O objetivo deste artigo é o de explorar as relações entre psicologia, metafísica e literatura, a partir do exame do Ensaio sobre os dados imediatos da consciência; mais exatamente, a partir da compreensão dos "sentimentos profundos", que representa, no Ensaio, o momento privilegiado para apreender a estrutura temporal da consciência. Porém, o presente estudo não abordará unicamente o texto de Bergson, suas descrições dos sentimentos profundos (como as emoções estéticas e morais), o que muito provavelmente seria repetitivo. O uso de (...) um exemplo extraído da própria literatura (no caso, o romance Grande sertão: veredas, de Guimarães Rosa) será imprescindível aqui para compreender a possibilidade de uma descrição qualitativa do "fluxo da consciência", revelando sua estrutura temporal. A partir disso, espera-se determinar com um pouco mais de clareza as interações entre psicologia, metafísica e literatura, na filosofia de Bergson. This paper aims to explore the relation between psychology, metaphysics and literature, through an examination of Bergon's Time and Free Will: An Essay on the Immediate Data of Consciousness, or, more precisely, through the description of "deep feelings", which represent in the Essay a privileged moment for understanding the temporal structure of consciousness. However, this study will not be restricted only to Bergson's text and its descriptions of deep feelings (such as aesthetic and moral emotions), which would probably be repetitive. Instead, we shall use a work of literature (Guimarães Rosa's novel, Grande sertão: veredas) to exemplify the possibility of a qualitative description of "stream of consciousness", revealing its temporal structure. We hope in this way to clarify the interaction between psychology, metaphysics and literature in the philosophy of Bergson. (shrink)

In this essay, I explore the ways that Beauvoir’s description of philosophical novels reveals her understanding of consciousness as a particular sort of ambiguity: that which not only gives the world meaning, but which also, necessarily, finds meaning in the world through the values, ideas, and objects given to it by others. It is through the philosophical (metaphysical) novel that Beauvoir finds a medium for the philosophical communication of ambiguity – that is, a medium for writing human being. More specifically, (...) I consider the metaphysical stance Beauvoir is able to describe because of her commitment to philosophical literature. In writing, and in reading, fiction, what is manifest is both found and given, discovered and created; and the metaphysics of the novel offers a way to read philosophy as poeisis, poetry in the sense of bringing-forth or revealing worldly meaning, in ways that are ambiguously particular and universal. (shrink)

Numinous spaces in British literature from William Wordsworth to Samuel Beckett -- Jesus figures in American literature from Ralph Waldo Emerson to Edward Albee -- Using Bakhtin's definitions to discover ethical voices in Solzhenitsyn and Tolstoy -- René Girard's categories of scapegoats in literature of the American South -- Hopkins's metaphysics of nature as sacred disclosure -- The book of job as mirrored in Hopkins's metaphysics -- Beckett's mythos of the absence of God.

Structuralism is a contemporary intellectual movement with both methodological and substantive implications. Nowhere has its impact been stronger than in poetics and literary criticism. Scholes book is designed to introduce English speaking audiences to structuralist developments in European literary thought. After detailing the background of structuralism in the work of Saussure and Jakobson and relating formalist and proto-structuralist modes of literary criticism to structuralist methods, the author examines specific micro and macropoetics of fiction. His object is to explain other’s theories, (...) but in a critical way. The fault he finds recurring in structuralists’ approaches to literature is that of arbitrariness—claiming in an ad hoc way features to be present in texts and generalizing those features when this is not sufficiently motivated by the material itself. His concluding chapter compares and draws connections between romantic and structuralist views of language and exhibits how structuralist modes of thought are embodied in contemporary fiction. (shrink)

The following pages engage a hermeneutic approach to African philosophy, focusing on the work of Tsenay Serequeberhan. At the heart of the discussion is the question of where to locate such an approach in the existing philosophical literature. Does this way of working render African philosophy a European enterprise? Giving an affirmative response, the writings of Paulin Hountondji, which draw upon Husserlian phenomenology, are taken up as an alternative response to questions raised here about the meaning and methods of (...) hermeneutics. Ultimately, however, this perspective is also set aside. Instead, suggestions are put forward for the markers around which a contemporary African metaphysics, which is both restorative and creative, might be pursued. (shrink)

An analysis of the treatment of time in literature and its relationship to science and philosophy. Since the consciousness of time seems to the author to have greatly increased in contemporary culture, he refers primarily to such twentieth-century authors as Proust, Joyce and Mann.--A. R.

