(2013). Does consciousness entail subjectivity? The puzzle of thought insertion. Philosophical Psychology: Vol. 26, No. 2, pp. 291-314. doi: 10.1080/09515089.2011.625117.

Vows play a central role in Buddhist thought and practice. Monastics are obliged to know and conform to hundreds of vows. Although it is widely recognized that vows are important for guiding practitioners on the path to enlightenment, we argue that they have another overlooked but equally crucial role to play. A second function of the vows, we argue, is to facilitate group harmony and cohesion to ensure the perpetuation of the dhamma and the saṅgha. However, the prominence of vows (...) in the Buddhist tradition seems at odds with another central part of the doctrine. For vows, like other promises, seem to involve representing a persisting self as the individual who undertakes the vow. And to explicitly appeal to a persisting self conflicts with one of the most important philosophical commitments of Buddhism – the no self view. We argue though that once we articulate the details of how vows generate behavior that conforms to them, we can see that no appeal to the self is required to internalize and act on vows. (shrink)

In this study we examine college cheating behaviors of business students compared to non-business students, and investigate possible antecedents to cheating in an effort to better understand why and when students cheat. We specifically examine power values; we found that they were positively related to academic cheating in our sample, and that choice of major (business or non-business) partially mediated the relationship between power values and cheating. We also considered the extent to which students provide justifications for their cheating, and (...) found that business students were more likely to justify (rationalize) their cheating behaviors. Finally, we update the literature in terms of the ways students cheat. We assess newer forms of academic cheating, as increased accessibility to information via the Internet and smartphones may have changed the ways and ease with which students cheat – a particularly relevant topic currently, as many classes have moved online during the COVID-19 pandemic. In our study, cheating was especially prevalent when taking quizzes or tests or completing homework online. We found that only 10% of participants reported never engaging in any of the cheating behaviors we examined. (shrink)

This paper explores the intersection of art history and AI technology. Special attention is paid to Generative Adversarial Networks (GANs), a machine learning technology widely used in AI art. This technology is particularly interesting to art history and the philosophy of art because it raises enduring questions about the creative process of artmaking, especially what constitutes a new and original work of art. While this is a relatively new area, it is possible to discern emerging directions where art and AI (...) intersect. One pressing issue concerns the use (or misuse) of algorithmically enabled technologies and datasets to perpetuate longstanding art-historical biases. The critical position adopted in this paper shares this concern. I examine a notable example of GAN technology that claims to create original art styles. While such experiments in computational creativity are technically interesting, their artistic aims can be questionable. I argue a mechanical model of artistic development based solely on the autonomy of style is problematic for at least two reasons: 1) it uncritically reinstates a formalist view of art history; 2) it recreates a narrow style-centric ‘historical modernism.’ However, despite voicing these reservations, I also discuss the potential of this technology to engage with topics of critical relevance to art history and the philosophy of art. (shrink)

Ce livre s’intéresse à une rencontre : celle de deux philosophes, mais aussi celle de deux siècles et de deux régimes de pensée. Leibniz (1646-1716) et Diderot (1713-1784) appartiennent à deux traditions en apparence opposées : on associe généralement la pensée leibnizienne aux grands systèmes métaphysiques du XVIIe siècle, et celle de Diderot à la mise en pièces de ces édifices par la voie d’une philosophie expérimentale radicalement antisystématique. Pourtant, plusieurs liens entre les deux œuvres sont visibles, qu’il s’agisse d’emprunts (...) conceptuels ou thématiques par Diderot ou de convergences plus difficiles à circonscrire. Le premier objet de ce livre est d’identifier ces liens et de faire le point sur cette sympathie entre les deux philosophies. Mais ce livre s’intéresse aussi à cette rencontre pour ses effets transformateurs, tant sur le plan des concepts, des thèses et des arguments que sur celui des méthodes. Il s’agit alors de voir comment la rencontre avec le leibnizianisme a nourri la pensée diderotienne, comment la lecture du texte leibnizien par Diderot en modifie le sens, comment elle peut parfois en être une interprétation ou un devenir possible. Pour saisir ces transformations, les auteurs ont examiné divers contextes théoriques dans lesquels les pensées de Leibniz et Diderot dialoguent : métaphysique et philosophie de la nature, épistémologie et philosophie des sciences, théorie de la perception et esthétique. À travers ce dialogue, l’ouvrage contribue à une réflexion générale sur les méthodes requises pour mettre en perspective les rapports entre des philosophies à la fois proches et éloignées. (shrink)

