Gordon P. Barnes has recently argued that presence by power is inadequate as an explanation of the way elements are present in complex bodies, and that it would be better to explain the elements’ presence by claiming that simpler substances—carbon atoms, for example—are actually and substantially present in living things. In order to address his arguments, this paper begins by briefly presenting St. Thomas’s understanding of presence by power, and then argues that Barnes’s proposal—that there is a multiplicity of substantial (...) forms in one matter—is unsatisfactory. First, the paper explains why the scientific facts do not require a plurality of substantial forms. Second, it shows how Barnes’s theory does not adequately explain living things. Third, it argues against Barnes’s claim that St. Thomas’s explanation is insufficient because it denies "the universal causality of nature.". (shrink)

In this paper I consider the nature of artifacts by looking at them as essentially connected with art in the broad sense of τέχvη or ars. After discussing the natural and the artificial in the light of Aristotle’s definition of nature in Physics II.1, I discuss artifacts using Aristotle’s definition of art in Nicomachean Ethics VI.4. This approach to artifacts is able to include not only paintings, poems, and plays but also found works of art, for there are some arts, (...) such as navigation, whose making consists in finding rather than physical alteration. In addition to accommodating all the different sorts of artifacts that are produced by human making, approaching artifacts in this way implies that being an artifact does not distinguish any one kind of being. Rather, all artifacts essentially result from and thus relate to human making understood as action directed at something apart from the maker. (shrink)

In this paper I consider the nature of artifacts by looking at them as essentially connected with art in the broad sense of τέχvη or ars. After discussing the natural and the artificial in the light of Aristotle’s definition of nature in Physics II.1, I discuss artifacts using Aristotle’s definition of art in Nicomachean Ethics VI.4. This approach to artifacts is able to include not only paintings, poems, and plays but also found works of art, for there are some arts, (...) such as navigation, whose making consists in finding rather than physical alteration. In addition to accommodating all the different sorts of artifacts that are produced by human making, approaching artifacts in this way implies that being an artifact does not distinguish any one kind of being. Rather, all artifacts essentially result from and thus relate to human making understood as action directed at something apart from the maker. (shrink)

In this paper, I investigate the nature of complex bodies, especially living things. I argue that a living thing’s complexity is fundamentally different from that of a machine, so that living things are substances, while machines are not. I further argue that the best way to understand the unity and complexity of a living thing is to follow Aquinas in holding that the elements and other parts are present in wholes by their powers, rather than as substances. I show that (...) presence by power is not refuted by the discoveries of modern physics, and that it can help us understand the relations between parts and wholes in a more universal way which includes both living and non-living things. (shrink)

In this paper, I investigate the nature of complex bodies, especially living things. I argue that a living thing’s complexity is fundamentally different from that of a machine, so that living things are substances, while machines are not. I further argue that the best way to understand the unity and complexity of a living thing is to follow Aquinas in holding that the elements and other parts are present in wholes by their powers, rather than as substances. I show that (...) presence by power is not refuted by the discoveries of modern physics, and that it can help us understand the relations between parts and wholes in a more universal way which includes both living and non-living things. (shrink)

In this paper I investigate how works of fine art differ from products of craft. I argue that historical and institutional definitions are incomplete becausethey fail to explain what is common to everything we call art. I then consider the way in which Francis J. Kovach and Jacques Maritain define art. I argue thatKovach’s four-fold division fails on logical grounds. Maritain’s division, however, makes the distinction between fine and useful art a matter of degree, not a division into separate species. (...) This does reflect our use of the word art, and means that, when we call something a work of fine art, we are not designating it as part of a species. Rather we signify that it possesses a particular attribute which, in some way, belongs to every product of human making, but is more clearly present, or more attended to, in works of fine art. (shrink)

