39 found
Order:
Disambiguations
Wayne Andersen [40]Wayne V. Andersen [1]
  1.  31
    America's Museums.Wayne Andersen - 2002 - The European Legacy 7 (2):211-219.
  2.  20
    A neglected theory of art history.Wayne V. Andersen - 1962 - Journal of Aesthetics and Art Criticism 20 (4):389-404.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  3.  29
    Border and frontier, definition, and prestige: L'art à sa fin.Wayne Andersen - 1996 - The European Legacy 1 (8):2274-2279.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  4.  29
    Chase-Riboud's "Africa Rising": High Fashion or Heroic Sufferance.Wayne Andersen - 2001 - The European Legacy 6 (4):501-504.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  5.  19
    Chasing shadows: lives of ancient Greek statues as lived by writers1.Wayne Andersen - 2004 - The European Legacy 9 (4):503-513.
    This paper is both an essay and a critique. It questions whether the ancient Greeks responded to heroic or devotional sculpture in any significantly different way than people in later ages, including our own, do. Questioned, too, is whether ancient sculpture or sculpture at any time as to its coming into being can be explained by linguistics, such as, in this case, by Roman Jakobson's notion that all linguistic models are based on one of two models: either on similarity (metaphoric) (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  6.  18
    Cézanne's the eternal feminine as the whore of Babylon.Wayne Andersen - 1996 - The European Legacy 1 (6):1949-1960.
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  7.  13
    DEPRESSION Financial, Post-manic, and Floral.Wayne Andersen - 2009 - Common Knowledge 15 (3):523-532.
    Like earthquakes and volcanic eruptions, the current international monetary crisis—bank failures and a collapse of markets worldwide—was not sufficiently predictable to preempt with defensive action. One would think that history's experiences with sudden breakdowns in global economics would have taught the modern world enough lessons to assure that economic intelligence would have tightened the reins of investors and speculators over the last decade of runaway optimism. But history has never been a good teacher—better said, people have rarely been good students (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  8.  30
    Fictions of the Pose: Rembrandt against the Italian Renaissance.Wayne Andersen - 2002 - Common Knowledge 8 (2):417-417.
  9.  23
    How not to take sides.Wayne Andersen - 2004 - Common Knowledge 10 (2):198-213.
  10.  34
    Il Rosa Tiepolo: The Last Breath of Happiness in European Art.Wayne Andersen - 2012 - The European Legacy 17 (4):517 - 523.
    The European Legacy, Volume 17, Issue 4, Page 517-523, July 2012.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  11.  21
    Joseph Cornell's “healthier possibilities”.Wayne Andersen - 2006 - Common Knowledge 12 (3):420-442.
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  12.  14
    Leo and His Circle: The Life of Leo Castelli.Wayne Andersen - 2013 - Common Knowledge 19 (2):384-385.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  13.  6
    Leo and His Circle: The Life of Leo Castelli by Annie Cohen-Solal (review).Wayne Andersen - 2013 - Common Knowledge 19 (2):384-385.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  14.  22
    Louise Bourgeois's Spider: The Architecture of Art-Writing.Wayne Andersen - 2002 - Common Knowledge 8 (3):553-554.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  15.  23
    Lorenzo De' Medici and the Art of Magnificence.Wayne Andersen - 2008 - Common Knowledge 14 (1):161-163.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  16.  4
    Lorenzo de’ Medici and the Art of Magnificence by F. W. Kent.Wayne Andersen - 2019 - Common Knowledge 25 (1-3):454-455.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  17.  9
    Leonardo da Vinci and the slip of fools.Wayne Andersen - 1994 - History of European Ideas 18 (1):61-78.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  18.  42
    Mieke Bal's Preposterous Art History.Wayne Andersen - 2001 - The European Legacy 6 (3):353-362.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  19.  18
    Moving constants—in the west a response to “change at ise jingū”.Wayne Andersen - 2008 - Common Knowledge 14 (3):384-395.
    This essay forms part of an “elegiac symposium” on “what gets lost during paradigm shifts,” and it replies to an earlier contribution to that symposium, “Regarding Change at Ise-Jingu” by Jeffrey M. Perl (14, no. 2 [2008]: 208-20; DOI 10.1215/0961754X-2007-069]) . Andersen argues against or supplements Perl's contention that Japanese attitudes toward change differ radically from those that are standard in the West. Andersen expands on arguments made by Roland Barthes—an explicator and partisan of Japanese thought—to show that at least (...)
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  20.  21
    Meaningful Emptiness: Ground Zero 1.Wayne Andersen - 2003 - The European Legacy 8 (1):5-11.
