How Moore’s open question argument works, insofar as it does, remains a matter of controversy. My purpose here is to construct an open question argument based on a novel interpretation of how Moore’s argument might work. In order to sidestep exegetical questions, I do not claim here to be offering Moore’s own argument. Rather, I offer a reconstruction making use of important elements of Moore’s methodology and assumptions that could be reasonable within a Moorean viewpoint. The crucial role within the (...) argument is played by what I call the real thought move. I show that the reconstructed argument is more defensible from some standard objections than the common construction. I finish by drawing attention to a neglected objective that would make sense within Moore’s viewpoint, showing that it fits with a major commitment of Bonjour’s moderate rationalism, and show how the package might be important for the non-naturalist today. (shrink)

I argue in this paper that the attempt by Michael Hardt and Antonio Negri in Empire and Multitude to “theorize empire” should be read both against the backdrop of speculative philosophy of history and as a development of the conception of a “principle of intelligibility” as this is discussed in Michel Foucault’s recently published courses at the Collège de France. I also argue that Foucault’s work in these courses can be read as implicitly providing what I call “prolegomena to any (...) future speculative philosophy of history.” I define the latter as concerned with the intelligibility of the historical process considered as a whole. I further suggest, through a brief discussion of the classical figures of Kant, Hegel, and Marx, that the basic features of speculative philosophy of history concern the articulation of both the telos and dynamics of history. My claim is that Hardt and Negri provide an account of the telos and dynamics of history that respects the strictures imposed on speculative philosophy of history by Foucault’s work, and thus can be considered as providing a post-Foucauldian speculative philosophy of history. In doing so, they provide a challenge to other “theoretical” attempts to account for our changing world. (shrink)

Foucault’s work is rich enough to sustain multiple readings. I argue in this paper for the continued construction and maintenance of what I have called the ‘American Foucault’, whose principal preoccupation is with the question of how to be free within our contemporary political constraints and possibilities. (Such a Foucault can be found in the works of American writers such as W. E. Connolly, Todd May, and Thomas Dumm.) Appreciation of Foucault’s contribution to an understanding of freedom is too often (...) hampered, however, by the insistence on the part of many of the most influential of Foucault’s critics (and some of his defenders) that his particular mode of thinking is ultimately too irresponsible. It is thought that Foucault’s refusal to account for the grounds of his work vitiates his overall project. I argue that, if we distinguish between the ‘account-ability’ demanded by his critics and the ‘response-ability’ that his work permits, we will be in a better position to appreciate the timeliness of his conception of freedom. (shrink)

This paper reflects on Virtue as a key concept at the source of the common, and still prevalent, classification of drawings as bad or good, which shifted from the moral or Ethical to the Aesthetics domain between 1400 and 1600. It is suggested that clarity and control were characteristics of goodness in a particular period, while fastness and chance were characteristics of goodness in subsequent times, yet both revealing the projections of the ethical over the aesthetic.

The most recent studies concerning the compositional structure of Seneca's dialogues all agree in stating that its basic organization is due to rhetorical criteria. From this perspective, the article analyzes the general nature of refutation in Consolatio ad Helviam matrem as well as different passages from the dialogue, traditionally considered to be digressions, in order to establish its functionality. We can see from this that the apparently deliberative tenor of the Consolation is endowed with judicial and epideictic elements, and can (...) thus clarify its compositional sequence and lines of thought. (shrink)

This work considers the novelty of Neoplatonism against platonic philosophy, characterising the former by three principie points: the monopolaristic conception, the One which is productive (a self difftisive One-Good) remaining as indefinable or ineffable and its consequences and implications. Plotino's metaphysics, therefore, finds itself before a new problem, not put by Plato: to give reason of the One, and with this, of the production of the many from the One, and in its resolution he introduces an irreductable novelty into not (...) only the platonic categories, but also into Greek thought (as the idea of positive infinitude). (shrink)

Este artículo examina el significado del desarrollo humano integral propugnado por Benedicto XVI en Caritas in veritate, destacando su continuidad con Populorum progressio y, en general, con el magisterio social precedente. Tras dar razón del vínculo existente entre la economía, la ética y la antropología, el autor trata de espigar las principales orientaciones ético-económicas que han sido propuestas en esa última encíclica social con vistas a un tal desarrollo, articulándolas a partir de dos concepciones antropológicas de honda raigambre en la (...) doctrina social de la Iglesia, a saber, la dignidad humana y el personalismo comunitario.Comenta, finalmente, la relevancia económica de la antropología cristiana y su potencial crítico frente al homo oeconomicus, así como la capacidad de interlocución con diversas corrientes de pensamiento contemporáneas que dicha antropología proporciona a la doctrina social de la Iglesia.This article examines the meaning of the human, complete development defended by Benedict XVI in Caritas in veritate, emphasizing its continuity with Populorum progessio and with the previous social teaching in general. After stating the existing link between economy, ethics and anthropology, the author tries to select the main ethic-economic orientations proposed in that last social encyclical in relation to a such development, and structures them beginning with two anthropological conceptions deep-rooted in the social doctrine of the church, that is, human dignity and personalism of the community. Finally, the article comments on the economic importance of Christian anthropology and its critical potential against the homo oeconomicus, as well as the capacity of being an interlocutor with several contemporary trends of thought that anthropology provides the social doctrine of the church with. (shrink)

s work is rich enough to sustain multiple readings. I argue in this paper for the continued construction and maintenance of what I have called the ‘American Foucault’, whose principal preoccupation is with the question of how to be free within our contemporary political constraints and possibilities. (Such a Foucault can be found in the works of American writers such as W. E. Connolly, Todd May, and Thomas Dumm.) Appreciation of Foucault’s contribution to an understanding of freedom is too often (...) hampered, however, by the insistence on the part of many of the most influential of Foucault’s critics (and some of his defenders) that his particular mode of thinking is ultimately too irresponsible . It is thought that Foucault’s refusal to account for the grounds of his work vitiates his overall project. I argue that, if we distinguish between the ‘account-ability’ demanded by his critics and the ‘response-ability’ that his work permits, we will be in a better position to appreciate the timeliness of his conception of freedom. Key Words: accountability • critique • Foucault • freedom • genealogy • responsibility • theory. (shrink)

