Large language models and other generative artificial intelligence systems are achieving increasingly impressive results, though the quality of those results still seems dull and uninspired. This paper argues that this poor quality can be linked to the philosophical notion of inauthenticity as presented by Kierkegaard, Nietzsche, and Heidegger, and that this inauthenticity is fundamentally grounded in the design and structure of such systems by virtue of the way they statistically level down the materials on which they are trained. (...) Although it seems possible to create the conditions for authenticity in these systems, the resulting authenticity would be grounded in machine intelligence, not human intelligence. The argument extends the criticisms of artificial intelligence articulated by Hubert Dreyfus, updated to account for recent developments in machine learning and artificial neural networks. While more optimistic concerning the prospects for successfully creating artificial intelligence than Dreyfus had been, this paper argues that the resulting intelligence may not align well with human intelligence and may not be desirable for humans, if it is fully authentic. (shrink)

Iraqi Kurds have been involved in a liberation movement since the very beginning of the establishment of the Iraqi state by European colonizers. With the proliferation of communism in the 1960s and 1970s among liberation movements in the third world, the Kurdish liberation movement also adopted popular Marxist, Leninist and Maoist jargons. However, after the 1991 Kurdish uprising successfully liberated some areas of Kurdistan, the leftist rhetoric almost completely disappeared in the dominant Iraqi Kurdish discourse. I argue that, even from (...) the 1960s to the 1980s, the adoption of Marxist rhetoric by the Iraqi Kurdish leadership was inauthentic; it was neither rooted in nor tailored to Kurdistani society. Moreover, unlike the Kurdish liberation movements in Turkey and Syria, as well as Iran to some degree, the Kurdish movement in Iraq failed to recognize gender equality. Thus, while Kurdish women in Turkey and Syria took active roles in the liberation movement, their counterparts in Iraq remained marginalized. (shrink)

Despite the pervasive feeling that much of the culture of Western democracies has increasingly become inauthentic or phoney, contemporary cultural critics and observers have paid little attention to the traditional philosophical criticism of inauthentic c.

Catholics normally approach the Eucharist with great love and devotion. The paper looks at how, through the character, Papa, the reality of this love and devotion to the Eucharist is captured by the Nigerian writer, Chimamanda Adichie, in her novel, Purple Hibiscus . The novel reveals that while Papa, in various ways, shows great love and devotion to Christ in the Eucharist, his devotion remains inauthentic: it does not lead him to a love of this same Christ in his neighbour. (...) The work, therefore, underscores not only the nexus between theology and creative literature, but also, in a special way, the social implications of the Eucharist. (shrink)

It has long been theorized that Heidegger’s idea for Dasein was highly influenced by the Chinese notion of the Dao. This is due to a misinterpretation on behalf of Heideggerian scholars and others of what the Dao represents. In fact, Heidegger, in explicating what he thought to be “the most extreme inversion of φύσης-ουσία [phusis-ousia],” made this equal to “Chinese-like ‘constancy,’” which is the basis of the Dao. Taking what Heidegger interpreted phusis to be (derived from Aristotelian metaphysics and an (...) assumption of pre-Socratic thought) as a process of unconcealment from continuing re-concealment which signals a kind of “truth” of being [phusis], that which calls for constant presence is inauthentic Dasein, rather than authentic Dasein. In other words, Heidegger’s idea of what inauthentic Dasein calls for could be explained within Aristotle’s system as equal to aiming to replace phusis with the know-how of τέχνη [techne]. The Dao, as rightfully understood and utilized by the master craftsman and the Sage, is accessible, constant, and knowable. This could not be in more opposition to Heidegger’s notion of phusis. (shrink)

This paper extends the fields of visual and object semiosis, style, and rhetoric by introducing the concept of critical object images. It identifies five of their rhetorical functions in literature and demonstrates the semiotic and rhetorical specificity and force of literary object images. Inter-disciplinary concepts and theories used in the study are introduced before the concept is tested and developed through analyses of object images with critical roles in the Victorian scenes of Virginia Woolf’s novels. The inductive analyses trace the (...) semiosis and stylistic affordances of the selected critical object images, with reference to three categories of kitsch inauthenticity, and their formal and cultural contexts, noting the rhetorical function they serve. Multimodal stylistics and the semiotics of visual images and of objects are used in these analyses, and the unique contribution of critical object images as rhetorical elements in literature is uncovered and explained. The analysis of Woolf’s representation of selected objects shows how the critical object images function rhetorically, through their stylistic connotations, to present unambiguous meanings that are not openly stated in the texts’ verbal discourse. (shrink)

