45 found
Order:
  1.  5
    The sublime in Schopenhauer's philosophy.Bart Vandenabeele - 2015 - New York: Palgrave-Macmillan.
    The Sublime in Schopenhauer's Philosophy transforms our understanding of Schopenhauer's aesthetics and anthropology. Bart Vandenabeele breaks new ground by providing what is probably the first monograph to be devoted exclusively to Schopenhauer's theory of the sublime. The book focuses on Schopenhauer's conception of the sublime and how it relates to the individual and its attitude towards life. The author explores in unusual depth Schopenhauer's relation to Kant, whose follower and critic he was, and shows how Schopenhauer's aesthetic theory moves beyond (...)
    Direct download  
     
    Export citation  
     
    Bookmark   3 citations  
  2.  47
    A Companion to Schopenhauer.Bart Vandenabeele (ed.) - 2011 - Malden, MA: Wiley-Blackwell.
    _A Companion to Schopenhauer_ provides a comprehensive guide to all the important facets of Schopenhauer’s philosophy. The volume contains 26 newly commissioned essays by prominent Schopenhauer scholars working in the field today. A thoroughly comprehensive guide to the life, work, and thought of Arthur Schopenhauer Demonstrates the range of Schopenhauer’s work and illuminates the debates it has generated 26 newly commissioned essays by some of the most prominent Schopenhauer scholars working today reflect the very latest trends in Schopenhauer scholarship Covers (...)
    Direct download  
     
