A correct observation to the effect that a does not exist, where ‘a’ is a singular term, could be true on any of a variety of grounds. Typically, a true, singular negative existential is true on the unproblematic ground that the subject term ‘a’ designates something that does not presently exist. More interesting philosophically is a singular, negative existential statement in which the subject term ‘a’ designates nothing at all. Both of these contrast sharply with a singular, negative existential in (...) which the subject term is a name from fiction. I argue that such singular, negative existential statements are false. My account of fictional characters differs significantly from Kripke’s. It is shown that an objection to my account rests on a serious misunderstanding. Finally, a crucial aspect of the account is emphasized. (shrink)

Eleven original essays discuss a range of puzzling philosophical questions about fictional characters, and more generally about fictional objects. For example, they ask questions like the following: Do they really exist? What would fictional objects be like if they existed? Do they exist eternally? Are they created? Who by? When and how? Can they be destroyed? If so, how? Are they abstract or concrete? Are they actual? Are they complete objects? Are they possible objects? How many (...) fictional objects are there? What are their identity conditions? What kinds of attitudes can we have towards them? This volume will be a landmark in the philosophical debate about fictional objects, and will influence higher-level debates within metaphysics, the philosophy of mind, and the philosophy of language. (shrink)

Why broach and challenge the question of neutrality? For some urgent reasons. The neuter is generally considered to be the condition of objectivity. However, historically, this is asserted by a subject which is masculine and not neuter. Claiming that truth and the way of reaching it are and must be in the neuter amounts to a misuse of power and a falsification of the real. Living beings are not naturally neuter; they are sexuate somehow or other. Subjecting them to the (...) neuter as a condition of their objective status transforms living beings into cultural products deprived of their own origin and dynamism, and builds a world in which the development and the sharing of life are impossible.In this book, four contributors explore this basic mistake of our culture starting from the work of Heidegger and his insistence on maintaining that our being in the world - our Dasein - must be in the neuter. They question the nature of the truth which is then at stake and the political mistakes that it can cause. It is not here a question of sexuality strictly speaking nor of sexual choice. The concern of the two men and the two women who participate in this volume is with the sexuate determination of all living beings. Is not Heidegger’s Dasein, as neutered and supposedly neutral, a kind of technical device which prevents living beings from entering into presence? If so, where might that ultimately lead? (shrink)