The notion of authenticity, i.e., being “genuine,” “real,” or “true to oneself,” is sometimes held as critical to a person’s autonomy, so that inauthenticity prevents the person from making autonomous decisions or leading an autonomous life. It has been pointed out that authenticity is difficult to observe in others. Therefore, judgments of inauthenticity have been found inadequate to underpin paternalistic interventions, among other things. This article delineates what justifies judgments of inauthenticity. It is argued that for persons (...) who wish to live according to the prevailing social and moral standards and desires that are seriously undesirable according to those standards, it is justified to judge that a desire is inauthentic to the extent that it is due to causal factors that are alien to the person and to the extent that it deviates from the person’s practical identity. The article contributes to a tradition of thinking about authenticity which is known mainly from Frankfurt and Dworkin, and bridges the gap between theoretical ideals of authenticity and real authenticity-related problems in practical biomedical settings. (shrink)

In this paper, we highlight a number of difficulties concerning the relationship between the Critias and theT imaeus, notably a contradiction between Timaeus 27a-b and Critias 108a-c. On this basis we argue that the Critias must be considered spurious.

In this paper, I argue against the interpretive view that locates an “undifferentiated mode” – a mode in which Dasein is neither authentic nor inauthentic – in Being and Time. Where Heidegger seems to be claiming that Dasein can exist in an “undifferentiated mode”, he is better understood as discussing a phenomenon I call indifferent inauthenticity. The average everyday “Indifferenz” which is often taken as an indication of an “undifferentiated mode”, that is, is better understood as a failure to (...) distinguish between the possibilities of authentic and inauthentic self-understanding. Dasein's average everyday self-understanding is indifferent to this distinction, and I show that this is precisely what renders it inauthentic. Recognizing this distinction, however, is not enough to render Dasein authentic. Rather, it opens up the possibility of a non-indifferent inauthenticity and what Heidegger calls the possibility of “genuine failure”. To read an “undifferentiated mode” into Being and Time is to misunderstand its methodological progression from Dasein's average everyday, inauthentic self-understanding to its authenticity – “to the thing itself”. A select few passages may at first seem to indicate otherwise. However, Being and Time – like both being in general and Dasein itself – cannot be properly understood “without further ado”.\. (shrink)

This article focuses on the consequences of a little-known work by Giacinto Scelsi, Rotativa (1930), for the concepts of imitation and expression in music. Critical of the mechanization of art peculiar to the Futurism of his time, the Italian composer allows us to think, against the pseudo-photographic reproduction of objects by sound forms, the limits of musical imitation by revealing, from the historicity of his own piece, the inauthenticity of a certain modernism.

Name der Zeitschrift: Semiotica Jahrgang: 2015 Heft: 203 Seiten: 227-248.

Introduction. The influence of virtual reality on the processes of deanthropologization becomes an obvious fact of the development of numerical rela- tions that determine philosophical concepts in the direction of posthumanistic discourse. In this type of discourse, a person is reduced to a numerical operation, an intermediate procedural link in the network structure of a numerical relationship with other objects of the digital network. The purpose of the article is to identify the rela- tionship between virtuality and imagination, the distinction (...) between a virtual person and a vividly imagining one. Methods. The author uses the methods of decon- struction, which identifiy new philosophical meanings of established understand- ings of virtuality and related anthropological types, and the phenomenological method of studying the issues of virtuality and anthropological reality, forming new perspectives for studying the phenom- enon of virtuality through an appeal to the constitu- tive role of consciousness. Scientific novelty of the research. The scientific novelty of the study is represented by the discovery of a new anthropological distinction between homo imaginabundus and homo virtualis, implying on- tological differences of these types in their appeal to the subjective and objective constitutive role of consciousness. Results. If the anthropological type homo imagi- nabundus is vividly imaginative and is associated with the phenomena of authentic virtuality and sub- jectivity, then homo virtualis refers to inauthentic virtuality only as one of its possible variants without connection with the self—affecting component as such. Conclusions. Anthropological reality is in a state of bifurcation, from which it can emerge in several ways, the most likely of which will be the ways of deanthropologization in algorithmic flows and codes of the digital environment, or the way of preserving the phenomena of self-action, vivid im- agination associated with subjectivity and the field of authentic virtuality. (shrink)