INTRODUCTION The most remarkable feature of the character of the Persian people is their love of Metaphysical speculation. Yet the inquirer who approaches the extant literature of Persia expecting to find any comprehensive systems of thought, like those of Kapila or Kant, will have to turn back disappointed, though deeply impressed by the wonderful intellectual subtlety displayed therein. It seems to me that the Persian mind is rather impatient of detail, and consequently destitute of that organising faculty which gradually (...) works out a system of ideas, by interpreting the fundamental principles with reference to the ordinary facts of observation. The subtle Brahman sees the inner unity of things; so does the Persian. But while the former endeavours to discover it in all the aspects of human experience, and illustrates its hidden presence in the concrete in various ways, the latter appears to be satisfied with a bare universality, and does not attempt to verify the richness of its inner content. The butterfly imagination of the Persian, flies half-inebriated as it were, from flower to flower, and seems to be incapable of reviewing the garden as a whole. For this reason, his deepest thoughts and emotions find expression mostly in disconnected verses (Ghazal), which reveal all the subtlety of his artistic soul. The Hindu, while admitting, like the Persian, the necessity of a higher source of knowledge, yet calmly moves from experience to experience, mercilessly dissecting them, and forcing them to yield their underlying universality. In fact the Persian is only half-conscious of Metaphysics as a system of thought; his Brahman brother, on the other hand, is fully alive to the need of presenting his theory in the form of a thoroughly reasoned out system. And the result of this mental difference between the two nations is clear. In the one case we have only partially worked out systems of thought; in the other case, the awful sublimity of the searching Vedanta ... (shrink)

Bartolomeo Mastri’s Disputations on Metaphysics is the single most important work on metaphysics produced in the Scotist school during the Early Modern period. This contribution guides through the work by highlighting a selection of key passages that convey an impression of its historical-literary context, its subject matter, its main motifs and scientific aims, but also its limitations. Especially, we see Mastri emphasizing the theological aspect of theology, though he in the end refrains from exploring this aspect of (...) class='Hi'>metaphysics within his work on metaphysics. I suggest that this discrepancy between Mastri’s concept of metaphysics and his work on metaphysics showcases the difficulty of organizing this discipline during the phase of transition from the traditional commentary format typical of medieval scholasticism to the Early Modern scholastic Cursus philosophicus literature. (shrink)

An analysis of the treatment of time in literature and its relationship to science and philosophy. Since the consciousness of time seems to the author to have greatly increased in contemporary culture, he refers primarily to such twentieth-century authors as Proust, Joyce and Mann.--A. R.

¿Es posible hablar de metafísica de la luz sin antes precisar qué es la ‘luz’? Parece esta una pregunta retórica o merecedora de una respuesta de Perogrullo, pero basta recorrer el argumento histórico que presenta el volumen en cuestión para ver que mu- chas propuestas no siempre siguieron este procedimiento intelectual. Desde su misma Introducción se explicitan las objeciones a abusos de la expresión ‘metafísica de la luz’ y también a interpretaciones metafísicas de las metáforas de la luz en los (...) textos hexaemerales. A partir de estos reparos se expande el desafío central de esta tesis: no es suficiente diferenciar cuándo y cómo la terminología y simbolismos de la luz son utilizados de forma figurativa respecto de cuándo y cómo son no-figurativos. (shrink)