The experiments of quantum physics indicate that an electron will change its behavior/ reality depending on whether or not the electron is being observed as if the particle is aware that it is being observed. The reality thus is presumed to be, or only to be thought of as a scenario that can be altered, changed, or imagined differently depending on the observer or the screenwriter. Our historical development made us think that the reality has as many facets as (...) we want it to have, and none is more real than the other, as long there is a self-conscious being aware of it even if it has more accuracy or it stands on more evidence or arguments each proponent can bring into it. Therefore, a world full of unseen creatures that moves and determines a child’s life is not less authentic than one full of invisible particles making the world running and moving for a scientist. Each has its proofs, trials, ways of probation, so it is entirely entitled to be considered ‘real.’ However, what happens when concurrent theories over the same circumstance pronounce several valid testimonies? Do we have to pronounce either their validity based on the evidence brought by their proponents or should we consider only one of them? On what grounds can we make either these selections? It would be wrong to say that the reality is, in fact, the construct of a multitude of layers, each with different consistency and evidence, each real and provable, therefore each entitled to be called ‘reality’? Hence, consciousness can change reality just by being aware of it. In this context, we will also take into account the story of creation and see how it fits in this context. (shrink)

ALTHOUGH hailed as a sign of a thaw in the cold war between Anglo-American and continental philosophy, Richard Rorty's beguiling appropriation of the thought of Heidegger in his recent writings has produced no small measure of confusion. How seriously, one wonders, has Rorty moved towards Heidegger? Or contrariwise, just how close does Heidegger come to saying the sorts of things Rorty does? Is Rorty just trying to shock the Anglo-American community by invoking the name of Heidegger? Is he being (...) intentionally outrageous in order to draw attention to what he takes to be the more sober part of his argument? Is there only a grain of truth to this assimilation of Heidegger, while the real positions of the two thinkers are vastly different? (shrink)

This article is firstly an investigation of traditional Christian thought about the world with the purpose of establishing whether Christianity’s three main confessions share similar concerns about the current situation of nature. Secondly, the investigation is followed by a comparison between the common features of these three confessional theologies and similar patterns of thought in the secular world, with the intention of finding ecological issues that are common not only to the three confessional theologies but also to secular (...) philosophies. Thirdly, the initial investigation of Christianity’s three main confessional theologies, followed by the comparison between these confessional theologies and secular philosophies of nature, is completed by the concrete proposal that, in order for contemporary ecological issues to be met with viable solutions, a common public attitude about nature, which goes beyond confessional theologies and secular philosophies, needs to be pursued globally in an ecodomic manner.Contribution: Despite the numerous theories about concrete ways to improve the current state of nature, this article is an attempt to go a step beyond the established theological and philosophical perspectives on the world towards a constructive public attitude which is meant to be characterised by the real possibility of immediate action. (shrink)

It is widely accepted that embodiment is crucial for any self-aware agent. What is less obvious is whether the body has to be real, or whether a virtual body will do. In that case the notion of embodiment would be so attenuated as to be almost indistinguishable from disembodiment. In this article I concentrate on the notion of embodiment in human agents. Could we be disembodied, having no real body, as brains-in-a-vat with only a virtual body? Thought (...) experiments alone will not suffice to answer this Cartesian question. I will draw on both philosophical arguments and empirical data on phantom phenomena. My argument will proceed in three steps. Firstly I will show that phantom phenomena provide a prima facie argument that real embodiment is not necessary for a human being. Secondly I will give a philosophical argument that real movement must precede the intention to move and to act. Agents must at least have had real bodies once. Empirical data seems to bear this out. Finally, however, I will show that a small number of aplasic phantom phenomena undermines this last argument. Most people must have had a real body. But for some people a partly virtual, unreal, phantom body seems to suffice. Yet though there is thus no knockdown argument that we could not be brains-in-a-vat, we still have good reasons to suppose that embodiment must be real, and not virtual. (shrink)

Bruno Snell has made familiar a certain thesis about the Homeric poems, to the effect that these poems depict a primitive form of mindedness. The area of mindedness concerned is agency, and the content of the thesis is that Homeric agents are not agents in the fullest sense: they do not make choices in clear self-awareness of what they are doing; choices are made for them rather than by them; in some cases the instigators of action are gods, in other (...) cases they are forces acting internally on the agent and over which he has no control. Homeric heroes act in the way Descartes thought an animal acts: agitur, non agit. Such agents ‘handeln nicht eigentlich , sondern sie reagieren’. The model of the agent which we nowadays have is roughly of a self which determines, rather than is determined to, action; the self arrives at this determination by considering available reasons for action in the light of its overall purposes, and it moves to action in full self-consciousness of what it is doing, and why. This model of action, Snell claims, is not met in Greek literature before the tragedians. I think anyone ought to concede that there is some difference between the way Homer portrays decision-making and the way it is portrayed in tragedy ; but has Snell located the difference in the right place? I shall argue in this paper that he has not. (shrink)

