the Angelic Doctor's approach to Scripture, imparting invaluable guidance not only for reading and understanding St. Thomas and other great masters of the Tradition, but also-and ultimately-for understanding Scripture in light of this Tradition and reading it with greater benefit and joy. (shrink)

For nearly two thousand years Buddhism has mystified and captivated both lay people and scholars alike. Seen alternately as a path to spiritual enlightenment, an system of ethical and moral rubrics, a cultural tradition, or simply a graceful philosophy of life, Buddhism has produced impassioned followers the world over. The Buddhist saint Nagarjuna, who lived in South India in approximately the first century CE, is undoubtedly the most important, influential, and widely studied Mahayana Buddhist philosopher. His many works include texts (...) addressed to lay audiences, letters of advice to kings, and a set of penetrating metaphysical and epistemological treatises. His greatest philosophical work, the Mulamadhyamikakarika--read and studied by philosophers in all major Buddhist schools of Tibet, China, Japan, and Korea--is one of the most influential works in the history of Indian philosophy. Now, in The Foundations of the Philosophy of the Middle Way, Jay L. Garfield provides a clear and and eminently readable translation of Nagarjuna's seminal work, offering those with little of no prior knowledge of Buddhist philosophy a view into the profound logic of the Mulamadhyamikakarika. Translated from the Tibetan, the tradition through which Nagarjuna's philosophical influence has largely been transmitted, Garfield presents a superb translation of Mulamadhyamikakarika in its entirety. Illuminating the systematic character of Nagarjuna's reasoning, as well as the works profundity, Garfield shows how Nagarjuna develops his doctrine that all phenomena are empty of inherent existence and essenceless. But, he argues, phenomena nonetheless exist conventionaly, and that indeed conventional existence and ultimate emptiness are in fact the same thing. This represents the radical understanding of the Buddhist doctrine of the two truths, or two levels of reality. Nagarjuna reinterprets all of Buddhist metaphysics and epistemology through this analytical framework--"a systematic and beautifully elegant philosophical dissection of reality." In turn, Garfield goes on to offer the only verse-by-verse commentary based upon the Indo-Tibetan Prasangika-Madhyamika reading of Nagarjuna, the school most influential in the development of Mahayana philosophy in Tibet, China, Korea, and Japan. Written specifically for the Western reader, the commentary explains Nagarjuna's positions and arguments in the language of Western metaphysics and epistemology, and connects Nagarjuna's concerns tho those of Western philosophers such as Sextus, Hume, and Wittgenstein. A fascinating and accessible translation of the foundational text for all Mahayana Buddhism text, The Fundamental Wisdom of the Middle Way will enlighten all those in search of the essence of reality. (shrink)

Franciscus Sanchez ist profunder Kenner der erkenntnistheoretischen Auseinandersetzungen seiner Zeit. Sein konsistentes skeptisches Denken und der hohe Grad der Argumentativität seiner Ausführungen machen Sanchez zu einem herausragenden Vertreter des frühneuzeitlichen Skeptizismus.

Playing the mystery card -- "But it fits!" -- Going nuclear -- Moving the semantic goalposts -- "But I just know!" -- Pseudo-profundity -- Piling up the anecdotes -- Pressing your buttons -- Conclusion -- The Tapescrew letters.

_"A stimulating history of how the imagination interacted with its sibling psychological faculties—emotion, perception and reason—to shape the history of human mental life."—_The __Wall Street Journal__ To imagine—to see what is not there—is the startling ability that has fueled human development and innovation through the centuries. As a species we stand alone in our remarkable capacity to refashion the world after the picture in our minds. Traversing the realms of science, politics, religion, culture, philosophy, and history, Felipe Fernández-Armesto reveals the (...) thrilling and disquieting tales of our imaginative leaps—from the first _Homo sapiens_ to the present day. Through groundbreaking insights in cognitive science, Fernández-Armesto explores how and why we have ideas in the first place, providing a tantalizing glimpse into who we are and what we might yet accomplish. Unearthing historical evidence, he begins by reconstructing the thoughts of our Paleolithic ancestors to reveal the subtlety and profundity of the thinking of early humans. A masterful paean to the human imagination from a wonderfully elegant thinker, _Out of Our Minds_ shows that bad ideas are often more influential than good ones; that the oldest recoverable thoughts include some of the best; that ideas of Western origin often issued from exchanges with the wider world; and that the pace of innovative thinking is under threat. (shrink)