"Ethical thought has no chance of being everything it seems." Bernard Williams offered this cryptic remark in Ethics and the Limits of Philosophy, and in this chapter I argue that understanding it is the key to understanding Williams' skepticism about moral theory and about systematization in ethics. The difficulty for moral philosophy, Williams believed, is that ethics looks one way to embodied, active agents, but looks entirely different when considered from the standpoint of theory. This, in turn, means that following (...) a moral theory is a sure route to practical alienation. I argue that once we see it for what it is, we can see that Williams own skepticism undermines his later attempts to vindicate Truthfulness. Moreover, given the pervasiveness of reflective practical alienation in ordinary life, it leaves us with a difficult question: what would a non-alienated ethical existence even look like for us? (shrink)

This article argues that social networks constitute an inauthentic form of sociality. The two component concepts of this claim, inauthenticity and sociality, are explored in order to avoid some widespread misinterpretations. Inauthenticity is examined on the basis of the relevant sections in Heidegger’s 'Being and Time', first with respect to its main characteristics, then in terms of what motivates it and its benefits, and finally with respect to its status as a non-normative concept. The second part of the (...) paper explores sociality. Here, a main emphasis is the way in which my body imposes constraints on my social relations in the here and now, which virtuality appears to overcome. Yet such an escape from corporeality is not ultimately possible. The third and final part takes the analysis to the wider level of world, that is, our current historical world which has given rise to such an understanding of sociality. (shrink)

The task of being oneself lies at the heart of human existence and entails the possibility of not being oneself. In the case of schizophrenia, this possibility may come to the fore in a disturbing way. Patients often report that they feel alienated from themselves. Therefore, it is perhaps unsurprising that schizophrenia sometimes has been described with the heideggerian notion of inauthenticity. The aim of this paper is to explore if this description is adequate. We discuss two phenomenological accounts (...) of schizophrenia: Binswanger’s account of schizophrenia as a form of inauthenticity and Blankenburg’s account of schizophrenia as a loss of common sense, which seems construable as a loss of inauthenticity. We argue that the accounts are highlighting aspects of the same underlying phenomenon, viz. schizophrenic autism. Moreover, we argue that Binswanger’s description of schizophrenia as a form of inauthenticity is inadequate and we discuss experiences of self-alienation in schizophrenia. (shrink)

This paper accomplishes two goals. First, I elucidate Edmund Husserl’s theory of inauthentic judgments from his 1890 “On the Logic of Signs (Semiotic).” It will be shown how inauthentic judgments are distinct from other signitive experiences, in such a manner that when Husserl seeks to account for them, he is forced to revise the general structure of his philosophy of meaning and in doing so, is also able to realize novel insights concerning the nature of signification. Second, these conclusions are (...) revealed to be the foundation of Husserl’s pure logical grammar, found in the 1901 “Fourth Logical Investigation.” In his analysis of inauthentic judgments, Husserl already recognized, albeit in a problematic way and for entirely different reasons, many of the central tenets of the 1901 work concerning categoremata and syncategoremata, matter and form, and the isomorphism between them. (shrink)

This paper shows that while Sartre's account of love relations in Being and Nothingness is famously conflictual, his Notebooks for an Ethics offers a far more positive account. It pays particular attention to the role that each lover's pre-reflective fundamental project plays in shaping the content of their love relationship.

The Asian American identity is intimately associated with upward class mobility as the model minority, yet women's earnings remain less than men's, and Asian American women are perceived to have strong family ties binding them to domestic responsibilities. As such, the exact class status of Asian American women is unclear. The immediate association of this ethnic identity with a specific class as demonstrated by the recently released Pew study that Asian Americans are “the highest-income, best-educated” ethnicity contrasts with another study (...) that finds Asian American women have the highest suicide rates in the United States. To understand these contrasting statistics, this article explores Asian American women's sense of authenticity. If the individual's sense of authenticity is intimately related with one's group identity, the association of the Asian American identity with a particular class ambivalently ensnares her as dichotomously inauthentic—as both the poor Asian American woman who fails to achieve economic upward mobility and the model minority Asian American woman who engages in assimilation practices. Feminist philosophers understand that identities change, but exactly how these transformations occur remains a mystery. The article ends with three speculations on the difficulties for practicing and recognizing individual acts that transform one's group identity. (shrink)

