Not all homo sapiens are human subjects. This paper explores the lived experience of homo sapiens but not human that I call “lived flesh.” A lived experience/distinction that shouldn’t be possible on Merleau-Ponty’s account of human subjectivity in Phenomenology of Perception and “The Intertwining – The Chiasm.” The use of flesh is deliberate and emerges from my engagement with Merleau-Ponty’s Phenomenology of Perception and “The Intertwining – The Chiasm” through Toni Morrison’s Beloved, Hortense Spillers’ “Interstices: A Small Drama (...) of Words” and “Mama’s Baby, Papa’s Maybe: An American Grammar Book,” Amber Musser’s Sensual Excess: Queer Femininity and Brown Jouissance, and Audre Lorde’s Zami: A New Spelling of My Name. The affective, experiential, and ethical practices of american Blackwomxn in these texts problematize Merleau-Ponty’s account of human subjectivity and his account of the generality of Being (“The Intertwining – The Chiasm”). Merleau-Ponty’s effacement of raced, sexed, and gendered difference results in a construct of the human subject that cannot include all homo sapiens. (shrink)

Human flesh search engine can be a double-edged sword, bringing convenience on the one hand and leading to infringement of personal privacy on the other hand. This paper discusses the ethical problems brought about by the human flesh search engine, as well as possible solutions.

The history of the sublime within aesthetics has tended to focus on the natural world. Within this history, the sublime has been a category reserved for awe-inspiring and overwhelming experiences, in which the finite subject is dwarfed by a more expansive force. Despite subjectivity being foremost in this topic, what has been overlooked, is the role the body plays in being the centre of aesthetic experience. In this paper, I will turn the tide on this omission and thematize the role (...) of the body within the experience of the sublime. My plan for reconsidering this movement is to unite Werner Herzog’s Aguirre, Wrath of God with the late thought of Merleau-Ponty, especially his enigmatic notion of "flesh". In both Herzog and Merleau-Ponty, a philosophy of nature exists which challenges the dichotomy between the autonomous self encountering the objective realm of wilderness. In each case, an ambiguity undercuts the idea of wilderness existing "there" while human subjectivity remains placed "here." I will "read" the film as an instant of the chiasmatic relation between nature and humanity. Doing so, I will suggest that the reversibility between the body and the environment can be seen as an amplification of Merleau-Ponty’s notion of "wild being". (shrink)

Technology has been at the centre of existentialist (e.g. Heidegger) and sociological (e.g. Marcuse) critique for a long time. The latest versions of criticism rely on the results of “science and technology studies”: they argue that essentialist conceptualisations of technology should be replaced while aiming at “democratizing technology” (e.g. Feenberg). However, even these approaches are characterised by a shortcoming when it comes to providing a normative basis: as contemporary technology intermeshes with the elementary levels of existence (such as perception or (...) cognition), it remains in the blind spot of those users, who could “democratize” it through their critique. Accordingly, the formal normative bases (e.g. the one provided by Feenberg, who relies on Habermas’ democracy principle), need to be complemented with substantive claims. For this purpose, a phenomenological-existentialist framework is elaborated with the help of Merleau-Ponty and Levinas. It is argued that due to the ongoing expansion of social systems relying on various forms of technology (Luhmann), the “mediated flesh” becomes rigid. By losing the plasticity of the chiasm, subjects are exposed to existential crises unmanageable by mere technology (e.g. mental disorders). Such experience of technologically induced social suffering could serve as a normative basis for criticising the over-expansion of technology. (shrink)

In the literature on medical ethics, it is generally admitted that vulnerable persons or groups deserve special attention, care or protection. One can define vulnerable persons as those having a greater likelihood of being wronged – that is, of being denied adequate satisfaction of certain legitimate claims. The conjunction of these two points entails what we call the Special Protection Thesis. It asserts that persons with a greater likelihood of being denied adequate satisfaction of their legitimate claims deserve special attention, (...) care or protection. Such a thesis remains vague, however, as long as we do not know what legitimate claims are. This article aims at dispelling this vagueness by exploring what claims we have in relation to health care – thus fleshing out a claim-based conception of vulnerability. We argue that the Special Protection Thesis must be enriched as follows: If individual or group X has a greater likelihood of being denied adequate satisfaction of some of their legitimate claims to physical integrity, autonomy, freedom, social provision, impartial quality of government, social bases of self-respect or communal belonging, then X deserves special attention, care or protection. With this improved understanding of vulnerability, vulnerability talk in healthcare ethics can escape vagueness and serve as an adequate basis for practice. (shrink)

This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh.