Bruno Snell has made familiar a certain thesis about the Homeric poems, to the effect that these poems depict a primitive form of mindedness. The area of mindedness concerned is agency, and the content of the thesis is that Homeric agents are not agents in the fullest sense: they do not make choices in clear self-awareness of what they are doing; choices are made for them rather than by them; in some cases the instigators of action are gods, in other (...) cases they are forces acting internally on the agent and over which he has no control. Homeric heroes act in the way Descartes thought an animal acts: agitur, non agit. Such agents ‘handeln nicht eigentlich, sondern sie reagieren’. The model of the agent which we nowadays have is roughly of a self which determines, rather than is determined to, action; the self arrives at this determination by considering available reasons for action in the light of its overall purposes, and it moves to action in full self-consciousness of what it is doing, and why. This model of action, Snell claims, is not met in Greek literature before the tragedians. I think anyone ought to concede that there is some difference between the way Homer portrays decision-making and the way it is portrayed in tragedy ; but has Snell located the difference in the right place? I shall argue in this paper that he has not. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Plato's Doctrine of the Psyche as a Self-Moving Motion RAPHAEL DEMOS I WILLXSXTHEREADERto ignore for the time being what he has gleaned about the soul from the reading of the Phaedo and the Republic. In these dialogues Plato speaks of the soul sometimes as wholly rational, as having three parts, and so forth. But in these dialogues he is t~lklng of the human soul, which is a special case, (...) whereas in this essay I am de~Hng with the wider role and the concept of the soul as the efficient cause of motion, change, and all becoming everywhere in the cosmos. My cardinal texts in this exposition are the Sophist (246a-249d), the Phaedrus (245c, d), and a considerable portion of Laws, X. Consider the Phaedo, a dialogue with at least four motifs: it is a dramatic evocation of the last day in the life of Socrates, it is an argument for the immortality of the soul and for the reality of the world of ideas, it is a myth of the nether world, and finally, it is a theory of the cosmos as ruled by purpose--all in all, one of the great pieces of literature of the Western world. For the reader, it is an evocation of an attitude to life, based on Plato's conception of the soul--an attitude expressed in the famous phrase that the wise man spends his life meditating on death. As contrasted with what may be called his existential concern with the soul, in the other dialogues on which I will comment, Plato approaches the topic of the soul as part of his explanation of the cosmos. In these his attitude is objective and quasi-scientific. It is to this side of Plato's thought that I wish to call attention in this essay, where the establishment of the immortality of the soul is incidental to the more basic doctrine that the soul is an arche, a primary factor and an ontological principle. In the,Sophist, we find Plato playing the music of his philosophy in a new key. He refers to the "friends of the forms" as though he, himself, were an outsider looking in; then, too, he asserts that motion is really real in contrast to his derogatory references to motion in the Cratylus, the Phaedo, and the Republic.I In these (and other) dialogues, Plato contrasts change and changing things with the timeless forms in respect of reality: the former are said, at best, to be semi-real; only the latter are really real. But in the Sophist he changes his tune, arguing that total reality (~o ~v, to' ~a~rE~ By) includes both motion and rest (248e 8; 249d 3-4). What does he mean by these two words? That by 'rest' he means the realm of ideas is indicated (if not proved) by his references to the forms in the same context (247b 1But in the Theaeteius,he classifiesmotions in a semi-scientific fashion, leaving the impression on the reader that he regards motion as a reality. [133] 134 HISTORY OF PHILOSOPHY 1-2; 249b, 10, c 1).2 As for motion, Plato makes it clear that the term covers not only (a) physical motion but also (b) life, (c) psyche, and (d) phronesis or naus (249b 5). All these are said to be forms of kinesis; how this is so--how life, soul, mason may be described as motions or changes--is a matter for later comment. What is more to the point is Plato's insistence that motion and what is moved are onta (beings, 249b 2, d 3). Plato uses change (metabol$) interchangeably with kinesis; anticipating the Phaedrus, I will include activity under change. And anticipating the Laws, I will characterize some of this activity as mental; indeed the Sophist, includes within change nous, phronesis, and episteme; that is to say, understanding (in the sense of an activity, 249a, b, c).s Plato offers various reasons in support of his contention that change is real. He may also be offering a special demonstration as follows. The philosopher who denies that change is real is engaged in a mental activity, in short... (shrink)