    According to the most ancient Greeks, the planet Earth was created by a battle among gods. That battle happened before human beings were put on Earth. On 11 September 2001, a battle, said to be between the god of Muslims and the god of Jews and Christians, removed 3,000 humans from the earth. "Praise Allah!" said the Muslim terrorist, "for helping us kill that many." "Thank God," said the Jew and the Christian, "for saving so many others." What a misuse (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  21.  13
    Manet Manette.Wayne Andersen - 2004 - Common Knowledge 10 (1):162-163.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  22.  37
    New art history.Wayne Andersen - 2010 - Common Knowledge 16 (1):163-172.
  23.  14
    On the genius of architecture.Wayne Andersen - 1994 - History of European Ideas 18 (5):741-745.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  24.  6
    OS vulvae in proverbs and the malleus maleficarum.Wayne Andersen - 1992 - History of European Ideas 14 (5):715-722.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  25.  28
    Paris as a Great Functional Space: Spatial Urbanism and Plug-In Architecture in the 1960s.Wayne Andersen - 2008 - The European Legacy 13 (6):753-759.
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  26.  21
    Picasso and the Alien Oilcloth.Wayne Andersen - 2001 - The European Legacy 6 (5):595-613.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  27.  8
    Past-present: Essays on gistoricism in art from Donatello to Picasso.Wayne Andersen - 1995 - History of European Ideas 21 (1):81-86.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  28.  5
    Schapiro, Marx, and the Reacting Sensibility of Artists.Wayne Andersen - 1978 - Social Research: An International Quarterly 45.
    Direct download  
     
    Export citation  
     
    Bookmark  
  29.  24
    TIEPOLO An Artist without Gravity?Wayne Andersen - 2013 - Common Knowledge 19 (1):164-170.
    This review essay emphasizes the distinction between academic art history, based ultimately on the model of scientific research, and the sort that Roberto Calasso practices in his 2009 study Tiepolo in Pink. It is difficult to locate the book's genre, and the reviewer rejects identifying it as a biography (of the sort practiced by Irving Stone, Somerset Maugham, and Dimitri Merejkovski), since Calasso, like most other writers on Tiepolo, stresses how little we know about his personality, which was elusive, and (...)
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  30.  22
    The Art of Engagement.Wayne Andersen - 2006 - The European Legacy 11 (3):311-322.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  31.  26
    The Four Corners of Our Brain.Wayne Andersen - 2006 - The European Legacy 11 (2):155-169.
    Throughout religious, scientific, and humanist literature on ideas one finds categorical subdivisions that are four in number: the four corners of the Earth, the four cardinal directions, the four proteins constituting DNA, Maxwell's four equations, Toynbee's four societies, Pythagoras’ four elements of arithmetic, Pythagoras’ four elements, Hayden White's four aspects of imagination. The list is endless. From where does the “four” come? Why not five, or six, eight, or nine? Andersen tracks back to the beginnings of arithmetic utilized in the (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  32.  25
    The Gray Book (review).Wayne Andersen - 2002 - Common Knowledge 8 (1):204-204.
  33.  9
    This Is How I Want You to Remember Me.Wayne Andersen - 2015 - Common Knowledge 21 (1):9-9.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  34.  11
    The letters of Peter Paul Rubens.Wayne Andersen - 1993 - History of European Ideas 17 (2-3):371-372.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  35.  12
    Vitruvius: Writing the Body of Architecture.Wayne Andersen - 2005 - Common Knowledge 11 (2):350-350.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  36.  25
    Weimar Berlin: playing on the tips of the waves.Wayne Andersen - 2005 - The European Legacy 10 (2):163-175.
  37.  54
    Why disinterest is still interesting the case of Roger Fry.Wayne Andersen - 2008 - Common Knowledge 14 (2):258-269.
  38.  26
    Introduction: From scratch.Miguel Tamen, Wayne Andersen, Velcheru Narayana Rao, Sanjay Subrahmanyam, Ingrid D. Rowland, J. Paul Hunter & Yoke-Sum Wong - 2008 - Common Knowledge 14 (3):380-383.
    The essay discusses the presumption of one's singularity, the uniqueness of one's time, the picturesqueness of one actions, and the capacity of human beings, whether corporately or individually, to begin everything or indeed anything again from scratch. Such presumptions are indeed present in some varieties of contemporary fanaticism, but, more to the point, it is suggested that the feeling of doing something for the first time is the oldest feeling in the world.
    No categories
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  39.  18
    Peter Selz: Embracing Art before It Becomes Historical. [REVIEW]Wayne Andersen - 2013 - The European Legacy 18 (1):83-86.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark