Based on a careful study of his unpublished manuscripts as well as his published work, this book explores Peirce's general theory of signs and the way in which Peirce himself used this theory to understand subjectivity.

: While the work of such expositors as Max H. Fisch, James J. Liszka, Lucia Santaella, Anne Friedman, and Mats Bergman has helped bring into sharp focus why Peirce took the third branch of semiotic (speculative rhetoric) to be "the highest and most living branch of logic," more needs to be done to show the extent to which the least developed branch of his theory of signs is, at once, its potentially most fruitful and important. The author of this paper (...) thus begins to trace out even more fully than these scholars have done the unfinished trajectory of Peirce's eventual realization of the importance of speculative rhetoric. In doing so, he is arguing for a shift from the formalist and taxonomic emphasis of so many commentators to a more thoroughly pragmaticist and "rhetorical" approach to interpreting Peirce's theory of signs. (shrink)

This book features the full scope of Susan Petrilli’s important work on signs, language, communication, and of meaning, interpretation, and understanding. Although readers are likely familiar with otherness, interpretation, identity, embodiment, ecological crisis, and ethical responsibility for the biosphere—Petrilli forges new paths where other theorists have not tread. This work of remarkable depth takes up intensely debated topics, exhibiting in their treatment of them what Petrilli admires—creativity and imagination.Petrilli presents a careful integration of divergent thinkers and diverse perspectives. While she (...) abandons hope of attaining a final synthesis or an unqualifiedly comprehensive outlook, there remains a drive for coherence and detailed integration. The theory of identity being advocated in this book will provide the reader with an aid to appreciating the identity of the theorizing undertaken by Petrilli in her confrontation with an array of topics. Her theory differentiates itself from other offerings and, at the same time, is envisioned as a process of self-differentiation.Petrilli’s contribution is at once historical and theoretical. It is historical in its recovery of major figures of language; it is theoretical in its articulation of a comprehensive framework. She expertly combines analytic precision and moral passion, theoretical imagination and political commitment. (shrink)

Leon J. Goldstein critically examines the philosophical role of concepts and concept formation in the social sciences. The book undertakes a study of concept formation and change by looking at four critical terms in anthropology , politics , and sociology.

The author of this paper explores a central strand in the complex relationship between Peirce and Kant. He argues, against Kant, that the practical identity of the self-critical agent who undertakes a Critic of reason needs to be conceived in substantive, not purely formal, terms. Thus, insofar as there is a reflexive turn in Peirce, it is quite far from the transcendental turn taken by Immanuel Kant. The identity of the being devoted to redefining the bounds of reason is not (...) that of a disembodied, rational will giving laws to itself. Nor is it that of a being whose passions and especially sentiments are heteronomous determinations of the deliberative agency in question. Rather the identity of this being is that of a somatic, social, and historical agent whose very autonomy not only traces its origin to heteronomy but also ineluctably involves an identification with what, time and again, emerges as other than this agent.A strong claim is made regarding human identity being practical identity. An equally strong claim is made regarding the upshot of Peirce's decisive movement beyond Kant's transcendental project: this movement unquestionably drives toward a compelling account of human agency. (shrink)

Peirce was a thinker who claimed that his mind had been thoroughly formed by his rigorous training in the natural sciences. But he was also the author who proclaimed that nothing is truer than true poetry. In making the case for Peirce’s relevance to issues of education, then, it is necessary to do justice to the multifaceted character of his philosophical genius, in particular, to the experimentalist cast of his mind and his profound appreciation for the aesthetic, the imaginative, and (...) the metaphorical in their myriad guises. My aim in this paper is to go some distance, however small, toward doing such justice to Peirce. (shrink)

The central preoccupation of Peirce and Polanyi was to undertake an inquiry into inquiry, one in which the defining features of our heuristic practices stood out in bold relief. But both thinkers were also concerned to bring into sharp focus the deep affinities between our theoretical pursuits and other shared practices. They were in effect sketching a portrait of the responsible inquirer and, by implication, that of the responsible agent more generally. This essay is, in structure, a series of études (...) for how we might reconstruct that portrait, since there is no extended treatment in the writings of either author of these central figures . It is accordingly a preliminary study, though in some particulars a detailed one. Its ultimate aim is to join—and thereby to invite others to join—Peirce and Polanyi as inquirers into the very nature of inquiry itself. (shrink)