When I say that my conception of metaphysics is Aristotelian, or neo-Aristotelian, this may have more to do with Aristotle’s philosophical methodology than his metaphysics, but, as I see it, the core of this Aristotelian conception of metaphysics is the idea that metaphysics is the first philosophy . In what follows I will attempt to clarify what this conception of metaphysics amounts to in the context of some recent discussion on the methodology of metaphysics (...) (e.g. Chalmers et al . (2009), Ladyman and Ross (2007)). There is a lot of hostility towards the Aristotelian conception of metaphysics in this literature: for instance, the majority of the contributors to the Metametaphysics volume assume a rather more deflationary, Quinean approach towards metaphysics. In the process of replying to the criticisms towards Aristotelian metaphysics put forward in recent literature I will also identify some methodological points which deserve more attention and ought to be addressed in future research. (shrink)

al-ʾUmūr al-ʿāmma refers to the introductory chapter heading for concepts and topics which address the issues of metaphysics, the science of the universal. This introductory heading which encompasses general topics, concepts, and cases, is the most distinctive feature that differentiates the kalām in the Muta’akhkhirūn period from the Kalām in the Mutaqaddīmūn period. This is because the science of Kalām inherited these topics as the result of its interaction with peripatetic philosophy represented by Islamic philosophers, such as al-Kindī, al-Fārābī, (...) and Avicenna. Before Fakhr al-Dīn al-Rāzī, theologians addressed various concepts such as mawjūd, maʿdūd, maʿdūm, qadīm, muḥdāth, shayʾ by including them in their works as commonly used nouns and adjectives in a disorganised manner or without devoting a separate chapter heading to them. It was al-Rāzī, who discussed al-ʾumūr al-ʿāmma under a separate heading with original content and through a combined method based on the relationship between Kalām and philosophy by using the previously available literature, that helped al-ʾumūr al-ʿāmma acquire an important status in the science of Kalām. This is because this tittle, which examine abstract and general concepts such as existence, non-existence, mawjūd, maʿdūm, quiddity (māhiyyah) and its appendages such as unity, multiplicity, necessity, possibility, impossibility, ḥudūth, eternity a parte ante (qidam), substance (jawhar), accident (ʿaraḍ), cause (ʿilla), and maʿlūl, were reconsidered by the theologians after al-Rāzī and became a point of departure for their works. Later theologians largely followed al-Rāzī’s framework and organisation of al-ʾumūr al-ʿāmma and/or based their new organisations on it. Besides using his framework, they tried to define al-ʾumūr al-ʿāmma in different ways and from different perspectives, and, at times, allowed for debates of sorts. One of the debates that emerged as a result of these defining endeavours is why these concepts were included within the scope of al-ʾumūr al-ʿāmma discussions or what aspects of these concepts were discussed within al-ʾumūr al-ʿāmma. This debate revolves around such notions as quiddity, impossibility, and non-existence in relation to the aforementioned notions. Among these concepts, non-existence takes the lead. This is because existence is both the most general concept and one of the most commonly addressed concepts in al-ʾumūr al-ʿāmma due to its direct relationship with other concepts. This has brought non-existence, which has a close relationship with existence, to the forefront. In these discussions, the concept of non-existence is sometimes examined alone, sometimes together with the concept of impossibility, both directly and indirectly. In fact, the reason for the inclusion and evaluation of the concept of non-existence in al-ʾumūr al-ʿāmma per se has turned into topic of discussion by itself over time. In this context, after discussing the conceptualisation process of al-ʾumūr al-ʿāmma, this study examines how philosophers and theologians, who, it must be reiterated, define al-ʾumūr al-ʿāmma in different ways, examine the concept of non-existence under that chapter heading, and it goes on to determine the aspects that led them to include non-existence therein. (shrink)

This paper examines the complexity and fluidity of maternal identity through an examination of narratives about "real motherhood" found in children's literature. Focusing on the multiplicity of mothers in adoption, I question standard views of maternity in which gestational, genetic and social mothering all coincide in a single person. The shortcomings of traditional notions of motherhood are overcome by developing a fluid and inclusive conception of maternal reality as authored by a child's own perceptions.

