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  1. “The indestructible, the barbaric principle”: The Role of Schelling in Merleau-Ponty’s Psychoanalysis.Dylan Trigg - 2016 - Continental Philosophy Review 49 (2):203-221.
    The aim of this paper is to examine Merleau-Ponty’s idea of a “psychoanalysis of Nature”. My thesis is that in order to understand the creation of a Merleau-Pontean psychoanalysis, we need to ultimately understand the place of Schelling in Merleau-Ponty’s late thought. Through his dialogue with Schelling, Merleau-Ponty will be able to formulate not only a psychoanalysis of Nature, but also fulfil the ultimate task of phenomenology itself; namely, of identifying “what resists phenomenology—natural being, the ‘barbarous’ source Schelling spoke of” (...)
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  • Action and Agency in The Red Shoes.Paul Schofield - 2018 - Film-Philosophy 22 (3):484-500.
    In this paper, I argue that Michael Powell and Emeric Pressburger's ballet musical The Red Shoes is concerned with topics surrounding phenomenology, action, and embodied agency, and that it exploits resources that are uniquely cinematic in order to “do philosophy.” I argue that the film does philosophy in two ways. First, it explicates a phenomenological model of action and agency. Second, it addresses itself to the philosophical question of whether an individual's non-reflective movements – those that are not the result (...)
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