This book makes a contribution to the growing literature on philosophy of culture and cultural criticism, an area of philosophy that has typically attracted less attention in the Anglo-American philosophical world than in Europe. In sections of varying length and quality, Jay Newman analyzes the cultural criticism of Plato, Augustine, Erasmus, Voltaire, Nietzsche, Thorstein Veblen, and Allan Bloom. The discussion of Plato is the lengthiest one, while Augustine, Erasmus, and Voltaire receive rather cursory treatment; Newman’s treatment of Nietzsche is especially (...) fair and nuanced. The inquiry is interestingly interdisciplinary, and, as the author discusses a number of diverse thinkers from philosophy and the social sciences as well as theology, this book should be of interest to students from a number of disciplines. In a closing chapter on the contemporary relevance of the ideas discussed, Newman analyzes the roles of television and professional public relations and of the academy and religion. (shrink)

While organizational deviance has become a popular research topic in the past two decades, deviant behavior remains a contested concept, with several research studies being done to better define the term. As a result, researchers have introduced various definitions and constructs which seem to overlap one another. Such proliferation might backfire and could lead to more confusion. Looking at deviance from an ontological aspect, therefore, will help to decrease such confusion among researchers. Another advantage to ontologically viewing deviance is that (...) it provides a better understanding of the concept. To prevent deviance occurring within an organization, the first step is learning more about it. This study therefore aims to discover how researchers can use ontological view to provide a better understanding of deviance, thus creating a deviance-free climate within an organization. This study looks at the role of storytelling in sharing norms within an organization to provide such a deviance-free climate. (shrink)

Several commentators on Kierkegaard and Heidegger have noted the similarity between Heidegger's account of authentic temporality in Being and Time and Kierkegaard's discussion of time in The Concept of Dread. By drawing attention to a not very well known essay of Kierkegaard's, ?The Decisiveness of Death?, I attempt to show that there is a very close connection between Heidegger's and Kierkegaard's entire views on authentic human existence. In the second part I try to locate in The Present Age, not just (...) the equivalent of das Man in Heidegger as numerous commentators have done, but the presence of the entire temporal structure of inauthenticity with equivalents for each of the ?fallen? modes of inauthentic being described by Heidegger in Being and Time. The result is that the previous attempts by commentators to restrict early Heidegger's originality vis?à?vis Kierkegaard begin to look like masterpieces of understatement. In the process of reaching this conclusion I try to shed light on several often misunderstood aspects of Kierkegaard's thought. (shrink)

This chapter explicates Theodor W. Adorno's dialectical engagement with inauthenticity and genuineness, two of the central tropes of his mature philosophy. The chapter discusses the extent to which Adorno's critique of genuineness in Minima Moralia and elsewhere was itself deeply indebted to Walter Benjamin's defense of mechanical reproduction against the aura and his notion of the mimetic faculty. It quickly becomes apparent that many of his “own” ideas betray precisely the kind of inauthenticity that he defended against the (...) jargon. Or if one wants to rely on his critical use of the term, it shows the non-auratic authenticity of the intellectual who knows himself not to be in full possession of his own ideas. Paradoxically, in his very lack of originality, his reworking without entirely duplicating many of his friend's most arresting ideas, Adorno took upon himself the stigma he urged everyone to embrace. (shrink)

ABSTRACT Review essay of Imitation, a novel by Leonhard Praeg. This analysis addresses the intertextual relationship between Imitation and Immortality (written by Milan Kundera). It focuses on the way the titular notion is examined from both an artistic and existential perspective. The philosophical qualities of the work are discussed in order to exemplify how the form of the novel provides the author with a creative way to acknowledge and explore the complex influence of imitation in the development our personal selves (...) and the invention of original forms. (shrink)

In this paper I propose to do the following: I will discuss the notions of intentionality and self-understanding of Dasein as developed in Heidegger's Basic Problems of Phenomenology. In doing so, I will try to show the interrelation of Dasein's always being intentionally directed towards something and its self-interpretation. As we will see, the everyday world has, for Heidegger, a character of "equipmental contexture." This means that Dasein returns to itself from out of things, equipment, tools, or - quite differently (...) - the work of art. In a word, Dasein is mirrored back toward itself from the things made, from the products of techne. From this will follow the important distinction between authenticity and inauthenticity. There is a sense in which the following pairings could be discerned: tools or pieces of equipment link up with inauthenticity, while the work of art links up with authenticity. I will say more on the subject of tools a bit later in the essay. Both kinds of things are things insofar as they are entrenched in techne. The common root seems almost inexplicable in the light of the vast difference between tools and the artwork. Moreover, both Dasein and techne seem to have another equally enigmatic common root: that of temporality. Temporality is the essential bond between Dasein and the double sense of techne, which suggests the double-sidedness of temporality itself. It is precisely this doublesidedness that I would like to have as the backdrop to my discussion as a whole. Finally, I will turn to a few pages of Heidegger's Being and Time and Bernard Stiegler's book Technics and Time I in order to complicate this notion of the two senses of temporality, the owned and disowned, originary and everyday, and its relation to work and techne. The overarching question here will be: Can the distinction between authenticity and inauthenticity be sustained? (shrink)