In this paper I investigate how works of fine art differ from products of craft. I argue that historical and institutional definitions are incomplete becausethey fail to explain what is common to everything we call art. I then consider the way in which Francis J. Kovach and Jacques Maritain define art. I argue thatKovach’s four-fold division fails on logical grounds. Maritain’s division, however, makes the distinction between fine and useful art a matter of degree, not a division into separate species. (...) This does reflect our use of the word art, and means that, when we call something a work of fine art, we are not designating it as part of a species. Rather we signify that it possesses a particular attribute which, in some way, belongs to every product of human making, but is more clearly present, or more attended to, in works of fine art. (shrink)

The similarity of documents in a large database of published Fractals articles was examined for redundancy. Three different text matching techniques were used on published Abstracts to identify redundancy candidates, and predictions were verified by reading full text versions of the redundancy candidate articles. A small fraction of the total articles in the database was judged to be redundant. This was viewed as a lower limit, because it excluded cases where the concepts remained the same, but the text was altered (...) substantially. Far more pervasive than redundant publications were publications that did not violate the letter of redundancy but rather violated the spirit of redundancy. There appeared to be widespread publication maximization strategies. Studies that resulted in one comprehensive paper decades ago now result in multiple papers that focus on one major problem, but are differentiated by parameter ranges, or other stratifying variables. This ‘paper inflation’ is due in large part to the increasing use of metrics (publications, patents, citations, etc) to evaluate research performance, and the researchers’ motivation to maximize the metrics. (shrink)

The similarity of documents in a large database of published Fractals articles was examined for redundancy. Three different text matching techniques were used on publisheds to identify redundancy candidates, and predictions were verified by reading full text versions of the redundancy candidate articles. A small fraction of the total articles in the database was judged to be redundant. This was viewed as a lower limit, because it excluded cases where the concepts remained the same, but the text was altered substantially.Far (...) more pervasive than redundant publications were publications that did not violate the letter of redundancy but rather violated the spirit of redundancy. There appeared to be widespread publication maximization strategies. Studies that resulted in one comprehensive paper decades ago now result in multiple papers that focus on one major problem, but are differentiated by parameter ranges, or other stratifying variables. This ‘paper inflation’ is due in large part to the increasing use of metrics (publications, patents, citations, etc) to evaluate research performance, and the researchers’ motivation to maximize the metrics. (shrink)

The similarity of documents in a large database of published Fractals articles was examined for redundancy. Three different text matching techniques were used on published Abstracts to identify redundancy candidates, and predictions were verified by reading full text versions of the redundancy candidate articles. A small fraction of the total articles in the database was judged to be redundant. This was viewed as a lower limit, because it excluded cases where the concepts remained the same, but the text was altered (...) substantially.Far more pervasive than redundant publications were publications that did not violate the letter of redundancy but rather violated the spirit of redundancy. There appeared to be widespread publication maximization strategies. Studies that resulted in one comprehensive paper decades ago now result in multiple papers that focus on one major problem, but are differentiated by parameter ranges, or other stratifying variables. This ‘paper inflation’ is due in large part to the increasing use of metrics (publications, patents, citations, etc) to evaluate research performance, and the researchers’ motivation to maximize the metrics. (shrink)

This co-edited volume compares Chinese and Western experiences of engineering, technology, and development. In doing so, it builds a bridge between the East and West and advances a dialogue in the philosophy of engineering. Divided into three parts, the book starts with studies on epistemological and ontological issues, with a special focus on engineering design, creativity, management, feasibility, and sustainability. Part II considers relationships between the history and philosophy of engineering, and includes a general argument for the necessity of dialogue (...) between history and philosophy. It continues with a general introduction to traditional Chinese attitudes toward engineering and technology, and philosophical case studies of the Chinese steel industry, railroads, and cybernetics in the Soviet Union. Part III focuses on engineering, ethics, and society, with chapters on engineering education and practice in China and the West. The book’s analyses of the interactions of science, engineering, ethics, politics, and policy in different societal contexts are of special interest. The volume as a whole marks a new stage in the emergence of the philosophy of engineering as a new regionalization of philosophy. This carefully edited interdisciplinary volume grew out of an international conference on the philosophy of engineering hosted by the University of the Chinese Academy of Sciences in Beijing. It includes 30 contributions by leading philosophers, social scientists, and engineers from Australia, China, Europe, and the United States. (shrink)