Les disciplines historiques, littéraires et philosophiques font un emploi abondant des catégories historiographiques. Parmi celles-ci, les termes en ismes sont très fréquents pour référer à une doctrine, un courant artistique, une idéologie ou des événements spécifiques. On fait cependant remarquer que ces désignations posent de nombreux problèmes d’interprétation. En particulier, que l’origine exacte d’une catégorie est souvent méconnue et que sa signification est plus équivoque qu’on ne le croit habituellement. La formation d’un terme en isme s’explique souvent dans un contexte (...) polémique et sert à condamner ou critiquer plutôt qu’à comprendre une pensée, un mouvement ou des faits historiques. Les catégories d’athéisme, de classicisme ou de féminisme en sont de bons exemples. Le présent volume vise à contribuer à l’étude critique des catégories historiographiques et des notions en isme en s’attardant à l’époque moderne (XVI e XVIII e siècles). Il s’agit d’un moment clef de l’histoire européenne pendant laquelle nombre de ces notions apparaissent ou pour laquelle l’historiographie en a fait un emploi abondant. Les chapitres en examinent la valeur théorique par rapport à une origine ou des usages, et déterminent de quelles manières elles contribuent à l’interprétation de l’histoire, de la littérature ou de la philosophie, de la Renaissance jusqu’à la Révolution française. (shrink)

Sylvia Berryman offers a fresh understanding of Aristotle's ethical theory, challenging the common belief that he aimed to give it a biological foundation in human nature. Berryman reinterprets Aristotle's views as a 'middle way' between the metaphysical grounding offered by Platonists and sceptical or subjectivist alternatives.

Les travaux d'Alexandre Matheron sur Spinoza et sur la philosophie de l'âge classique représentent un des points forts de l'école française d'histoire de la philosophie. Après Individu et Communauté chez Spinoza et Le Christ et le salut des ignorants, ces études complètent la vision du spinozisme et de son contexte, de ses racines et de sa signification historique. Elles traitent de tous les domaines du rationalisme classique : métaphysique, théorie de la connaissance, analyse des passions, éthique, politique et religion. (...) La méthode qui anime ces textes est celle d'une analyse structurale de la pensée philosophique : il s'agit de prendre au sérieux le caractère conceptuel des doctrines, leurs enchaînements argumentatifs, la rigueur et la cohérence de leurs catégories. Mais la considération de l'architecture d'un monument théorique ne se conçoit pas sans la biographie non de l'auteur mais de l'oeuvre : comment Spinoza est devenu Spinoza ; en d'autres termes, comment il a forgé sa pensée en traversant les arguments et les concepts de Machiavel, de Hobbes ou de Descartes pour arriver à des formulations de plus en plus spinozistes de son ontologie de la puissance. Le rationalisme absolu apparaît ainsi non seulement comme contenu des pensées étudiées mais aussi comme méthode d'histoire de la philosophie. Une démarche qui a donné des outils intellectuels à plusieurs générations de chercheurs et qui indique aujourd'hui le chemin pour pénétrer dans l'univers de la pensée classique. La seule façon rigoureuse de nous demander ce qui pour nous, de ces philosophies, est vrai. (shrink)

Natural modalities are often analysed from an abstract point of view where they are associated with putative laws of nature. However, the way possibilities are represented in physics is more complex. Lagrangian mechanics, for instance, involves two different layers of modalities: kinematical and dynamical possibilities. This paper examines the status of these two layers, both in the classical and quantum case. The quantum case is particularly problematic: we identify four possible interpretive options. The upshot is that a close inspection of (...) the way possibilities are represented in physics could lead to new ways of thinking about natural modalities. (shrink)