Our research focuses on the perception of difference in the evaluations of positive and negative options. The literature provides evidence for two opposite effects: on the one hand, negative objects are said to be more differentiated, on the other, people are shown to see greater differences between positive options. In our study, we investigated the perception of difference between fictitious political candidates, hypothesizing greater differences among the evaluations of favorable candidates. Additionally, we analyzed how positive and negative information (...) affect candidate evaluation, predicting further asymmetries. In three experiments, participants evaluated various candidate profiles presented in a numeric and narrative manner. The evaluation tasks were designed as individual or joint assessments. In all three studies, we found more differentiation between positive than negative options. Our research suggests that after exceeding a certain, relatively small level of negativity, people do not see any further increase in negativity. The increase in positivity, on the other hand, is more gradual, with greater differentiation among positive options. Our findings are discussed in light of cognitive-experiential self-theory and density hypothesis. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:150 PERCEPTIONS, OBJECTS AND THE NATURE OF MIND In this paper I consider the relation between perceptions and objects for Hume and the bearing which this has on his conception of the mind as composed of perceptions. But first it is necessary to distinguish at least two senses in which he uses the term 'object'. In the first, "perceptions of the human mind" — both impressions and (...) ideas — are referred to as "our objects" (T 1,2). Objects in this sense are intentional objects. Hume almost consistently uses the noun 'perception', rarely the verb 'to perceive'. This serves to emphasize that for him perception is an object, not the perceiving of an object — a departure from the tradition of Locke and Berkeley for whom perceptions are cognitive acts having objects. That perception is not conceived by Hume as a cognitive act or form of awareness but purely as an object of awareness is evident when he says, For since all actions and sensations of the mind are known to us by consciousness, they must necessarily appear in every particular what they are, and be what they appear. Everything that enters the mind, being in reality a perception, 'tis impossible anything shou'd to feeling appear different. This were to suppose, that even when we are most intimately conscious, we might be mistaken (T 190). 1 Or again, "The only existences, of which we are certain, are perceptions, which being immediately present to us by consciousness, command our strongest assent...." (T 212). In its other sense the term 'object' is used to denote bodies, or that to which we attribute a continued existence "distinct from the mind and perception", or, borrowing Locke's expression "external 151 objects". It is just because we attribute a continued and independent existence to bodies that we distinguish them from perceptions, for "all impressions are internal and perishing existences, and appear as such" (T 194). But while we make this distinction in our everyday role of common man, the difference between a perception and an (external) object is really only a difference between two types of perceptions, on the one hand those that are characterized in their occurrence by constancy and coherence, and on the other those, for example the passions, which exhibit a different type of "regularity" in their occurrence (T 195). The constancy and coherence which some perceptions exhibit, together with a natural tendency of the mind "to bestow on the objects a greater regularity than what is observ'd in our mere perceptions" (T 197) causes us to attribute to these perceptions an uninterrupted and independent existence, an existence which is, of course, fictitious, because all perceptions are really internal and perishing. 'Tis certain, that almost all mankind, and even philosophers themselves, for the greatest part of their lives, take their perceptions to be their only objects, and suppose, that the very being, which is intimately present to the mind, is the real body or material existence (T 206). This is not to say, however, that "what any common man means by a hat, or shoe, or stone" (T 202) he also believes to be a perception. What he does believe is that the hat or the shoe is immediately present to the mind, or directly appears to his consciousness. It is Hume, the philosopher, who is here interposing the philosophical doctrine that "no beings are ever present to the mind but perceptions" (T 212). This is, of course, not an empirical generalization. It is the definition of a perception as "whatever can be present 152 to the mind" (Abstract 647). It is this definition which gives sense to the statement "their perceptions are their only objects", the term "objects" here referring to "external objects". And the common man would, no doubt, be surprised to learn that these hats, shoes, etc., which directly appear to his consciousness, are by that circumstance really only his own perceptions which he has imagined, falsely, to have a continued and independent existence. Only a few experiments, however, are needed for the philosopher to realize that perceptions, i.e., what is present to the mind, do not have a continued and independent existence. Unable to give up his vulgar... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:150 PERCEPTIONS, OBJECTS AND THE NATURE OF MIND In this paper I consider the relation between perceptions and objects for Hume and the bearing which this has on his conception of the mind as composed of perceptions. But first it is necessary to distinguish at least two senses in which he uses the term 'object'. In the first, "perceptions of the human mind" — both impressions and (...) ideas — are referred to as "our objects" (T 1,2). Objects in this sense are intentional objects. Hume almost consistently uses the noun 'perception', rarely the verb 'to perceive'. This serves to emphasize that for him perception is an object, not the perceiving of an object — a departure from the tradition of Locke and Berkeley for whom perceptions are cognitive acts having objects. That perception is not conceived by Hume as a cognitive act or form of awareness but purely as an object of awareness is evident when he says, For since all actions and sensations of the mind are known to us by consciousness, they must necessarily appear in every particular what they are, and be what they appear. Everything that enters the mind, being in reality a perception, 'tis impossible anything shou'd to feeling appear different. This were to suppose, that even when we are most intimately conscious, we might be mistaken (T 190). 1 Or again, "The only existences, of which we are certain, are perceptions, which being immediately present to us by consciousness, command our strongest assent...." (T 212). In its other sense the term 'object' is used to denote bodies, or that to which we attribute a continued existence "distinct from the mind and perception", or, borrowing Locke's expression "external 151 objects". It is just because we attribute a continued and independent existence to bodies that we distinguish them from perceptions, for "all impressions are internal and perishing existences, and appear as such" (T 194). But while we make this distinction in our everyday role of common man, the difference between a perception and an (external) object is really only a difference between two types of perceptions, on the one hand those that are characterized in their occurrence by constancy and coherence, and on the other those, for example the passions, which exhibit a different type of "regularity" in their occurrence (T 195). The constancy and coherence which some perceptions exhibit, together with a natural tendency of the mind "to bestow on the objects a greater regularity than what is observ'd in our mere perceptions" (T 197) causes us to attribute to these perceptions an uninterrupted and independent existence, an existence which is, of course, fictitious, because all perceptions are really internal and perishing. 'Tis certain, that almost all mankind, and even philosophers themselves, for the greatest part of their lives, take their perceptions to be their only objects, and suppose, that the very being, which is intimately present to the mind, is the real body or material existence (T 206). This is not to say, however, that "what any common man means by a hat, or shoe, or stone" (T 202) he also believes to be a perception. What he does believe is that the hat or the shoe is immediately present to the mind, or directly appears to his consciousness. It is Hume, the philosopher, who is here interposing the philosophical doctrine that "no beings are ever present to the mind but perceptions" (T 212). This is, of course, not an empirical generalization. It is the definition of a perception as "whatever can be present 152 to the mind" (Abstract 647). It is this definition which gives sense to the statement "their perceptions are their only objects", the term "objects" here referring to "external objects". And the common man would, no doubt, be surprised to learn that these hats, shoes, etc., which directly appear to his consciousness, are by that circumstance really only his own perceptions which he has imagined, falsely, to have a continued and independent existence. Only a few experiments, however, are needed for the philosopher to realize that perceptions, i.e., what is present to the mind, do not have a continued and independent existence. Unable to give up his vulgar... (shrink)