This collection of essays by one of the most prominent and internationally respected philosophers of action theory is concerned with deepening our understanding of the notion of intention. In Bratman's view, when we settle on a plan for action we are committing ourselves to future conduct in ways that help support important forms of coordination and organization both within the life of the agent and interpersonally. These essays enrich that account of commitment involved in intending, and explore its implications for (...) our understanding of temptation and self-control, shared intention and shared cooperative activity, and moral responsibility. The essays offer extensive discussions of related views by, among others, Donald Davidson, Hector-Neri Castañeda, Christine Korsgaard, Harry Frankfurt, and P. F. Strawson. This collection will be a valuable resource for a wide range of philosophers and their students. (shrink)

The following paper offers a study on how contestation over the meaning of language forged the political ideology present in the second of the Epistulae ad Caesarem. ‘Ideology’ being a notoriously malleable concept, Michael Freeden’s theoretical approach is used to focus what it means, how it is manifested in the sources, and how it can be located and analysed. The political thought of the Late Republic is studied by examining the vocabulary contained in one of the disputed letters that (...) Sallust addressed to Julius Caesar. Taking libertas as a case study of an ‘essentially contested concept’, the relation between language, meaning and ideology is dissected, outlining the morphological configuration that underlies the second Epistula. It is argued that the resulting array of political arguments is one iteration of what has been called popularis ideology. (shrink)

Deliberate contextual vocabulary acquisition (CVA) is a reader’s ability to figure out a (not the) meaning for an unknown word from its “context”, without external sources of help such as dictionaries or people. The appropriate context for such CVA is the “belief-revised integration” of the reader’s prior knowledge with the reader’s “internalization” of the text. We discuss unwarranted assumptions behind some classic objections to CVA, and present and defend a computational theory of CVA that we have adapted to a new (...) classroom curriculum designed to help students use CVA to improve their reading comprehension. (shrink)

Troades has often been thought to lack any coherent structure, and this has been variously attributed to its being the last play of the trilogy and to Euripides' overriding concern to impress the horrors of war upon his fellow Athenians. More recently, however, attention has been drawn to how the constant presence of Hecuba gives unity to the play and to how it is articulated by the striking entries of Cassandra, Andromache, and Helen. Cassandra and Andromache enter in mock triumph, (...) Cassandra waving torches in her ironical wedding song and Andromache on a waggon, while Helen is dragged out by force and her scene marked off by Menelaus' second prologue. All three women emerge from the tent, argue with Hecuba but fail to convince her, and depart for marriage in Greece. Andromache's ideal marriage to Hector contrasts with Cassandra's perverted ‘marriage’ to Agamemnon and with Helen's destructive marriage to Paris. The departure of the Trojan women for marriage in Greece balances Helen's earlier departure from Greece for marriage in Troy. (shrink)

This paper criticizes act-object accounts of experience and defends a version of the adverbial theory that is based on the assumption that sensory experiences always have propositional contents—in the sense that they do not represent bare individuals and properties, but whole states of affairs.