In this paper, I explore political identity for African Americans in an era where the stated aim of the U.S. is global dominance. In ordinary language, I am interested in how blacks can effectively engage in dissent, civil disobedience, protest, insurrection, and revolutionary actions while surviving in an atmosphere where the majority believe either Bush I’s “A friend of my enemy is my enemy,” or Bush II’s “If you harbor terrorists, you’re a terrorist; if you aid and abet terrorists, you’re (...) a terrorist—and you’ll be treated like one.” This paper attempts to interrogate how African Americans—who identify with globally oppressed and distressed peoples—can survive while actively protesting within an armed camp. Or does being black in America mean that one is either a terrorist sympathizer or anUncle Tom? The answers to these questions require a coalition of the unwilling. (shrink)

Habit and habitualisation play an important role in Husserl's phenomenology, yet one aspect of habituality has been somewhat overlooked, namely the dimension of authenticity/inauthenticity. While authenticity in Heidegger has received a lot of attention, inauthenticity in Husserl is less well researched, although, as I will show, it is of equal importance to his overall theorising. The central aim of this paper is to explore the authenticity/inauthenticity-distinction in the various domains of habitualisation and to establish its fundamental importance (...) for Husserl. In the first, introductory part of this paper I offer a few remarks on how to understand and categorise Husserl's transcendental take on habits; I also introduce the important distinction between authentic and inauthentic habits and authenticity and inauthenticity in general. In the second part I present the problem of mechanisation as a form of inauthentic habitualisation as it appears in Husserl's phenomenologies of ethics and, more importantly, science. The third part concludes the paper with a reflection on how phenomenology is programmatically aimed against any form of inauthenticity, and on how it might or might not achieve this goal. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Scars of the Spirit: The Struggle Against InauthenticityChristopher S. SchreinerScars of the Spirit: The Struggle Against Inauthenticity, by Geoffrey Hartman; xii & 260 pp. New York: Palgrave Macmillan, 2002. $17.95 paper.Geoffrey Hartman is now an emeritus faculty member at Yale. All but the youngest readers of this journal will recognize him as a member of the now defunct Yale School of Criticism, which in its glory days (...) included Harold Bloom, Hillis Miller, Paul de Man, and Jacques Derrida. Among these accomplished individuals, Hartman distinguished himself as the one most engaged with discussing the role of style in theoretically propelled criticism, and this remains his lasting contribution. The question he kept asking was the following: what demands do the books we read and the theories we use make on our own critical practice, and in particular, on our style? Works such as Criticism in the Wilderness (1980) and Saving the Text (1981) were concerned with promoting a philosophical criticism that is as creative as the literature it seeks to criticize, in opposition to the Arnoldian standard of a disinterested criticism that respects and preserves the canonical hauteur of literary classics and doesn't seek to imitate them. Yet over the decades Hartman's own prose, except when it lapsed into copying Derrida's, seemed more that of the Doctor and less the Explorer, to borrow the terms Lionel Trilling used to describe Matthew Arnold's criticism. This is an irony we are grateful for.Hartman's most recent book, Scars of the Spirit, takes up the problem of authenticity in the context of postmodern culture, seeking to reestablish its legitimacy as a serious topic and unmask what merely poses as authentic in the global marketplace. Today his agenda ignominiously crosses paths with the likes of Jane Fonda, whose autobiography is replete with New Age claims to recover "the authentic me." One of the issues never resolved by Hartman's book and which taunts his project behind its back is whether his Continental erudition makes his project any more authentic than Fonda's celebrity psychobabble. Authenticity was the Heideggerian concept that Adorno ruthlessly and ironically attacked in his The Jargon of Authenticity, and it has an old-fashioned existential ring to it to this day. For those readers who haven't read Being and Time lately, authenticity (Jemeinigkeit) was the resolute impetus of making time one's own, taking it back from the instrumental public world that had appropriated it so that one can live a sincerely mortal life and die one's own death, as it were properly. Professors valiantly conjured an ethic out of this retrieval of selfhood, of one's personal property of time and destiny in the Lost and Found of culture, not fully cognizant of its Nietzschean roots. The absence of altruism in this existential ethic inspired Emmanel Levinas's patient attempt to persuade us to demote our egoism in an insatiable responsibility to and for others, for whom we can never do enough.There is surely irony in the fact that the anachrony of authenticity as a concept was accelerated by the deconstructive theory that Hartman helped [End Page 501] promulgate. Hence his new book reads a bit like someone having to gingerly retrace his steps in a field of landmines planted by the Yale School of Criticism. The question of propriety, what is right and proper, what is one's own, stamped with one's unique or authentic properties, was deconstructed by Derrida, and Hartman reverently recorded the results in the incongruously titled Saving the Text, an analysis of Derrida's attempt to promote textual intercourse between Hegel and Jean Genet by setting them in parallel columns on one page. In a nutshell, the original source of an event or text, its material advent, is untraceable due to its derivativeness, the forces of semiosis (or textuality) at play in and between texts. In parallel to this discovery, Jean Baudrillard spoke of the simulacrum as a media-generated version behind which the original "thing itself" was forever irrecoverable. The very idea of authenticity came to sound illusory, denoting a mirage sought in a hopeless regressive inquiry or Ruckfrage which Husserl (with... (shrink)

