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Summary Aesthetics of nature is a sub-field of philosophical ethics, and refers to the study of nature from the aesthetical perspective. In a Post-Modern approach, when an individual engages in aesthetically appreciating nature, they give meaning to it and in that meaning  express and develop themselves. Some describe the appreciation of nature as looking into a special kind of mirror. As a result, we are enriched from having done so, and begin to behave in new beneficial ways otherwise not possible.
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  1. Art and Objects: A Manifesto.Said Mikki - manuscript
    We develop a series of theses on the philosophical aesthetics of design art. A sketch of an outline of a theory of objects is drawn from within a naturalistic worldview, that of abstract materialism and the general, still ongoing, quest to build a comprehensive philosophy of nature encompassing not only the physical world, but also culture, art, and politics.
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  2. Figurative Shaping of Peaks and Rocks on Geumgang Mountain: The Korean Temperament and Vision.Youenhee Kho - forthcoming - Journal of Aesthetics and Art Criticism.
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  3. Thinking the Sculpture Garden: Art, Plant, Landscape.Mara Miller - forthcoming - Journal of Aesthetics and Art Criticism.
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  4. Philosophy of Animal-Made Art | فلسفه‌ی هنرِ جانور-ساخت.Pouya Lotfi Yazdi - 2023 - Tehran: Negah-e Moaser Publishing.
    This work was presented at the Research Center for Philosophy of Science of the Ferdowsi University of Mashhad (Iran) – in Aug 2020. --- -/- Briefly, in the first section of this Persian book, first of all, I (Hereafter: the writer) have presented generalities of Aesthetics and an interpretation of aesthetic universality (Hereafter: φ) and it is argued that each definition of art has to admit φ and this is a Kantian, minimalist, and subjective perspective view (some others would incline (...)
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  5. Nature and imagination in ancient and early modern Roman art.Gabriel Pihas - 2023 - New York: Routledge.
    This volume uses the art of Rome to help us understand the radical historical break between the fundamental ancient pre-supposition that there is a natural world or cosmos situating human life, and the equally fundamental modern emphasis on human imagination and its creative power. Rome's unique art history reveals a different side of the battle between ancients and moderns than that usually raised as an issue in the history of science and philosophy. The book traces the idea of a cosmos (...)
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  6. On the Aesthetic Appreciation of Damaged Environments.María José Alcaraz León - 2022 - Journal of Aesthetics and Art Criticism 80 (4):420-431.
    As aesthetic appreciators of the environment, we often encounter cases where our environmental commitments and our aesthetic responses do not seem to match. Some highly altered or contaminated environments may occasion powerful and insightful aesthetic experiences. In this article, I discuss some arguments that have been offered in favor of the view that this mismatch is not possible when we appreciate a particular environment with full awareness of its damaged or altered condition. I show that these arguments are not conclusive (...)
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  7. Nature aesthetics.James M. Dow - 2022 - Philosophy Compass 17 (5):e12829.
    Nature aesthetics is concerned with four core questions: What is a natural environment? What is relevant, psychologically speaking, to the aesthetic appreciation of natural environments? How ought we to aesthetically appreciate natural environments? What is the relationship between nature aesthetics and environmental ethics? In this essay, I first address in Section 2 whether theorizing about nature aesthetics is possible by challenging the non-aesthetics view, according to which aesthetic appreciation of nature is not possible, and the relativity view, according to which (...)
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  8. The value of up-hill skiing.Ignace Haaz - 2022 - In Walking with the Earth: Intercultural Perspectives on Ethics of Ecological Caring. Geneva: Globethics. pp. 181-222.
    The value of up-hill skiing is double, it is first a sport and artistic expression, second it incorporates functional dependencies related to the natural obstacles which the individual aims to overcome. On the artistic side, M. Dufrenne shows the importance of living movement in dance, and we can compare puppets with dancers in order to grasp the lack of intentional spiritual qualities in the former. The expressivity of dance, as for, Chi Gong, ice skating or ski mountaineering is a particular (...)
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  9. Il paesaggio è un mostro: città selvatiche e nature ibride.Annalisa Metta - 2022 - Roma: DeriveApprodi.
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  10. Aesthetic Appreciation of Nature and the Global Environmental Crisis.Jukka Mikkonen - 2022 - Environmental Values 31 (1):47-66.