: The author of this paper explores a central strand in the complex relationship between Peirce and Kant. He argues, against Kant (especially as reconstructed by Christine Korsgaard), that the practical identity of the self-critical agent who undertakes a Critic of reason (as Peirce insisted upon translating this expression) needs to be conceived in substantive, not purely formal, terms. Thus, insofar as there is a reflexive turn in Peirce, it is quite far from the transcendental turn taken by Immanuel Kant. (...) The identity of the being devoted to redefining the bounds of reason (for the drawing of such bounds is always a historically situated and motivated undertaking) is not that of a disembodied, rational will giving laws to itself. Nor is it that of a being whose passions and especially sentiments are heteronomous determinations of the deliberative agency in question. Rather the identity of this being is that of a somatic, social, and historical agent whose very autonomy not only traces its origin to heteronomy but also ineluctably involves an identification with what, time and again, emerges as other than this agent. A strong claim is made regarding human identity being practical identity (practical identity being understood here as the singular shape acquired by a human being in the complex course of its practical involvements, its participation in the array of practices in and through which such a being carries out its life). An equally strong claim is made regarding the upshot of Peirce's decisive movement beyond Kant's transcendental project: this movement unquestionably drives toward a compelling account of human agency. (shrink)

One criticism of pragmatism, forcefully articulated by Stanley Cavell, is that pragmatism fails to deal with mourning, understood in the psychoanalytic sense as grief-work (Trauerarbeit). Such work would seemingly be as pertinent to philosophical investigations (especially ones conducted by pragmatists) as to psychoanalytic explorations. Finding such themes as mourning and loss in R. W. Emerson's writings, Cavell warns against assimilating Emerson's voice to that of American pragmatism, especially Dewey's instrumentalism, for such assimilation risks the loss or repression of Emerson's voice (...) in not only professional philosophy but also American culture. While granting Emerson's distinctive voice, this essay argues that the way Cavell insists on differences problematically represses recognition of the Emersonian strains in Dewey's own philosophical voice. In doing so, Cavell falsely flattens the resounding depth of Dewey's philosophical voice and narrows the expansive range of pragmatic intelligence. But Dewey all too often lends himself to such a misreading, for his writings at once repress and embody the strains of a distinctively Emersonian voice. (shrink)

Both Dewey and Bourdieu emphasize the extent to which human practices are inherited practices, and the extent to which inheritance is a function of imitation. Affinities between Dewey's concept of habit and Bourdieu's notion of habitus are explored. This essay focuses on four variations on the theme of doing the done thing: philosophers doing philosophy in a recognizable form , nations perpetuating war as the unwitting enactment of a repetition compulsion, cultures fostering such democratic practices as communal deliberation, and simply (...) the done thing as an integral part of human practices. (shrink)

There are various reasons for taking a second look at anything at all. One reason is to discern aspects which have been overlooked; another frequently related reason is to reappraise the value or relevance of whatever is being reconsidered. A thing might be deemed worthless or negligible because some feature or set of features has been overlooked. And this way of conceiving the thing might become so familiar, so entrenched, that it powerfully, because subtly, works against alternative conceptions. In certain (...) intellectual circles, for example, the critiques of religion have become so familiar that the religious hypothesis is not a “living option.” As John Dewey noted, familiarity is more likely to breed credulity than contempt: We take the familiar conception, containing its implicit evaluation, as worthy of our belief, simply because it is familiar. Thus, a second look undertaken from a fresh perspective is ordinarily most promising; for it is most likely to bring into focus overlooked facets and unsuspected relevancies of familiar topics. (shrink)

Questo saggio offre un ritratto pragmatista del sé e dunque una descrizione che parte dalla premessa per cui il sé è anzitutto un attore sociale incarnato, situato, che possiede la capacità di un’effettiva autocritica. Così, oltre a evidenziare il ruolo dell’azione, l’autore sottolinea anche quello della socialità e della riflessività. A differenza di molti ritratti abbozzati da altri autori pragmatisti, quello presente cerca di rendere una più completa giustizia alla dimensione «interiore» della soggettività umana, soprattutto attraverso la costruzione dell’interiorità come (...) riflessività (il rapporto del sé con se stesso). (shrink)

While the work of such expositors as Max H. Fisch, James J. Liszka, Lucia Santaella, Anne Friedman, and Mats Bergman has helped bring into sharp focus why Peirce took the third branch of semiotic to be "the highest and most living branch of logic," more needs to be done to show the extent to which the least developed branch of his theory of signs is, at once, its potentially most fruitful and important. The author of this paper thus begins to (...) trace out even more fully than these scholars have done the unfinished trajectory of Peirce's eventual realization of the importance of speculative rhetoric. In doing so, he is arguing for a shift from the formalist and taxonomic emphasis of so many commentators to a more thoroughly pragmaticist and "rhetorical" approach to interpreting Peirce's theory of signs. (shrink)

This response affirms the content of the previous two articles but is focused on highlighting some features of Polanyi’s and Langer’s philosophies they do not emphasize. The rise of knowledge and trajectory of meaning Polanyi and Langer describe may be seen as incorporating a complex, innovative process of acknowledgment – of tradition, social norms, previous experience, and personal commitments of which one may not even be aware – for which one is responsible.