In this paper I attempt to develop several ways Merleau-Ponty's ontology might contribute to an environmental ethic through a redefinition of his concept of flesh in terms of a general theory of affectivity. Currently accepted interpretations of the concept such as those in Abram, Toadvine, Barbaras, and Dastur rely upon conceiving flesh as a perceptual experience. I contest this interpretation and argue that a more productive conception of flesh emerges when understood in terms of Heidegger's philosophy. The (...) paper concludes with a consideration of the normative significance of flesh by examining the role of “wildness“ within a place-based ethic. (shrink)

This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh. But the _word become flesh_ is not, or no longer, a theological already-given. It is a millennial goal or telos toward which each text strives. Both witty and immensely erudite, Jacques Rancière leads the critical reader through a maze of arrivals toward the moment, perhaps always suspended, when the word finds its flesh. That is what he, a valiant and (...) good-humored companion to these texts, goes questing for through seven essays examining a wide variety of familiar and unfamiliar works. A text is always a commencement, the word setting out on its excursions through the implausible vicissitudes of narrative and the bizarre phantasmagorias of imagery, Don Quixote's unsent letter reaching us through generous Balzac, lovely Rimbaud, demonic Althusser. The word is on its way to an incarnation that always lies ahead of the writer and the reader both, in this anguished democracy of language where the word is always taking on its flesh. (shrink)

In Telling Flesh, Vicki Kirby addresses a major theoretical issue at the intersection of the social sciences and feminist theory -- the separation of nature from culture. Kirby focuses particularly on postmodern approaches to corporeality, and explores how these approaches confine the body within questions about meaning and interpretation. Kirby explores the implications of this containment in the work of Jane Gallop, Judith Butler, and Drucilla Cornell, as well as in recent cyber-criticism. By analysing the inadvertent repetition of the (...) nature/culture division in this work, Kirby offers a powerful reassessment of dualism itself. (shrink)

This chapter contains sections titled: Hunting as the Pursuit of Wild “Life” Carnal Bonds and the Way of All Flesh Saintly Chewing and the Corruption of the Flesh The Vital Paradox: The Acceptance of Death as Affirmation of Life Notes.

A groundbreaking search for the origins of this expression, Flesh Becomes Word traces the scapegoat to its origins in Mesopotamian ritual across centuries of typological interpretation and religious reflection, to its first informal uses in ...