The 1929 encounter between Ernst Cassirer and Martin Heidegger in Davos, Switzerland is considered one of the most important intellectual debates of the twentieth century and a founding moment of continental philosophy. At the same time, many commentators have questioned the philosophical profundity and coherence of the actual debate. In this book, the first comprehensive philosophical analysis of the Davos debate, Simon Truwant challenges these critiques. He argues that Cassirer and Heidegger's disagreement about the meaning of Kant's philosophy is (...) motivated by their different views about the human condition, which in turn are motivated by their opposing conceptions of what the task of philosophy ultimately should be. Truwant shows that Cassirer and Heidegger share a grand philosophical concern: to comprehend and aid the human being's capacity to orient itself in and towards the world. (shrink)

In considering what it means to lead organizations effectively and ethically, the literature comprising spirituality at work and spiritual leadership theory has become highly influential, especially in the USA. It has also attracted significant criticism. While in this paper, we endorse this critique, we argue that the strand of literature which purportedly takes a Christian standpoint within the wider SAW school of thought, largely misconstrues and misapplies the teaching of its founder, Jesus. As a result, in dismissing the claims and (...) application of SAW and SLT, there is a real risk that we lose the vital contribution of Christian thought, not least some of the timeless counter-cultural wisdom of Jesus which, we contend, offers a vital foundation to the practice of ethical leadership and business ethics in organizations. In proposing a way forward, two thorny issues which face all leaders are addressed: dealing with ego and closing the gap between what we say and what we do. The more we understand about the dynamics of human nature, the more we learn about the profundity of Jesus’ teachings. We then propose a number of ways in which Jesus-centred ethical leadership can be practised. Each is radical and each implies risk: both the personal risk of inner renewal arising from repentance as a doorway to personal integrity, as well as the risk of opposing unethical practices and promoting the excellence of core practices in the workplace. (shrink)

Idealist philosopher Georg Hegel defied the traditional epistemological distinction of objective from subjective and developed his own dialectical alternative. Remarkable for its breadth and profundity, this work combines aspects of psychology, logic, moral philosophy, and history to form a comprehensive view that encompasses all forms of civilization. Its three divisions consist of the subjective mind (dealing with anthropology and psychology), the objective mind (concerning philosophical issues of law and morals), and the absolute mind (covering fine arts, religion, and philosophy). (...) Wide-ranging in its influence, this survey of the evolution of consciousness is essential reading for all students of philosophy and history. (shrink)

"The Treatise on the Origin of Humanity (Yuanren lun) by the Huayan patriarch Zongmi classifies various teachings of Buddhism on a scale of relative profundity, and specifically critiques the weaknesses of the teachings of Confucianism and Daoism, which he regards as inferior to Buddhism. This work formed the basis for some of the arguments in later East Asian history on the relationship of the three teachings." --.

Es ist allgemein bekannt, dass Theodor W. Adorno seine ästhetische Theorie auf Basis profunder Musikkenntnisse entwickelte. Dass die Musik auch für Jean-François Lyotard von besonderer Wichtigkeit war und er stark von Adorno beeinflusst wurde, wurde bis heute allerdings kaum entsprechend wahrgenommen. Durch den Vergleich mit der Musikphilosophie Adornos intendiert dieses Buch eine adäquate Rezeption des Werkes von Lyotard aus musikwissenschaftlicher Sicht zu initiieren, wobei es dessen Entwicklung von den "heidnischen" Anfängen bis zur späten Konzeption einer "informellen" Kunst nachzeichnet. Als erster (...) umfassender Vergleich der Ästhetik beider Denker leistet es auch einen Beitrag zur Erforschung der Rezeption der Kritischen Theorie in Frankreich. (shrink)

I am under no illusion that the statement of common issues will forestall controversy. On the contrary, one of the venerable devices of the experienced controversialist is to state all possible positions in his own terms. The three questions concealed behind the three terms in the title of this paper do not have a privileged or architectonic universality. They will not reconcile the oppositions of philosophic positions concerning the possibility, order, and relative importance of questions, and it is easy to (...) anticipate reassortments they will undergo, if they are thought worthy of the effort, in the types of philosophy for which they find a place. My starting-point is "what is," rather than "being" or "existence," and I depart radically, therefore, from some of the dominant fashions of metaphysical discussion as well as from the fashions of non-metaphysical discussion of metaphysical issues. As a mark of that departure, I shall not base what I have to say on exposure of errors in Descartes or on refinements of insights in Hume or Kant, and I shall not express myself in neologisms constructed to retain, in English, distinctions or paradoxes derived from Descartes, Kierkegaard, or Nietzsche, or profundities grasped from the exegesis of the analogies of poets or from the etymologies of words used by Greek philosophers. If I were to choose a dictum for aphoristic elaboration or paradoxical propulsion, I should interpret a statement from Avicenna: "That which the understanding conceives first and best, and into which it resolves all other conceptions, is 'that which is,' 'thing,' and 'necessary'." I should make this choice, not because I prefer or even understand Avicenna's position concerning that which is, but because I want to raise three questions which are suggested when Avicenna's statement is introduced in the context of problems of existence. (shrink)

