Alain Badiou

The aim of this essay is to consider the nature of the philosophical task and of the conditions of its possibility according to Parmenides and Plato. With these thinkers, the task of the philosopher necessitates a propaedeutic activity that makes the doing of philosophy possible; that is, both Parmenides and Plato identify the need for a philosophical education that would alleviate the obstacles that would make philosophy impossible to practise, ensuring and accounting for the possibility of philosophical practice. The impossibility (...) of philosophical practice concerns the philosopher’s claim and obligation to occupy a place (τόπος) from which to contemplate being. The problem becomes conspicuous, for the first time, in the first lines of the first fragment of the first text of pure ontology: in the proemium of Parmenides’ poem. I will argue that the proemium has a crucial philosophical function that binds it integrally to the argument of the poem. This function consists in the implementation of a philosophical propaedeutic that makes possible the articulation of the goddess’s critique. The need for a propaedeutic stems from the nature of the project that lies ahead, that is, the project of the youth’s education. Such education takes the form of the delimitation of the realm of the beings that νοῦς can concern itself with. (shrink)

The paper is motivated by the desire to identify exactly what Leibniz has contributed to Deleuze and Whitehead’s particular version of vitalism. This reading of Leibniz is compared with those of Badiou. The paper compares each of these philosopher’s interpretations of the fundamental principles that ground Leibnizian monadology, with the intention of highlighting the implications of these readings for political theory. In particular, Badiou’s notion of a schema of torsion is examined and distinguished from Deleuze’s notions of actualization and realization.

From a mathematical perspective, this paper will compare the 'Speculative' Realist Philosophy of Alain Badiou with the Process Philosophy of Alfred North Whitehead. To this end, each philosophy will be examined in terms of how it departs from the strictures of Kantian Critical Philosophy, specifically, in terms of how it articulates the structural relationship between subjects, objects, and relata. Moreover, each philosophy will also be judged both in terms of how it addresses the mereological distinction between internal and external relations, (...) and how it conceives of the relationship holding between philosophy and its others: the four Althusserian 'generics' of science, politics, art, and love. (shrink)

In this paper, I will present what I take to be a standard view of morality, and I argue that this view amounts to a paradox: the moral event or moral concern, the source of morality, ultimately leads, through moral theory, to a denial of itself. I will show how Badiou and Levinas take a way out of this and in doing so deny the possibility of anticipating the moral. Furthermore, I claim that this anticipatory moment can be introduced back (...) by means of the concept of “practical wisdom” as used in analytical virtue ethics. Finally, I argue that the Kantian notion of the sublime is structurally the same as the moral event in Badiou and Levinas, and that our view of the sublime can benefit from both Levinas’ view and the concept of “practical wisdom” as well. (shrink)