At the center of both Humean and Kantian experience is a connection between the objectivity of perception and the concept of substantial identity. In the course of examining both systems as responses to structurally similar problems of perceptual objectivity, I argue that Kant's conception of substantial persistence is superior to Hume's account of the idea of identity. ;There are deep tensions in Hume's account of perception that are partially explicable in terms of his complex and naturalistic 'moderate scepticism' and the (...) conflict in the faculties of causal reasoning and imagination upon which it rests. Despite the subtlety of his explanatory scepticism, however, there remains a damaging vacillation in Hume between perceptible phenomena understood as the objects of 'vulgar' direct realism on the one hand, and as the subjective images of the causal-representationalist philosophy on the other. There are also difficulties with Hume's idea of perfect identity, the foundation of both the vulgar and philosophical systems of belief in body. Starting from an assumption of radical perceptual diversity, Hume unsuccessfully attempts to build an idea of substantial identity upon the fiction of a duration without change. ;The tension in Hume concerning the direct objects of perception is paralleled by the subjective/objective ambiguity of Kant's perceptual content terms. In Kant, however, the ambiguity reflects a coherent account of conceptualization, perceptual judgment, and self-conscious temporal experience. I examine Kant's arguments for the persistence and absolute permanence of substance and show that they are largely successful if premises are supplied from the general account of objective judgment and the unity of consciousness. ;Hume's theory of perceptual belief is ingenious but ultimately unsatisfactory according to his own criteria. His failure to construct an idea of identity upon a fictitious duration casts favorable light on Kant's contention that substantial identity is a condition on having any cognition of duration. The two philosophers' dispute concerning identity is conceptually connected to their differing treatments of the 'given' element in perception. (shrink)

There are remarkable parallels between Hume and Nagarjuna in their denial of substantiality and independence in objects and their subsequent attitude toward our ordinary world. Acknowledging a deep-rooted human tendency to take objects as independent entities, they both argue that there is nothing intrinsic in those objects that make them unitary and independent, and that those characters are, strictly speaking, merely fictitious, mental constructs. They nonetheless affirm the existence of our ordinary world as real. Although their (...) main purposes of the philosophical inquiry are different (epistemological for Hume, and soteriological for Nagarjuna), their accounts of the nature of our world allow us to accept it in the way we ordinarily believe with the deeper understanding of it. It is only in this world where we think, act, and interact with others that an epistemology grounded in human sentiment and experience (for Hume) or humans liberation (for Nagarjuna) is possible. (shrink)

The concept of totalitarianism was particularly prevalent in intellectual and political debate in Germany in the 1970s, and was motivated largely by anti-totalitarian convictions. Although it did not enter everyday language, it persists in political rhetoric, where it is used today as a political football in speeches and constitutional reports. In response to historical approaches to the concept of totalitarianism, which generally contextualise the term and put forward alternative terms, this article probes the meaning of this term as it is (...) actually used and misused in political and educational contexts in contemporary Germany. It concludes by highlighting the fictitious (figurative, semantic and epistemological) dimensions of the rhetoric of anti-totalitarianism, and calls for a more genuinely liberal, non-totalitarian, posture. (shrink)