Dieses Buches zeigt auf, dass Arendt mit ihrem Spatwerk eine profunde Konzeption des menschlichen Selbst vorlegt, die sich in einer Traditionslinie mit den Selbstkonzeptionen von Kierkegaard, Jaspers und Heidegger befindet. Diese Ansatze nimmt Arendt auf, erweitert und gestaltet sie aber auch in bedeutender Weise zu einem ganz eigenstandigen Ansatz um, indem sie in phanomenologischer Manier die Konstitutionsbedingungen dieses Selbst aufzeigt, das als ein Umgangsverhaltnis mit sich aus dem Umgang mit Anderen hervorgeht. Aus diesem wechselseitigen Bedingungsgefuge folgt fur Arendt ein narratives (...) Selbstverhaltnis mit ethischen Konsequenzen: Kein Mensch hat das Recht, Verantwortung an Andere abzugeben, jeder Mensch kann sich fragen, was er selbst zu seiner Geschichte machen mochte und was nicht. (shrink)

In the Paralogisms of Pure Reason Kant casts a critical glance at that doctrine of the soul which was called "rational psychology" by the classical metaphysics of his time, and which can best be understood as a systematic reconstruction of Descartes' theory of mind. Kant agrees with the proponents of rational psychology that our representation of a subject of experience is necessarily the representation of a simple, unitary and persisting subject. But Kant's decisive objection to his opponents is that from (...) these necessary truths about how a subject must represent itself no conclusions about the ontological constitution of the subject in itself can be derived. Despite the brilliance and profundity of his criticism, however, Kant himself remains, in a certain sense, trapped in the methodological solipsism of his predecessors. (shrink)

Living out of silence, out of a fully functioning, lovingly attentive mind, and not just out of thought, out of a partially functioning mind, is requisite for depth or profundity in living or relating. A fully attentive, truly silent or meditative mind sees that there is real dualism of time and the timeless and that time and the timeless each has its own unique value. The timeless, or real silence, that which alone can make for depth in one's living (...) and relating, can be there only when, in one's awareness, time and all that is related to time, have come to an end. An examination of a wide variety of statements made by writers, both past and present, shows that these understandings are seldom there in contemporary writings, just as they were not there in writings that have come down to us from the past. 'Living beyond the One and the Many' invites readers to consider the possibility that what is presented in it can bring deep meaning to one's way of living in the world"--Publisher's description, back cover. (shrink)

The Introduction to philosophy written by Porphyry at the end of the second century AD is the most successful work of its kind ever to have been published. It was translated into most respectable languages, and for a millennium and a half every student of philosophy read it as his first text in the subject. Porphyry's aim was modest: he intended to explain the meaning of five terms, 'genus', 'species', 'difference', 'property', and 'accident' - terms which he took to be (...) important to Aristotelian logic and metaphysics, and hence to philosophy in general. Thus in principle the Introduction is simple and elementary. In fact, there are sometimes difficulties and doubts on the surface of the text - and beneath the surface there are frequent depths or profundities. The work raises, directly or indirectly, a number of perennial philosophical questions. In addition, the Introduction became, in Boethius's Latin translation, the point of reference for one of the longest-lasting of philosophical disputes - the dispute over the status of 'universals'.This book contains a new English translation of the Introduction, preceded by a study of the life and works of Porphyry, the purpose and nature of the Introduction, and the history of the text. It is accompanied by a discursive commentary the primary aim of which is to analyse and assess the philosophical theses and arguments which the Introduction puts forward. The twentieth century turned away from Aristotelian logic, and the Introduction lost its position on the syllabus. Barnes does not argue that it should be put back in its old place; but his commentary - the first to be published in English, and the fullest to be published for a century - suggests that there is blood in the old man yet. CLARENDON LATER ANCIENT PHILOSOPHERSGeneral Editors: Jonathan Barnes and A. A. Long This series, which is modelled on the familiar Clarendon Aristotle and Clarendon Plato series, is designed to encourage philosophers and students of philosophy to explore the fertile terrain of later ancient philosophy. The texts range in date from the first century BC to the fifth century AD, and will cover all the parts and all the schools of philosophy. Each volume contains a substantial introduction, an English translation, and a critical commentary on the philosophical claims and arguments of the text. The translations aim primarily at accuracy and fidelity; but they are also readable and accompanied by notes on textual problems that affect the philosophical interpretation. No knowledge of Greek or Latin is assumed. (shrink)