    Global climate change has been characterised as the crisis of reason, imagination and language, to mention some. The 'everything change', as Margaret Atwood calls it, arguably also impacts on how we aesthetically perceive, interpret and appreciate nature. This article looks at philosophical theories of nature appreciation against global environmental change. The article examines how human-induced global climate change affects the 'scientific' approaches to nature appreciation which base aesthetic judgment on scientific knowledge and the competing 'non-scientific' approaches which emphasise the role (...)
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  11. La bellezza assoluta del giardino: arte e filosofia della natura.Rosario Assunto - 2021 - Roma: DeriveApprodi.
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  12. The beauty of what is unfolding: philosophy, biology, and Laudato Si'.Louis Caruana - 2021 - Gregorianum 102 (3):617-631.
    One of the aims of the encyclical "Laudato Si’" is to help us “marvel at the manifold connections existing among creatures”, to show how we are also involved, and to motivate us thereby to care for our common home. Are there new dimensions of beauty available to us today because of recent advances in biology? In this paper I seek to answer this question by first recalling the basic criteria for beauty, as expressed by Aristotle and Aquinas, and then evaluating (...)
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  13. The Aesthetic Value of the World.Tom Cochrane - 2021 - Oxford, UK: Oxford University Press.
    This book defends Aestheticism- the claim that everything is aesthetically valuable and that a life lived in pursuit of aesthetic value can be a particularly good one. Furthermore, in distilling aesthetic qualities, artists have a special role to play in teaching us to recognize values; a critical component of virtue. I ground my account upon an analysis of aesthetic value as ‘objectified final value’, which is underwritten by an original psychological claim that all aesthetic values are distal versions of practical (...)
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  14. Il paesaggio: teorie, storie, luoghi.Paolo D'Angelo - 2021 - Bari: GLF editori Laterza.
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  15. Turner as a Daoist Sage.Jason Dockstader - 2021 - Journal of Aesthetics and Phenomenology 7 (2):113-127.
    In this paper, I provide a cross-cultural comparison between the life and work of the English land- and seascape painter, J.M.W. Turner, and the conception of aesthetic experience and artisanship f...
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  16. Reclaiming Time Aesthetically: Hadot, Spiritual Exercises and Gardening.Monika Favara-Kurkowski - 2021 - Eidos. A Journal for Philosophy of Culture 5 (2):7-21.
    Pierre Hadot’s legacy is a vision of ancient philosophy not only as a system of abstract concepts and logical procedures but as a practical philosophical methodology. A key element of this interpretation is consideration of ancient philosophical practice as a series of spiritual exercises to improve one’s own life. The present paper aims to show, more humbly, that by highlighting the aesthetic dimension of the practice of gardening we can consider it part of the set of philosophically charged spiritual exercises. (...)
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  17. Der japanische Garten im System Schopenhauers.Jens Lemanski - 2021 - Schopenhauer Jahrbuch 102:131-159.
    +++Englisch Translation in "Proceedings of Schopenhauer Congresses 2018-2020 (JSPS)"+++ Der Beitrag geht der Frage nach, warum es in Arthur Schopenhauers System keine Abhandlung über japanische Gärten gibt. Zunächst wird erläutert, dass die Systemphilosophie des 18. und 19. Jahrhunderts auf Vollständigkeit in der begrifflichen Darstellung abzielte. Schopenhauer behandelt daher neben vielen anderen Künsten auch die nationalen Besonderheiten der Gartenkunst in Europa und Asien und bestimmt begrifflich deren Gemeinsamkeiten und Unterschiede. Aufgrund der Isolation Japans hatte Schopenhauer jedoch keine Kenntnis von japanischen Gärten. (...)
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  18. Artistic Objectivity: From Ruskin’s ‘Pathetic Fallacy’ to Creative Receptivity.Eli I. Lichtenstein - 2021 - British Journal of Aesthetics 61 (4):505-526.
    While the idea of art as self-expression can sound old-fashioned, it remains widespread—especially if the relevant ‘selves’ can be social collectives, not just individual artists. But self-expression can collapse into individualistic or anthropocentric self-involvement. And compelling successor ideals for artists are not obvious. In this light, I develop a counter-ideal of creative receptivity to basic features of the external world, or artistic objectivity. Objective artists are not trying to express themselves or reach collective self-knowledge. However, they are also not disinterested (...)
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  19. Il paesaggio tra l'ordine e il corpo.Germana Pareti - 2021 - Pisa: Edizioni ETS.
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  20. What Makes Nature Beautiful?Elizabeth Scarbrough - 2021 - Introduction to Philosophy: Aesthetic Theory and Practice. Introduction to Philosophy: Aesthetic Theory and Practice.
    I present a brief overview of different theories of the beauty of nature. I will start by discussing two historical accounts that I believe have most impacted our current conception of the beauty in nature: the picturesque and the sublime. I then turn to a discussion of contemporary accounts of the beauty of nature, dividing these accounts into conceptual accounts, non-conceptual accounts, and hybrid accounts of nature appreciation. What I hope to show is that there is no one-principle-fits-all solution for (...)
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  21. On globes, the Earth and the Cybernetics of Grace.Claudia Westermann - 2021 - Technoetic Arts 19 (1):29-47.
    The article presents an enquiry into conceptions of ‘global’ that began at the American Society for Cybernetics 2020 Global Conversation conference. Following the traces of Margaret Mead’s statement that emphasized that the first photographic images of the Earth from space presented notions of fragility, the article contextualizes the recent critique of the dominant representation of the Earth as a globe that emerged in conjunction with the discourse on the Anthropocene. It analyses the globe as an image and the sentiments that (...)
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  22. Ermeneutica del paesaggio: esistenza, interpretazione, racconto.Vereno Brugiatelli - 2020 - Trento: Tangram edizioni scientifiche.
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  23. An Intergenerational Approach to Urban Futures: Introducing the Concept of Aesthetic Sustainability.Sanna Lehtinen - 2020 - In Arto Haapala, Beata Frydrykczak & Mateusz Salwa (eds.), Moving From Landscapes To Cityscapes And Back: Theoretical And Applied Approaches To Human Environments. Łódź, Poland: pp. 111–119.
    The experienced quality of urban environments has not traditionally been at the forefront of understanding how cities evolve through time. Within the humanistic tradition, the temporal dimension of cities has been dealt with through tracing urban or architectural histories or interpreting science-fiction scenarios, for example. However, attempts at understanding the relation between currently existing components of cities and planning based on them, towards the future, has not captured the experience of the temporal layers of cities to a satisfying degree. Contemporary (...)
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  24. Desolation Sound: Social Practices of Natural Beauty.Dominic McIver Lopes - 2020 - Thought: A Journal of Philosophy 9 (4):266–273.
    Instances of natural beauty are widely regarded as counterexamples to practice-based theories of aesthetic value. They are not. To see that they are not, we require the correct account of natural beauty and the correct account of social practices.
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  25. Le temps du paysage: aux origines de la révolution esthétique.Jacques Rancière - 2020 - Paris: La Fabrique éditions.
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  26. Aesthetic Emotions.Jenefer Robinson - 2020 - The Monist 103 (2):205-222.
    This paper investigates what I call aesthetic emotions in the “traditional” sense going back to Burke and Kant. According to Kant, aesthetic pleasure is disinterested, and so maybe for Kant aesthetic emotions would be too, for Kant, but emotions by their very nature cannot be disinterested. After dismissing the idea that aesthetic emotions are a special kind of distanced emotions or refined emotions, I extract from the writings of Clive Bell, Peter Kivy, and Peter Lamarque the view that aesthetic emotions (...)
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  27. Un paseo entre las jaulas: ensayos sobre arte y naturaleza.Carmen Rodríguez Martín (ed.) - 2020 - Albolote (Granada): Editorial Comares.
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  28. Art History, Natural History and the Aesthetic Interpretation of Nature.David T. Schwartz - 2020 - Environmental Values 29 (5):537-556.
    This paper examines Allen Carlson's influential view that knowledge from natural science offers the best framework for aesthetically appreciating nature for what it is in itself. Carlson argues that knowledge from the natural sciences can play a role analogous to the role of art-historical knowledge in our experience of art by supplying categories for properly 'calibrating' one's sensory experience and rendering more informed aesthetic judgments. Yet, while art history indeed functions this way, Carlson's formulation leaves out a second role played (...)
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  29. Le paysage est une traversée.Gilles A. Tiberghien - 2020 - Marseille: Parenthèses.
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  30. From Sacrifice to Gift: Aesthetic and Moral Aspects of the Experience of Awe for the Natural Environment.Ionut Untea - 2020 - Journal of Aesthetic Education 54 (1):18-34.
    The multiple aesthetic representations of the sacred throughout our troubled human history account for the variety of the ways the sacred has been appropriated as a regulatory moral and civilizing force by groups and large communities of peoples. Nature has always been part of the everyday life of human beings, and the natural environment has been perceived as a medium for the manifestation of the sacred and as a source of moral behavior. Because of this, humans developed a peculiar relationship (...)
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  31. Chinese Landscape Aesthetics: the Exchange and Nurturing of Emotions.Claudia Westermann - 2020 - In Jutta Kehrer (ed.), New Horizons: Eight Perspectives on Chinese Landscape Architecture Today. Basel, Switzerland: pp. 34-37.
    "[..] flowing with the waters, halting with the mountains. In the images of light and wind the ephemeral is inscribed. Time is part of space. The scene performs." -/- The essay "Chinese Landscape Aesthetics: the exchange and nurturing of emotions" by Claudia Westermann included in "New Horizons: Eight Perspectives on Chinese Landscape Architecture Today" introduces ideas of landscape in traditional Chinese thought. Following the etymology of the Chinese terms for landscape and recognizing that their conceptual focus is on the exchange (...)
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  32. For an every day life aesthetic: Nature, potency and body in Spinoza and Marx.Daniela Cápona González - 2019 - Alpha (Osorno) 49:9-27.
    Resumen: En el presente artículo se analizan y vinculan las nociones de naturaleza, cuerpo y potencia a partir de Spinoza y Marx, en virtud de los cuales se plantea que la exteriorización del hombre y su esencia es no solo social, sino productiva en el sentido de praxis y actividad de sí mismo y lo social. En este sentido, este acto de producción en el mundo contemporáneo está enmarcado en la experiencia cotidiana de habitar la ciudad, la cual, bajo el (...)
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  33. The urgency of engaging with oddities and ambiguities: Reciprocity and cooperation visited as semio-aesthetic notions in bridging nature and culture.Jui-Pi Chien - 2019 - Semiotica 2019 (227):227-243.
    The notion of the third culture forms the background of the study that seeks to unify humanistic and scientific approaches for a better appreciation of nature, culture, and the arts. This study draws on the kind of emotion and attitude that we may intuit and act out soon after noticing another individual demanding our help in nature and culture. Such feelings as sympathy and empathy, uncertainty and ambiguity, are perceived to be extremely useful in the context of strategy formation and (...)
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  34. Kantian Beauty, Fractals, and Universal Community.C. E. Emmer - 2019 - Dialogue and Universalism 29 (2):65-80.
    Benoit B. Mandelbrot, when discussing the global appeal of fractal patterns and designs, draws upon examples from across numerous world cultures. What may be missed in Mandelbrot's presentation is Immanuel Kant’s precedence in recognizing this sort of widespread beauty in art and nature, fractals avant la lettre. More importantly, the idea of the fractal may itself assist the aesthetic attitude which Kantian beauty requires. In addition, from a Kantian perspective, fractal patterns may offer a source for a sense of community (...)
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  35. Arcadia updated: raising landscape awareness through analytical narratives.Marius Fiskevold - 2019 - New York: Routledge/Taylor & Francis Group.
    Introduction : reinterpreting landscapes in an evolving world -- The pastoral tradition as inherited motives -- From classical pastorals to pastoral landscapes : rebirth of the landscape idea through analytical narration -- Instances of pastoral motivation in contemporary landscape analytical practice -- Articulating analytical narratives of contemporary pastoral landscapes -- The landscape analyst's pastoral action.
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  36. A kantian reading of aesthetic freedom and complete human nature nourished through art in a classical Chinese artistic context.Xiaoyan Hu - 2019 - Asian Philosophy 29 (2):128-143.
    ABSTRACTIn this paper, I will show that classical Chinese artists adopted either Daoist or Chan Buddhist meditation to cultivate their mind to be in accord with the Dao, and that their view of the...
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  37. L'arrière-paysage: des origines technologiques du paysage.Michael Jakob - 2019 - [Paris]: Éditions B2.
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  38. The meanings of landscape: essays on place, space, environment and justice.Kenneth Olwig - 2019 - New York, NY: Routledge.
    Recovering the substantive nature of landscape -- Landscape, place and the state of progress -- Choros, place and the spatialization of landscape -- Are islanders insular? : a personal view -- The case of the missing mask : performance, theater, aetherial space and the practice of landscape//architecture -- Performing on the landscape versus doing landscape : perambulatory practice, sight and the senses of belonging -- Heidegger, Latour and the reification of things : the inversion and spatial enclosure of the substantive (...)
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  39. The forbidden subject: how oppositional aesthetics banished natural beauty from the arts.Peter Quigley - 2019 - Cambridgeshire, UK: The White Horse Press.
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  40. The Environmental Crisis and Art: Thoughtlessness, Responsibility, and Imagination.Eva Maria Räpple - 2019 - Lanham, MD: Lexington Books.
    The global challenge of climate change presents a daunting task that requires human thinking and ingenuity. In this context, stories, narratives, and images can provide incentives for the imagination, essential in grappling with the complex perplexities of abstract dimensions while also anchoring thinking in human spatial and temporal existence.
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  41. Experiments on reality.Tim Robinson - 2019 - [London]: Penguin Ireland.
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  42. Kitsch Happens. On the Kitsch Experience of Nature.Max Ryynänen - 2019 - Espes. The Slovak Journal of Aesthetics 9 (2):10-16.
    In Kitsch and Art Tomáš Kulka notes that natural landscapes cannot be called kitsch. Kitsch needs to be produced by a human being, he says. I agree with that. Experience-wise it is more complicated, though. Sometimes kitsch affects our experience of landscapes. It is not just that our overwhelming culture of images affects how we see nature, but that also sugared, sentimental and stereotypical kitsch images of nature, that we see in postcards and social media, affect our experience of e.g. (...)
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  43. The Aesthetic Preference for Nature Sounds Depends on Sound Object Recognition.Stephen C. Van Hedger, Howard C. Nusbaum, Shannon L. M. Heald, Alex Huang, Hiroki P. Kotabe & Marc G. Berman - 2019 - Cognitive Science 43 (5):e12734.
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  44. Oltre il giardino: filosofia di paesaggio.Massimo Venturi Ferriolo - 2019 - Torino: Giulio Einaudi editore.
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  45. Wonder and Ernst Haeckel's Aesthetics of Nature.Whitney Bauman - 2018 - In Sigurd Bergmann & Forrest Clingerman (eds.), Arts, religion, and the environment: exploring nature's texture. Brill, Rodopi.
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  46. With-In : Towards an Aesth/Ethics of Prepositions.Sigurd Bergmann - 2018 - In Sigurd Bergmann & Forrest Clingerman (eds.), Arts, religion, and the environment: exploring nature's texture. Brill, Rodopi.
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  47. Arts, religion, and the environment: exploring nature's texture.Sigurd Bergmann & Forrest Clingerman (eds.) - 2018 - Boston: Brill, Rodopi.
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  48. Einführung.Karsten Berr - 2018 - In Transdisziplinäre Landschaftsforschung: Grundlagen und Perspektiven. Springer VS.
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  49. Transdisziplinäre Landschaftsforschung: Grundlagen und Perspektiven.Karsten Berr (ed.) - 2018 - Wiesbaden: Springer VS.
    Der demographische Wandel, die Veränderung von Akteurskonstellationen und Besitzverhältnissen, Suburbanisierungsprozesse, die Energiewende sowie neue private und öffentliche Nutzungsansprüche an Raum und Landschaft schaffen neue kulturelle, soziale, ökonomische, ökologische und politische Herausforderungen. Architektonische und planerische Disziplinen sind daher zur Zusammenarbeit aufgerufen, um die Herausforderungen der Zukunft bei der nachhaltigen Gestaltung, Nutzung und Schonung einer weiterhin bewohnbaren Welt annehmen, begleiten und mitsteuern zu können. Die Beiträge dieses Bandes gehen daher der Frage nach, ob und wie das wissenschaftstheoretische Konzept der Transdisziplinarität so genutzt (...)
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  50. Differenzierung und Einheitsbildung in der Landschaftsforschung.Karsten Berr - 2018 - In Transdisziplinäre Landschaftsforschung: Grundlagen und Perspektiven. Springer VS.
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1 — 50 / 502