The bases of tenets of the World came from the East; Pythagoras learnt all there up the 26 years. At a home, the east ideas where took in no; then he bound the mathematics with the elements of matter. This was the best way to a blood feud of the all Humanity. The 17th age gave the bases of mathematics and the Greek atomism; this had led to the paranoia in all sciences. The LCE was brought in 19th age with (...) bases no; really it was the box of Pandora in the form of wrong sciences of the Nature. The wise revenge of Pythagoras was in the form of riddle for the best thinkers in the World in all times; us solved one in the 50th years. A base of the World is of the material space (MS) with praatoms (PAs) Ao; they are of the affinity to matter. A density of the MS is of ~ 5.10‐6 kg/m3 close to the Ears. PA Ao is of quant of matter and antimatter; they are of rotate in the different sides. All matter takes up Ao and to grow. In the giant stars to go the bursts giving Ao, or caloric. The matter of being in the World on base of the key law of conservation of heat (caloric) and matter by loss of energy; it is main. Leibniz offered to the conservation of mv2 in the World. But Newton knew that any move is damped, and it need in filled up. This the author proved by tests over the 300 years just. D.Bernoulli given to the model of gas. I. Kant proved that mv2 is the quantity of heat by stop of the body; it is no the energy! A key leitmotiv of thought is blocked the grasp of facts if ones not leaded to an accepted concept. P. Mayer had the blunder in base of the LCE; a work of gas expansion in Torricelli tube is equal nil strong! This is the gross blunder of a sick paranoiac! The 21 age gave up a new philosophy and a way to endless engine. The super skills from ideal quartz with moving jaws to respond to the all new philosophy and sciences. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:36. HUME'S SECOND THOUGHTS ON THE SELF* 1_. Although the appendix in which Hume confesses disillusionment with the Treatise theory of personal identity is very puzzling and confusing, there have been few serious attempts to explicate it. Wade L. Robison's recent paper, "Hume on Personal Identity," goes a long way toward making up for this lack, and I concur with much of what Robison says. Nonetheless, I think further (...) light can be shed on Hume's thinking, and I will attempt to do so in what follows. 1_. Hume reports that a review of his discussion of personal identity reveals problems so severe and difficult that he does not "know how to correct my former opinions, nor how to render them consistent." After summarizing the arguments that led him to the Treatise view of personal identity, he offers this explanation of the discovery inconsistency : In short, there are two principles which I cannot render consistent, nor is it in my power to renounce either of them, vis. that all our distinct perceptions are distinct existences, and that the mind never perceives any real connection among distinct existences. (636)¿ The trouble with this explanation is that there appears to be no inconsistency at all between these two principles. Many commentators have simply passed over this fact, perhaps because Hume's theory of self-identity has seemed so preposterous that they have felt it obvious that he would be unhappy with it. * This paper grew out of my contribution to a colloquium at the 1974 Eastern Division Meeting of the American Philosophical Association. I would like to express my thanks to Norman Melchert, whose paper stimulated my werk on this topic. 37. Others -- such as Norman Kemp Smith and John Passmore, in addition to Robison -- have claimed that Hume was incorrect in placing the inconsistency and have suggested more suitable candidates for the source of Hume's doubts. This failure to take the author at his word about what disturbed him may appear too presumptuous a move for a commentator to make, but the appendix provides strong evidence that Hume was quite confused and could easily have misstated or misidentified his problem. For example, Hume begins by saying that he will offer the arguments "on both sides" -- that is, the arguments that led him to adopt this theory of personal identity and those now causing him to doubt it. In fact, however, while he gives a neat summary of the arguments for the Treatise theory, he says nothing about the grounds for his new doubts. In addition, the statement of the two principles is introduced by the words "in short," as if Hume were providing a mere summary of what he had just said. The preceding passage, however, makes no mention of and is in no way concerned with the two principles. What is offered as a summary is no summary at all. Added to the apparent consistency of the two principles, these facts provide strong grounds for thinking Hume was quite confused. As such, they support those commentators who have felt forced to look elsewhere for the source of Hume's dissatisfaction. Robison' s most concise statements of his own interpretation of the problem are as follows: Hume's explanation of why we think we have an idea of the self depends upon there being a self... But he has argued that we can have no idea of such a self so that we cannot conceive it as existing, let alone guarantee its existence. (190)...we all think we have an idea of the self... Hume has to explain this fact, and...the sort of explanation he used appeals to the existence of an active self distinct from any bundle of perceptions and propensities... (192) Robison is correct, I think, on the basic point: the inconsistency is between Hume's bundle analysis of the self and his explanation of why we mistakenly believe there is a per- 38. sistent self. I differ with him, however, on two points. First, I think that his contrast between an active mind and a set of propensities is incorrect. That the Humean self has propensities is itself sufficient to generate Hume's problem... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.1 (2001) 145-146 [Access article in PDF] Nicholas Jolley. Locke. His Philosophical Thought. Oxford: Oxford University Press, 1999. Pp. 233. $55.00, cloth; $19.95, paper. One of the main aims of this lean and clearly set out book is "to argue for the fundamental unity of Locke's thought" in the Essay concerning Human Understanding. Thus while it deals with many of the (...) usual 'central themes' (ideas, knowledge, freedom, personal identity, etc.), this Locke is more ambitious than are other general surveys of the Essay. Another, related aim of the book is to defend Locke against charges of inconsistency. Here, it is successful in many instances. But even as sympathetic a reader as Jolley has to admit several times that there are in Locke's text "elements of inconsistency," positions that are "hard to reconcile" with each other, and "tensions" if not contradictions.For the most part Jolley's exposition follows the structure of the Essay, beginning with "the origin and nature of ideas," going through the various topics from Book II, then moving to themes in Book III ("Classification and Language") and ending with an account of Book IV ("Knowledge and Faith"). He proceeds by giving brief expositions of Locke's arguments on the issues at hand, sometimes reflecting on alternative readings, and considering objections to, and defences of Locke. There is some discussion of other major seventeenth-century philosophers, and there are—fairly general—references to the corpuscular philosophy and to Aristotelianism. But on the whole, Jolley does not burden his account with much historical context, focusing instead on individual "issues" and arguments concerning Locke's own text.Yet, sometimes Jolley's discussion of Locke's arguments leaves the reader with statements that require considerable elaboration. For example, in his treatment of Reid's critique of Locke's account of personal identity (according to which Locke's theory is inconsistent with the transitivity of identity), he ends his discussion by simply stating that "it is not obviously foolish to question whether the transitivity relation holds for identity over time" (121). Foolish or not, what is obvious is that more needs to be said to make this suggestion plausible, both in itself and as part of a reading of Locke.At other times Jolley's expositions are not as clear as they might be and remain unconvincing. Thus, in defending Michael Ayers's much debated view that all Lockean ideas are of the nature of mental images, he concedes that it is difficult to accommodate Locke's ideas of reflection (i.e., ideas of mental operations) to this reading. Yet he defends it, saying that Locke interprets the imagist programme "with some latitude." But if ideas of reflection are excluded, it would seem rather difficult to persist with the claim that Locke "is indeed an imagist." This relates to another issue that is much discussed in Locke scholarship: the notion of what Locke calls "substratum" or "pure substance in general." As Jolley reports, Michael Ayers has argued that 'substratum' does not stand for a bare particular but must be understood in the light of Locke's doctrine of real essence: real essence and substance are not to be equated but they pick out the same thing. Thus, according to Ayers, when Locke draws attention to our ignorance of both substance and real essence, he is not preaching agnosticism at two distinct metaphysical levels. Jolley rejects this reading. But while he points out, rightly in my view, that substratum concerns our thinking about objects, in places he appears to accept that the notion is a metaphysical one, for he holds (against Ayers) [End Page 145] that the distinction between substratum and real essence does concern different metaphysical levels (73). Locke himself is clear enough about the status of the "notion of pure substance in general." When he introduces it (II.xxiii.2), he does so as part of his account of how complex ideas of substances are formed: the notion is part of our ideas of particular kinds of substances. Now this notion cannot be derived... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.1 (2001) 145-146 [Access article in PDF] Nicholas Jolley. Locke. His Philosophical Thought. Oxford: Oxford University Press, 1999. Pp. 233. $55.00, cloth; $19.95, paper. One of the main aims of this lean and clearly set out book is "to argue for the fundamental unity of Locke's thought" in the Essay concerning Human Understanding. Thus while it deals with many of the (...) usual 'central themes' (ideas, knowledge, freedom, personal identity, etc.), this Locke is more ambitious than are other general surveys of the Essay. Another, related aim of the book is to defend Locke against charges of inconsistency. Here, it is successful in many instances. But even as sympathetic a reader as Jolley has to admit several times that there are in Locke's text "elements of inconsistency," positions that are "hard to reconcile" with each other, and "tensions" if not contradictions.For the most part Jolley's exposition follows the structure of the Essay, beginning with "the origin and nature of ideas," going through the various topics from Book II, then moving to themes in Book III ("Classification and Language") and ending with an account of Book IV ("Knowledge and Faith"). He proceeds by giving brief expositions of Locke's arguments on the issues at hand, sometimes reflecting on alternative readings, and considering objections to, and defences of Locke. There is some discussion of other major seventeenth-century philosophers, and there are—fairly general—references to the corpuscular philosophy and to Aristotelianism. But on the whole, Jolley does not burden his account with much historical context, focusing instead on individual "issues" and arguments concerning Locke's own text.Yet, sometimes Jolley's discussion of Locke's arguments leaves the reader with statements that require considerable elaboration. For example, in his treatment of Reid's critique of Locke's account of personal identity (according to which Locke's theory is inconsistent with the transitivity of identity), he ends his discussion by simply stating that "it is not obviously foolish to question whether the transitivity relation holds for identity over time" (121). Foolish or not, what is obvious is that more needs to be said to make this suggestion plausible, both in itself and as part of a reading of Locke.At other times Jolley's expositions are not as clear as they might be and remain unconvincing. Thus, in defending Michael Ayers's much debated view that all Lockean ideas are of the nature of mental images, he concedes that it is difficult to accommodate Locke's ideas of reflection (i.e., ideas of mental operations) to this reading. Yet he defends it, saying that Locke interprets the imagist programme "with some latitude." But if ideas of reflection are excluded, it would seem rather difficult to persist with the claim that Locke "is indeed an imagist." This relates to another issue that is much discussed in Locke scholarship: the notion of what Locke calls "substratum" or "pure substance in general." As Jolley reports, Michael Ayers has argued that 'substratum' does not stand for a bare particular but must be understood in the light of Locke's doctrine of real essence: real essence and substance are not to be equated but they pick out the same thing. Thus, according to Ayers, when Locke draws attention to our ignorance of both substance and real essence, he is not preaching agnosticism at two distinct metaphysical levels. Jolley rejects this reading. But while he points out, rightly in my view, that substratum concerns our thinking about objects, in places he appears to accept that the notion is a metaphysical one, for he holds (against Ayers) [End Page 145] that the distinction between substratum and real essence does concern different metaphysical levels (73). Locke himself is clear enough about the status of the "notion of pure substance in general." When he introduces it (II.xxiii.2), he does so as part of his account of how complex ideas of substances are formed: the notion is part of our ideas of particular kinds of substances. Now this notion cannot be derived... (shrink)