    Export citation  
     
    Bookmark   4 citations  
  3. Schopenhauer, Nietzsche, and the Aesthetically Sublime.Bart Vandenabeele - 2003 - Journal of Aesthetic Education 37 (1):90.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.1 (2003) 90-106 [Access article in PDF] Schopenhauer, Nietzsche, and the Aesthetically Sublime Bart Vandenabeele Much has been written on the relationship between Arthur Schopenhauer and Friedrich Nietzsche. Much remains to be said, however, concerning their respective theories of the sublime. First, I shall argue against the traditional, dialectical view of Schopenhauer's theory of the sublime that stresses the crucial role the sublime plays (...)
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  4. Schopenhauer on the Values of Aesthetic Experience.Bart Vandenabeele - 2007 - Southern Journal of Philosophy 45 (4):565-582.
    In this essay, I argue that Schopenhauer's view of the aesthetic feelings of the beautiful and the sublime shows how a “dialectical” interpretation that homogenizes both aesthetic concepts and reduces the discrepancy between both to merely quantitative differences is flawed. My critical analysis reveals a number of important tensions in both Schopenhauer's own aesthetic theory—which does not ultimately succeed in “merging” Plato's and Kant's approaches—and the interpretation that unjustly reduces the value of aesthetic experience to a merely preliminary stage of (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   5 citations  
  5. Schopenhauer on Aesthetic Understanding and the Values of Art.Bart Vandenabeele - 2008 - European Journal of Philosophy 16 (2):194-210.
    The article explores German philosopher Arthur Schopenhauer's view on aesthetics and the values of art. It contends that some important aspects of Schopenhauer's discussion of tragedy indicate that the theory that the value of art is deductible to the aesthetic pleasure it affords is inadequate. Moreover, it claims that Schopenhauer attaches great importance to the distinction between concept and idea. It also asserts that Schopenhauer's account of aesthetic experience is inspired by Plato's ideas.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  6. The subjective universality of aesthetic judgements revisited.Bart Vandenabeele - 2008 - British Journal of Aesthetics 48 (4):410-425.
    When we are touched by the beauty of something, we cannot help judging that the experienced feeling of pleasure ought to be shared by others. In Kantian terms, a pure judgement of taste requires or demands everyone else's assent. I examine some of the major intricacies of Kant's account and aim to correct some distorted views of it. I argue that the autonomy (or ‘heautonomy’) of the judgement of taste is not presupposed but made possible by the modal requirement as (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  7.  11
    Aesthetic Disinterestedness in Kant and Schopenhauer.Bart Vandenabeele - 2020 - Estetika: The European Journal of Aesthetics 49 (1):45.
  8.  77
    On the Notion of "Disinterestedness": Kant, Lyotard, and Schopenhauer.Bart Vandenabeele - 2001 - Journal of the History of Ideas 62 (4):705-720.
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 62.4 (2001) 705-720 [Access article in PDF] On the Notion of "Disinterestedness": Kant, Lyotard, and Schopenhauer Bart Vandenabeele The strange thing, on looking back, was the purity, the integrity, of her feeling for Sally. It was not like one's feeling for a man. It was completely disinterested, and besides, it had a quality which could only exist between women, between women just grown (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  9.  74
    The Sublime in Art: Kant, the Mannerist, and the Matterist Sublime.Bart Vandenabeele - 2015 - Journal of Aesthetic Education 49 (3):32-49.
    Numerous contemporary artworks are found repellent, even by genuine art lovers, either because they deliberately derange our perception and imagination by an abundance of incoherent representations and stimuli or because they demand that we value seemingly nonsensical objects or all kinds of disgusting materials. Installations, collages, and so-called unassisted ready-mades especially cannot count on too much appreciation, unless the artists in question are sufficiently supported by clever managers who reduce their work to commodities, which then serve merely as illustrations of (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  10. Beauty, Disinterested Pleasure, and Universal Communicability: Kant’s Response to Burke.Bart Vandenabeele - 2012 - Kant Studien 103 (2):207-233.
    : Although Kant holds that the universal communicability of aesthetic judgments logically follows from the disinterested character of the pleasure upon which they are based, Kant’s emphasis on the a priori validity of judgments of beauty can be viewed as a rebuttal of the kind of empiricist arguments that Burke offers to justify the social nature of the experience of beauty. I argue that the requirement of universal communicability is not a mere addition to the requirement of universal validity and (...)
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  11.  6
    Schopenhauers pessimisme, de esthetische contemplatie en de waarde van de kunst.Bart Vandenabeele - 2023 - Algemeen Nederlands Tijdschrift voor Wijsbegeerte 115 (4):377-390.
    Schopenhauer’s pessimism, aesthetic contemplation and the value of art According to Schopenhauer, the aesthetic contemplation of art temporarily offers some kind of redemption: art is valuable because of its liberating effect on the spectator’s will, i.e. his or her urges, strivings and desires. He also acknowledges that works of art have cognitive value, since they offer insight into timeless Platonic Ideas. I argue that Schopenhauer is right to acknowledge the cognitive value of art, but that his aesthetic Platonism is flawed (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  12.  12
    Schopenhauer and the Objectivity of Art.Bart Vandenabeele - 2012 - In A Companion to Schopenhauer. Oxford, UK: Wiley‐Blackwell. pp. 219–233.
    This chapter contains sections titled: Will‐Lessness, Science and Art Art, Objectivity and Death Objective Knowledge of (Platonic) Ideas Tragic Art, Concerned Individuals and the Objective Stance The Objectivity of Art and the Abolition of the Self Note References Further Reading.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  13.  6
    Seduction, Community, Speech: A Festschrift for Herman Parret.Frank Brisard, Herman Parret, Michael Meeuwis & Bart Vandenabeele - 2004 - John Benjamins.
    This volume unites various contributions reflecting the intellectual interests exhibited by Professor Herman Parret (Institute of Philosophy, Leuven), who has continued to observe, and often critically assess, ongoing developments in pragmatics throughout his career. In fact, Parret's contributions to philosophical and empirical/linguistic pragmatics present substantive proposals in the epistemics of communication, while simultaneously offering meta-comments on the ideological premises of extant pragmatic analyses. In a lengthy introduction, an overview is provided of his achievements in promoting an integrated, "maximalist" pragmatics, as (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  14. Short film experience.Pepita Hesselberth, Carlos Miguel Roos Munoz & Bart Vandenabeele - unknown
    Since the advent and standardization of the theatrical feature length film, the audio-visual short has been more or less marginalized in the discussions on cinematic experience. Historically stretching from the ‘early cinema’ of the vaudeville, to the now obsolete ‘little films’ of YouTube and beyond, the audio-visual short traverses a wide variety of media platforms, practices and technologies, including animation, video installation art, video clips and TV commercials, as well as animated GIFs, machinima and DIY movies, made to measure for (...)
     
    Export citation  
     
    Bookmark  
  15. Macht en onmacht. Essays.Samuel Ijsseling, Bart Vandenabeele & Pieter Van Reijbrouck - 2000 - Tijdschrift Voor Filosofie 62 (2):401-402.
    No categories
     
    Export citation  
     
    Bookmark  
  16.  22
    Nietzsche, Selfhood, and the Limitations of the Transcendental Reading.Violi Sahaj & Bart Vandenabeele - 2015 - Nietzsche Studien 44 (1).
    Name der Zeitschrift: Nietzsche-Studien Jahrgang: 44 Heft: 1 Seiten: 315-339.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  17. Communication and memory.Johan Siebers, Mats Bergman, Vincenzo Romania & Bart Vandenabeele - 2011 - Empedocles: European Journal for the Philosophy of Communication 2 (1).
     