Short description: Part A : Philosophy, Literature, and Knowledge – Chapter I : Idealism and the Absolute – A. J. B. Hampton: “Herzen schlagen und doch bleibet die Rede zurück?” Philosophy, poetry, and Hölderlin’s development of language suffi cient to the Absolute – P. Sabot: L’absolu au miroir de la littérature. Versions de l’Hégélianisme’ chez Villiers de l’Isle Adam et chez Mallarmé – P. Gordon: Nietzsche’s Critique of the Kantian Absolute – Chapter II: Philosophy and Style – J.-P. Larthomas: (...) Le cas Kierkegaard (1813-1855) ou l’écriture comme dialectique de l’écoute – S. Hüsch: Style et signifi cation. Intériorité et communication indirecte chez Søren Kierkegaard – A. Milon: La question du style en philosophie: la grammaire non-style – C. Van Lerberghe: La question du style dans la phénoménologie asubjective de Jan Patocka – Chapter III: Poetry and Philosophy – J.-B. Dussert: Martin Heidegger en ses poèmes – C. de Roche: The poem and the monad: On the reception of Leibniz‘ monadology in Paul Celan’s poetics – M. de Jesus Cabral: Entre théâtre et philosophie : notes sur la poétique de Maurice Maeterlinck – Chapter IV : Literature, Philosophy, and (new) Mythology – A. Martinengo: La raison hors de soi. Herméneutique et mythe chez Paul Ricoeur – G. Boggio Marzet Tremoloso: Démythologisation comme acte mythopoïétique: le cas de Jason de Elisabeth Porquerol. – G. Coulter: Jean Baudrillard: The Literary / Poetic Philosopher – Chapter V : Literature and Ethics – J. Azoulai: L’Éthique de Spinoza dans Bouvard et Pécuchet: un vertige philosophique et littéraire – I. Vendrell: Can Literature be Moral Philosophy? A sceptical view on the Ethics of Literary Empathy – F. Picon: Envisager Todorov: Poétique, éthique et humanisme contemporain – Chapter VI : Philosophy and Textuality – E. Lecler: La littérature : la mort de la philosophie – J. A. Gosetti- Ferencei: Writing in Philosophy and the Literature and Philosophy of Writing (Plato, Mann, Blanchot) –W. Cristaudo: Bringing Back Character and Grammar: Freeing Literature from Excessive Reliance on Philosophy and Theory – C. Alfano: Parenthesising Cracks into the Ground of Philosophy: The Textuality of Stanley Cavell’s Philosophical Writing – Part B: Perspectives of a Dialogue between Philosophy and Literature: Philosophical Refl ections in Literary Creation – Chapter VII : Philosophical Dialogue and Literature – A. Baillot: Tieck et Solger, un dialogue philosophicolittéraire – V. Altachina: Le dialogue philosophique chez Diderot et chez Dostoïevski – Chapter XIII : Bergsonien Infl uences in Literature – C. Dewas: Bergson et Katzantzakis. Les limites du langage comme condition d’une métaphysique de la littérature – E. Pesenti Rossi: La philosophie à l’épreuve de la poésie : Bergson et Ungaretti – Chapter IX : Wittgenstein and Literature – G. Valdemarca: La revanche du sens commun : Wittgenstein, Musil et la chute de la certitude – A. Leaker: From the ‘numinous glow’ to ‘gut squalor’: Transcendence and the Ordinary in Wittgenstein and Don DeLillo’s Underworld – A. den Dulk: Wallace and Wittgenstein: Literature as Dialogue Concerning the Real World – Chapter X: Borges and Semprun: Writers and Philosophers – J.-F. Mattéi: Borges et la philosophie – T. Capmartin: Voyage au bout de la représentation dans Fictions: Quelques remarques ménardiennes sur Borges et le stoïcisme – V. Capdevielle- Hounieu: Jorge Semprún et l’hybridation du littéraire et du philosophique : pour une ‘fi ction essayistique’ – Chapter XI : Literary (Mis-) Readings of Philosophy – P. Lasarte: Misreadings of Arthur Schopenhauer in Sin Rumbo by Eugenio Cambaceres – S. Roldan: Qu’est-ce qui est fort comme la mort selon Maupassant? La détermination ultime d’Olivier Vertin vue sous l’angle de Schopenhauer – B. Nickel: L’infl uence de Ludwig Wittgenstein (1889–1951) sur la poésie concrète – Chapter XII: The Impact of Philosophy on 20th Century Literature and Poetry – B. Ertugrul: Walter Benjamin et Ingeborg Bachmann entre littérature et philosophie – J. Leclercq / M. Watthee-Delmotte: Michel Henry : pour un langage de la subjectivité. La pensée du roman Le Fils du roi – J. Hobus: “The happiness of the concentration camps”: Reading Imre Kertész’ Novel Fatelessness with Albert Camus’ Concept of the Absurd – S. Frogel: Man without God: Nietzsche, Kafka and Camus Der Herausgeber Sébastian Hüsch, Studium der Philosophie, Geschichte,. (shrink)

In this article, we critically discuss the ideal of alignment, unity and harmony in cross-sector partnerships for wicked problems like sustainable development. We explore four characteristics of the concepts of identity, unity and difference which are presupposed in the partnership and collaboration literature, and point at their metaphysical origin. Based on our analysis of these four characteristics, we show the limitations of the metaphysical concepts of identity and difference in the case of CSPs for wicked problems like sustainable development.