The scientist’s toolkit counts at least three practices: real, thought and numerical experiments. Although a deep investigation of the relationships between these types of experiments should shed light on the nature of scientific enquiry, I argue that it has been compromised by at least four factors: (i) a bias for the epistemological superiority of real experiments; (ii) an almost exclusive focus on the links between either thought or numerical experiments, and real experiments; (iii) a tendency (...) to try and reduce one kind to another; and (iv) an excessive attention to the outputs of these types of experiments, more than to their processes. In this paper I support an unbiased triangular comparative analysis that focuses on the processes involved in real, thought and numerical experiments, and claim that all three types of experimentation are fundamental to scientific research. I do so by clarifying different notions of experimental processes, and by introducing a distinction between two varieties of mental simulation that play a role in them (i.e., mental models and imaginings). I then compare real, thought and numerical experiments in light of this distinction, showing their similarities, but also fundamental differences, which suggest that none of them is dispensable. (shrink)

Classical economics was oriented towards the advancement of the common interest as defined by the political institutions of the state, whereas neoclassicism is defined in a social and political vacuum. Furthermore, the former related realistically to an excess supply of labour, while the latter assumes full employment. These differences have significant implications for income distribution, accumulation, growth and development. Classical economists advocated free trade to increase domestic productivity and employment at stable or growing real wages. Contemporary globalization recreates the (...) classical surplus labour economy to reduce domestic wage levels through moving domestic production from high to low wage areas around the globe. Free trade becomes necessary so that the goods produced abroad can be imported into capital exporting countries. However, without a corresponding growth of exportables, the trade balance must be adversely affected. Furthermore, adverse changes in income distribution diminish domestic demand for goods. The policy of globalization must become self-defeating. (shrink)