    Export citation  
     
    Bookmark  
  18.  25
    Interpersonal communication.Johan Siebers, Tino Meitz, Bart Vandenabeele, Vincenzo Romania, Vivienne Boon & Vincent Blok - 2012 - Empedocles: European Journal for the Philosophy of Communication 3 (1).
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  19.  15
    Literature as communication.Johan Siebers, Tino Meitz, Bart Vandenabeele, Vincenzo Romania, Vivienne Boon & Vincent Blok - 2011 - Empedocles: European Journal for the Philosophy of Communication 2 (2).
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  20.  21
    Media processes.Johan Siebers, Tino Meitz, Bart Vandenabeele, Vincenzo Romania & Vincent Blok - 2011 - Empedocles: European Journal for the Philosophy of Communication 3 (2):117-118.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  21. Artistic creativity and the ideal of beauty : the representation of human beauty in Schopenhauer's philosophy of art.Bart Vandenabeele - 2023 - In David Bather Woods & Timothy Stoll (eds.), The Schopenhauerian mind. New York, NY: Routledge.
     
    Export citation  
     
    Bookmark  
  22.  73
    Aesthetic Disinterestedness in Kant and Schopenhauer.Bart Vandenabeele - 2012 - Estetika: The European Journal of Aesthetics 49 (1):45-70.
    While several commentators agree that Schopenhauer’s theory of ‘will-less contemplation’ is a variant of Kant’s account of aesthetic disinterestedness, I shall argue here that Schopenhauer’s account departs from Kant’s in several important ways, and that he radically transforms Kant’s analysis of aesthetic judgement into a novel aesthetic attitude theory. In the first part of the article, I critically discuss Kant’s theory of disinterestedness, pay particular attention to rectifying a common misconception of this notion, and discuss some significant problems with Kant’s (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  23. Affect en contemplatie: De ambivalente positie van de muziek in Schopenhauers filosofie.Bart Vandenabeele - 1999 - Algemeen Nederlands Tijdschrift voor Wijsbegeerte 91 (3):194-207.
    No categories
     
    Export citation  
     
    Bookmark  
  24.  65
    Aesthetic solidarity "after" Kant and Lyotard.Bart Vandenabeele - 2008 - Journal of Aesthetic Education 42 (4):pp. 17-30.
    In lieu of an abstract, here is a brief excerpt of the content:Aesthetic Solidarity "after" Kant and LyotardBart Vandenabeele (bio)Whatever view we hold, it must be shown / Why every lover has a wish to make / Some other kind of otherness his own: / Perhaps in fact we never are alone.—W. H. AudenIntroductionUndoubtedly one of the most fascinating aspects of Kant's aesthetics is the link that the Königsberg philosopher establishes between aesthetic judging and the idea of being-together and being-in-community. (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  25.  43
    Beauty, disinterested pleasure and pure contemplation: Schopenhauer's response to Kant.Bart Vandenabeele - 2013 - Schopenhauer Jahrbuch 93:241-255.
  26.  4
    De bloesem van het leven: esthetiek en ethiek in Arthur Schopenhauers filosofie.Bart Vandenabeele - 2001 - Assen: Van Gorcum.
    Direct download  
     
    Export citation  
     
    Bookmark  
  27. De bloesem van het leven. Esthetiek en ethiek in Arthur Schopenhauers filosofie.Bart Vandenabeele - 2002 - Tijdschrift Voor Filosofie 64 (2):384-387.
    No categories
     