This interesting approach to literary analysis comprises articles by writers in philosophy, literature, and the classics. Authors treated include Shaw, Shakespeare, Plato, Ibsen, and Browning; among those faced with dilemmas are Faust, Billy Budd, Hamlet, and Job.--E. T.

Aristotle considered the plot the most important element in tragedy. By μῦθυς--from which our word "myth" comes--he meant an imitation of action--of action in the "real world," that is. Here, as elsewhere in Greek literary criticism, "imitation" does not mean simply "exact reproduction." To what extent it may mean something like "symbolic," or otherwise "oblique," representation, is hard to determine. It will be enough, for our purposes, to think of "imitation" as exact reproduction with allowance made simply for the transference--always (...) radically transforming--into another medium: from life into art. What, then, did Aristotle mean by "action"? The noun πρᾶξις takes us back to the verb πράττω. Action meant a "doing" to Aristotle, rather as poetry meant to him a "making." Such a "doing," then, is a time-crossing event, in fact an event whose nature is closely involved with its temporal status. Such an event has a personal agent, or vehicle, and transacts with other persons, or more generally, with the "other." In fact, the notion of a transaction is especially fitting to describe action, for that notion emphasizes the dialogue-like structure of action, which always involves its agent with "the world," whether of people or of things. Plot, for Aristotle, was the turning of such action into art. (shrink)

This is the first part of a two-tier overview article on fundamentality in metaphysics and the philosophy of physics. It provides an introduction to the notion of fundamentality in metaphysics, as well as to several related concepts. The key issues in the contemporary debate on the topic are summarised, making systematic reference to the most relevant literature. In particular, various ways in which the fundamental entities and the fundamental structure of reality may be conceived are illustrated and (...) discussed. A final brief section looks at the methodological issue of naturalism, paving the way for the survey of fundamentality in the philosophy of physics, which is carried out in the second part. (shrink)

This is an extended meditation on ethics in literature across the Senecan corpus. There are two chapters on the Moral Letters, asking how one is to read philosophy or how one can write about being. Moving from the Letters to the Natural Questions and Dialogues, Professor Gunderson explores how authorship works at the level both of the work and of the world, the ethics of seeing, and the question of how one can give up on the here and now (...) and behold instead some other, better ethical sphere. Seneca's tragedies offer words of caution: desire might well subvert reason at its most profound level, or humanity's painful separation from the sublime might be part of some cruel divine plan. The book concludes by considering what, if anything, we are to make of Seneca's efforts to enlighten us. (shrink)

In artificial intelligence (AI), a number of criticisms were raised against the use of probability for dealing with uncertainty. All these criticisms, except what in this article we call the non-adequacy claim, have been eventually confuted. The non-adequacy claim is an exception because, unlike the other criticisms, it is exquisitely philosophical and, possibly for this reason, it was not discussed in the technical literature. A lack of clarity and understanding of this claim had a major impact on AI. Indeed, (...) mostly leaning on this claim, some scientists developed an alternative research direction and, as a result, the AI community split in two schools: a probabilistic and an alternative one. In this article, we argue that the non-adequacy claim has a strongly metaphysical character and, as such, should not be accepted as a conclusive argument against the adequacy of probability. (shrink)

The modus operandi of this paper is centered on governance and the metaphysical forces in Ogba Land. In other words the main focus of the article is that theocracy is concomitant with Ogba metaphysics. The salient points discussed include Maduabuchi Dukor’s reflection on African cosmic environment as posited in Dukor’s four great works on African philosophy. Others include Jewish theocratic tradition, Islamic theocratic tradition and Ogba theocracy and metaphysics in the light of Dukor’s philosophy. The researcher adopted the (...) literature approach to achieve the aforementioned objectives. (shrink)