The importation of Lacanian psychoanalysis into film theory in the 1970s and 1980s ushered in a new era of cinema scholarship and criticism. Figures including Raymond Bellour, Laura Mulvey, and Christian Metz are often considered the pioneers of applying Lacanian psychoanalysis in the context of film theory, most notably through their writings in Screen Journal. However, where French and British scholarship on Lacan and film reached its limits, American Lacanianism flourished. When Joan Copjec’s now classic essay “The Orthopsychic Subject: Film (...) Theory and the Reception of Lacan” was published in 1989, the trajectory of Lacanian film theory would become radically altered; as Todd McGowan recently put it, the “butchered operation” on Lacan committed by Mulvey and (quoting Copjec) the “Foucaultianization” of Lacan under the auspices of Screen Journal were finally indicted in one gesture through Copjec’s critique. Copjec and McGowan’s unique American view of Lacan marks a pivotal point in the convergence of psychoanalytic theory and cinema studies; by seeking to wrest Lacan from historist/deconstructionist theories of the subject, and by revisiting Lacan beyond the mirror stage, Copjec and McGowan can be said to have instantiated a resuscitation or even a renaissance of Lacanian theory in film studies in particular and in American scholarship more generally. In this essay, this renaissance of Lacanian theory is examined, focusing on the innovations these two American thinkers brought to psychoanalytic film theory and the multiple paths carved out into other disciplines that followed. First, a detailed summation of the contentions between screen theory and Copjec’s position is introduced, as well as McGowan’s assessment thereof. Then, the trajectory of psychoanalytic film theory after Copjec’s arrival is the focus, including the major innovations in her thought from cinematic subjectivity to sexual difference (most notably from Read My Desire) and the way her position spread to philosophy and ontology. Finally, the article identifies the limitations of Copjec’s and McGowan’s thought and seeks new possibilities through which we may continue to apply psychoanalysis to the cinema in the wake of these two important thinkers. L’importation de la psychanalyse lacanienne dans la théorie du film au cours des années 1970 et 1980 a apporté une nouvelle ère de recherche et de critique cinématographiques. Des figures comme Raymond Bellour, Laura Mulvey et Christian Metz sont souvent considérées comme étant les pionniers dans l’application de la psychanalyse lacanienne au contexte de la théorie du film, surtout dans leurs écrits pour le Screen Journal. Par contre, là où les recherches françaises et britanniques sur Lacan et la cinématographie ont atteint leurs limites, le lacanisme américain a prospéré. La publication en 1989 de « The Orthopsychic Subject: Film Theory and the Reception of Lacan », l’essai classique de Joan Copjec, a complètement changé la trajectoire de la théorie lacanienne du film; comme Todd McGowan l’a récemment exprimé, « l’opération massacrée » commise sur Lacan par Mulvey et (citant Copjec) la « Foucaultisation » de Lacan sous les auspices de Screen Journal avaient finalement été accusées d’un seul coup par la critique de Copjec. Le point de vue uniquement américain de Copjec et de McGowan sur Lacan marque un tournant dans la convergence de la théorie psychanalytique et des études cinématographiques. En cherchant à arracher Lacan des théories historicistes/déconstructivistes du sujet, et en revisitant Lacan au-delà du stade du miroir, Copjec et McGowan ont instancié une ressuscitation, voire une renaissance, de la théorie lacanienne dans les études cinématographiques en particulier et dans les études américaines en général. Dans cet article, cette renaissance de la théorie lacanienne est examinée, mettant l’accent sur les innovations que ces deux penseurs américains ont apportées à la théorie psychanalytique du film et les multiples chemins tracés dans d’autres disciplines subséquentes. Premièrement, un résumé détaillé des différends entre la théorie du film et la position de Copjec est présenté, ainsi que l’évaluation de McGowan à ce sujet. Puis, la trajectoire de la théorie psychanalytique du film après l’arrivée de Copjec est mise de l’avant, notamment les innovations importantes de sa pensée de la subjectivité à la différence sexuelle (particulièrement dans Read My Desire) et la manière dont sa position s’est propagée dans la philosophie et l’ontologie. Finalement, l’article identifie les limites de la pensée de Copjec et de McGowan et cherche de nouvelles possibilités à travers lesquelles nous pourrions continuer d’appliquer la psychanalyse au cinéma après ces deux grands penseurs. (shrink)

One cannot be responsible for a generic truth, argues Badiou in his critical rejoinder to Sartre; one can only be its militant. Challenging Badiou’s formulation, I propose that his plea for a new stage of the communist hypothesis, which unfolds in the wake of subjective decomposition of the Left, must draw upon the Sartrean notion of collective responsibility to affirm interminable inscription of the egalitarian axiom in a novel political sequence without forcing a violent realisation of equality. Encapsulated in an (...) enigmatic formula, ‘one and one make one,’ Sartrean ethics of the Same compel the Badiouian militant subject to heed the excluded demands of the new proletariat insofar as the latter occupies ‘a point of exile where it is possible that something, finally, might happen.’. (shrink)

This article offers a reading of the “transcendental” character of Alain Badiou’s and Giorgio Agamben’s ontologies. While neither Badiou nor Agamben are “transcendental” philosophers in the Kantian sense, this article argues that their respective projects of ontology both recover aspects of the “classical” conception of the transcendentals. Not unlike how pre-modern philosophers conceived of oneness, truth and goodness as transcendental properties of all things, both Badiou’s and Agamben’s ontologies present various structures which can be universally predicated of all being. However, (...) as opposed to the essentialist or even theological tendencies of traditional metaphysics, Badiou’s and Agamben’s ontologies are committedly “inessential” and atheistic at their very core. By replacing the divine names of the one, the true and the good in traditional metaphysics with a new yet quasi-classical transcendental notion of “the void” as a universal predicate of all beings, Badiou’s and Agamben’s works may be regarded as projects that go beyond both the pre-Kantian “theological” and the post-Kantian “subjective” conceptions of transcendental philosophy, thereby marking a new development in the history of western metaphysics. (shrink)