This article focuses on documents made by the Soviet military secret service detailing the arrest, interrogation, trial and execution of Sergei Tret’iakov in Moscow in 1937. The original documents were published in Russian in 1997 as part of Return my Freedom, a collection of archival records edited by Vladimir Kolyazin that details the fate of Russian and German cultural figures who fell victim to the Stalinist terror. This record of Tret’iakov’s violent death has received little attention, even in Russia or (...) in Russian studies. The book presents facsimiles of 60 separately numbered and dated sheets containing records of Tret’iakov’s arrest and the search of his home. There are two written confessions; a first short admission of guilt and a second longer account of his supposed crimes that also claims parts of the first to be fictitious. These are followed by a transcript of his interrogation, a very brief account of his trial and the even briefer report of his execution. A historical gap separates these from documents of Tret’iakov’s official rehabilitation in 1954 which his wife, Olga Tret’iakov was instrumental in securing. Return my Freedom also contains the record of her arrest, interrogation and release in 1937. The article presents translated extracts from the official record of Tret’iakov’s interrogation and execution for the first time in English, and it explores these documents in relation to core strategies and critical commitments that shaped Tret’iakov’s influential conception of Factography. (shrink)

Those who are – in the tradition of Meinong – willing to accept the claim that there are objects that do not exist usually argue that the ontological commitment to nonexistent objects allows to resolve a variety of problems of reference and intentionality, such as: the problem of singular negative existential statements, the problem of discourse on past and future objects, the problem of discourse on fictitious objects, the problem of counterfactual existentials, the problem of (...) allegedly necessary truths on nonexistent objects (e. g., "The round square is round".) It seems that the ontological commitment to nonexistent objects enables us to explain both the obvious truth of many predicative sentences whose subject terms do not denote anything existent and the possibility of intentional acts whose objects do not exist. The aim of this paper is to show that the commitment to nonexistents does not resolve any of these problems. Furthermore, some alternative solutions are delineated. (shrink)

This article argues that bodily awareness is a basic form of self-consciousness through which perceiving agents are directly conscious of the bodily self. It clarifies the nature of bodily awareness, categorises the different types of body-relative information, and rejects the claim that we can have a sense of ownership of our own bodies. It explores how bodily awareness functions as a form of self-consciousness and highlights the importance of certain forms of bodily awareness that share an important epistemological property with (...) canonical forms of self-consciousness such as introspection. (shrink)

The general topic of this paper is the ontological commitment to so-called "fictitious objects", that is, things and characters of fictional stories, like Sherlock Holmes and Pegasus. Discourse about fiction seems to entail an ontological commitment to fictitious entities, a commitment that is often deemed inconsistent with empirical facts. For instance, "Pegasus is a flying horse" seems to entail "There are flying horses" as well as "Pegasus exists" (according to some widely accepted logical principles). I discuss two (...) solutions that have been proposed in the literature. The first one amounts to rejecting sentences like "Pegasus is a flying horse" as false, at least if they are taken at face value. This solution is called the "story operator strategy". It consists in paraphrasing sentences like "Pegasus is a flying horse" by means of the expression "according to a story" such that they are interpreted as an elliptic formulation of, e.g., "According to a story, Pegasus is a flying horse". I spell out the difficulties of the story operator strategy and opt for a realist ontology of fiction. A novel interpretation of the story operator "according to a story" is given, which is not only consistent with but even sheds new light on such a realist ontology. In particular, it is shown how the story operator can be used as a tool to introduce the so-called "modes of predication distinction" (which is an essential ingredient of many realist ontologies of fiction) in a commonsensical way. (shrink)

The aim of this book is to investigate the nature and ontological status of fictional characters on the one hand (i. e., entities like Sherlock Holmes, Hamlet, or Anna Karenina) and literary works on the other. The overall question is: What kinds of objects are fictional characters and literary works, and how are they related to our everyday world? Thomasson advocates a realist, non-reductionist theory of fictitious objects whose main principles are: Fictional characters exist – just as (...) literary works exist. Fictional characters as well as literary works are abstract objects (i. e., lack spatiotemporal location), are created (and thus contingent), are brought into existence through the intentional acts of an author, can go on existing without intentional acts of an author, and are existentially dependent objects in a variety of ways. Thomasson develops a subtle theory of ontological dependence. The review contains a detailed account of Thomasson's "artifactual theory" as well as detailed criticism of some pivotal points. While I am, in principle, sympathetic to the non-reductionist approach, I object against some of Thomasson's specific dependency claims. Furthermore, I defend so-called "Meinongian" theories of fiction against Thomasson's objections. Finally, I raise questions concerning, among other things, the relation between a literary work and its "text", the proposed identity conditions for literary works, the relation between a literary work and its (fictitious) objects. (shrink)