    Export citation  
     
    Bookmark  
  28.  20
    Disinterested Pleasure and the Universal Voice of Beauty: Kant’s Response to Burke.Bart Vandenabeele - 2013 - In Stefano Bacin, Alfredo Ferrarin, Claudio La Rocca & Margit Ruffing (eds.), Kant und die Philosophie in weltbürgerlicher Absicht. Akten des XI. Internationalen Kant-Kongresses. Boston: de Gruyter. pp. 311-324.
  29.  28
    Huiverend genieten in de hel. Ethische en tragische dimensies Van het sublieme gevoel.Bart Vandenabeele - 2001 - Tijdschrift Voor Filosofie 63 (4):719 - 750.
    This article discusses Kant's and Schopenhauer's analyses of the feeling of the sublime. The focus is on the relationship between their ethics and aesthetics. It is argued that the kantian-schopenhauerian analysis of the sublime reveals an insurmountable fissure at the heart of subjectivity. This points out that a dialectical interpretation of kantian-schopenhauerian aesthetics, that reduces the sublime feeling to a kind of bridge or passage (Übergang) from the beautiful to the good is not without complications. Although this is not always (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  30.  53
    Het sublieme in de kunst: van Kant tot Duchamp en verder.Bart Vandenabeele - 2011 - Tijdschrift Voor Filosofie 73 (4):701-733.
  31.  5
    Introduction: Arthur Schopenhauer.Bart Vandenabeele - 2012 - In A Companion to Schopenhauer. Oxford, UK: Wiley‐Blackwell. pp. 1–8.
    This chapter contains sections titled: Further Reading.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  32.  56
    "New" media, art, and intercultural communication.Bart Vandenabeele - 2004 - Journal of Aesthetic Education 38 (4):1-9.
    In lieu of an abstract, here is a brief excerpt of the content:"New" Media, Art, and Intercultural CommunicationBart Vandenabeele (bio)It is fairly common — but perhaps not altogether innocent — to avoid addressing new media and intercultural aspects of communication in one and the same essay. Here, however, both issues are treated together. I shall investigate, in a perhaps somewhat unusual way, the phenomenon of "new" artistic media and some related issues such as virtual reality, computer and telecommunications technology, and (...)
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  33.  19
    "New" Media, Art, and Intercultural Communication.Bart Vandenabeele - 2004 - Journal of Aesthetic Education 38 (4):1.
    In lieu of an abstract, here is a brief excerpt of the content:"New" Media, Art, and Intercultural CommunicationBart Vandenabeele (bio)It is fairly common — but perhaps not altogether innocent — to avoid addressing new media and intercultural aspects of communication in one and the same essay. Here, however, both issues are treated together. I shall investigate, in a perhaps somewhat unusual way, the phenomenon of "new" artistic media and some related issues such as virtual reality, computer and telecommunications technology, and (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  34.  55
    No need for essences. On non-verbal communication in first inter-cultural contacts.Bart Vandenabeele - 2002 - South African Journal of Philosophy 21 (2):85-96.
    Drawing on anthropological examples of first contacts between people from different cultures, I argue that non-verbal communication plays a far bigger part in intercultural communication than has been acknowledged in the literature so far. Communication rests on mutually attuning in a large number of judgements. Some sort of structuring principle is needed at this point, and Davidson's principle of charity is a good candidate, provided sufficient attention is given to non-verbal communication. There will always be more and less successful interpretations (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  35.  18
    Schuren langs esthetische ideeën: Burke, Kant en Schopenhauer over het sublieme en de kunst.Bart Vandenabeele - 2001 - de Uil Van Minerva 17:137-149.
    Direct download  
     
    Export citation  
     
    Bookmark  
  36.  25
    7. Schopenhauer on Aesthetic Contemplation.Bart Vandenabeele - 2014 - In Matthias Koßler & Oliver Hallich (eds.), Arthur Schopenhauer: Die Welt Als Wille Und Vorstellung. Oldenbourg Wissenschaftsverlag. pp. 101-118.
    Direct download  
     
    Export citation  
     
    Bookmark  
  37. Schopenhauer on aesthetic understanding and the values of art.Bart Vandenabeele - 2009 - In Alex Neill & Christopher Janaway (eds.), Better Consciousness: Schopenhauer's Philosophy of Value. Wiley-Blackwell.
  38.  8
    Schopenhauer on Aesthetic Understanding and the Values of Art.Bart Vandenabeele - 2010-02-19 - In Robert Stern, Alex Neill & Christopher Janaway (eds.), Better Consciousness. Wiley‐Blackwell. pp. 41–57.
    This chapter contains sections titled: Schopenhauer's Platonism The Feeling of the Sublime The Values of Tragedy Concluding Remarks References.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  39.  98
    Schopenhauer on sense perception and aesthetic cognition.Bart Vandenabeele - 2011 - Journal of Aesthetic Education 45 (1):37-57.
    In Schopenhauer’s view, the whole organic and inorganic world is ultimately governed by an insatiable, blind will. Life as a whole is purposeless: there is no ultimate goal or meaning, for the metaphysical will is only interested in manifesting itself in (or as) a myriad of phenomena, which we call the “world” or “life.” Human life, too, is nothing but an insignificant product or “objectivation” of the blind, unconscious will, and because our life is determined by willing (that is, by (...)
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  40.  18
    Schopenhauer on the beautiful and the sublime: a qualitative or gradual distinction?Bart Vandenabeele - 2001 - Schopenhauer Jahrbuch 82:99-112.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  41.  13
    Strelend wonden helen: over Hadewych, erotiek en esthetiek.Bart Vandenabeele - 1996 - de Uil Van Minerva 13:89-95.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  42.  13
    Shuddering with pleasure in hell. Ethical and tragic dimensions of the sublime feeling.Bart Vandenabeele - 2001 - Tijdschrift Voor Filosofie 63 (4):719-750.
    Direct download  
     
    Export citation  
     
    Bookmark  
  43. The Blackwell Companion to Schopenhauer.Bart Vandenabeele (ed.) - 2012 - Blackwell.
    No categories
     
    Export citation  
     
    Bookmark  
  44. Why Share a Language or Tradition? Gadamer and Davidson in Dispute.Bart Vandenabeele - 2012 - Budhi: A Journal of Ideas and Culture 16 (3):1-21.
  45.  34
    We weep but are not wounded. The sublime feeling in Schopenhauer's aesthetics.Bart Vandenabeele - 1999 - Tijdschrift Voor Filosofie 61 (4):663-695.
    Direct download  
     
    Export citation  
     
    Bookmark