Este capítulo presenta una mirada hacia la historia del renacimiento afroperuano en paralelo con la historia del contrapunto de zapateo criollo, una de las prácticas que más destacó el renacimiento. Enfatizando en las nociones de ruptura y acontecimiento del filósofo francés Alain Badiou, se examinan ambos como rupturas que constituyen una nueva historia. En el caso específico del contrapunto esta ruptura está dada por la transición de ser un concurso a ser una práctica escénica. Este documento es el primero en (...) enumerar, hasta donde tengo conocimiento, los cambios fundamentales que esta transición implica: ya no hay un juez, el público cobra un rol fundamental, intervienen más de dos zapateadores, se cierra con una coreografía común. El hecho de que no haya un juez que determine un ganador sella el carácter dialéctico del contrapunto de zapateo escénico. Estas páginas buscan rescatar ese interacción dialéctica de zapateador con zapateador como algo que podemos aplicar a nuestra vida, en la relación que guardamos con los demás. Una relación simultáneamente de admiración, afecto y desafío para crecer. -/- ENGLISH: This chapter presents a parallel of this history of the Afro-Peruvian revival or "renacimiento", as I would rather call it, and the history of the "contrapunto de zapateo", a step dance that unfolds as a "battle" or relationship of challenge. Emphasizing the concepts of Rupture and Event propposed by French philosopher Alain Badiou, I examine both as ruptures that constitute new histories. In the specific case of the Contrapunto, this rupture is given by the transition from being a contest to being a scenic practice. This document, to the best of my knowledge, is the first one to enumerate the fundamental changes that characterize this transition: there is no longer a judge, the audience thus plays a fundamental role, more than two dancers can partake, and the contrapunto closes with a common choreography. The fact that there is no longer a judge that rules for a winner, seals the dialectic nature of the stated contrapunto. Finally, these pages conclude revaluing the dialectic interaction between dancer and dancer as something that we can also apply to life in the relation that we uphold with others; a relationship that simultaneously involves admiration, affect and challenge in order to grow together. -/- CITE: Miranda Medina, Juan Felipe. El renacimiento afroperuano y el renacer del contrapunto [The Afro-Peruvian "renacimiento" and the "renacimiento" of the contrapunto]. In "Cultura Afroperuana. Encuentro de Investigadores 2019", Ministerio de Cultura. pp. 155-170. -/- ISBN: 978-612-4391-32-3. (shrink)

This paper compares two influential but conflicting contemporary models of politics as an activity: those of Hannah Arendt and Alain Badiou. It discovers the fundamental difference between their approaches to politics in their opposing evaluations of the contemporary political significance of the legacy of Plato, Platonism, and the Platonic Idea. Karl Popper’s and Arendt’s analyses of the inherently ideological nature of totalitarianism are contrasted with Badiou’s vindication of an ideological “politics of the Idea.” Arendt and Badiou are shown to share (...) an understanding of politics as a realm for the human deployment of novelty and world-transformation. Their key disagreement concerns the form of activity that accomplishes this deployment. For Arendt, political activity has the basic form of noninstrumental and nonteleological action (praxis), devalued by the Platonic tradition of political philosophy. Badiou, by contrast, follows Plato in regarding politics essentially as a process of production (poiēsis) oriented to an ideal end. (shrink)

This review of Alain Badiou’s The Pornographic Age—as well of the essays included in the book by William Watkin, A.J. Bartlett and Justin Clemens—illuminates that this is one of the few, if not only, texts where Badiou reverses the operational directionality of the event qua category theory, so as to “dis-image” power. In doing so, Badiou provides a theory of power based on intentionality and relation, rather than the more common Foucauldian genealogic-historical methodologies so often co-opted by contemporary thinkers of (...) biopolitics and power. Using Jean Genet’s play, The Balcony, as a fulcrum with which to strip apart the representative regime vis-à-vis the Platonic gesture, Badiou posits a politically exigent critique of contemporary neoliberal democracy. (shrink)

During the last two decades, a sharp re-reading of St. Paul’s letters allowed several thinkers to embed a messianic element in their political philosophy. In these readings, the messianic refusal of the world and its laws is understood through the suspensive act of ‘subtraction’ – a movement of withdrawal which nonetheless proved too often ineffective when translated in political practice. -/- After having analysed Agamben’s declension of Subtraction in terms of ‘inoperativity’, this article focuses on the notion of Parousia as (...) a key element to understand his anti-utopian account of messianic time. In contrast with Agamben’s reading, Bloch’s interpretation of the Pauline Parousia envisages the messianic event as infra-historical, but at the same time opened to ultimate (meta-historical) purposes. Bloch’s messianic call – I argue – takes the form of mediation, a correction of subtraction towards the direction of a more committed political engagement. I conclude suggesting that the concrete implementations of this mediation perform their emancipatory function in so far as they assume the character of practical ethics, with the attention directed to the underprivileged and marginalised. (shrink)