The Archaeology of the Soul is a testimony to the extraordinary scope of Seth Benardete's thought. Some essays concern particular authors or texts; others range more broadly and are thematic. Some deal explicitly with philosophy; others deal with epic, lyric, and tragic poetry. Some of these authors are Greek, some Roman, and still others are contemporaries writing about antiquity. All of these essays, however, are informed by an underlying vision, which is a reflection of Benardete's life-long engagement with one thinker (...) in particular -Plato. The Platonic dialogue presented Benardete with the most vivid case of that periagoge, or turn-around, that he found to be the sign of all philosophic thinking and that is the signature as well of his own interpretations not only of Plato but also of other thinkers. The core of The Archaeology of the Soul consists of a set of essays Benardete produced in his last years; the collection provides at the same time an entry into that world through some of Benardete's earliest articles on Plato and on Greek poetry. Benardete's earlier path of close textual analysis always reflected his intimate philosophic dialogue with the thinker in whose work he was immersed; later, he drew on resources of erudition acquired over a lifetime to present a broader picture, on a theme like the dialectics of eros or freedom and necessity. In his late work Benardete was not only engaged in putting together in more general form material he had worked out earlier; he was still on the trail of new discoveries, above all, by extending his Platonic understanding of philosophy to pre- and post-Platonic thinkers. He had become increasingly aware that the discovery of philosophy through the "Socratic turn" was really the rediscovery of an understanding already present in some form in the Greek poets and that awareness guided his last years of study of the pre-Socratic philosophers. According to the standard view of the history of Greek philosophy, the Socratic turn, with its focus on "the human things," marks a point of radical change in philosophy's history. Benardete's late studies led him to the conclusion that the kind of pivotal reorientation thought to be Socratic is in fact the mark of what it means to think philosophically, and Heraclitus or Parmenides is a genuine philosophic thinker precisely to the extent that a Socratic turn can be found in some form within his own thought. At the same time that he was pursuing a track backward, from Plato to the poets and pre-Socratic philosophers, Benardete was also proceeding on a forward path, from Plato to the Latin writers, who adopt the Platonic way of thinking with full understanding of what it means to be "post-Platonic." As the essays collected in this volume demonstrate, the Platonic notion of a "second sailing" gave Benardete a key to the relation between Greek and Latin thought - and with that to a comprehensive under-standing of antiquity-as it did to the relation between poetry and philosophy as such. Ronna Burger teaches philosophy at Tulane University; she is the author of The Phaedo: A Platonic Labyrinth from St. Augustine's Press and Aristotle's Dialogue with Socrates: On the Nicomachean Ethics. Michael Davis teaches philosophy at Sarah Lawrence College; he authored Wonderlust: Ruminations on Liberal Education, The Poetry of Philosophy: On Aristotle's Poetics and, with Seth Benardete, translated Aristotle - On Poetics, both from St. Augustine's Press. Burger and Davis collaborated on editing Seth Benardete's Achilles and Hector: The Homeric Hero. (shrink)

Die Poesie ist für Hegel die Endform der Kunst, in der die Kunst im Allgemeinen durch die Religion überwunden wird. Die These, dass die Poesie den anderen Künsten, d.h. der Architektur, der Skulptur, der Malerei und der Musik, überlegen ist, spricht von einer besonderen Hierarchisierung und Periodisierung, die Hegel zwischen die verschiedenen Kunstformen einführt. Das Kriterium für diese Hierarchisierung und Periodisierung ist offensichtlich das gleiche, nach dem Hegel die Kunst wiederum als eine der Religion und der Philosophie unterlegene Form betrachtet. (...) Dass die Poesie eine den anderen Künsten überlegene Kunstform ist, ist auf den ersten Blick eine überraschende These; und sie wirkt noch überraschender, wenn man sie durch die These ergänzt, dass die Kunst wiederum durch die Religion und die Philosophie als weitere Phasen eines linearen Prozesses aufgehoben wird. Um was für einen linearen Prozess handelt es sich hier eigentlich? Ein linearer Prozess wohin? Der Prozess, von dem Hegel in diesem Kontext spricht, ist ein Erkenntnisprozess, und zwar ein ziemlich spezifischer Erkenntnisprozess, nämlich Erkenntnis des Absoluten. Die Poesiegattung, die für Hegel die Endphase der Kunst ausmacht, ist das moderne Drama, in dessen Zentrum die Darstellung des Charakters und der Handlungen seiner verschiedenen Gestalten steht. Was hat das alles aber mit dem Absoluten zu tun? Was haben das Drama und seine Subgattungen - der Tragödie, der Komödie, der Satire usw. - mit Religion und Philosophie zu tun? Hegel verbindet außerdem die Kunst mit dem Absoluten als eine Erkenntnisform desselben. Aber in welchem Sinne ist die Kunst Erkenntnis? Ist Kunst nicht eher Darstellung und Ausdruck subjektiver Gefühle und Ideen - und eben nicht ein Erfassen der Realität, eben nicht eine Erkenntnisform der Wirklichkeit? Um den allgemeinen Sinn von Hegels Ästhetik und dadurch die besondere Rolle, die er darin der Poesie zuschreibt, verstehen zu können, ist es unentbehrlich, die oben gestellten Fragen zu beantworten. Ein theoretisches und exegetisches Modell zu liefern, das imstande ist, eine solche Aufgabe zu erfüllen, ist das Ziel dieses Beitrags. (shrink)