ARTHUR PRIOR once wrote that "philosophical discussion of the notion of existence, or being, has centred on two main problems...." One of them was the problem of what to say about the existence of fictitious objects, and the other the problem of what to say about abstract objects. Historically, however, this claim is hardly correct; for the existence of individuals that are real rather than fictitious, and concrete rather than abstract, has been at least as central (...) a topic as those mentioned by Prior. It is with the existence of such individuals that I shall be concerned in this paper. (shrink)

Many of the psychological studies carried out within virtual environments are motivated by the idea that virtual research findings are generalizable to the non-virtual world. This idea is vulnerable to the paradox of fiction, which questions whether it is possible to express genuine emotion toward a character (or event) known to be fictitious. As many of these virtual studies are designed to elicit, broadly speaking, emotional responses through interactions with fictional characters (avatars) or objects/places, the issue raised by (...) the paradox seems particularly apt. This paper assesses the extent to which the paradox of fiction constitutes a legitimate challenge to psychological research within virtual environments, and argues that any alleged conflict is in fact a product of an overly simplistic view of emotions which a more complete understanding resolves. Moreover, through a more detailed analysis of why the paradox cannot be sustained, one finds justification for the claim that emotions elicited through interactions with virtual (fictitious) objects/events are valid. However, their generalizability to the non-virtual world must still be treated with caution. (shrink)

"Philosophical discussion of the notion of existence, or being, has centered on two main problems which have not always been very clearly distinguished. First, there is the problem of what we are to say about the existence of fictitious objects, such as centaurs, dragons, and Pegasus; second, there is the problem of what we are t o say about the existence of abstract objects, such as qualities, relations, and numbers. Both problems have tempted philosophers to say that (...) there are inferior sorts of existence a s well as the ordinary straightforward sort, and they therefore often suggest that we use the word "being" to cover both kinds but restrict "existence" to "being" of the common, non-fictitious, non-abstract sort. (Sometimes the term "reality" is proposed for "existence" or for "being.") T he problems of fiction and abstraction are different, how ever, for there are both real and fictitious abstractions. For example, the integer between two and four is real, but the integer between two and three is fictitious. On the other hand, there are both concrete and abstract fictions; for example, the winged horse of Bellerophon and the integer between two and three. Accordingly, philosophers have often dealt with the two problems in quite different ways and perhaps ought to do so. While these are the two main problems, there are others, f or example, that of what we are to say of the being of objects which have not yet begun, or have now ceased, to exist. The history of this subject, moreover, has been tangled with theological issues, to which it will be necessary to refer at certain points.". (shrink)

The purpose of this article is to try to get a clearer picture of a criterion which may be used to distinguish between genuine names of objects and pseudo-names, between names of existent and non-existent objects, between facts and fictitious states of affairs. Meinong's idea of incomplete objects serves as the theoretical notion for the description of fictitious objects. The distinction between imported (immigrant) and native objects in fiction is denied and a necessary (...) connection between fictious and real objects maintained. (shrink)

In this paper, I shall examine two types of assertions in literary narrative fiction: direct assertions and those I call literary assertions. Direct assertions put forward propositions on a literal level and function as the author’s assertions even if detached from their original context and applied in so-called ordinary discourse. Literary assertions, in turn, intertwine with the fictional discourse: they may be, for instance, uttered by a fictional character or refer to fictitious objects and yet convey the author’s (...) genuine assertions. The structure of the paper is twofold. The first, descriptive part is a question–answer type of discussion in which I shall introduce general philosophical arguments against assertions in fiction and present counter-arguments to them, paving the road to my account of literary assertions. In the second, argumentative part, in turn, I shall examine the nature of literary assertions, such as their semantic and ‘aspectival’ characteristics and their peculiar illocutionary force as well as the reader’s stance toward them. (shrink)