Gestures are arguably the most pervasive, primordial, and generative of signs. This partly explains why the failure or refusal to gesture in certain ways, in certain circumstances, carries more weight than would seem otherwise comprehensible. Stanley Cavell attends to not only the importance of acknowledgment but also how our failures to acknowledge others amount to nothing less than an “annihilation of the other”. What account of gestures would begin to do justice to the power of such failures to wound humans (...) so deeply? Of course, it is possible to argue that those who are wounded by such slights are hypersensitive. But, given the weight of our experience, this goes only a very short distance toward illuminating the phenomena under consideration. Drawing upon Peirce’s theory of signs, this paper offers a sketch of gestures of acknowledgment, paying close attention to why our failures or refusals to acknowledge others are so powerful. (shrink)

: This paper both elaborates and interrogates the transactional model of human experience at the center of Shannon W. Sullivan's Living Across and Through Skins. In particular, it highlights the need (especially given her concerns and commitments) to supplement her account with a psychoanalytic reading of our gendered subjectivities. Moreover, it stresses the necessity to focus on such humanly important—and irreducibly somatic—phenomena as grief and eros.

This paper begins as a methodological musement inspired by a suggestion made by C. S. Peirce to William James. It takes his intellectual life as a complex affair displaying a creative tension between what, on the surface, appear to be exclusive impulses. On the one hand, there is the drive to attain the highest level of conceptual clarity humanly possible. This is of course evident in his pragmatism. On the other, there is his seeming dalliance with concepts so vague as (...) to be possibly not concepts at all. His lifelong devotion to articulating a categoreal scheme is the most telling example of this intellectual propensity. In this paper, following Peirce’s example with respect to his interest in his categories, then, the author gives himself over to the intimations of intelligibility conveyed by the expression “the music of meaning”. From this musing, he then claims more solid ground by offering an explication of Peirce’s theory of interpretants as the place where that theorist’s account of meaning is to be found. Ultimately, he tries to draw together what has emerged, first, in his methodological musement and, then, in subsequent discussions—his three main topics: music, that mysterious form of time; time, that mysterious form of Being; and meaning. (shrink)

This volume grew out of a conference held in 2016 at the Claremont School of Theology, while the conference itself grew out of "innovative conversations between philosophers, Erin Manning and Brian Massumi, and process philosophers, Roland Faber and Michael Halewood". Its title in effect conjoins a Whiteheadian conception of propositions and a Jamesian understanding of "things.". As such, a proposition is set forth on behalf of "a collectivity...

George Santayana was not only a poet but also a philosopher whose style, concerns, and even positions drew in his own time and continues to draw in ours the attention of poets and, more broadly, literary authors. He was, in short, a poet's philosopher. In so characterizing Santayana, however, there is no slight of his strictly philosophical achievement. The philosophical finesse with which he treated complex topics is, indeed, nowhere more evident than in his rigorous analysis of poetic utterance. The (...) author of this essay explores Santayana's nuanced account of poetic utterance and, then, interprets Santayana's own literary accomplishments, including his philosophical writings, in light of this account. Given the attention which Angus Kerr-Lawson has paid to the rhetorical strategies and literary qualities of this singular philosopher, it is fitting to contribute such an essay to an issue in his honor. (shrink)

C. S. Peirce’s writings are instructive in a number of ways, not least of all for how they, in part despite themselves, assist us in conceiving what he was so strongly disposed to disparage, literary discourse. He possessed greater linguistic facility and deeper literary sensibility than he appreciated, though a militantly polemical identity helped to insure he left this facility undeveloped and this sensibility unacknowledged.2 For this and other reasons, a study of Peirce as a writer is worthwhile. It is (...) likely to prove more fruitful than he would have expected. The present essay is only a preliminary study of what would need much... (shrink)

After disambiguating the word, the author explores the blues primarily not as a genre of music but as a sensibility or orientation toward the world. In doing so, he is taking seriously suggestions made by a host of writers, most notably, Ralph Waldo Ellison, Amiri Baraka, James Baldwin, and Cornel West. As such, the focus is on the blues as an extended family of somatic practices bearing upon expression. At the center of these practices, there is in the blues always (...) the patient yet exuberant work of giving articulate form to our impatience for human freedom. But here the distinction between practices of emancipation, by which a people throws off their political domination, and practices of freedom, by which they tirelessly work to make their freed self truly their own, is crucial. In this, the author is guided by an insight provided by Toni Morrison’s Beloved: “Freeing yourself was one thing; claiming ownership of that freed self was another”. As “an art of ambiguity”, the blues turns out to be also an art of ambivalence: the task of claiming ownership of one’s freed self is one demanding, not only learning to live with irreducible ambiguity but also working toward “an achievement of ambivalence”. (shrink)