The Disinterested Witness is a detailed, contextual, and interpretive study of the concept of saksin (or that which directly or immediately perceives) in Advaita Vedanta, and a fascinating and significant comparison of the philosophies of ...

While he was in the employ of the Elector of Mainz, between 1668 and 1671, Leibniz produced a series of important studies in natural law. One of these, dated between 1670 and 1671, is especially noteworthy since it contains Leibniz's earliest sustained attempt to develop an account of justice. Central to this account is the notion of what Leibniz would later come to call `disinterested love', a notion that remained essentially unchanged in Leibniz's work from this period to the end (...) of his life. Through his notion of disinterested love, Leibniz sought to resolve the supposed conflict between self- and other-regarding motives. For a variety of reasons, many commentators have failed to understand the basis of Leibniz's proposed resolution. My purpose in the present paper is to clarify the terms in which Leibniz effected this resolution, as well as to point out important developments in his later thought concerning the relation between pleasure, good, and happiness. (shrink)

The conception of disinterested pleasure is not only central to Kant’s theory of beauty but also highly influential in contemporary philosophical discourse about beauty. However, it remains unclear, what exactly disinterested pleasure is and what role it plays in experiences of beauty. This volume sheds new light on the conception of disinterested pleasure from the perspectives of both Kant scholarship and contemporary aesthetics. In the first part, the focus is on Kant’s theory of beauty as grounded on the conception of (...) disinterested pleasure. In the second part, disinterested pleasure is investigated in the light of contemporary debates on beauty. The third part is dedicated to the relation of theories of disinterested pleasure to the meta-aesthetical debate between realism and anti-realism. The volume clarifies the meaning, role, and implications of one of the most influential conceptions in traditional as well as contemporary approaches to beauty. (shrink)

In Kant’s ethics, disinterest is derived from the concept of the categorical imperative and is taken to be the condition of the possibility of all moral actions. Schopenhauer, by contrast, treats disinterest as a necessary but insufficient condition for morality, and severs it from its ties to the categorical imperative. Disinterest, for Schopenhauer, leads to the concept of compassion, which he praises as the sole ground of all morality. But compassion seems fundamentally opposed to disinterest, since (...) it involves taking an active interest in someone else’s plight: a consideration not really treated in Kant. In this paper, I tackle the problem of reconciling compassion, in Schopenhauer, with the criterion of disinterest that he inherits from Kant. I also take up the challenge of explaining compassion’s altruistic tendency to act for another’s well-being if we take Schopenhauer’s determinism at face value, and acknowledge that human actions are fundamentally egoistic. (shrink)

In this article, I aim to interpret and contextualize Heidegger’s short interpretation of Kant’s Critique of the Power of Judgement. I provide a more accurate picture of Heidegger’s interpretation of Kant, showing that his reading is both appreciative and original, if speculative. I argue that Heidegger’s analysis of Kant’s aesthetics is surprisingly at odds with his general characterization and criticism of modern aesthetics. The latter can be captured by two basic theses—art is determined by a subject’s experience and art reveals (...) metaphysical truth—but neither of these theses applies to Heidegger’s Kant. Instead, Heidegger understands Kant and the third Critique’s notions of disinterestedness and purposiveness as sources of insight, offering an interpretation of Kantian disinterestedness as analogous to his own notion of ‘letting be’. The seeming inconsistency between Heidegger’s general story and his interpretation of Kant is revealing of Heidegger’s twofold use of history, as allowing for a diagnosis of the present, as well as positive inspiration for a future aesthetics. (shrink)

Moritz Geiger developed an original phenomenological account of the splitting of the Ego in two papers, written in 1911 and 1913. Husserl read the 1911 paper as he was working on preliminary manuscripts to Ideas I. The first part of Husserl’s comments focused precisely on the splitting of the Ego. In this paper I will answer three questions: What is the historical-philosophical context of Geiger’s and Husserl’s discussion on the splitting of the ego? What are the phenomenological features of the (...) splitting of the ego? What is the relevance of Geiger’s account of the splitting of the ego, for the further development of Husserl’s phenomenology? Reading Geiger was, indeed, the first occasion in which Husserl started to develop his own phenomenological account of the splitting of the ego. This will prove itself to be crucial for his mature analyses on the phenomenological reduction, as Husserl will distinguish more clearly between reflection and splitting of the ego. (shrink)

The current economic crisis arose in large part from financial activities in which capital was practically and logically alienated from real economy. This essay examines the exploitative logic of modern finance while considering two alternative models—microfinance and Islamic banking. These models will be considered against the backdrop of medieval arguments over usury, notably the debates between Franciscans and Dominicans surrounding the lending institutions known as monti di pietà. While noting that either model is decidedly preferable to current normative banking practices, (...) this essay argues for the interest-free logic of Islamic finance against the logic of usury insofar as usury lends itself to a double alienation—of lender from borrower and of profit from value. (shrink)

: Although Kant holds that the universal communicability of aesthetic judgments logically follows from the disinterested character of the pleasure upon which they are based, Kant’s emphasis on the a priori validity of judgments of beauty can be viewed as a rebuttal of the kind of empiricist arguments that Burke offers to justify the social nature of the experience of beauty. I argue that the requirement of universal communicability is not a mere addition to the requirement of universal validity and (...) is far more relevant to an adequate characterisation of the beautiful than has customarily been assumed. I further argue that the ‘exemplary necessity’ of pure judgments of taste, if understood correctly, reveals beauty’s primordial social significance, enabling us to become alive to a profound universal solidarity among aesthetic subjects. (shrink)

Jane Heal; VI*—The Disinterested Search for Truth, Proceedings of the Aristotelian Society, Volume 88, Issue 1, 1 June 1988, Pages 97–108, https://doi.org/10.10.

It is important in its own right to determine what conception of mutual disinterest Rawls has in mind at the various junctions in the text. Furthermore, disambiguating this notion counters a common objection that there is no reason to accept principles of justice that are chosen by rational egoists. The persons in Rawls' OP are not rational egoists. Rather, in identifying with the token persons in society they make the actual interests of the token persons into their ends and (...) they know that they are choosing principles of justice for a society in which moderate selfishness reigns. But this is very remote from stipulating a selfish disposition for the persons in the OP. Hence, the objection is contingent on a natural misreading of Rawls' notion of mutual disinterest and can be readily dispelled by disambiguating this notion into a motivational and an epistemic constraint on the OP. (shrink)

Many recent aestheticians have criticized the notion of disinterest. The aestheticians in question take the notion to have a vaguely Kantian pedigree. And in attacking this notion, they think of themselves as attempting to remove a cornerstone of Kant’s aesthetics. This procedure is hardly likely to be effective if what they attack bears little resemblance to Kant’s original notion. In this brief note, I want to show how far these anti-Kantian aestheticians have missed their mark.

Among the infinitude of nature’s various forms, precisely what should we aesthetically appreciate? And supposing we come to achieve such discernment, how should we properly appreciate the aesthetic qualities we thereby find? To address these questions, Carlson has argued that the aesthetic appreciation of nature ought to be guided by scientific insight. In response, non-cognitivists have levelled criticism and suggested alternatives, yet Carlson’s (2009) scientific cognitivism remains the best-argued approach to nature appreciation in the field. One non-cognitivist position that Carlson (...) rejects—although much too quickly—is Berleant’s (1985) engagement model. The purpose of this paper is to modify and revive that model. Specifically, I will argue that genuine engagement requires a particular form of disinterest. The result is a non-cognitivist approach to the aesthetic appreciation of nature, stronger than the extant alternatives. (shrink)

For scientific knowledge to be trustworthy, it needs to be dissociated from material interests. Disinterested research also performs other important non-instrumental roles. In particular, academic science has traditionally provided society with reliable, imaginative public knowledge and independent, self-critical expertise. But this type of science is not compatible with the practice of instrumental research, which is typically proprietary, prosaic, pragmatic and partisan. With ever-increasing dependence on commercial or state funding, all modes of knowledge production are merging into a new, ‘post-academic’ research (...) culture which is dominated by utilitarian goals. Growing concern about conflicts of interest is thus a symptom of deep-seated malaise in science and medicine. (shrink)

I argue that Nietzsche’s criticism of the Kantian theory of disinterested pleasure in beauty reflects his own commitment to claims that closely resemble certain Kantian aesthetic principles, specifically as reinterpreted by Schiller. I show that Schiller takes the experience of beauty to be disinterested both (1) insofar as it involves impassioned ‘play’ rather than desire-driven ‘work’, and (2) insofar as it involves rational-sensuous (‘aesthetic’) play rather than mere physical play. In figures like Nietzsche, Schiller’s generic notion of play—which is itself (...) influenced by Kant’s claim that aesthetic pleasure is orthogonal to desire-satisfaction—becomes decoupled from his (further) Kantian view that aesthetic play essentially involves a harmony of sensuous receptivity and rational spontaneity. The result, I suggest, is a self-standing opposition between desires and passions. This motivates a recognizably Romantic vision of aesthetic disinterestedness, as freedom from desire realized in a state of creative determination by passion. (shrink)