La exterioridad de una cosa o de un estado de cosas configurados por el ser humano no implica para Hegel que esa cosa o ese estado de cosas deban ya por ello ser considerados como formas del espíritu objetivo, mientras que en contrapartida las formas del espíritu absoluto estarían entonces conformadas por contenidos ideales del pensamiento. La diferencia entre espíritu objetivo y espíritu absoluto no radica en la diferencia entre lo que el espíritu humano “hace” y lo que “conoce”. En (...) efecto, las obras de arte, es decir, configuraciones exteriores hechas por el ser humano utilizando, por ejemplo, piedras, metales, colores o sonidos, son para Hegel instancias del espíritu absoluto, mientras que, por su parte, realidades que en cuanto tales no son intuibles, como, por ejemplo, los contratos o la organización estatal, son instancias del espíritu objetivo. Que Hegel considere al arte como una forma del espíritu absoluto pone de manifiesto que, a sus ojos, las cosas que intuimos en el universo son, en rigor, productos del propio sujeto que las conoce. Espontáneamente el sujeto cognoscente piensa que lo que intuye es algo que recibe desde un mundo externo; sostener que el arte es una forma de conocimiento es justamente el modo como Hegel está expresando que lo intuido es en todos los casos un contenido producido por el propio espíritu, que es, por así decirlo, una obra de arte humano. En el arte mismo, sin embargo, la producción de la cosa intuible es insuficiente, dado que el material que el espíritu utiliza para sus configuraciones conserva en mayor o menor medida, según el caso, una determinidad propia que resiste a la determinidad que el espíritu busca conferirle. Por esta razón, las obras de arte se presentan inicialmente como productos arbitrarios. Recién cuando integra sus intuiciones en la actividad de comprensión -actividad cognitiva con la que opera la filosofía- y media con ello completamente la determinidad de los contenidos intuidos, el espíritu configura finalmente un universo que le es propio y específico. El objetivo de mi ponencia es reconstruir desde el marco teórico recién expuesto el sentido y función que Hegel le atribuye al arte en su teoría del conocimiento. (shrink)

According to the received account of guilt in the philosophical literature, one cannot feel guilt unless one takes oneself to have done something morally wrong. But ordinary people feel guilt in many cases in which they do not take themselves to have done anything morally wrong. In this paper, I focus on one kind of guilt without perceived wrongdoing, guilt about being merely causally responsible for a bad state-of-affairs. I go on to present a novel account of guilt that explains (...) guilt about mere causal responsibility, according to which guilt represents part of the self as bound up with what is bad. (shrink)