This book examines the central questions of ethics through a study of theories of right and wrong that are found in the great ethical works of Western philosophy. It focuses on theories that continue to have a significant presence in the field. The core chapters cover egoism, the eudaimonism of Plato and Aristotle, act and rule utilitarianism, modern natural law theory, Kant's moral theory, and existentialist ethics. Readers will be introduced not only to the main ideas of each theory but (...) to contemporary developments and defenses of those ideas. A final chapter takes up topics in meta-ethics and moral psychology. The discussions throughout draw the reader into philosophical inquiry through argument and criticism that illuminate the profundity of the questions under examination. Students will find this book to be a very helpful guide to how philosophical inquiry is undertaken as well as to what the major theories in ethics hold. (shrink)

New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity.

Should the hard questions of philosophy matter to ordinary people? In this down-to-earth, nonhistorical guide, Thomas Nagel, the distinguished author of Mortal Questions and The View From Nowhere, brings philosophical problems to life, revealing in vivid, accessible prose why they have continued to fascinate and baffle thinkers across the centuries. Arguing that the best way to learn about philosophy is to tackle its problems head-on, Nagel turns to some of the most important questions we can ask about ourselves. Do we (...) really have free will? Why should we be moral? What is the relation between our minds and our brains? Is there life after death? How should we feel about death? In a universe so vast, billions of light years across, can anything we do with our lives really matter? And does it matter if it doesn't matter? These are perennial questions we ask about the human condition, and Nagel probes them, and others like them, thoughtfully, clearly, and with humor. He states his own opinions freely but with refreshing modesty, always leaving it open to readers to entertain other solutions, encouraging them to think for themselves. Nagel is eminently qualified to introduce the uninitiated to the world of philosophical inquiry. Singled out by the Chicago Literary Review as "one of the sharpest analytic philosophers in America today," he has been praised in the New York Times Book Review for writing "sensitively and elegantly" and in the Times Literary Supplement for his ability, rare among philosophers, to combine "profundity with clarity and simplicity of expression." Never rarefied, What Does It All Mean? opens our eyes to a side of the world we rarely consider, demonstrating that philosophy is no empty study but an indispensable key to understanding our lives. It challenges us to think hard and clearly, to ask questions, to try out ideas and raise possible objections to them--in short, to become philosophers ourselves. (shrink)

This paper relocates the philosophical discourse on the Thing (das Ding) to the world of classical Daoism. In doing so, it explores the bond between the One, the Thing and its signifier before discussing how the Thing unveils itself to the world while receiving the gift of nothingness from Dao. It furthermore contends that the two most prominent discussions of the Thing in the Western tradition--those by Heidegger and Lacan--while philosophically valuable in their own right, fail to provide the degree (...) of profundity seen via a Daoist reading. What will become apparent is that the Thing qua the One serves to delineate the cosmological and human realms of reality, negating any inclination one might have of it as being anything but mystical. (shrink)

Given wuwei 無為 describes the life praxis of the sage and statecraft of the enlightened ruler while also denoting the comportment of the Dao 道—an alternating state of quiet dormancy and creative activity—are the standard translations of wuwei as “nonaction” or “effortless action” up to the task? They are not, it will be argued, in that they fail to convey the true profundity of wuwei. The objective of this essay is twofold: to show that wuwei is better understood as (...) “abiding harmony” than nonaction, and to demonstrate this via a close reading of the Lüshi Chunqiu 呂氏春秋 (Master Lü’s Spring and Autumn Annals) which makes wuwei the epicenter of its doctrine of “the Dao of the ruler.” Indeed, the Lüshi Chunqiu’s unique application of wuwei lies not only in its borrowing of Daoist and Legalist norms, but in having the ruler meet the following prerequisites: be without knowledge, keep the senses and heart-mind pure, be reliant on others, follow Yin 陰 and Yang 陽, and study the course of heaven and earth to know the ways of humanity. There is, therefore, more to wuwei than meets the eye. (shrink)