A new ontology that forms the groundwork for ethical practices of resistance What and how should individuals resist in political situations? While these questions recur regularly within Western political philosophy, answers to them have often relied on dogmatically held ideals, such as the distinction between truth and doxa or the privilege of thought over sense. In particular, the strain of idealist political philosophy, inaugurated by Plato and finding contemporary expression in the work of Alain Badiou, employs dualities that reduce the (...) complexities of practices of resistance to concepts of commitment. (shrink)

This article examines Alain Badiou’s and Slavoj Žižek’s advocacy for fidelity to revolutionary truths in light of complex system theory’s understanding of resiliency. It begins with a discussion of how Badiou and Žižek describe truth. Next, it looks at the features that make a complex system resilient. The article argues that if we understand neoliberalism as a resilient system, then the fidelity to revolutionary truths that Badiou and Žižek advocate is not enough, for it doesn’t realize how truths come from (...) the system as a whole. The article concludes by describing how this viewpoint alters discussions of political change. (shrink)

How can a set throw itself into itself and remain a set and an element of itself at the same time? This is obviously impossible, as Bertrand Russell has prominently shown. One simply cannot pic a trash-can up and throw it into itself. Now, Hegel, Benjamin, and Badiou take a different position on the subject when they refer time and time again to "concrete universality" as an oxymoronic structure that touches ontologically upon their theoretical philosophies as well as their practical (...) philosophies. The article tries to show how both philosophers affirm the mentioned paradox as central for the understanding of Dialectical Materialism in its classical as well as in its contemporary understanding. (shrink)

The present state of late capitalist society is, mutatis mutandis, eerily reminiscent of that criticized by Theodor W. Adorno more than half a century ago. Indeed, it was against this cultural, social and political backdrop that Adorno invited his students to stay confident in the prospects of a breakout [Ausbruch]. In this spirit, this paper looks into Adorno's notion of "breakout" and studies its relation to Badiou's theory of the event in an attempt to show that alternatives are still possible (...) today. (shrink)

This article traces the consequences for Badiou’s political subjectivity if his understanding of the Cartesian subject is incorrect. For Badiou, the faithful subject, political and otherwise, is formed through fidelity to the appearance of an event of truth, and the process of this fidelity creates a world. These truths are immanent to the worlds in which they appear. An obscure subject, however, is faithful to a negation, while a reactive subject denies the appearance of a truth’s event. Badiou’s subject radicalizes (...) Lacan’s radicalization of the Cartesian subject, but for him both Descartes and Lacan consider the subject stable since they are caused by truth rather than by the event of a truth. However, immanent to Descartes’s philosophy is an unstable subject, thanks to the role of the imagination in the discovery of the cogito. Fidelity to this immanent Cartesian subject shows Lacan as an obscure subject and Badiou as reactive. (shrink)

This book approaches work by Gilles Deleuze and Alain Badiou through their shared commitment to multiplicity, a novel approach to addressing one of the oldest philosophical questions: is being one or many? Becky Vartabedian examines major statements of multiplicity by Deleuze and Badiou to assess the structure of multiplicity as ontological ground or foundation, and the mathematical procedures these accounts prescribe for understanding one in relation to multiplicity. Written in a clear, engaging style, Vartabedian introduces readers to Deleuze and Badiou's (...) key ontological commitments, including the mathematical resources underpinning their accounts of multiplicity and one, and situates these as a conversation unfolding amid political and intellectual transformations. (shrink)

Le philosophe Alain Badiou, en dialogue avec Giovanbattista Tusa, propose ici d’abandonner la thèse heideggérienne d’une unité destinale de la philosophie, sous le nom de métaphysique. Plutôt que d’affirmer qu’il n’y a pas de vérité, il s’agirait alors de reconstruire une relation entre les vérités et un absolu non transcendant. En menant une critique radicale de la doctrine de la finitude, qui nous rappelle que l’être humain est mortel et qui affirme le relativisme culturel et le caractère inachevé de tout (...) accès au vrai, le philosophe entend ainsi montrer comment le concept d’infini serait la condition des vérités universelles. (shrink)

Featuring original interviews with three of the most important theorists of the 21st century, this volume clarifies the relationship between contemporary French philosophy and poetry. The interviews demonstrate how Rancière, Milner, and Badiou are all in conversation with one another on various points.