What are the metaphysical and metapsychological boundaries of a person? How do we draw our borders? This much is clear: personal identity without thought experiments is impossible. I develop a new way of conceptualizing physiological and psychological borders leading to a re-evaluation of the problem of personal identity within the contemporary literature, especially Parfit, arguing that we must, necessarily, turn to the conceptual analysis of metaphysical and metapsychological borders. I offer an explanation of the persistence of common sense against (...) philosophical analysis, criticize Wilkes's position, and provide a foundation for the proper use of thought experiments in analytic metapsychology and metaphysics. (shrink)

Philosophy-and-literature as a subfield theorizes about the relationship between the two. Though few would explicitly say that philosophy is the point and literature the means, it’s common to see discussions of literature serving as an expression of philosophical insight and uncommon to see discussions of philosophical ideas put in service of literature. So, the aim of this paper is to explore, and suggest one concrete instance of, a literary work where philosophical concepts are instrumental for literary (...) ends. The metaphysical claims in T.S. Eliot’s “Burnt Norton” are not there to make a philosophical point, but to create a new sense of a lyric “now” that produces a time internal to the poem. This is a poetic achievement, and philosophical utterances help to produce the lyric now by foregrounding temporal readerly phenomenology. The example enriches our understanding of the possible relationships between philosophy and literature. (shrink)

"This guide focuses primarily on the sometimes difficult or obscure poetry of John Donne, George Herbert, Richard Crashaw, Abraham Cowley, Henry Vaughan, and Andrew Marvell, but it also deals with some of the lesser poets who can legitimately be included under the heading of metaphysical poets. Because this poetry is rich in philosophical ideas and metaphors, George Williamson helps the reader to understand the line-by-line meaning of particular poems before being bid to set out on a path to higher comprehension." (...) "In addition, Williamson sketches the historical, intellectual, and rhetorical backgrounds of these poets, and the development of their literary reputations through the years. The nature of each poet is defined in his own terms before the individual poems are examined. Dimensions of wit are also scrutinized in the works of Henry King, John Cleveland, and John Wilmot Earl of Rochester, and Andrew Marvell's work is related to Restoration satire. The final chapter extends and refines our awareness of this mode of poetry and its ultimte course."--BOOK JACKET. (shrink)

Don Marquis’s “future-like-ours” argument against the moral permissibility of abortion is widely considered the strongest anti-abortion argument in the philosophical literature. In this paper, I address the issue of whether the argument relies upon controversial metaphysical premises. It is widely thought that future-like-ours argument indeed relies upon controversial metaphysics, in that it must reject the psychological theory of personal identity. I argue that that thought is mistaken—the future-like-ours argument does not depend upon the rejection of such a theory. (...) I suggest, however, that given a widely-accepted view about contraception and abstinence, the argument is committed to contentious metaphysics after all, as it relies upon a highly controversial assumption about mereology. This commitment is not only relevant for those who are inclined to endorse the argument but reject the mereological view in question, but in addition entails dialectical and epistemological liabilities for the argument, which on some views will be fatal to the argument’s overall success. (shrink)

Well-being depends not only on what happens but also on when it happens. There are temporal aspects of well-being, and to a large extent those aspects are about relative timing—about being “in-tact.” On the one hand, there is a perspectival aspect about being in-tact with one’s past, present, and future or, in a less involved sense, with one’s life as a whole. On the other hand, there is a synchronization aspect of being in-tact; and this aspect occurs on different levels: (...) It might be about the alignment between different temporal domains—such as time as individually perceived and physical or intersubjective time. Or it might be about a single domain, especially the inner dynamics of individual time. The danger of not experiencing and acknowledging the relational character of these different timings likely leads to a substantial loss in the variety of human experience. Important aspects of subjective and intersubjective experience might fade away. The present paper discusses these aspects of well-being along the lines of distinctions and concepts prominently used in the metaphysics and the phenomenology of time. Thus, the paper also aims to complement the existing literature by bringing together important strands of current philosophical research. (shrink)

