Abstract

The purpose of this article is to try to get a clearer picture of a criterion which may be used to distinguish between genuine names of objects and pseudo-names, between names of existent and non-existent objects, between facts and fictitious states of affairs. Meinong's idea of incomplete objects serves as the theoretical notion for the description of fictitious objects. The distinction between imported (immigrant) and native objects in fiction is denied and a necessary connection between fictious and real objects maintained.