It is common knowledge that Nietzsche is very critical of traditional philosophy and strongly opposes a number of philosophers, but Alain Badiou goes beyond this claim to interpret and classify Nietzsche as an “antiphilosopher.” As such, Badiou’s interpretation belongs to the vast literature focusing on Nietzsche’s critique of metaphysics and truth. However, Badiou goes a bit further and develops a notion of “antiphilosophy” that not only is critical but also has a positive impact: Nietzsche is not only a critic of (...) metaphysics, but he is also an antiphilosopher like Pascal or Rousseau. Nietzsche. L’antiphilosophie I is the transcript from a seminar Badiou gave in 1992–93 and, as the title suggests, is... (shrink)

Alain Badiou’s elaboration of a subject faithful to an event is commonly known today in the academic world and beyond. However, his first systematic account of the subject was already published in 1982 and did not mention the ‘event’ at all. Therefore, this article aims at tracing back both the structural and the historical conditions that directed Badiou’s elaboration of the subject in the early work up until the publication of L’Être et l’Événément in 1988. On the one hand, it (...) investigates to what extent the Badiouan subject can be considered an exceptional product of the formalist project of the Cahiers pour l’Analyse as instigated by psychoanalytical discourse and a certain Marxist discourse insofar as both were centered upon a theory of the subject. On the other hand, this article examines the radical political implications of this subject insofar as Badiou has directed his philosophical aims towards the political field as a direct consequence of the events of May ’68. (shrink)

In recent European philosophy, and especially in Heidegger, Arendt, Derrida, and Badiou, the distinction between the ordinary and the extraordinary, or between normality and “event,” has played a very prominent role. In the present paper, I raise a challenge to this distinction, a challenge inspired by Deleuze’s conception of repetition and difference. Is it not the case that every occurrence in some ways reproduces and in some ways deviates from the past, such that nothing is entirely extraordinary and nothing completely (...) normal? The purpose of the paper is to examine whether the ordinary/extraordinary distinction—or the notion of event, respectively—can be defended against this challenge, i.e., whether it can be given a rigorous definition. Drawing on and departing from the named philosophers, I show that there are three alternative responses—the route of subjective experience, of transcendence, and of negation—and assess their respective merits. (shrink)

This article questions whether we can posit a more radical desuturing of the law from the event: Can radical shifts in law produce events? Can the law itself be an event, thereby conditioning the very nature of the event itself, creating a new subjectivity and a new time? I would like to argue that the law can do so. How? Badiou begins “The Three Negations” by discussing the work of the German jurist Carl Schmitt. I would like to argue that (...) the state of exception, as elaborated by Carl Schmitt, can serve as the willed decision of a sovereign that brings about an event. We can understand the sovereign as a kind of legal subject that has the force to bring about a new event, rupturing with an established order and introducing a new form of subjectivity and time. (shrink)

According to Quentin Meillassoux, one of the principal aims of speculative philosophy “must be the immanent inscription of values in being.” In this regard, the return to speculation in contemporary philosophy is in many ways a deeply ethical project. This “inscription of values” can only be successful, however, if it can somehow assert an absolute ethical value without, on the one hand, resorting to the kind of dogmatism laid to rest by the Kantian critique; or, on the other, by falling (...) into some form of ethical relativism incapable of grounding universal ethical judgments. Unfortunately, too many of these attempts have failed. The aim of this paper is twofold: firstly, to explore the structure and failures of two such attempts through an analysis of the ethical projects of Alain Badiou and Quentin Meillassoux, respectively; and then, secondly, to show how both of these thinkers, and the project of speculative ethics in general, could benefit by turning to the work of F.W.J. Schelling on the concept of good and evil as absolute ethical values. (shrink)

As evidenced by rhetorical scholars’ substantial engagement with issues of social justice and human rights, social and political struggles are remarkably available to methods of rhetorical inquiry that look to language as the primary vehicle of argument. Indeed, in their introduction to 2011 the special edition of Rhetoric Society Quarterly on Human Rights Rhetoric, Arabella Lyon and Lester Olson claim that rhetoric is “uniquely positioned to offer particular insights into the language of human rights declarations, covenants, and symbolic action of (...) human rights claims, norms, aspirations, and deliberations”. While the rhetorical investigations that take place under the mantel of “human rights rhetoric” are... (shrink)