In this paper I aim to discuss an essay written by the French psychoanalyst André Green on occasion of the publication in 1964 of The Visible and the Invisible, in order to frame it within the context of Merleau-Ponty’s philosophy for the sake of letting emerge both the critical importance and some structural issues implied in Green’s reading.Green’s study clearly points out that the question concerning Merleau-Ponty’s notion of “flesh” represents a fundamental theme for psychoanalysis, in connection with Lacan’s (...) interpretation of the unconscious as “structured as a language.” As Green would more widely stress in further works, he disagrees with Lacan and follows Merleau-Ponty on this point.At the same time, Green remarks that in Merleau-Ponty’s perspective there still remain two unsolved issues: his conceiving of the unconscious basically as “other side” and not, like in Freud, in terms of “other scene;” and the question concerning affects, seen as not sufficiently worked out within Merleau-Ponty’s phenomenological perspective. Yet, even if it is possible to accept some of the critical remarks made by Green, it is nevertheless also necessary to reformulate them within a wider and deeper reading of the ontology of the flesh.Le but de cet article est de discuter un essai écrit par le psychanalyste André Green à l’occasion de la publication en 1964 du Visible et l’Invisible, afin de le questionner dans le contexte de la philosophie de Merleau-Ponty et de laisser émerger à la fois l’importance critique et quelque problèmes implicites de la lecture de Green.L’étude de Green montre clairement que la question concernant la notion merleau-pontienne de « chair » représente un thème fondamental pour la psychanalyse, en rapport avec l’interprétation lacanienne de l’inconscient, selon lui, « structuré comme un langage ». Dans ses travaux suivants, Green insistera sur son désaccord avec Lacan et suivra Merleau-Ponty sur ce point. Au même moment, Green remarque que dans la perspective merleau-pontienne, il demeure deux problèmes non résolus : sa conception de l’inconscient en termes d’« autre côté » et non, comme chez Freud, d’« autre scène » ; et la question concernant les affects, qui n’est pas suffisamment travaillée au sein de la perspective phénoménologique de Merleau-Ponty. Cependant, bien qu’il soit possible d’accepter certaines remarques critiques de Green, il est néanmoins nécessaire de les reformuler au sein d’une lecture plus vaste et plus profonde de l’ontologie de la chair. In questo saggio ci si propone di discutere un saggio dello psicoanalista André Green, scritto in occasione della pubblicazione di Il visibile e l’invisibile in Francia nel 1964, e contenente alcune notazioni molto importanti per comprendere un determinato modo di ricezione dell’ontologia fenomenologica di Merleau-Ponty da parte di uno psicoanalista originale e competente sia in materia di fenomenologia sia di psicoanalisi.Lo studio di Green mostra un significato particolare sia in quanto segnala molto per tempo l’importanza dell’opera di Merleau-Ponty per la psicoanalisi, sia perché indica chiaramente alcuni snodi problematici che in seguito sarebbero stati spesso rielaborati da parte di lettori dell’opera di Merleau-Ponty appartenenti al movimento psicoanalitico. In questo saggio ci si propone dunque di esaminare le notazioni di Green e di metterle nel contesto del pensiero di Merleau-Ponty al fine di farne emergere sia l’importanza critica sia però anche alcuni problemi di fondo.Lo studio di Green indica con chiarezza come la questione della carne costituisca un tema fondamentale anche per la ricerca psicoanalitica, in particolare in relazione all’interpretazione data da Lacan al concetto di inconscio “strutturato come un linguaggio”. Come avrebbe in seguito più ampiamente mostrato, Green non è d’accordo con Lacan e in questo segue alcune indicazioni di Merleau-Ponty. Al contempo, non manca di far notare due problematiche irrisolte nell’ottica di Merleau-Ponty: il concepire fondamentalmente l’inconscio come “altro lato” e non, come in Freud, in termini di “altra scena”; in secondo luogo il problema dell’affetto, come tema irrisolto all’interno della prospettiva fenomenologica di Merleau-Ponty.Seguendo lo snodo di questo studio è possibile così far emergere con chiarezza il significato innovativo del concetto merleau-pontyano di carne, anche al di là dell’interpretazione di Green, quale possibile sfondo ontologico di una indagine categoriale sui concetti portanti della psicoanalisi. In definitiva se è lecito recepire alcune delle critiche mosse da Green a Merleau-Ponty, è però anche necessario riformularle all’interno di una più approfondita lettura dell’ontologia della carne. (shrink)

Although Merleau-Ponty’s early phenomenology of perception and his essays on art, politics, and language already showed an affinity between the aesthetic phenomena of expression and style and the political and cultural dynamics of society at large, this paper specifically focuses on his late theorizing of the notion of flesh and its relevance to his late understanding of politics and democracy. The emergence of flesh as a concept was contemporary to Merleau-Ponty’s break with Marxism as a philosophical model and (...) with revolutionary dialectics as a political project. It is by showing that such a break was consistently grounded on his theorizing of the being flesh of both the body and of society that this paper shows Merleau-Ponty’s unique contribution to democratic theory and to contemporary political philosophy. In the course of this analysis, it will become clear that in philosophically breaking with the position of a “no that is a yes”—i.e. the model of the revolution, which implies a total negation of the given that becomes a total affirmation of the new order (dictatorship) once in power—he would politically embrace the Weberian “heroic liberalism”—or his “non-communist left”—of parliamentary democracy. (shrink)

