Material to categorize
- Musical experience as Penumbra, Haecceity & Utopian Fractal Musica Penumbra.Craig Hammond - 2023 - In Eleanor Peters (ed.), Music in Crime, Resistance, and Identity. Routledge.details
- Musical experience as Penumbra, Haecceity & Utopian Fractal Musica Penumbra.Craig Hammond - 2023 - In Eleanor Peters (ed.), Music in crime, resistance, and identity. Routledge.details
- Formulating a ‘cinematic listener’ for John Zorn’s file card compositions.Maurice Windleburn - 2019 - SoundEffects 1 (8):141-156.details
- L’orecchio e lo sguardo. Introduzione a una fenomenologia dell’immagine sonora.Elia Gonnella - 2022 - Roma RM, Italia: Aracne.details
- Una fenomenologia all’ascolto. Epochè, intenzionalità e costituzione del sonoro.Elia Gonnella - 2020 - Dialegesthai. Rivista Telematica di Filosofia 21.details
- “Aesthetic Ideas”: Mystery and Meaning in the Early Work of Barrie Kosky.Jennifer A. McMahon - 2021 - In James Phillips & John Severn (eds.), Barrie Kosky’s Transnational Theatres. New York, NY, USA: Springer. pp. 59-80.details
- Looking for Profundity (in All the Wrong Places).Bence Nanay - 2021 - Journal of Aesthetics and Art Criticism 79 (3):344-353.details
- Sonic Pictures.Jason P. Leddington - 2021 - Journal of Aesthetics and Art Criticism 79 (3):354-365.details
- Music and multimodal mental imagery.Bence Nanay - forthcoming - In Music and Mental Imagery. London: Routledge.details
- Suspending the Habit Body through Immersive Resonance:Hesitation and Constitutive Duet in Jen Reimer and Max Stein’s Site-Specific Improvisation.Rachel Elliott - 2018 - Critical Studies in Improvisation/ Études Critiques En Improvisation 12 (2):1 - 11.details
- Expectations in music.Jenny Judge & Bence Nanay - 2021 - In Jerrold Levinson (ed.), Oxford Handbook of Music and Philosophy. Oxford: Oxford University Press. pp. 997-1018.details
- A propos de la communication de la musique improvisée collective. Aspects théoriques et interculturels de la communication.Martin A. M. Gansinger - 2020 - Editions universitaires europeennes.details
- Dialogic listening: how music may help us become better philosophers.Pablo Muruzábal Lamberti - 2019 - Praxis y Saber 23 (10):253-272.details
- Feeling at one: Socio-affective distribution, vibe, and dance-music consciousness.Maria A. G. Witek - 2019 - In Ruth Herbert, Eric Clarke & David Clarke (eds.), Music and Consciousness 2: Worlds, Practices, Modalities. New York: Oxford University Press. pp. 93–112.details
- Atmosphere as a Concept for Ethnomusicology: Comparing the Gamelatron and Gamelan.Andrew McGraw - 2016 - Ethnomusicology 60 (1):125-147.details
- Philosophy of Music (Encyclopedia Entry).Cynthia R. Nielsen - 2013 - In Robert L. Fastiggi, Joseph W. Koterski, Trevor Lipscombe, Victor Salas & Brendan Sweetman (eds.), New Catholic Encyclopedia: Supplement 2012-2013: Ethics and Philosophy. Detroit, MI, USA: Gale. pp. 1031–1036.details
- Interstitial Soundings: Philosophical Reflections on Improvisation, Practice, and Self-Making.Cynthia R. Nielsen - 2015 - Eugene, Oregon: Wipf and Stock Publishers.details
- Research in Music Behavior.Clifford K. Madsen - 1999 - Journal of Aesthetic Education 33 (4):77.details
- Ethics and the Philosophy of Music Education.John W. Richmond - 1996 - Journal of Aesthetic Education 30 (3):3.details
- Kivy's Theory of Musical Expression.V. A. Howard - 1993 - Journal of Aesthetic Education 27 (1):10.details
- The Sounds of Music: First Movement.Lawrence D. Kimmel - 1992 - Journal of Aesthetic Education 26 (3):55.details
- Reconciling Technical and Expressive Elements in Musical Instrument Teaching: Working with Children.Jane W. Davidson, Stephanie E. Pitts & Jorge Salgado Correia - 2001 - Journal of Aesthetic Education 35 (3):51.details
- Music and Empathy.Daniel Putman - 1994 - Journal of Aesthetic Education 28 (2):98.details