Jeder wissenschaftlichen Theorie und jedem alltäglichen Weltbild liegen "ontologische Festlegungen" zugrunde, also Annahmen betreffend die Existenz bestimmter Gegenstände. Manchmal widersprechen implizite Existenzannahmen expliziten Überzeugungen und sind in diesem Sinne unerwünscht. Unerwünschte ontologische Festlegungen werfen unter anderem die folgenden Fragen auf: Nach welchen Kriterien kann entschieden werden, worauf jemand ontologisch festgelegt ist? Gibt es so etwas wie ein "ontologisch neutrales" Sprechen? Gibt es verschiedene "Weisen des Seins"? Wie können unerwünschte Festlegungen (etwa auf abstrakte, fiktive oder vergangene Gegenstände) vermieden werden? Welche Rolle (...) spielen dabei Paraphrasierungen, nicht-gegenständliche Deutungen der Quantifikation oder existenzfreie Logiken? Aus dem Inhalt: I. Ontologische Festlegung – 1. Was ist ontologische Festlegung? – 2. Ontologische Festlegung und Wirklichkeit – 3. Carnaps ontologischer Pragmatismus – 4. Prinzipien der ontologischen Festlegung. II. Gibt es ontologisch neutrale Äußerungen? – 1. Die Paraphrasierungsstrategie – 2. "Kontextuelle Semantik" – 3. Ist die Objektsprache ontologisch neutral? – 4. Seinsweisen. III. Ontologie und Logik – 1. Natürliche und reglementierte Sprachen – 2. Ontologisch neutrale versus gegenständliche Quantifikation – 3. Existenzfreie Logiken – 4. Ist Existenz ein Prädikat? IV. Probleme der ontologischen Festlegung – 1. Fiktive Gegenstände – 2. Das Problem der nichtexistierenden intentionalen Gegenstände – 3. Das Problem der vergangenen und zukünftigen Gegenstände – 4. Das Problem der möglichen und unmöglichen Gegenstände. (shrink)

The aim of this book is to investigate the nature and ontological status of fictional characters on the one hand (i. e., entities like Sherlock Holmes, Hamlet, or Anna Karenina) and literary works on the other. The overall question is: What kinds of objects are fictional characters and literary works, and how are they related to our everyday world? Thomasson advocates a realist, non-reductionist theory of fictitious objects whose main principles are: Fictional characters exist – just as (...) literary works exist. Fictional characters as well as literary works are abstract objects (i. e., lack spatiotemporal location), are created (and thus contingent), are brought into existence through the intentional acts of an author, can go on existing without intentional acts of an author, and are existentially dependent objects in a variety of ways. Thomasson develops a subtle theory of ontological dependence. The review contains a detailed account of Thomasson's "artifactual theory" as well as detailed criticism of some pivotal points. While I am, in principle, sympathetic to the non-reductionist approach, I object against some of Thomasson's specific dependency claims. Furthermore, I defend so-called "Meinongian" theories of fiction against Thomasson's objections. Finally, I raise questions concerning, among other things, the relation between a literary work and its "text", the proposed identity conditions for literary works, the relation between a literary work and its (fictitious) objects. (shrink)

The article investigates how and why we treat works of art as persons. From rhetoric to jurisprudence, various disciplines have dealt with the practice of attributing human features and abilities to insensate objects. The agency of works of art acting as fictitious persons is not only rec­ognized at the level of aesthetic experience, but also outside it, because there have been cases in which they were subject to legal liability. Per­sonhood is not reducible to individual human beings. However, (...) since works of art lack senses and consciousness, there is ultimately a limit to the personifying metaphor. (shrink)

Objectives: This study aimed to determine attitudinal and self reported behavioural variations between medical students in different years to scenarios involving academic misconduct.Design: A cross-sectional study where students were given an anonymous questionnaire that asked about their attitudes to 14 scenarios describing a fictitious student engaging in acts of academic misconduct and asked them to report their own potential behaviour.Setting: Dundee Medical School.Participants: Undergraduate medical students from all five years of the course.Method: Questionnaire survey.Main measurements: Differences in medical students’ (...) attitudes to the 14 scenarios and their reported potential behaviour with regards to the scenarios in each of the years.Results: For most of the scenarios there was no significant difference in the response between the years. Significant differences in the responses were found for some of the scenarios across the years, where a larger proportion of year one students regarded the scenario as wrong and would not engage in the behaviour, compared to other years. These scenarios included forging signatures, resubmitting work already completed for another part of the course, and falsifying patient information.Conclusion: Observed differences between the years for some scenarios may reflect a change in students’ attitudes and behaviour as they progress though the course. The results may be influenced by the educational experience of the students, both in terms of the learning environment and assessment methods used. These differences may draw attention to the potential but unintentional pressures placed on medical students to engage in academic misconduct. The importance of developing strategies to engender appropriate attitudes and behaviours at the undergraduate level must be recognised. (shrink)