It has been not atypical for commentators to argue that Aristotelian friendship features disinterested concern for others, that is, concern for others that is completely independent of one's own happiness. Often, the relevant commentators point to some normative features of Aristotelian friendship, wishing goods for the other's sake and loving the other for herself, where these are assumed to be disinterested. While the disinterested interpretations may be correct overall, I argue that wishing goods for the other's sake and loving the (...) other for herself constitute a dubious foundation for disinterested interpretations. For wishing goods for the other's sake does not involve a reason for action on the other's behalf, and the primary point of loving the other for herself is the role of the other in facilitating one's own happiness, specifically conceived of by Aristotle in terms of one's own virtuous activity. (shrink)

Death and the Disinterested Spectator examines the nature of philosophy in light of philosophy's claim to be a preparation for death.

In January 2001 I received a letter from Jacques Derrida. The letter was a response to an article I had written about the concept of disinterest. What I did not know at the time was that he was in the midst of his seminar on the death penalty, which includes his most sustained interrogation of disinterest and interest. This essay examines the history of disinterest as a death penalty. Derrida challenges the possibility of such a history, arguing (...) both for the madness of disinterest and the tenacity of another kind of interest. The essay also addresses Derrida’s letter and the problem of taking an interest in the interests of the other, of the right to interest, not least in Derrida’s own interests. (shrink)

Plotinus' recognises the possibility of conflict between self-referential aims and the good of the kosmos. His solution resembles closely one attributed sometimes to the Stoics. The inner reformation Plotinus proposes will yield a detached understanding of the whole universe. This view is accompanied by a realisation that one's happiness lies in functioning as a part of the whole and in contributing to the perfection of the universe. Other-regard cannot, therefore, be seen as altogether missing from neoplatonic ethics. What gives Plotinus' (...) ethics an agent-centred spin is its emphasis on how this state can be attained. Promoting the self's true well-being by an inward turn is the only means to an understanding of what is good simpliciter. (shrink)

Of the six sections composing «The Methodology of Posive Economics», the first one («The Relation between Positive and Normative Economics») is apparently the less discussed in the F53 literature, probably as a result of being the shortest one and the less relevant for the realism issue, all at once. In view of Milton Friedman’s subsequent career as a political preacher, it seems difficult not to wonder whether this first section ruled it the way the other five directed Friedman’s scientific performance. (...) After all, the role of prediction in defining positive economics was already advanced therein: when an economist predicts, her results are «independent of any particular ethical position or normative judgments». This is also why positive economics is a politically relevant discipline: as long as the differences about economic policy –among disinterested citizens– derive only from different predictions about the economic consequences of taking action, these differences could be eliminated by the progress of positive economics. Our plan in this paper is to present, in the first place, the role of political motivations in the development of Friedman’s methodological stance. As we will discuss in §2, Friedman was involved in the policy-making process right from the beginning of his professional career, and could experience at first hand the relevance of economic predictions in generating a consensus not only among politicians or the public opinion, but among the profession itself. Conversely, Friedman could also appreciate how difficult was to reach a consensus on a particular policy when the economists disagreed on its practical consequences. In this respect, as we will see, «The Methodology» attempted at guaranteeing the political efficiency of economic research. However, the sociological turn in science studies suggests to question on what basis can we deem a prediction neutral. Is it simply that economists produce these positive predictions disinterestedly, even while deeply engaged in political debates? In §3, we analyse how Friedman himself produced predictions immediately before «The Methodology» was drafted, and how this procedure lies at the core of his Marshallian approach, which he contrasted to the Walrasian strategy on the grounds of its higher political relevance.. (shrink)

The aim of this article is to point out that attentional practices don’t simply overlap with control and action/reaction dynamics; they are also strictly connected to non-productivity, non-instrumentality, disinterestedness, contemplation as performative inactivity. Disinterested attention (a definition formulated by Bence Nanay) and free-floating attention help to better understand the apparently seamless and unproblematic transition from passive spectator to active participant/agent of contemporary art. If considering attention in relation to executive functions (planning and organizing our experience in the world we live (...) in) could be persuasive, a self-evident definition of attention strictly considered as “selection for action” is less convincing, and the weakness of this connection becomes clear when goal-oriented attitude is pushed into the background. Attention is often researched into to improve our performances and to overcome the inevitable “blind spots”: experiencing art is about a different way of paying attention, that is fluctuating, “suspended,” fragmented. (shrink)

Hannah Arendt insisted that citizens should approach politics from a position of disinterest. By this she meant that people should not distort politics by entering it only to benefit their own private good. She refused to condone a politics of competition of interest groups. This approach would seem to be a helpful antidote to many political situations in African countries which have become notorious for blatant use of the political realm to amass private fortunes or to shower gifts on (...) one's own ethnic group to the detriment of others. However, Arendt's approach has also been charged with elitism, since she rejects the poor classes' demand for bread as unallowable manipulation of the public realm for private advancement. In addition some feminists have argued that neutral "disinterest" is an unachievable and in fact wrongheaded goal. The article takes the criticisms into consideration and outlines what aspects of Arendt's insights can still be helpful in the African political context. (shrink)

Levinas’s so-called ‘Eurocentric’ statements still remain a source of puzzlement. In this article, I reconstruct his own account of what it means to be disinterested, focusing on what I call motivational purity, and justified context transcendence. I then perform an immanent critique of his position. I demonstrate 1) if taken on its own terms, Levinas’s account of is self-defeating; 2) the will and concept in fact show up in Levinas’s positive description of ethical selfhood, such that his account of is (...) ultimately question-begging. I conclude by drawing out the consequences these internal problems hold for both Levinas’s chauvinist statements and his overall philosophy. (shrink)

A notorious concept in the history of aesthetics, “disinterest,” has begotten a host of myths. This paper explores and challenges “The Myth of the Absent Self ” [MAS], according to which in disinterested experience, “the subject need not do anything other than dispassionately stare at the object, bringing nothing of herself to the table other than awareness” (Riggle 2016, p. 4). I argue that the criticism of disinterest experience grounded in MAS is skewed by two false assumptions: about (...) the nature of the clarifying, evaluative, and transformative self-consciousness (which the disinterest critic takes to be at the heart of the profundity of beauty) and about the nature of the self. By bringing out the falsehood of these two assumptions, and by clarifying the core commitments of disinterest, the paper proves that the disinterest critic is in no superior position to the disinterest advocate regarding the explanation of the profound role of beauty in human life. (shrink)

Contemporary philosophical attitudes toward beauty are hard to reconcile with its importance in the history of philosophy. Philosophers used to allow it a starring role in their theories of autonomy, morality, or the good life. But today, if beauty is discussed at all, it is often explicitly denied any such importance. This is due, in part, to the thought that beauty is the object of “disinterested pleasure”. In this paper I clarify the notion of disinterest and develop two general (...) strategies for resisting the emphasis on it, in the hopes of getting a clearer view of beauty’s significance. I present and discuss several literary depictions of the encounter with beauty that motivate both strategies. These depictions illustrate the ways in which aesthetic experience can be personally transformative. I argue that they present difficulties for disinterest theories and suggest we abandon the concept of disinterest to focus instead on the special kind of interest beauty fuels. I propose a closer look at the Platonic thought that beauty is the object of love. (shrink)

According to Alain Badiou, truth’s existence is not dependent upon philosophy because philosophy itself is not a creator of truth. Badiouan thought submits philosophy to the universe of truth through the mediation of truth procedures. Badiou names these procedures love, politics, art and science. In contrast, the instinctual reason of democratic materialism, which Badiou defines as the partnership between parliamentary democracy and neo-liberal pragmatism, replaces love with physical beauty, politics with technical power, art with a marketable talent and science with (...) a competitive genius. These replacements also correspond to post-truth. This article contrasts the concept of “disinterested interest” in Badiou’s truth procedures with “self-interest” reigning over democratic materialism’s reality procedures. Following Badiou, I explain how “self-interested interest” reproduces the human-animal’s instinctual reason, which triggers post-truth politics. Commitment to truth in a post-truth era therefore cannot be sustained by appealing to democratic materialism’s manipulated knowledge but must be guided by disinterested interest. The article argues that knowledge cannot be an antidote to post-truth because democratic materialism often uses knowledge as an instrument or sometimes as a control mechanism, to strengthen the position of post-truth in many circumstances. (shrink)