In §69.b of BT Heidegger attempts an existential genetic analysis of science, i.e. a phenomenology of the conceptual process of the constitution of the logical view of science (science seen as theory) starting from the Dasein. It attempts to do so by examining the special intentional-existential modification of (human) being-in-the-world, which is called the "mathematical projection of nature"; that is, by examining that special modification of our being, which places us in the state of experience that presents the world to (...) us as taught by, e.g., Galileo and Newton. The idea he puts forward is that modern mathematical physics and the corresponding experience of the real is the result of the mathematical projection of nature. Modern science, Heidegger says, stands out because it is mathematical. But we cannot get the answer to what this mathematicality consists in from mathematics, because mathematics is only a special manifestation of mathematicality. Here is what Heidegger means by "mathematicality" and, accordingly by "mathematical projection of nature." If one were to let two bodies of different weights fall simultaneously from the top of the tower of Pisa, Heidegger notes, both Galileo and an Aristotelian would see that the two bodies would reach the ground with as little time difference as possible, and not at exactly the same moment. Galileo, however, does something decisive: he claims that under conditions that would be impossible to ensure (if we removed absolutely all resistance to the motion of the bodies), the two bodies would reach the ground absolutely simultaneously. This is not something that he or the Aristotelian sees happening empirically. How, then, does Galileo insist so firmly on his position? How exactly does it happen that he has before him such a view of things? Heidegger's answer is that Galileo is mathematically projecting nature. In his Dialogues Galileo says "I conceive with my mind" (mente concipio) a body thrown to move on an infinitely extending horizontal plane, having eliminated from its path every possible obstacle. Finally, I argue that from the detailed interpretation of Heidegger's points of the mathematical and of the notion of mathematical projection of nature, we can arrive at the conclusions I had arrived at in my doctoral dissertation (2000) as regards the meaning and function of thought experiments in physics as seen from a Husserlian phenomenological point of view as intentional acts. In a nutshell, in thought experiments physics constitutes the special metaphysics (to use the Kantian term) of the primordial ontological region it investigates as well as attempts to make natural sense of the mathematical formalism in cases it proves necessary. (shrink)

In the cubist expression of the early twentieth century, thought begins to play a fundamental role in the creative process. The reason lies in the fact that it is a revolution of thought, even before an aesthetic revolution. It is the basic concept that changes, thanks to the reflection that, unknowingly or not, it takes its moves from the thought of men of the past, including Augustine, Plato, Aristotle, Descartes, but also Husserl, Hildebrand, Bergson. This is because (...) every human expression is the result of concepts studied and observed, deepened and challenged. The sculpture was, however, part of the great revolution in art history just as much as painting, due to the work of some artists including Picasso, Boccioni, Brancusi, Archipenko, Gaudier-Brzeska, Lipchitz, Nadelman and Duchamp-Villon.In the particular case of the cubist sculptors, the expressive solutions they adopt are consequent to a new way of implying the world and the intellectualistic phenomena that accompany its evolution. Keywords: Cubism; Phenomenology of Cubism; Cubist painting; Cubist sculpture. (shrink)

The real, thought of as human reality, that is, a mixture of the imaginary, mythology, emotions, flesh, passions, suffering, love, is always surprising, full of possibilities and hard to grasp. A thinking adapted to the complex reality of our earthly homeland cannot be a trivial realism content with the established order and accepting the victory of the victorious. On the contrary, understanding of reality, lucidity are often the result of an ethical revolt against the fait accompli, against certainty. (...) The thinking suggested by Morin attempts to move beyond the alternatives between, on the one hand, the worst option: the utopia that thinks it is realistic, and on the other the utopia that knows it is utopia, and is therefore harmless, outside the real. The hope is to introduce the poetry of intensity into reality, to resist the oppressive forces of pseudo-realism by cultivating the garden of our earthly homeland. (shrink)

This book explores the scope and limits of the concept of personDS a vexed question in contemporary philosophy. The author begins by questioning the methodology of thought-experimentation, arguing that it engenders inconclusive and unconvincing results, and that truth is stranger than fiction. She then examines an assortment of real-life conditions, including infancy, insanity andx dementia, dissociated states, and split brains. The popular faith in continuity of consciousness, and the unity of the person is subjected to sustained criticism. The (...) author concludes with a look at different views of the person found in Homer, Aristotle, the post-Cartesians, and contemporary cognitive science. (shrink)

In English, two deictic space-time metaphors are in common usage: the Moving Ego metaphor conceptualizes the ego as moving forward through time and the Moving Time metaphor conceptualizes time as moving forward toward the ego . Although earlier research investigating the psychological reality of these metaphors has typically examined spatial influences on temporal reasoning , recent lines of research have extended beyond this, providing initial evidence that personality differences and emotional experiences may also influence how people reason about events in (...) time . In this article, we investigate whether these relationships have force in real life. Building on the effects of individual differences in self-reported conscientiousness and procrastination found by Duffy and Feist , we examined whether, in addition to self-reported conscientiousness and procrastination, there is a relationship between conscientious and procrastinating behaviors and temporal perspective. We found that participants who adopted the Moving Time perspective were more likely to exhibit conscientious behaviors, while those who adopted the Moving Ego perspective were more likely to procrastinate, suggesting that the earlier effects reach beyond the laboratory. (shrink)

This book explores the scope and limits of the concept of personDS a vexed question in contemporary philosophy. The author begins by questioning the methodology of thought-experimentation, arguing that it engenders inconclusive and unconvincing results, and that truth is stranger than fiction. She then examines an assortment of real-life conditions, including infancy, insanity andx dementia, dissociated states, and split brains. The popular faith in continuity of consciousness, and the unity of the person is subjected to sustained criticism. The (...) author concludes with a look at different views of the person found in Homer, Aristotle, the post-Cartesians, and contemporary cognitive science. (shrink)

Environmental pragmatism is a new strategy in environmental thought. It argues that theoretical debates are hindering the ability of the environmental movement to forge agreement on basic policy imperatives. This new direction in environmental thought moves beyond theory, advocating a serious inquiry into the merits of moral pluralism. Environmental pragmatism, as a coherent philosophical position, connects the methodology of classical American pragmatic thought to the explanation, solution and discussion of real issues. This concise, well-focused collection is (...) the first comprehensive presentation of environmental pragmatism as a new philosophical approach to environmental thought and policy. (shrink)