Quantum entanglement has long been thought to be have deep metaphysical consequences. For example, it has been claimed to show that Humean supervenience is false or to involve a novel form of ontological holism. One way to avoid confronting the metaphysical consequences is to adopt some form of antirealism. In this paper we discuss two prominent strands in recent literature—wavefunction realism and “Super-Humeanism”—that appear quite different, but, as we see it, are instances of a more general strategy. In effect, (...) what these attempt to do is to diffuse the puzzle of entanglement by eliminating it. These interpretative movements are advertised as equally realist, but, we claim, fail to take an appropriately realist attitude towards entanglement. What we advocate instead is a genuine metaphysics of entanglement: instead of eliminating entanglement, develop a metaphysics that accounts for and explains it. (shrink)

The recovery of Dante's metaphysics - which are very different from our own - is essential, argues Christian Moevs, if we are to resolve what has been called "the central problem in the interpretation of the Comedy." That problem is what to make of the Comedy's claim to the status of revelation, vision, or experiential record - as something more than imaginative literature. In this book Moevs offers the first sustained treatment of the metaphysical picture that grounds and (...) motivates the Comedy, and the relation between those metaphysics and Dante's poetics. Moevs arrives at the radical conclusion that Dante believed that all of what we perceive as reality, the spatio-temporal world, is in fact a creation or projection of conscious being. Armed with this new understanding, Moevs is able to shed light on a series of perennial issues in the interpretation of the Comedy. (shrink)

I argue that the way the world appears to be plays an important role in standard scientific practice, and that therefore the way the world appears to be ought to play a similar role in metaphysics as well. I then show how the argument bears on a specific first-order debate in metaphysics—the debate over whether there are composite objects. This debate is often thought to be a paradigm case of a metaphysical debate that is largely insulated from scientific (...) considerations, and is often disparaged or avoided by naturalistically-inclined metaphysicians as a result. My argument below shows that this attitude is a mistake. The way in which metaphysical debates can be informed by our best science is more complex and far-reaching than is often acknowledged in the literature. (shrink)

Metaphysics, formerly the queen of science, fell into oblivion under the onslaught of empiricism and positivism and its very possibllity came to be denied. Professor Elders traces the history of this process and shows how St. Thomas innovated in determining both the subject of metaphysics and the manner in which one enters this science, particularly in the framework of his Aristotle commentaries. The work then considers being and its properties, its divisions into being in act and being in (...) potency, into the act of being essence, and into substance and the accidents. Finally the causes of being are considered. The work also introduces and surveys the extensive literature of Thomas interpretation of the past 50 years. (shrink)

ABSTRACTThe early history of anthropology in eighteenth-century Germany wove together contributions from medicine, metaphysics, and a host of other disciplines in an attempt to develop a holistic ‘science of man.’ This paper examines a literary text written by prominent figure in that movement, Johann Gottlob Krüger’s Dreams. The collection of parables staged as dreams in this book presents specifically literary cases against the sufficiency of either philosophy or physiology for the study of human life as a whole. Through close (...) readings of a number of these dreams and related texts, this paper shows how Krüger’s Dreams advocates an approach to anthropology that recognizes the importance of literature for an interdisciplinary study of human life. More than simply recognising literary writing as another means of studying human life, the vision of a new anthropology implied in this book draws on literary devices to counter the overconfidence and partisanship of existing philosophical and medical theories of human nature. (shrink)

In Simone de Beauvoir's Philosophy of Lived Experience, Eleanore Holveck presents Simone de Beauvoir's theory of literature and metaphysics, including its relationship to the philosophers Edmund Husserl, Martin Heidegger, Immanuel Kant, Maurice Merleau-Ponty, and Jean-Paul Sartre, with references to the literary tradition of Goethe, Maurice Barr_s, Arthur Rimbaud, AndrZ Breton, and Paul Nizan. The book provides a detailed philosophical analysis of Beauvoir's early short stories and several major novels, including The Mandarins and L'invitZe.