These excerpts from the writings of Sir Karl Popper are an outstanding introduction to one of the most controversial of living philosophers, known especially for his devastating criticisms of Plato and Marx and for his uncompromising rejection of inductive reasoning. David Miller, a leading expositor and critic of Popper's work, has chosen thirty selections that illustrate the profundity and originality of his ideas and their applicability to current intellectual and social problems. Miller's introduction demonstrates the remarkable unity of Popper's (...) thought and briefly describes his philosophy of critical rationalism, a philosophy that is distinctive in its emphasis on the way in which we learn through the making and correcting of mistakes. Popper has relentlessly challenged both the authority and the appeal to authority of the most fashionable philosophies of our time. This book of selections from his nontechnical writings on the theory of knowledge, the philosophy of science, metaphysics, and social philosophy is imbued with his emphasis on the role and by reason in exposing and eliminating the errors among them. (shrink)

Peter Kivy has become convinced that it is impossible for pure, instrumental music to be profound. This is because he takes works of such music to be incapable of meeting what he claims to be two necessary conditions for artistic profundity: that the work denotes something profound, and that the work expresses profound propositions about its profound denotatum. The negative part of this paper argues as follows. Although works of pure, instrumental music do, indeed, fail to meet these conditions, (...) the said conditions are not themselves necessary for artistic profundity. In fact, each is a misinterpretation of a distinct, genuinely necessary condition for a work’s being profound: respectively, that the work has a profound subject matter, and that the work handles its profound subject matter in such a way as to elicit a deeper understanding of it in the suitably situated and prepared appreciator. The positive part of the paper elaborates these genuinely necessary conditions for artistic profundity and then argues that, once they have been disentangled from Kivy’s misconstruals of them, it becomes evident that they can be met by pieces of pure, instrumental music. (shrink)

"Being and Logos" is... a philosophical adventure of rare inspiration.... Its power to illuminate the text..., its ecumenicity of inspiration, its methodological rigor, its originality, and its philosophical profundity—all together make it one of the few philosophical interpretations that the philosopher will want to re-read along with the dialogues themselves. A superadded gift is the author's prose, which is a model of lucidity and grace." —International Philosophical Quarterly "Being and Logos is highly recommended for those who wish to learn (...) how a thoughtful scholar approaches Platonic dialogues as well as for those who wish to consider a serious discussion of some basic themes in the dialogues." —The Academic Reviewer. (shrink)

In the preface to GS, Nietzsche famously exclaims, "Those Greeks were superficial—out of profundity!".1 And he attributes one aspect of this profound superficiality to the Greeks' "respect for the bashfulness [Scham] with which nature has hidden behind riddles and iridescent uncertainties". For Nietzsche, both the Greeks' shame and their respect for shame played important and healthy psychological and social roles. So, Nietzsche praises shame in the sense that "care [Scham] for one's reputation" is characteristic of noble types and a (...) "highly resourceful" emotion. However, Nietzsche also sometimes condemns shame. For example, in the last three aphorisms of Book 3 of GS, he makes... (shrink)

Philippa Foot's Natural Goodness is in the midst of a cool reception. It appears that this is due to the fact that Foot's naturalism draws on a picture of the biological world at odds with the view embraced by most scientists and philosophers. Foot's readers commonly assume that the account of the biological world that she must want to adhere to, and that she nevertheless mistakenly departs from, is the account offered by contemporary neo-Darwinian biological sciences. But as is evident (...) in her notion of function, Foot does not employ an evolutionary view of the biological world. I will attempt to show, first, that it is for good reason that Foot is not operating with an evolutionary view of function; her views do not aim to unseat evolutionary views of function, but instead simply have quite different theoretical goals. Second, I aim to underline the importance to Foot's naturalism of the fact that we are practically reasoning creatures. The profundity of Foot's ethical naturalism rests in how she approaches our nature as practically reasoning creatures. In this aspect of Foot's thought, there is a significant Kantian strain that is surprising to find in someone who calls herself an ethical naturalist. 1. (shrink)

I. History. Mainwaring's Handel : its relation to British aesthetics -- Herbert Spencer and a musical dispute -- II. Opera and film. Handel's operas : the form of feeling and the problem of appreciation -- Anti-semitism in Meistersinger? -- Speech, song, and the transparency of medium : on operatic metaphysics -- III. Performance. On the historically informed performance -- Ars perfecta : toward perfection in musical performance? -- IV. Interpretation. Another go at the meaning of music : Koopman, Davies, and (...) the meaning of "meaning" -- Another go at musical profundity : Stephen Davies and the game of chess -- From ideology to music : Leonard Meyer's theory of style change -- Sibley's last paper -- In defense of musical representation : music, representation, and the hybrid arts -- Music, language, and cognition : which doesn't belong? (shrink)