Actionism, Performance and Body Art have produced forms that still provoke in their radicalism and brutality and raise many questions. Regardless of the theme—love, violence, gender, death, sexuality, killing of animals, ritual practices and myths, ecology, criticism of the ideology and so on—they are almost always characterized by an explicit and demonstrative exposure of flesh. The topic of my research is the body as a medium of the human act. Does the body elicit different “corporations of the mind” or (...) does it draw attention to its own complex naked presence and extensionality in every elementary social interaction? Is the body unquantifiable—imponderabilia, unpredictable, and is it spinning out of the generated statistics of the system research? (shrink)

'As an introduction to early modern thinking and the impact of past ideas on present lives, this book can find few equals and no superiors. Porter is a witty, humane writer with an extraordinary vocabulary and a sparkling sense of fun. Whether he is quoting from obscure medical texts or analysing scabrous diaries, dishing the dirt on long-dead bigwigs or evoking sympathy for human suffering, his grasp is masterly and his erudition appealing. I wish I could read it again for (...) the first time: you can.' Times Educational Supplement, Book of the Week In this startlingly brilliant sequel to the prize-winning ENLIGHTENMENT Roy Porter completes his lifetime's work, offering a magical, enthusiastic and charming account of the writings of some of the most attractive figures ever to write English. (shrink)

Flesh of My Flesh is a collection of articles by today's most respected scientists, philosophers, bioethicists, theologians, and law professors about whether we should allow human cloning. It includes historical pieces to provide background for the current debate. Religious, philosophical, and legal points of view are all represented.

Embodied cognition emphasizes the importance of the body to cognition, but what is the nature of this importance? For some advocates, the body provides a computational resource within the context of a larger cognitive system. For others, the body constrains cognition, such that differently embodied organisms will differ cognitively as well. I examine these distinct conceptions of embodiment, defending the greater interest of the second. I argue as well that judgments of the body's significance in cognition do not, as contestants (...) on both sides of the debate often insist, depend on showing the body to be a constituent in cognition. (shrink)

The ontology developed by Merleau-Ponty in the final stage of his work is centered on the concept of flesh, giving this notion its most general scope by complementing the idea of “flesh of the body” with that of a “flesh of the world.” This paper seeks to evaluate the possibility of reading this philosophy of the flesh as a materialist ontology. For this purpose, the possibility is considered of interpreting the concept of flesh as a (...) new figure of matter, despite Merleau-Ponty’s claims that seem to preclude this interpretation. In concluding, the paper briefly discusses the potential contribution of this interpretation to approaching certain conceptual problems in contemporary science. It is argued that this approach can help to promote a more productive interchange between Merleau-Ponty’s fundamental thought and the philosophy of science. (shrink)

Many people believe that if we could produce meat without animal suffering—say, in ‘humane’ or ‘happy’ farms, or by growing it in a lab from biopsied cells—there would be no moral problem with doing so. This chapter argues otherwise. There is something morally ‘off’ with eating the flesh of sentient beings however it is produced. It is ‘off’ because anyone who truly understands the intimate relationship that an animal’s body stands in to all the value and disvalue in their (...) lives would not want to eat flesh. The chapter concludes by arguing that, as a society, we should not switch over to ‘happy’ or lab-grown meat. Instead, it is imperative that we pursue a public reckoning on our treatment of animals in factory farms, not only for the sake of animals, but for the sake of humanity itself. (shrink)

In _Sentient Flesh _R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause... us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as (...) music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive force of ontology that still holds us in thrall. Erudite and capacious, _Sentient Flesh _offers a major intervention in the black study of life. (shrink)

This philosophical investigation interrogates the relationship between G.W.F. Hegel’s concept of the master-slave dialectic in The Phenomenology of Spirit and the critique and reformulation of it by Frantz Fanon in Black Skin, White Masks. As a means of contextualization and expansion of Hegel’s original textual account, I consider Susan Buck-Morss’ seminal defense through grounding the dialectic in Hegel’s possible historical knowledge of the Haitian Revolution. I maintain that despite a compelling picture, Buck-Morss’ insights are unable to fully vindicate Hegel from (...) the rebukes of Fanon, and as a result, Hegel’s phenomenology necessitates a concrete analysis of the actual conscious experiences of the racialized and colonized subject in order to realize its aims. In pursuit of this critical methodology, I develop the upshot and positive movement of Fanon’s critique through what I describe as a “phenomenology of flesh” in conversation with Maurice Merleau Ponty’s The Visible and the Invisible. (shrink)

This book models an ex-centric orientation to the study of modern formation as the study of the hyper-signification of difference as racialization/racism. As Black flesh came to be identified as persistent baseline for difference, it opens windows onto mimetic translations of all modern subjectivities.