This collection of six essays centers on Professor Koyre's great theme: the relative importance of metaphysics and observation, with controlled experiment a kind of marriage between the two. Professor Koyre's thesis might be summed up as a claim that when one is seeking to explain the scientific revolution, attention must be concentrated on the philosophical outlook of the scientist and away from speculative theories. At the time of his death, Alexandre Koyre was a professor at the Ecole Pratique des (...) Hautes Etudes (Sorbonne) and a memeber of the Institute for Advanced Study in Princeton. (shrink)

Mitochondrial/nuclear transfer (M/NT) to avoid the transmission of serious mitochondrial disease raises complex and challenging ethical, legal and social issues (ELSI). In February 2015, the United Kingdom became the first country in the world to legalize M/NT, making the heated debate surrounding this technology even more relevant. This critical interpretive review identified 95 relevant papers discussing the ELSI of M/NT, including original research articles, government-commissioned reports, editorials, letters to editors and research news. The review presents and synthesizes the arguments present (...) in the literature in relation to the most commonly raised themes: terminology; identity, relationships and parenthood; potential harm; reproductive autonomy; available alternatives; consent; impact on specific interest groups; resources; “slippery slope”; creation, use and destruction of human embryos; and beneficence. The review concludes by identifying those ELSI that are specific to M/NT and by calling for follow-up longitudinal clinical and psychosocial research in order to equip future ELSI debate with empirical evidence. (shrink)

Les grands genies sont certes inepuisables, mais ils ne sont tels que par la mediation de leurs interpretes, veritables createurs a la seconde puissance qui les eveillent a une vie nouvelle. Henri Gouhier possedait une etonnante capacite de detecter dans chacun des auteurs qu'il analysait, de Descartes a Bergson, en passant par Pascal, Malebranche, Rousseau, Comte - pour ne citer qu'eux! - ce quelque chose de different par quoi il donnait aux lecteurs de les voir autrement. La dimension du speculaire (...) est ici fondamentale, qui s'articule a celle du speculatif. Les metaphores optiques sont recurrentes dans son lexique, et revelent, proprement, sa methode. Tel un photographe, il avait l'obsession de la mise au point. Une philosophie, disait-il, n'a de sens que par reference a une certaine vision du monde dont elle est l'expression. (shrink)

Art and its Objects by Richard Wollheim had a major impact on aesthetics and the philosophy of art when it was first published in 1968. Of the arguments offered in response to Wollheim’s essay, Jerrold Levinson’s intentional-historical theory of art has been one of the most enduring. Levinson was influenced by three key sections of Wollheim’s enquiry: Section 40, which considers the claim that works of art fall under a concept of art, or that we are disposed to regard certain (...) things as works of art; and Sections 60 and 61, which deal with art as a historical phenomenon, and problems arising from its identification and interpretation. To date, these claims have been raised as points of contention in the philosophy of art. This paper takes a different perspective. Wollheim’s understanding of art’s historicity draws explicitly on the literature of theoretical art history. Via Wollheim, old art-historical problems will reappear as new philosophical questions. (shrink)

Patients suffering from depersonalization complain of feeling detached from their body, their mental states, and actions or even from themselves. In this chapter, I argue that depersonalization consists in the lack of a phenomenal feature that marks my experiences as mine, which is usually called “mineness,” and that the study of depersonalization constitutes a neglected yet incomparable probe to assess empirically the scope, role, and even the nature of mineness. Here is how I will proceed. After describing depersonalization (§2) and (...) arguing that it involves a lack of mineness (§3) I will confront a series of objections (§4). I will then spell out what depersonalization can teach us about the scope of mineness (§5), about its role and psychological function (§6) and even about its nature (§7). (shrink)

In a previous article on cosmological arguments, I have put forward a few examples of complete infinite and circular explanations, and argued that complete non-wellfounded explanations such as these might explain the present state of the world better than their well-founded theistic counterparts (Billon, 2021). Although my aim was broader, the examples I gave there implied merely causal explanations. In this article, I would like to do three things: • Specify some general informative conditions for complete and incomplete non-wellfounded causal (...) explanations that can be used to assess candidate explanations and to generate new examples of complete non-wellfounded explanations. • Show that these conditions, which concern chains of causal explanations, easily generalize to chains of metaphysical, grounding explanations and even to chains involving other “determination relations” such as supervenience. • Apply these general conditions to the recent debates against the existence of nonwellfounded chains of grounds and show, with a couple of precise examples, that the latter can be complete, and that just like in the case of causal explanations, non-wellfoundedness can in fact be an aset rather than a liability. (shrink)