This article focuses on two different styles of profanation in Spinoza and Badiou. Notwithstanding the significant differences between them, their shared desire for profanation testifies to an interesting convergence. I deal with this convergence in divergence as a case of disjunctive synthesis through a comparison of the different understandings of religion in Spinoza and Badiou’s truth procedures. It is commonly held that Spinoza operates with three understandings of religion. But I argue that Spinoza’s thought opens up the space for a (...) fourth understanding of ‘religion’. Then I discuss the formal similarity between Spinoza’s four religions and Badiou’s four truth procedures. I illustrate this discussion through two diagrams. I claim that Badiou’s truth procedures could be perceived as the Spinozist diagram’s re-entry into itself. (shrink)

This book consolidates and extends the authors’ work on the connection between iconicity and abductive inference. It emphasizes a pragmatic, experimental and fallibilist view of knowledge without sacrificing formal rigor. Within this context, the book focuses particularly on scientific knowledge and its prevalent use of mathematics. To find an answer to the question “What kind of experimental activity is the scientific employment of mathematics?” the book addresses the problems involved in formalizing abductive cognition. For this, it implements the concept and (...) method of iconicity, modeling this theoretical framework mathematically through category theory and topoi. Peirce's concept of iconic signs is treated in depth, and it is shown how Peirce's diagrammatic logical notation of Existential Graphs makes use of iconicity and how important features of this iconicity are representable within category theory. Alain Badiou’s set-theoretical model of truth procedures and his relational sheaf-based theory of phenomenology are then integrated within the Peircean logical context. Finally, the book opens the path towards a more naturalist interpretation of the abductive models developed in Peirce and Badiou through an analysis of several recent attempts to reformulate quantum mechanics with categorical methods. Overall, the book offers a comprehensive and rigorous overview of past approaches to iconic semiotics and abduction, and it encompasses new extensions of these methods towards an innovative naturalist interpretation of abductive reasoning. (shrink)

What and how should individuals resist in political situations? While this question, or versions of it, recurs regularly within Western political philosophy, answers to it have often relied on dyads founded upon dogmatically held ideals. In particular, there is a strain of idealist political philosophy, inaugurated by Plato and finding contemporary expression in the work of Alain Badiou, that employs dyads (such as the distinction between truth and doxa or the privilege of thought over sense) that tend to reduce the (...) complexities of practices of resistance to concepts of commitment. Although these dyads have been challenged by, amongst others, poststructuralist theorists, this has often been at the cost of losing their structuralist heritage. This thesis develops an ontology proper to structuralism that engenders non-idealist and non-dogmatic, yet ethical, practices of resistance against commitment orientated accounts of resistance and the return of classical ontological dyads. The thesis begins with an examination of the extent to which a dogmatic use of idealism grounds the work of a prominent contemporary theorist, Alain Badiou. In developing his neo-Maoist metapolitics, Badiou follows both Platonic ontology and the Marxist tradition of dialectics by claiming that political practice can only be carried out in truth by paying fidelity to an event that ruptures the presented order of things. Chapter one opens with an exploration of Badiou's mathematic meta-ontology to draw out its three foundational dyads (truth/doxa; sense/intelligibility; is/is not). It is argued that although Badiou makes important criticisms of the preponderant trends of political philosophy, he is unable to support his own account of politics due to his dogmatic reliance on idealist principles. Chapter two begins by developing two accounts: first, of the relations between Badiou's work and that of his former teacher Louis Althusser and, secondly, the relations between Althusser's thought and that of Gilles Deleuze, in particular his reading of David Hume. Discussion centres around the importance of the role that time plays within the works of all three authors, particularly in regard to the idea of the void. The chapter concludes with the argument that Hume's temporal idea of human nature is the key to a symptomatic reading of Althusser that accounts for the persistence of ideas in the latter's social theory. In chapter three, Deleuze's reading of Hume's idea of relations is developed to take into account Bergson's theory of time. Read in contrast to Quentin Meillassoux's speculative realism, the chapter argues that Deleuze's account of temporal relations informs Althusser's social theory to create the ontological grounds for non-dogmatic and non-idealist practices of resistance. These practices are developed in chapter four with an unlikely turn to John Stuart Mill's idea of genius, the metaphysical property of the individual that signifies the discovery of new truth. The chapter begins with an argument that there is an under-developed account of ethics in Deleuze's work. Distinguishing the idea of genius from both Mill's moral philosophy, as well as from utilitarian thought more generally, the idea of genius is sutured onto Deleuze's ontological account of individuation. Read alongside Althusser's social theory, which accounts for the non-idealist conceptualisation of situations, this suture creates an ethically oriented structuralist ontology. The thesis concludes with the argument that the idea of genius is the ethical imperative that motivates practices of resistance. When individuals are understood as embodied within situations, practices of resistance are conceptualised not against other components of a situation, but contra them, taking them into account in order to amplify, multiply and transform the individual's potential within a situation. (shrink)