The Flesh of Images: Merleau-Ponty Between Painting and Cinema, by Mauro Carbone, is his third book in a body of work interpreting Merleau-Ponty’s ontology of Flesh: The Thinking of the Sensible: M...

The concept of "the flesh" (la chair) derives from the writings of Maurice Merleau-Ponty. This was the word he used to name the concrete realm of sentient bodies and life processes that has been eclipsed by the abstractions of science, technology, and modern culture. Topology, to conventional understanding, is the branch of mathematics that concerns itself with the properties of geometric figures that stay the same when the figures are stretched or deformed. Topologies of the Flesh blends continental (...) thought and mathematical imagination, opening up a new area of philosophical inquiry: topological phenomenology. Through its unique application of qualitative mathematics, this work extends the approaches of Merleau-Ponty and Heidegger so as to offer a detailed exploration of previously uncharted dimensions of human experience and the natural world. (shrink)

In Spirituality in the Flesh, Robert C. Fuller investigates how our sensory organs, emotional programs, sexual sensibilities, and neural structures shape religious phenomena. Comfortable with the language of scientific analysis and sympathetic to the inherently subjective aspects of religious events, Fuller introduces the biological study of religion by joining our unprecedented understanding of bodily states with an experts knowledge of religious phenomena. Culling insights from scientific observations, historical allusions, and literary references, Spirituality in the Flesh provides fresh understandings (...) that promise to enrich our appreciation of the embodied religious experience. (shrink)

Se propone un examen crítico de la última obra de J.-L. Marion titulada, dedicada a la unión de alma y cuerpo, y cuya tesis principal es: los problemas que esta unión suscita confunden dos términos, cuerpo y mi cuerpo. Esta confusión lleva a que se apliquen al primero categorías propias del segundo. Se examinan las "paradojas ónticas" que mi cuerpo (la carne) inaugura (a); se despeja la tesis de dos interpretaciones de las meditaciones primera y sexta (b); se discute la (...) "excepción a la metafísica" instaurada por el conocimiento de mi cuerpo (c); se arriesga, siguiendo una indicación del autor, la apertura a una dimensión ética que exige examinar ya no la unión de cuerpo y alma, sino la unión por el amor a un semejante y a la comunidad de semejantes (d). -/- The article carries out a critical examination of J.-L. Marion's latest work, "Sur la pensée passive de Descartes", whose main thesis is that the problems posed by the union of body and soul confuse two terms: body and my body. This confusion leads to the application to the former of categories inherent to the latter. The paper examines the "ontic paradoxes" that my body (the flesh) gives rise to (a); it clarifies the thesis of two interpretations of the First and Sixth Meditations (b); it discusses the "exception to metaphysics" established by the knowledge of my body (c); and, following an indication by the author, it proposes an opening to the ethical dimension, which demands an examination of the union, through love, with a fellow human being and with the community of human beings, rather than of the union of body and soul (d). -/- Neste artigo, propõe-se um exame crítico da última obra de J.-L. Marion, intitulada "Sur la pensée passive de Descartes", dedicada à união de alma e corpo, e cuja tese principal é: os problemas que essa união suscita confundem dois termos, corpo e meu corpo. Essa confusão leva a que se apliquem ao primeiro categorias próprias do segundo. Examinam-se os "paradoxos ônticos" que meu corpo (a carne) inaugura; a tese de duas interpretações das medita ccedil;ões primeira e sexta é esclarecida; arrisca-se, seguindo uma indicação do autor, a abertura a uma dimensão ética que exige examinar já não a união de corpo e alma, mas sim a união pelo amor a um semelhante e à comunidade de semelhantes. (shrink)

A phenomenological approach to questions of the body, ego, temporality and intersubjective relations with the 'other' by a leading French thinker and Husserl scholar.