This article examines E.H. Gombrich’s critical appraisal of Arnold Hauser’s book, The Social History of Art. Hauser’s Social History of Art was published in 1951, a year after Gombrich’s bestseller, The Story of Art. Although written in Britain for an English-speaking public, both books had their origins in the intellectual history of Central Europe: Gombrich was an Austrian art historian and Hauser was Hungarian. Gombrich’s critique, published in The Art Bulletin in 1953, attacked Hauser’s dialectical materialism and his sociological interpretation (...) of art history. Borrowing arguments from Karl Popper’s critique of historicism, Gombrich described Hauser’s work as collectivist and deterministic, tendencies at odds with his own conception of art history. However, in his readiness to label Hauser a proponent of historical materialism, Gombrich failed to recognize Hauser’s own criticism of deterministic theories of art, especially formalism. This article investigates Gombrich’s reasons for rejecting Hauser’s sociology of art. It argues Gombrich used Hauser as an ideological counterpoint to his own version of art history, avowedly liberal and individualist in outlook. (shrink)

Il faut placer la reflexion qu'Edouard Glissant a inlassablement et obstinement poursuivie en regard de la philosophie europeenne. Apparait alors un autre Glissant, present des les commencements de l'oeuvre, et qui brusque la tradition philosophique pour en arracher des propositions veritablement inouies: Tout-Monde, Relation, creolisation. Des lors, la coherence et la clarte du parcours de la pensee s'imposent, contredisant le stereotype d'une oeuvre reputee obscure ou difficile. Les essais d'Edouard Glissant augurent d'un temps et d'une geographie inedits de la philosophie, (...) ou une ontique fusionnante repense et deplace la metaphysique et l'ontologie. Glissant est un meteore, surgi de cet espace cosmique qu'il a nomme l'Autre de la pensee. Glissant doit etre lu non pas seulement comme un tres grand ecrivain, mais comme celui qui aura renouvele de fond en comble, a l'oree du XXIe siecle, les tres anciennes questions de la philosophie, en revenant a sa figure premiere, que pratiquerent Heraclite et Parmenide et que bannit Platon: la poesie. (shrink)

In the latter half of the twentieth century, some prominent ethicists turned to the history of philosophy to challenge the prevailing trend toward subjectivism or noncognitivism. G. E. M. Anscombe offered the first of several historical narratives challenging the world picture that undergirded this prevalence, narratives in which Aristotelian ethics is presented as a possible alternative. It is striking, however, how differently these narratives characterize the ancient–modern divide and how differently Aristotle is interpreted, particularly on the issue of his appeal (...) to naturalism in ethics. The tendency to view Philippa Foot as Anscombe’s best interpreter might leave us with the unfortunate supposition that Aristotelian ethics is saddled with an implausible Archimedean naturalism. The author suggests that there is another way to read Anscombe’s message, which does not fetter it to a kind of metaphysical biology that we have no reason to accept. (shrink)

It has long been thought that the ancient Greeks did not take mechanics seriously as part of the workings of nature, and that therefore their natural philosophy was both primitive and marginal. In this book Sylvia Berryman challenges that assumption, arguing that the idea that the world works 'like a machine' can be found in ancient Greek thought, predating the early modern philosophy with which it is most closely associated. Her discussion ranges over topics including balancing and equilibrium, lifting (...) water, sphere-making and models of the heavens, and ancient Greek pneumatic theory, with detailed analysis of thinkers such as Aristotle, Archimedes, and Hero of Alexandria. Her book shows scholars of ancient Greek philosophy why it is necessary to pay attention to mechanics, and shows historians of science why the differences between ancient and modern reactions to mechanics are not as great as was generally thought. (shrink)