The fact that Gilbert Ryle and J.L. Austin seem to disagree about the ordinary use of words such as ‘voluntary’, ‘involuntary’, ‘voluntarily’, and ‘involuntarily’ has been taken to cast doubt on the methods of ordinary language philosophy. As Benson Mates puts the worry, ‘if agreement about usage cannot be reached within so restricted a sample as the class of Oxford Professors of Philosophy, what are the prospects when the sample is enlarged?’ (Mates, Inquiry 1:161–171, 1958, p. 165). In this chapter, (...) we evaluate Mates’s criticism alongside Ryle’s and Austin’s specific claims about the ordinary use of these words, assessing these claims against actual examples of ordinary use drawn from the British National Corpus (BNC). Our evaluation consists in applying a combination of methods: first aggregating judgments about a large set of samples drawn from the corpus, and then using a clustering algorithm to uncover connections between different types of use. In applying these methods, we show where and to what extent Ryle’s and Austin’s accounts of the use of the target terms are accurate as well as where they miss important aspects of ordinary use, and we demonstrate the usefulness of this new combination of methods. At the heart of our approach is a commitment to the idea that systematically looking at actual uses of expressions is an essential component of any approach to ordinary language philosophy. (shrink)

Our aim in this paper is to present the distinct ways in which Wolff, Baumgarten, and Kant understand the relationship between necessitation, constraint, and reluctant action in an effort to illustrate the subtle ways in which their conceptions of obligation differ from each another. Whereas Wolff conceives of natural or moral obligation as incompatible with constraint, Baumgarten holds that constraint and reluctant action are, in some instances, compatible with natural obligation. Kant departs from Baumgarten by conceiving of obligation as necessarily (...) involving constraint: as Kant’s reply to Schiller’s famous objection reveals, obligation must take on the character of constraint to reluctant action on account of the fact that human beings possess inclinations that always threaten to impel them in directions that oppose morality. (shrink)

What is the relation between small-scale collaborative plans and the execution of those plans within interactive contexts? I argue here that joint attention has a key role in explaining how shared plans and shared intentions are executed in interactive contexts. Within singular action, attention plays the functional role of enabling intentional action to be guided by a prior intention. Within interactive joint action, it is joint attention, I argue, that plays a similar functional role of enabling the agents to act (...) in a collaborative way such that their actions are rationally guided by a prior shared intention. This understanding of joint attention – as having a key functional role of enabling the rational guidance of joint intentional action by a prior shared intention – allows for an alternative understanding of the kind of minimal cooperation that infants can engage in. On this understanding, infants’ capacity to engage in joint actions is already an incipient capacity to engage in rational and intentional joint actions, albeit a capacity that is necessarily scaffolded by an adult rational co-partner. (shrink)

An Essay on Human Action seeks to provide a comprehensive, detailed, enlightening, and (in its detail) original account of human action. This account presupposes a theory of events as abstract, proposition-like entities, a theory which is given in the first chapter of the book. The core-issues of action-theory are then treated: what acting in general is (a version of the traditional volitional theory is proposed and defended); how actions are to be individuated; how long actions last; what acting intentionally is; (...) what doing one thing by doing another is; what basic action is; and what omitting to do something is. Attention is also given to the concepts of causation, intention, volition, deciding, choosing, and trying. Finally, a libertarian account of free action is tentatively proposed and defended. (shrink)

Inter-organizational models are both a well-documented phenomena and a well-established domain in management and business ethics. Those models rest on collaborative capabilities. However, mainstream theories and practices aimed at developing these capabilities are based on a narrow set of assumptions and ethical principles about human nature and relationships, which constrain the very development of capabilities sought by them. This article presents an Aristotelic–Thomistic approach to collaborative entrepreneurship within and across communities of firms operating in complementary markets. Adopting a scholarship of (...) integration approach and evaluating the six studies of communities of organizations, we contribute an inter-organizational network model based on the assumptions about human motives and choice offered by Aristotle. We argue that the sustainability of inter-organizational communities depends on how rich is the set of assumptions about human nature upon which they are based. In order to develop and sustain collaborative capabilities in inter-organizational communities, a set of assumptions that takes both self-regarding and others’-regarding preferences as ends is required to avoid any kind of instrumentalization of collaboration, which is an end in itself. Implications for theory and practice are discussed. (shrink)