Synthetic meat made from animal cells will transform how we eat. It will reduce suffering by eliminating the need to raise and slaughter animals. But it will also have big public health benefits if it becomes widely consumed. In this paper, we discuss how “clean meat” can reduce the risks associated with intensive animal farming, including antibiotic resistance, environmental pollution, and zoonotic viral diseases like influenza and coronavirus. Since the most common objection to clean meat is that some people find (...) it “disgusting” or “unnatural,” we explore the psychology of disgust to find possible counter-measures. We argue that the public health benefits of clean meat give us strong moral reasons to promote its development and consumption in a way that the public is likely to support. We end by depicting the change from farmed animals to clean meat as a collective action problem and suggest that social norms rather than coercive laws should be employed to solve the problem. (shrink)

The article aims at elaborating a non-speculative concept of social pathology. In the first section, various conceptualizations (e.g. Habermas, Honneth) are critically revaluated. It is argued that (a) applying the originally medical concept of ‘pathology’ on social entities has untenable connotations (due to the lacking social equivalent of death); (b) grounding social pathology on the level of ‘social suffering’ is not in accordance with the actors’ horizon shaped by biomedical- and psy-discourses. To avoid these dead-ends, social pathologies are reinterpreted as (...) structural distortions causing diseases or mental disorders. To refine this initial definition, in the second section, Merleau-Ponty’s concept of chiasm is used as an ontological framework translating between medical and social diagnoses. The proposed concept of social pathology refers to those patterns of disrupted pre-intentional, intentional and mediated intertwining, which manifest as ill or psychopathological chiasm. In the third section, two case studies are elaborated: the intersubjective structures of depressed and asthmatic chiasm. Finally, the implications for critical theory and praxis are overviewed. (shrink)

This paper attempts to draw out the political import of Merleau-Ponty’s ontology of the flesh, by engaging the critique levelled against it by his student and literary executor Claude Lefort. In suggesting a tension in Merleau-Ponty’s work that obscures alterity, Lefort seems to miss the rich political import of Merleau-Ponty’s ontology of the flesh. Founded in his development of the concepts of écart and reversibility, Merleau-Ponty’s ontological position breaks with many of the standard tenets of political thinking, and (...) offers a multifaceted conception of alterity. I will suggest that Lefort’s own claim to alterity buckles under the immanent weight of his critique of Merleau-Ponty, offering at best a conception of otherness limited to a self-relational non-identity. This conception ultimately fails to adequately consider the relations existing between different beings-in-the-world. In thinking being as flesh, Merleau-Ponty offers us an ethico-political optic that attempts to think alterity and ontology in a manner that unhinges us from our closed and autonomous being, opening us to the world, others and to the non-identical becoming that characterizes being as such. (shrink)

This essay compares Maurice Merleau-Ponty's notion of the flesh with Judith Butler's concept of primary vulnerability in terms of their helpfulness for developing an intersubjective ontology. It compares the flesh with Butler's more recent concept of primary vulnerability insofar as she sees both as useful for intersubjective ontology. The hiatus of the flesh is that which spans between self and world and opens Merleau-Ponty's thought onto an intersubjective ontology. While Butler's discussion of vulnerability as a primary condition (...) of human existence also makes this concept intersubjective, her understanding of violence as articulated through vulnerability makes this a more helpful concept for intersubjective ontology than the flesh. While many discussions of an intersubjective way of life focus almost exclusively on its positive possibilities, almost to the exclusion of violence altogether, the understanding of violence Butler presents through primary vulnerability helps us to discern whether a violation is benign or malign. In turn, this fuller understanding of violence lets primary vulnerability open onto an ethical imperative of reconciliation, but a reconciliation of what is never whole. (shrink)