This paper explores the ethical insights provided by Anne Truitt's minimalist sculptures, as viewed through the phenomenological lenses of Hannah Arendt's investigations into the co-constitution of reality and Maurice Merleau-Ponty's investigations into perception. Artworks in their material presence can lay out new ways of relating and perceiving. Truitt's works accomplish this task by revealing the interactive motion of our embodied relations and how material objects can actually help to ground our reality and hence human potentiality. Merleau-Ponty shows how our prereflective (...) bodies allow incompossible perceptions to coexist. Yet this same capacity of bodies to gather multiple perceptions together also lends itself to the illusion that we see from only one perspective. If an ethical perspective becomes reified into one position, it then becomes detached from reality, and the ethical potential is actually lost. At the same time, phenomenologically understood, the real world does not exist in terms of static matter, but is instead a web of contextual relations and meanings. An ethics that does not take embodied relations into account—that allows for only one perspective—ultimately loses its capacity for flexibility, and for being part of a common and shared reality. (shrink)

Newman’s constant preoccupation with “connectedness” leads him to explore and to insist upon the importance of the relationship between the “notional” and the “real,” and therefore of that between theology and philosophy, on the one hand, and spirituality and morality or ethics, on the other. This paper explores Newman’s expression of these ideas, firstly in his sermons and theological writings, and finally in the more philosophical context of the Grammar of Assent.

Mark Siderits’s contributions to the study of Indian philosophy have long included rational reconstruction of arguments and positions typical of the Madhyamaka school of Buddhist thought. A widely-known expression of this tradition’s core contention – “the ultimate truth is that there is no ultimate truth” – is widely attributed to Siderits, and my own studies of Madhyamaka have from the outset been influenced by his philosophically sophisticated work. Nonetheless, I have always resisted Siderits’s predilection for characterizing Madhyamaka as exemplifying (...) anti-realism, as well as the notion that this tradition’s concerns are best characterized as semantic. On my reading, the insight aptly expressed by Siderits’s signature formulation is better characterized as transcendental – as identifying, that is, something presupposed by the very fact that pursuit of the Buddhist path is in the first place intelligible. Siderits, then, would dispel his formulation’s air of paradox by taking it to mean, “it is ultimately true that no statement corresponds to the ultimate nature of reality.” I have taken the same statement as aptly expressing the contention, rather, that “it is ultimately true” – that is, practically incontrovertible once it has been clarified, by Madhyamaka critique, what it would mean for anything to be ‘ultimately real’ – “that there are no ultimately real existents.” While these make sense as philosophically distinct emphases, it is reasonable to wonder whether there is any practically significant difference between these ideas. By way of honoring Mark Siderits’s influence on my own understanding, this essay explores the extent and significance of our divergent emphases. (shrink)

A radically empirical exploration of movement and technology and the transformations of choreography in a digital realm. Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this (...) does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think—rather than just perform or perceive—movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems. (shrink)

For Hannah Arendt, the federal system is an effective mode of organizing different sources of power while avoiding sovereign politics. This article aims to contribute two specific claims to the burgeoning scholarship on Arendt's international federalism. First, Arendt's international thoughts call for balancing two demands: the domestic need for human greatness and flourishing and the international demand for regulation and cooperation. Second, her reflections on council-based federalism offer a nuanced position that views the dual elements of equality in politics (intra-state (...) and interstate equality) as neither contradictory nor reconciliatory but rather as ideal types along a continuum. This study shows that, through the unique form of federalism emphasizing the need to balance two demands of free politics with a clear acknowledgement of its precariousness, Arendt's thinking adds much-needed sensitivity to international discourse. (shrink)

It is part of our everyday experience that there is a reliable connection between moral opinions and motivation. Thinking that an act is right (wrong) tends to be accompanied by motivation to (avoid to) perform the act in question. This is mirrored in moral talk. We tend to think that someone who says that he thinks that it is right (wrong) to act in a certain way without being motivated, to some extent, will most likely be speaking insincerely. Moveover, moral (...) utterances have a dynamic function to exhort and guide conduct. This suggests that moral utterances involve a kind of attitudinal expressiveness that makes them very different from prosaically factual utterances. These commonsensical features of our moral practice represent the practicality of moral thought and talk. The main purpose of this essay is to investigate how the practicality of moral thought and talk is best represented and whether it supports either a cognitivist or noncognitivist analysis of moral judgments. I argue that sophisticated versions of internalism and externalism, the main competing explanations of the connection between moral judgments and motivation, represent the reliable connection equally good and that the relevant kind of attitudinal expression can be accomodated by both cognitivists and noncognitivists. The upshot is that considerations based on the practicality of moral thought and talk does not cut much philosophical ice. Hence, the rivalry between cognitivists and noncognitivists analyses must be settled beyond considerations based on practicality. Maybe the belief-like features of moral thought and talk can tilt things in favor of cognitivism. However, noncognitivists have different ways of accommodating the belief-like features. In fact, in the wake of different accommodation projects one wonders what remains of the traditional debate between cognitivist and noncognitivist analyses, a debate that shaped metaethics as we know it. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

Peirce believed that his pragmaticism can be conclusively proven. Beginning in 1903, he drafted several attempts, ending by 1908 with a semeiotic proof. Around 1905, he exposes the proof using the theory of Existential Graphs . This paper modernizes the semantics Peirce proposed for EGs in terms of game-theoretic semantics . Peirce's 1905 proof is then reconstructed in three parts, by relating pragmaticism to the GTS conception of meaning, showing that Peirce's proof is an argument for a relational structure of (...) the meaning of intellectual signs that our interpretative and strategic practices give rise to, and bringing out the key links between EGs and pragmaticism. (shrink)

It is a commonplace that in philosophy, intuitions supply evidence for and against philosophical theories. Recent work in experimental philosophy has brought to bear the intuitions of philosophically naïve subjects in a number of different ways. One line of response to this work has been to claim that philosophers have expertise that privileges their intuitive judgments, and allows them to disregard the judgments of non-experts. This expertise is supposed to be analogous to the expertise of the mathematician or the physicist. (...) This paper critically evaluates this appeal to philosophical expertise. (shrink)