Chapters 6 and 7 of the pseudo-Aristotelian treatise On the Cosmos display ‘a series of well-crafted and carefully organized analogies’ in order to represent the power of god pervading the whole universe. The last analogy, which is by far the most important in this section, compares the rule of god over the world to the rule of the law in a Greek city. As shown by the author in the previous analogies, the perfect order of the universe is the result (...) of the continuous creation and dissolution of single things: this process—based upon the harmony of opposites—is the keystone of the eternity and equilibrium of our world. Similarly, the law is the unmoved mover of every activity and experience in the city: both positive and negative situations involving single citizens contribute to the supreme order and stability of the city. Positive examples include the activity of rulers, officials and members of the assemblies, whereas negative examples include those who go to trial defending themselves and those who are imprisoned and destined to capital punishment. In spite of their difference, all of these actions are due to one single order, that is, the civic law, which ensures the stability of the city. To stress and illustrate this concordia discors, which characterizes both the city and the universe, the author of the treatise closes the passage with a quotation from Sophocles’ Oedipus Tyrannus :πόλις δ' ὁμοῦ μὲν θυμιαμάτων γέμει,ὁμοῦ δὲ παιάνων τε καὶ στεναγμάτωνThe author reads these verses as a perfect example of a context characterized by opposite situations: in fact, the city is full of paeans, which are interpreted as ‘songs of joy and relief’, and, at the same time, it is also full of laments and mourns. The same interpretation can be found in the Latin translation of the treatise, which gives even more emphasis to the opposition between life and death: uideasque illam ciuitatem pariter spirantem Panchaeis odoribus et graueolentibus caenis, resonantem hymnis et carminibus et canticis, eandem etiam lamentis et ploratibus heiulantem. (shrink)

In this fascinating collection of essays, noted critic Geoffrey Hartman raises the essential question of where we can find the real or authentic in today's world, and how this affects the way we understand our human predicament. Hartman explores such issues as the fantasy of total information and perfect communication encouraged by the internet, the biographical excesses of tell-all talk shows that serve to shore up a personal sense of unreality, the tendency to motivate violence in the name of some (...) moral or spiritual necessity, and the increased difficulty of distinguishing between fakery and truth in confessional and testimonial writing. Underlying the entire book is the crucial issue of how the trauma of the Holocaust and other genocidal acts, brought home to us almost daily by the media, is shaping our quest for agency, identity and meaning. Against what he describes as a contempt for the aesthetic in the face of social suffering, Hartman produces a defense of art that helps to recast these questions. His idea is that the form of contemplation produced by the aesthetic, and particularly by poetry, resists both the fantasy of data delivering up their own final meaning and of ideology as a shortcut seeking to deliver us from literature and other deeply reflective and sometimes vulnerable--because self-critical--modes of expression. (shrink)