메를로-퐁티의 지각 철학에는 이렇다 할 건축에 대한 얘기가 없지만 그럼에도 불구하고 오늘날 일군의 건축가와 건축 이론가들에게 새로운 건축 이론을 형성하는 데 있어 큰 영감의 원천이 되고 있다. 그중에는 핀란드의 건축가 이자 건축 이론가인 유하니 팔라스마가 있다. 팔라스마는 메를로-퐁티의 지각철학을 자신이 전개한 건축 이론의 기초로 삼았지만, 그렇다고 해서 그의 건축적 경험 이론과 메를로-퐁티의 지각 이론이 전적으로 합치되는 것은 아니다. 반대로 이론의 핵심 부분에서 양자 사이에는 미묘한 대립이 발견된다. 따라서 이 글에서 우리는 먼저 팔라스마의 건축 현상학을 몇 가지 쟁점을 통해 고찰하였다. 그리고 (...) 이어 메를로-퐁티의 지각 철학을 참조하면서 그것의 타당성과 의미를 논의하였다. 논의의 결과 우리는 팔라스마 건축 이론의 의의뿐만 아니라 그 한계를 보다 분명히 인식할 수 있었다. (shrink)

Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory.

The 17th century's new science and new philosophy was roughly equally divided between Cartesians and Gassendists. Scholars agree that understanding Gassendi's metaphysics, epistemology and scientific method is crucial for understanding the development of modern philosophy, as Gassendis version of Epicureanism provides a third strand of influence on modern philosophy paralleling Cartesianism and scholasticism. Despite this, Gassendi is rather little understood today. I look at Gassendi in the context of his Objections and Counter-Objections to the Meditations, along with Descartes' Replies. This (...) context provides an explicit display of the opposition between two main strands of the new philosophy. I argue---contra a popular characterization of Gassendi's thought as primarily skeptical or even wholly unsystematic---that Gassendi's objections derive from a systematic psychology and cannot be well understood without a grasp of this psychology. ;I begin with a central methodological question in the dispute, the status of clear and distinct perception and what this tells us about proper procedure. This disagreement has it source in competing accounts of the cognitive faculties. Hence I go on to develop an account of Gassendi's theory of the cognitive faculties, and in particular perception, the acquisition of ideas, and reasoning. I then examine Gassendi's initially rather puzzling objections to the cogito, which act as a test-case for my interpretation of Gassendi's theory of cognition. I end with the dispute over the mind-body relationship. Gassendi objects that Descartes has failed to give any more than a nominal definition of the mind, having failed to make intelligible the modes of the mind in terms of its essence. Gassendi, in contrast, seeks an account of the operations of the mind in terms of the micro-level structure of the parts of the brain, and understands this micro-level structure as the genuine essence of the mind. This objection provides an excellent case for examining how Descartes and Gassendi's rival psychologies influenced two very different notions of scientific method. (shrink)

The aim of this article is to flesh out gender by drawing connections between the experience of pain and the experience of womanhood. The article builds upon two themes in feminist work (the constitution of woman through her effacement, and the inscription of gender on the body) and proposes to analyse `effacement' in terms of an embodied sense of being `gutted out', or made `immaterial'. I use this imagery of `gutting out' to suggest that effacement is experienced through the (...) body, and in terms of the presence of pain rather than merely in terms of lack or absence (of voice or subjectivity). Thus I share the view that gender is performed through inscriptions on the body, but I argue that this work of gendering involves hurting and injuring women's bodies; and it is this pain that I attend to in the article. I draw upon Scarry's analysis of the body in pain as a symbolic framework to discuss the pain of womanhood in terms of the annihilation of the self as it is engulfed in a mass of hurting flesh. (shrink)

The Catholic dimension in Foucault’s examination of the Church Fathers is featured because neglect of it may misrepresent the very notions of virginity and of flesh in Confessions of the Flesh. Failure to appreciate the tension between a seditious flesh and an incarnational flesh implicitly confines the Patristic vision to the limited modern field of “sexuality.” The fourth volume might be best interpreted against the background of the investigations that prompted Foucault to immerse himself in religious (...) texts and spiritual experiences: his early writings on literature; the later interest of his lectures in pastoral technologies; and his witnessing of the political-spiritual movements both in Islam and in Catholicism. (shrink)

Julian of Norwich (b. 1342) anticipated the ontological and epistemological work on sexed embodiment pioneered in the work of Merleau-Ponty and Irigaray in the 20th century. Her epistemology of sensual ‘showings’ helped reconfigure women’s embodiment and speech acts (‘bodytalk’): by recognizing cognitive emotions and the knowledge-producing body; and by envisioning the intertwining of human flesh with All That Is. The paper next examines Merleau-Ponty’s somatic discourse on the chiasmic flesh, which leads to a discussion of Irigaray’s work on (...) poetic mimesis. (shrink)