Philosophy in the period immediately after Aristotle is sometimes thought to be marked by the decline of natural philosophy and philosophical disinterest in contemporary achievements in the sciences. But in one area at least, the early third century B.C.E. was a time of productive interaction between such disparate fields as epistemology, physics and geometry. Debates between the sceptics and the dogmatic philosophical schools focus on epistemological problems about the possibility of self-evident appearances, but there is evidence from Euclid's day of (...) a quite different response. The sceptical challenge provoked the development of theories explaining error formation, showing how illusions can be studied systematically and are subject to prediction. Such theories do not legitimate claims about the nature of the underlying entities perceived, but provide justification for forming expectations about future perceptions. While it overtly focuses on purely geometrical considerations, the Euclidean model of optics nonetheless provides support for certain views about the nature of vision and the physics of light. Moreover, by offering a model in which the image received is not thought to be a perspicuous mirroring of the object seen, Euclid may have helped promote a view of perception as something reconstructed from information received, not as a mere form transferred into the eye. The ancient sceptic may indeed have fulfilled his promise to promote inquiry by focusing attention on problems that escape the attention of a hasty theorist. (shrink)

According to what we will call subjectivity theories of consciousness, there is a constitutive connection between phenomenal consciousness and subjectivity: there is something it is like for a subject to have mental state M only if M is characterized by a certain mine-ness or for-me-ness. Such theories appear to face certain psychopathological counterexamples: patients appear to report conscious experiences that lack this subjective element. A subsidiary goal of this chapter is to articulate with greater precision both subjectivity theories and the (...) psychopathological challenge they face. The chapter’s central goal is to present two new approaches to defending subjectivity theories in the face of this challenge. What distinguishes these two approaches is that they go to great lengths to interpret patients’ reports at face value – greater length, at any rate, than more widespread approaches in the extant literature. (shrink)

Cette préface présente le contexte politique et culturel du fameux discours de Helmholtz prononcé à Heidelberg le 22 novembre 1862, où il défend une certaine idée de l’université et des relations entre les différentes disciplines qu’elle enseigne. L’idée de pluridisciplinarité, tant invoquée aujourd’hui, est au cœur de son propos, ainsi que celle d’une conciliation possible entre philosophie et sciences de la nature, mais en partant du point de vue de ces dernières.

Patients suffering from the Cotard syndrome can deny being alive, having guts, thinking or even existing. They can also complain that the world or time have ceased to exist. In this article, I argue that even though the leading neurocognitive accounts have difficulties meeting that task, we should, and we can, make sense of these bizarre delusions. To that effect, I draw on the close connection between the Cotard syndrome and a more common condition known as depersonalisation. Even though they (...) are not delusional, depersonalised patients seem to have experiences that are quite similar to those of Cotard patients. I argue that these experiences are essentially characterised by a lack of subjective character and of two other structural features of experience, which I call ‘the present character’ and ‘the actual character’. Cotard's nihilistic delusions simply consist in taking these anomalous experiences at face value. (shrink)

Depersonalization is a pathological condition consisting in a deep modification of the way things appear to a subject, leading him to feel estranged from his body, his actions, his thoughts, his mind and even from himself. In this article, I argue that the study of depersonalization raises three challenges for recent theories of the sense of bodily ownership. These challenges—which I call the centrality challenge, the dissociation challenge and the grounding challenge— thwart most of these theories and suggest that the (...) sense of bodily ownership hinges on a phenomenal mark of mineness that can not be accounted for in terms of our sensory, interoceptive, agentive, cognitive or affective dispositions and that is psychologically primitive. In short: that mineness is first. (shrink)

While historians of art have found death masks and life casts conceptually problematic, it is also noteworthy that these objects have received scant attention from philosophers of art. In this paper, I begin to redress this omission by offering examples of how the philosophy of art can help us understand these images. Two problems stand out: the problem of representation, for example, what type of representation a death mask is; and the problem of style and historicity, for example, whether images (...) imprinted from nature can indicate styles, and whether these images can evolve and transform along art-historical lines. After considering these problems, I conclude that these images are constrained in what they can and cannot represent. While there is a long tradition of imprinting from nature, this practice shows little discernible change over time. An unchanging tradition cannot claim to exhibit a history, at least in a narrative sense familiar to art history. The following investigation opens a dialog between Arthur Danto’s philosophy of art and practitioners of theoretical art history, including Ernst Gombrich and Georges Didi-Huberman, both of whom offer differing views on how these images can be treated. (shrink)