- Hans Heinrich Eggebrecht, Understanding Music: The Nature and Limits of Musical Cognition, trans. Richard Evans.Harold Fiske - 2012 - Philosophy of Music Education Review 20 (1):87.details
- Music-animated body. Introduction.Jakub R. Matyja - 2011 - Avant: Trends in Interdisciplinary Studies 2 (1).details
- Democracia Liberal e Repúdio Iliberal: Roger Scruton e a Tradição Conservadora Anglo-Saxónica.João Pereira Coutinho - 2016 - Revista Portuguesa de Filosofia 72 (4):1173-1190.details
- Percevoir l’expression émotionnelle dans les objets inanimés : l’exemple du vin.Cain Todd - 2012 - Dialogue 51 (1):129-139.details
- An Essay on Musical Expression.Charles Avison, John Jortin & Brown - 1775 - Printed for L. Davis.details
- II—Rhythm and Stasis: A Major and Almost Entirely Neglected Philosophical Problem.Andy Hamilton - 2011 - Proceedings of the Aristotelian Society 111 (1pt1):25-42.details
- Music, Metaphor and Society: Some Thoughts on Scruton.Robert Grant - 2012 - Royal Institute of Philosophy Supplement 71:177-207.details
- Music and Experiencing Metaphorically-As: Further Delineation: Articles.Christopher Peacocke - 2010 - British Journal of Aesthetics 50 (2):189-191.details
- Music and Philosophy in the Advent of Christianity.Kyla MacDonald - 2012 - Lumen Veritatis 5 (20):47-64.details
- What Do We Hear When We Hear Music? A Radical Phenomenology of Music.Ruud Welten - 2009 - Studia Phaenomenologica 9:269-286.details
- Musical Twofoldness.Bence Nanay - 2012 - The Monist 95 (4):606-623.details
- Constraints on Manipulations of Emotions by Music: A Critique of Tom Cochrane’s Assumptions.Vladimir J. Konečni - 2012 - Philosophy Today 56 (3):327-332.details
- Bodies that Sing Mutilation, Morality, and Music: In the Case of Farinelli.Geraldine Finn - 1999 - International Studies in Philosophy 31 (1):47-60.details
- Social support as a mediator for musical achievement.Roman Ossowski & Anna Antonina Nogaj - 2015 - Polish Psychological Bulletin 46 (2):300-308.details
- Music-Specific Emotion: An Elusive Quarry.Jerrold Levinson - 2016 - Estetika: The European Journal of Aesthetics 53 (2):115-131.details
- Natural Sounds and Musical Sounds: A Dual Distinction.John Dyck - 2016 - Journal of Aesthetics and Art Criticism 74 (3):291-302.details
- Performing, Creating, and Listening to Nature through Music: The Art of Self-Integration.Koji Matsunobu - 2013 - Journal of Aesthetic Education 47 (4):64-79.details
- Is Music an Art?Peter Kivy - 1991 - Journal of Philosophy 88 (10):544-554.details
- Seeing music performance: Visual influences on perception and experience.William Forde Thompson, Phil Graham & Frank A. Russo - 2005 - Semiotica 2005 (156):203-227.details
- Theatricality, Public Space, and Music in Rousseau.Tracy B. Strong - 1996 - Substance 25 (2):110.details
- A Response to Estelle R. Jorgensen, "Four Philosophical Models of the Relationship Between Theory and Practice".Randall Everett Allsup - 2005 - Philosophy of Music Education Review 13 (1):104-108.details
- Response to Estelle R. Jorgensen, "Four Philosophical Models of the Relationship Between Theory and Practice".W. Ann Stokes - 2005 - Philosophy of Music Education Review 13 (1):102-104.details
- Four philosophical models of the relation between theory and practice.Estelle R. Jorgensen - 2005 - Philosophy of Music Education Review 13 (1):21-36.details
- Learning music: Embodied experience in the life-world.Eva Alerby & Cecilia Ferm - 2005 - Philosophy of Music Education Review 13 (2):177-185.details
- How to Expand Musical Formalism. Smith - 2015 - Journal of Aesthetic Education 49 (2):20-38.details
- Philosophers on Music: Experience, Meaning, and Work.Kathleen Stock (ed.) - 2007 - Oxford University Press UK.details
- Expression and Truth: On the Music of Knowledge.Lawrence Kramer - 2012 - University of California Press.details
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