Music in the Flesh reimagines the lived experiences of music-making subjects (composers, musicians, listeners) in the long European seventeenth century. There are countless historical testimonies of the powerful effects of music upon early-modern bodies, described as moving, ravishing, painful, dangerous, curative, miraculous, and encompassing "the circulation of the humors, purification of the blood, dilation of the vessels and pores. In asking what this all meant at the time, the author considers musical scores and their surrounding texts as "somatic scripts" (...) that afford a range of somatic actions and reactions and can give us a glimpse into the historical embodied experience of organized sound. Starting from the Lutheran hymns and their accompanying intellectual traditions and ritual practices in German-speaking lands, the book moves with ease across repertories and regions, sacred and vernacular musics, domestic and public settings in order to sketch a "physiology of music" that is as historically illuminating as it is relevant for present-day performing practices and that sheds unprecedented light on how subjectivity was embodied through sound in early-modern Europe. (shrink)

Confessions of the Flesh was first published in France in 2018 as Les Aveux de la Chair. It is the fourth volume of The History of Sexuality, the collection of works by Michel Foucault...

This essay is a second attempt to reconcile the perspectives of Merleau-Ponty and Guattari, following on the examination of the unconscious in a previous issue of Chiasmi. Here the focus concerns an ontology that overcomes the dualistic heritage of Western metaphysics. More precisely, I compare the concept of flesh as Merleau-Ponty employs it in his later texts with that of the machine as Guattari uses this from the end of the 1960s until his last writings in the early 1990s. (...) The machine concerns the potential for transformation in a given social and political configuration, so that the ontology to be drawn from this concept is a thought of transformation. The position of individual subjectivity in this context is not so different from that granted to it by Merleau-Ponty in his last writings: a curvature of the flesh or, as Deleuze and Guattari write about the artisan in A Thousand Plateaus, “one who is determined in such a way as to follow a flow of matter.”Cet essai est une deuxième tentative de rapprochement des perspectives de Merleau-Ponty et de Guattari, après la problématique de l’inconscient traitée dans un précédent numéro de Chiasmi. Cette fois elle a lieu sous l’angle d’une ontologie qui surmonte l’héritage dualiste de la métaphysique occidentale. Plus précisément, je mets en comparaison la notion de chair telle que Merleau-Ponty la met en oeuvre dans ses textes tardifs et celle de machine telle que Guattari l’emploie depuis la fin des années 1960 jusqu’à ses derniers écrits du début des années 1990. La machine concerne le potentiel de transformation dans une configuration sociale et politique donnée, de sorte que l’ontologie qu’on peut tirer de cette notion est une pensée de la transformation. La position de la subjectivité individuelle dans ce contexte n’est pas très différente de celle que lui accorde Merleau-Ponty dans ses derniers écrits : une courbure de la chair, ou comme l’écrivent Deleuze et Guattari dans Mille plateaux à propos de l’artisan, « celui qui est déterminé à suivre un flux de matière ».Questo saggio è un secondo tentativo di avvicinare le prospettive di Merleau-Ponty e di Guattari, dopo quanto fatto in un precedente numero di Chiasmi attorno alla problematica dell’inconscio. Questa volta, tale raffronto sarà nella prospettiva di un’ontologia che superi l’eredità dualistica della metafisica occidentale. Più precisamente, intendo confrontare la nozione di carne, nel modo in cui essa prende corpo nei testi dell’ultimo Merleau-Ponty, e quella di macchina di Guattari, nella maniera in cui è caratterizzata dall’autore a partire dalla fine degli anni Sessanta fino ai suoi ultimi scritti dell’inizio degli anni Novanta. La macchina riguarda il potenziale di trasformazione in una configurazione sociale e politica data, e quindi l’ontologia che ne deriva implica un pensiero della trasformazione. In questo contesto, la posizione della soggettività individuale non è molto diversa da quella caratterizzata da Merleau-Ponty nei suoi ultimi scritti: una curvatura della carne, o, come scrivono Deleuze e Guattari in Millepiani a proposito dell’artigiano, “colui che è determinato a seguire un flusso di materia”. (shrink)