This paper offers an overview of the prospects and ethics of using AI to achieve human enhancement, and more broadly what we call intellectual augmentation (IA). After explaining the central notions of human enhancement, IA, and AI, we discuss the state of the art in terms of the main technologies for IA, with or without brain-computer interfaces. Given this picture, we discuss potential ethical problems, namely inadequate performance, safety, coercion and manipulation, privacy, cognitive liberty, authenticity, and fairness in more detail. (...) We conclude that while there are very significant technical hurdles to real human enhancement through AI, and significant ethical problems, there are also significant benefits that may realistically be achieved in ways that are consonant with a rights-based ethics as well. We also highlight the specific concerns that apply particularly to applications of AI for "sheer" IA (more realistic in the near term), and to enhancement applications, respectively. (shrink)

Alongside in vitro studies, researchers are increasingly exploring the transplantation of human brain organoids (HBOs) into non-human animals to study brain development, disease, and repair. This paper focuses on ethical issues raised by such transplantation studies. In particular, it investigates the possibility that they might yield enhanced brain function in recipient animals (especially non-human primates), thereby fundamentally altering their moral status. I assess the critique, raised by major voices in the bioethics and science communities, according to which such concerns are (...) premature and misleading. I identify the assumptions underlying this skeptical critique, and mention some objections against them, followed by some possible replies. I proceed to argue that the skeptical position is ultimately implausible, because it presupposes an unreasonably high standard of full moral status. My argument appeals to David DeGrazia’s idea of a “borderline person”, and to the need for consistency with existing animal research regulations. I outline the practical implications of my view for the conduct of studies that might result in the development of full moral status in a transplanted animal. I also discuss some of the ethical implications of animal enhancement (particularly of rodents) below the threshold associated with full moral status. I conclude that far from being premature, further debate on these issues is urgently needed to help clarify the prospects that a neural chimera might attain full moral status in the foreseeable future, and the level of quality of life required to make it acceptable to knowingly create such a being via HBO transplantation. (shrink)

Vows play a central role in Buddhist thought and practice. Monastics are obliged to know and conform to hundreds of vows. Although it is widely recognized that vows are important for guiding practitioners on the path to enlightenment, we argue that they have another overlooked but equally crucial role to play. A second function of the vows, we argue, is to facilitate group harmony and cohesion to ensure the perpetuation of the dhamma and the saṅgha. However, the prominence of vows (...) in the Buddhist tradition seems at odds with another central part of the doctrine. For vows, like other promises, seem to involve representing a persisting self as the individual who undertakes the vow. And to explicitly appeal to a persisting self conflicts with one of the most important philosophical commitments of Buddhism – the no self view. We argue though that once we articulate the details of how vows generate behavior that conforms to them, we can see that no appeal to the self is required to internalize and act on vows. (shrink)

In this paper I outline a role for mechanistic conceptions of organisms in ancient Greek natural philosophy, especially the study of organisms. By ‘mechanistic conceptions’ I mean the use of ideas and techniques drawn from the field of mechanics to investigate the natural world. ‘Mechanistic conceptions’ of organisms in ancient Greek philosophy, then, are those that draw on the ancient understanding of the field called ‘mechanics’ — hê mêchanikê technê—to investigate living things, rather than those bearing some perceived similarity to (...) modern notions of ‘the mechanical.’ I have argued elsewhere that evidence of mechanistic conceptions of the natural world can be found, not only among seventeenth and eighteenth century ‘mechanical philosophers,’ but also—albeit in vestigial form — in some ancient Greek texts. Unfortunately, these reports are slight, often by detractors of this approach, and offer only clues as to the motivational context for employing these mechanical conceptions. Here, my purpose is to suggest what role they might have played in the history of natural philosophy. (shrink)