How should driverless vehicles respond to situations of unavoidable personal harm? This paper takes up the case of self-driving cars as a prominent example of algorithmic moral decision-making, an emergent type of morality that is evolving at a high pace in a digitised business world. As its main contribution, it juxtaposes dilemma decision situations relating to ethical crash algorithms for autonomous cars to two edge cases: the case of manually driven cars facing real-life, mundane accidents, on the one hand, (...) and the dilemmatic situation in theoretically constructed trolley cases, on the other. The paper identifies analogies and disanalogies between the three cases with regard to decision makers, decision design, and decision outcomes. The findings are discussed from the angle of three perspectives: aspects where analogies could be found, those where the case of self-driving cars has turned out to lie in between both edge cases, and those where it entirely departs from either edge case. As a main result, the paper argues that manual driving as well as trolley cases are suitable points of reference for the issue of designing ethical crash algorithms only to a limited extent. Instead, a fundamental epistemic and conceptual divergence of dilemma decision situations in the context of self-driving cars and the used edge cases is substantiated. Finally, the areas of specific need for regulation on the road to introducing autonomous cars are pointed out and related thoughts are sketched through the lens of the humanistic paradigm. (shrink)

How should driverless vehicles respond to situations of unavoidable personal harm? This paper takes up the case of self-driving cars as a prominent example of algorithmic moral decision-making, an emergent type of morality that is evolving at a high pace in a digitised business world. As its main contribution, it juxtaposes dilemma decision situations relating to ethical crash algorithms for autonomous cars to two edge cases: the case of manually driven cars facing real-life, mundane accidents, on the one hand, (...) and the dilemmatic situation in theoretically constructed trolley cases, on the other. The paper identifies analogies and disanalogies between the three cases with regard to decision makers, decision design, and decision outcomes. The findings are discussed from the angle of three perspectives: aspects where analogies could be found, those where the case of self-driving cars has turned out to lie in between both edge cases, and those where it entirely departs from either edge case. As a main result, the paper argues that manual driving as well as trolley cases are suitable points of reference for the issue of designing ethical crash algorithms only to a limited extent. Instead, a fundamental epistemic and conceptual divergence of dilemma decision situations in the context of self-driving cars and the used edge cases is substantiated. Finally, the areas of specific need for regulation on the road to introducing autonomous cars are pointed out and related thoughts are sketched through the lens of the humanistic paradigm. (shrink)

La philosophie contemporaine opère une critique radicale de la notion de subjectivité et ne voit dans l’humanisme qui lui est lié que le masque d’une volonté de puissance déguisée. La pensée de Gentile, bien que postérieure à Nietzsche et contemporaine de Husserl, continue de se réclamer de l’hégélianisme. Pourtant, si l’on va au-delà de son classicisme affiché, la pensée de Gentile constitue une forme de dépassement de la subjectivité de l’intérieur. En radicalisant au maximum le principe de la subjectivité, Gentile (...) va parvenir à penser un sujet qui s’identifie à l’advenir du monde. Nous percevons ce passage lorsque Gentile remplace la conception hégélienne de l’éternité de l’Esprit Absolu par la conception de l’actualité de la pensée dont l’activité devient le principe a priori de toute rationalité, évitant ainsi toute retombée dans l’objectivisme. De plus, Gentile conçoit l’activité spirituelle sous la forme d’une patiente historiographie qui loin de s’approprier le réel travaille à en dégager le sens. Ainsi, le travail de Gentile peut prendre place à coté de celui de Husserl, dans une même volonté de dégager le sens d’une expérience pure.Contemporary philosophy radically deconstructs the notion of subjectivity and exposes the humanism that grew out of as being a masq for the thirst for power that hides behind it. Although Gentile’s thought dates from later than Nietzsche, being contemporaneous with Husserl’s, it claims to have its roots in Hegel. Yet, beyond the classicism that it proclaims Gentile’s thought transends subjectivity from within. By carrying the principle of subjectivity to its utmost limit Gentile eventually conceives of a subject that identifies with the world-in-becoming. The decisive step consisted in the replacing the hegelian conception of eternity of the Absolute Spirit with the conception of the actuality of the mind, in whose activity he sees the a priori principle of rationality itself. Which makes a lapse into objectivism impossible. Besides, Gentile conceives the Mind’s activity to be a patient historiography, the aim of which is not to appropriate the real but to work out its meaning. Thus Gentile’s thought moves abreast of Husserl’s as both philosophers seek to work out the meaning of pure experience. (shrink)

This elegant treatise examines the nature of kindness through the fascinating lenses and contexts of ancient, medieval and contemporary philosophy, natural history, theories of mind, of natural selection, eco-psychology and sociobiology. It challenges the reader to consider the myriad potential consequences of human behavior, examining various iconographic moments from the history of art and science as a precursor to the concept and vital potentials for ecological conversion. Focusing on the fundamental mechanisms of reciprocity among humans, other species, communities and nations, (...) Tobias and Morrison lead readers on a remarkable journey whose itinerary, and the provocative questions explored, seek to affirm a pattern in evolution and in human thought that is emphatically oriented towards benevolence, not tyranny. Prosociality in all species - making others happy, kind gestures at any and every juncture of life - has, as a discipline of enquiry, enjoyed a social scientific renaissance during the last decade. Can natural selection move rapidly enough to meet that ultimate challenge? Can our species re-evolve in real time, moving from the ideas, to the ideals, to their applied engineering in a real world that is ecologically hemorrhaging? Which all the critical moral and cognitive changes in social communion such new human nature, as the Authors suggest, clearly requires? This groundbreaking work of ecological philosophy, with its roots in ancient Greek thought, represents a radical break with nearly every traditional scientific paradigm, in exploring the intuitive geography and dramatic questions of ourselves - each and every one of us - that will prove crucial to the survival of our species, and all those we co-habit this miraculous planet with. (shrink)