The combination of Heideggerian metaphysics and advanced mathematics in Alain Badiou’s Being and Event presents a unique challenge to modern commentary. Badiou’s metaphysical axe-grinding makes his work uninteresting to mathematical logicians, while the humanities scholars who wield his axes often have little grasp of the mathematics on which they are supposed to have been honed. This lacuna helps to explain why Being and Event has been dismissed by some as ‘fashionable nonsense’ and praised by others as “one of the most (...) significant texts in recent European thought”. In proposing to fill this gap I offer an account of how Badiou uses mathematics as an allegorical symbolism for Heideggerian metaphysics, while simultaneously effecting a formalist transposition of this metaphysics. At the centre of this account sits a series of paradoxes that play a structuring role in Being and Event, and function as spiritual exercises for those undergoing initiation into an elite intellectual subculture. (shrink)

Review of Frank Ruda, 'For Badiou: Idealism without Idealism', Northwestern University Press, Evanston IL, 2015. xxiv + 200pp., £32.50 pb., 9780810130975.

ABSTRACTThe remarkable philosophical present-day turn to Paul pays a lot of attention to the particular role played by the famous distinctions that structure Paul’s rhetoric such as the distinction between faith and law, life and death, and spirit and flesh. These distinctions lead to the question of whether Paul endorses a dualism or not. In this essay, the author investigates Badiou’s and Agamben’s readings of Paul and asks whether one cannot find a form of dialectics rather than dualism in these (...) readings. The concept of the exception seems to corroborate this suggestion. To examine whether this suggestion makes sense, the author first discusses Badiou’s focus on the antidialectics of death and resurrection as well as the dialectical remnants in Badiou’s reading of Paul. Subsequently, the author analyses Agamben’s dialectical account of the Pauline terms katargein, chrēsis and charis. (shrink)

Contemporary French philosophy is laying fresh claim to the human. Through a series of independent, simultaneous initiatives, arising in the writing of diverse current French thinkers, the figured of the human is being transformed and reworked. -/- Christopher Watkin draws out both the promises and perils inherent in these attempts to rethink humanity’s relation to ‘nature’ and ‘culture’, to the objects that surround us, to the possibility of social and political change, to ecology and even to our own brains. This (...) comparative assessment makes visible for the first time one of the most important trends in French thought today. (shrink)

The story of eternity is not as simple as a secularization narrative implies. Instead it follows something like the trajectory of reversal in Kant’s practical proof for the existence of god. In that proof, god emerges not as an object of theoretical investigation, but as a postulate required by our practical engagement with the world; so, similarly, the eternal is not just secularized out of existence, but becomes understood as an entailment of, and somehow imbricated in, the conditions of our (...) practical existence. -/- The sections that follow discuss some of those central figures in modern European philosophy whose views prominently feature some consideration of eternity. I start with Kant in section I. Kant’s critique of speculative theology is well-known, and this hostility would appear to make it unlikely that the eternal, with all its theological baggage, would feature prominently in Kant’s critical philosophy. But in fact Kant’s transcendental idealism endorses no fewer than three different concepts of the eternal, including what turns out to be the most historically influential idea: that practical reason involves a kind of eternal, non-temporal action. Kant shifts this notion of a non-temporal act from its original theological context of god’s actus purus to a practical context, setting the stage for Schelling’s and Kierkegaard’s later development of this theme. Before detailing this trajectory however, section II is devoted to Hegel, the philosopher whose radical historicism is perhaps more than any other thinker responsible for making “the nineteenth century preeminently the historical century.”4 Hegel is not fertile soil for the concept of the eternal, but his historicism does turn out, at a crucial moment in the philosophy of nature, to presuppose a certain conception of eternity as an eternal present. Perhaps more importantly for the further development of eternity in nineteenth century thought however is that both Schelling and Kierkegaard situate their views of the eternal in the context of a collective rejection of Hegel. Section III discusses Schelling, who returns to Kant’s conception of non-temporal choice, seeing human capacities for free eternal self-creation as rivaling god’s. Such powers are required, Schelling argues, to resist the sublimation of the individual human person into the blankness of the Absolute. Section IV briefly consider Schopenhauer’s view that the in-itself of everything is an endlessly striving will. Section V concerns Kierkegaard who is strongly committed to the eternal, and indeed criticizes Hegel for compromising his conception of the eternal by thinking it temporally; but he is obsessed by the paradoxical question of our practical “access” to the eternal within a particular temporal moment: the decisive moment, imbued with significance that can turn life around and create a new person, pushing Schelling’s concerns even further. The remaining, shorter sections, present briefer accounts of more recent figures who make important use of some conception of the eternal: Nietzsche’s eternal return (section VI), Agamben’s (1942-) theory of sovereignty (section VII) and finally Alain Badiou’s unapologetic attempt to resuscitate eternity as the condition of revolutionary political change (Section VIII). I end with a concluding meditation (Section IX). (shrink)