This study explores the efficacy of a specific tool – the articulation of the ideal self – in job engagement, psychological well-being, and organizational citizenship behavior. We hypothesized that employees who can visualize their jobs as part of their ideal self – in particular how it helps in its development and realization – would feel higher levels of engagement and fulfillment in their lives, as well as engage in greater amounts of helping and voice OCB. A total of 239 full (...) time employees from five companies in Costa Rica filled out the ideal self questionnaire, the job engagement, and psychological well-being surveys, and were evaluated by their peers on task behavior and helping and voice OCB. Results of the SEM model showed that the ideal self was positively related to job engagement, psychological well-being and helping and voice. These findings contribute to the research on the impact and importance for organizations to help employees find meaningfulness in their work. (shrink)

Em uma famosa passagem de suas Institutas, o jurista romano Gaio dividiu o direito privado em duas partes: o direito civil e o direito dos povos. O primeiro é o direito criado pelo povo romano enquanto o segundo é o direito seguido por todas as nações. A despeito de sua origem clássica, os especialistas discordam acerca do modo de interpretar essa tese. No início do século XX, historiadores como Michel Villey viram na distinção sinais da influência da filosofia grega entre (...) os juristas romanos. Posteriormente Levy e mais recentemente Kelly contestaram essa afirmação e defenderam que filósofos e juristas possuíam, no período clássico, noções de natureza e direito natural completamente distintas. O objetivo desse artigo não está em provar a exata influência da filosofia grega entre os juristas, mas apenas em sugerir que não é possível fornecer uma interpretação dos textos clássicos sem atribuir a eles uma concepção teórica do direito natural. (shrink)

A Computable Universe is a collection of papers discussing computation in nature and the nature of computation, a compilation of the views of the pioneers in the contemporary area of intellectual inquiry focused on computational and informational theories of the world. This volume is the definitive source of informational/computational views of the world, and of cutting-edge models of the universe, both digital and quantum, discussed from a philosophical perspective as well as in the greatest technical detail. The book discusses the (...) foundations of computation in relation to nature. It focuses on two main questions: What is computation? How does nature compute? The contributors are world-renowned experts who have helped shape a cutting-edge computational understanding of the universe. They discuss computation in the world from a variety of perspectives, ranging from foundational concepts to pragmatic models to ontological conceptions and their philosophical implications. The volume provides a state-of-the-art collection of technical papers and non-technical essays representing a field that takes information and computation to be key to understanding and explaining the basic structure underpinning physical reality. It also includes a new edition of Konrad Zuse's "Calculating Space", and a panel discussion transcription on the topic, featuring worldwide experts (including a Nobel prize) in quantum mechanics, physics, cognition, computation and algorithmic complexity.A Computable Universe is a collection of papers discussing computation in nature and the nature of computation, a compilation of the views of the pioneers in the contemporary area of intellectual inquiry focused on computational and informational theories of the world. This volume is the definitive source of informational/computational views of the world, and of cutting-edge models of the universe, both digital and quantum, discussed from a philosophical perspective as well as in the greatest technical detail. The book discusses the foundations of computation in relation to nature. It focuses on two main questions: What is computation? How does nature compute? The contributors are world-renowned experts who have helped shape a cutting-edge computational understanding of the universe. They discuss computation in the world from a variety of perspectives, ranging from foundational concepts to pragmatic models to ontological conceptions and their philosophical implications. The volume provides a state-of-the-art collection of technical papers and non-technical essays representing a field that takes information and computation to be key to understanding and explaining the basic structure underpinning physical reality. It also includes a new edition of Konrad Zuse's "Calculating Space", and a panel discussion transcription on the topic, featuring worldwide experts (including a Nobel prize) in quantum mechanics, physics, cognition, computation and algorithmic complexity. (shrink)