Many philosophers have adopted epistemic expressivism in recent years. The core commitment of epistemic expressivism is that epistemic claims express conative states. This paper assesses the plausibility of this commitment. First, we raise a new type of problem for epistemic expressivism, the epistemic motivation problem. The problem arises because epistemic expressivists must provide an account of the motivational force of epistemic judgment (the mental state expressed by an epistemic claim), yet various features of our mental economy seem to show that (...) they can’t do so. Second, we develop what we take to be the most promising response to that problem for expressivists. We end by noting that this response faces an important challenge pertaining to the psychology of epistemic criticism and praise. (shrink)

In their target article, Kammerer and Frankish (K&F) wonder what forms introspection could take in non-human animals, enhanced humans, artificial intelligences, and aliens. In this short note, I focus on disordered or neurodiverse minds. More specifically, I assess a claim that has often been made more or less implicitly to the effect that, in virtue of their conditions, people with schizophrenia or depersonalization disorder have superior introspective abilities that allow them to discern some important but normally hidden characteristics of our (...) experiences — call this the superintrospectionitis thesis. In the course of my argumentation, I introduce distinctions and questions concerning the nature of the architecture and the function of introspection that might enrich K&F's framework. (shrink)

Computational reproducibility possesses its own dynamics and narratives of crisis. Alongside the difficulties of computing as an ubiquitous yet complex scientific activity, computational reproducibility suffers from a naive expectancy of total reproducibility and a moral imperative to embrace the principles of free software as a non-negotiable epistemic virtue. We argue that the epistemic issues at stake in actual practices of computational reproducibility are best unveiled by focusing on software as a pivotal concept, one that is surprisingly often overlooked in accounts (...) of reproducibility issues. Software is not only about designing and coding but also about maintaining, supporting, distributing, licensing, and governance; it is not only about developers but also about users. We focus on openness debates among computational chemists involved in molecular modeling software packages as empirical grounding for our argument. We then identify and analyse four epistemic characteristics as key to the role of software in computational reproducibility. (shrink)

Peter Singer’s groundbreaking call to action in 1972, “Famine, Affluence, and Morality,” drew philosophical attention to the topic of famine and the associated suffering or preventable death of many throughout the world. Yet despite the volume of philosophical work Singer’s paper inspired, it would still be easy to suppose that global poverty is not a problem for philosophers to take seriously in itself but is rather a particularly stark illustration or instance of a more general problem, whether in ethics or (...) in political philosophy. The aim of this paper is to argue that the philosophical landscape of global poverty is both sui generis and sufficiently complex that the topic should be considered not as an instance of a more general philosophical problem but as a distinct area of normative inquiry. (shrink)

A large part of the difficulty of writing "conceptual history"—to borrow a term from Reviel Netz —is that once an illuminating new conceptual framework is articulated, it begins to seem self-evident and commonsensical to later thinkers. The historian's task of problematizing the obvious, and showing us the moves by which commonsense came to be created historically, is an arduous and challenging one, requiring resources of imagination, patience, and attention to detail. Sattler displays all those qualities in this dense and demanding (...) study, and a review needs to begin by acknowledging the sheer... (shrink)

Vere Gordon Childe’s theory of craft specialisation was an important influence on Arnold Hauser’s book The Social History of Art, published in 1951. Childe’s Marxist interpretation of prehistory enabled Hauser to establish a material foundation for the occupation of the artist in Western art history. However, Hauser’s effort to construct a progressive basis for artistic labour was complicated by art’s ancient connections to religion and superstition. While the artist’s social position and class loyalties were ambiguous in Childe’s accounts of early (...) civilisations, Hauser consigned artists to the lower echelons of society. This relegation did not imply that Hauser had a low regard for artistic skills. Quite the opposite, the artist’s inferior social status enabled Hauser to distance artists from the ruling class, and consequently, to separate artistic handiwork from the dominant ideology that works of art manifested. (shrink)

Depuis quelques années l’on assiste à un renouveau dans l’étude des grands courants du libertinisme2. Les historiens de la philosophie, en particulier, savent l’importance du dialogue que nouent un Descartes, un Malebranche ou un Pascal, pour ne citer qu’eux, avec « le libertin ». Autant de cas de figures complexes où est forgée l’image subjective d’un adversaire. Le paradoxe..