This book collects the work of leading scholars on Alain Badiou and G.W.F. Hegel, creating a dialogue between, and a critical appraisal of, these two central figures in European philosophy.

The essay examines Alain Badiou's concept of ‘anabasis’ and its disclosure in the poetry of Paul Celan. As a conceptualisation of the process of subject formation, anabasis is read as a rejoinder to that of ‘homecoming’, found in Martin Heidegger's appropriation of Friedrich Hölderlin's poems. Following an excursus on the philosophical and the ethical stakes at the heart of these movements, the essay close-reads two of Celan's poems in order to reveal poetry's own attempts to think through trajectories of emergent (...) subjectivities in the wake of twentieth-century violence, as well as the as yet understated centrality of Celan's poetry to Badiou's wider philosophical project. (shrink)

In Logics of Worlds, Badiou claims that his concept of inexistence is similar to Derrida’s différance. This paper argues that Derrida’s double bind of possibility and impossibility, which co-constitutes and flows from the spatio-temporising that is différance, is less binary in its logic than Badiou’s notion of inexistence allows. For Badiou, time and the subject are constituted by the event, by a decision and the fidelity to a decision. He has no real sense of Derridean space: Badiou discusses space as (...) localisation, atoms, situations or the containment that is proper to any set. Derridean spatialsing stems from de Saussure and his view of the differentiation between signs and words and phrases that produces meaning. I maintain that though there may be a resemblance between the two philosophers qua what they see is unaccountable or lies closed or hidden yet conditions any given “system” or “meaning-structure,” the way they justify such accounts would suggest a greater gap than what Badiou may be prepared to concede. (shrink)

In this paper, I attempt to discuss the role played by the figure of Apostel Paul inside several texts of four authors: Heidegger, Badiou, Agamben and Žižek. My hypothesis is that Heidegger and the contemporary philosophers do not turn to Apostle Paul guided primarily or exclusively by theological interest or perspectives, yet they pose a great challenge to the religious thought. Heidegger’s return to Saint Paul has a philosophical-phenomenological aim: highlighting the carrying structures of the temporality of factic life. Badiou, (...) Agamben and Žižek are interested in Paul as a political personality, a poet-thinker of an Event, who has to enforce a universal singularity both against the current legal abstractions and against communitarian and particularistic claims. They rely on Paul when confronting the postmodernism and when examining what constitutes the political. Against the postmodern doxa, Badiou, Agamben and Žižek aim at the revitalization of the politics of universal truth. (shrink)

The rising number of non-status migrants is one of the central political issues of our time. This essay argues that if we want to understand the political and philosophical importance of this phenomenon, the contributions of Alain Badiou, his militant group L'Organisation politique, and the struggle of the sans-papiers movement in France are absolutely crucial. This is the case because, I will argue, Badiou, the OP, and the sans-papiers created a new kind of migrant justice struggle in the mid-1990s that (...) in many ways remains at the practical and theoretical roots of much of non-status migrant organizing today. However, this essay also argues that Badiou's theoretical and political work with the sans-papiers also needs to be revised and updated in light of certain developments in more recent migrant justice struggles. (shrink)