This paper addresses problems associated with the role of the empirical concept of matter in Kant's Metaphysical Foundations of Natural Science, offering an interpretation emphasizing two points consistently neglected in the secondary literature: the distinction between logical and real essence, and Kant's claim that motion must be represented in pure intuition by static geometrical figures. I conclude that special metaphysics cannot achieve its stated and systematically justified goal of discovering the real essence of matter, but that Kant requires (...) this failure for his larger philosophical presentation of the dialectic that (A298/B354). (shrink)

Much recent literature in metaphysics attempts to answer the question, ‘What is metaphysics?’ In this paper I argue that many of the most influential contemporary answers to this question yield the result that feminist metaphysics is not metaphysics. I further argue this result is problematic.

English metaphysical poetry, from Donne to Marvell, is conspicuously witty. A. J. Smith seeks the central importance of wit in the thinking of the metaphysical poets, and argues that metaphysical wit is essentially different from other modes of wit current in Renaissance Europe. Formal theories and rhetorics of wit are considered both for their theoretical import and their appraisals of wit in practice. Prevailing fashions of witty invention are scrutinized in Italian, French, and Spanish writings, so as to bring out (...) the nature and effect of various forms of wit: conceited, hieroglyphic, transformational, and others from which the metaphysical mode is distinguished. He locates the basis of Renaissance wit in the received conception of the created order and a theory of literary innovation inherent in Humanist belief, which led to novel couplings of time and eternity, body and soul, man and God. Yet, he finds that metaphysical wit distinctively works to discover a spiritual presence in sensible events; and he traces its demise in the 1660s to changes in the understanding of the natural world associated with the rise of empirical science. (shrink)

: Metaphysics B considers two sets of views that hypostatize mathematicals. Aristotle discusses the first in his B.2 treatment of aporia 5, and the second in his B.5 treatment of aporia 12. The former has attracted considerable attention; the latter has not. I show that aporia 12 is more significant than the literature suggests, and specifically that it is directly addressed in M.2 – an indication of its importance. There is an immediate problem: Aristotle spends most of M.2 (...) refuting the view that mathematicals are separate; but the B.5 mathematicals are inherent. I argue that the B.5 inherence is compatible with the M.2 separateness, and further, that aporia 12 is more than just a puzzle about the hypostatization of mathematicals. It is also a puzzle about the ontological status of mathematicals relative to sensibles. (shrink)

This article is about the place of kalām (theology) within the general structure of al-Fārābī's metaphysics. In this framework, the article consists of two parts. The first part examines the position of metaphysics within the framework of al-Fārābī's idea of perfection. In the second part, a close reading of al-Fārābī's al-Ibāna ʿan ġarażi Arisṭuṭālīs fī kitābi mā baʿda al-ṭabīʿa is made and al-Fārābī's approach to the theoretical aspect of theology within the theory of milla is analyzed. Since al-Fārābī's (...) theories of perfection and meaning are the theories that affect a major part of his philosophy, the article shows the effects of these two theories on al-Fārābī's analysis of metaphysics without examining their general position in al-Fārābī's philosophy. In this framework, the article examines the idea that al-Fārābī's metaphysics should be evaluated in view of the background of his theories of perfection and meaning, based on the secondary literature on the subject. As evidence for this claim, al-Fārābī's description of the philosophical sciences as the steps of intellectual perfection is shown in the article. The article emphasizes that al-Fārābī's evaluations of the relationship between kalām and metaphysics are based on the theory of perfection. A close reading of the relevant passages in Taḥṣīl al-saʿāda, Treatise on Intellect (Risāla fi-l ‘aql), and Kitāb al-Ḥurūf shows how al-Fārābī's theories of perfection and meaning form the background of his analysis of metaphysics through the philosopher's arguments. On the other hand, the article shows how al-Ibāna might be understood within al-Fārābī's metaphysical construct by showing the extensions of the theories of perfection and meaning in this work. For al-Fārābī, metaphysics, which constitutes the last step of intellectual perfection, is also the highest science. This process is indicated by the concept “al-naẓar al-ilāhī” (divine thinking/thought). In this framework, kalām cannot gain the title of metaphysics because it is a science that does not emerge in the course of intellectual perfection. In this article, this approach is justified by considering the relevant passages in al-Ibāna. Al-Fārābī's distinction between the science of divine oneness (tawḥīd) and metaphysics in this work has been a subject of debate among scholars. Regarding what al-Fārābī meant by the definition of universal knowledge, the article emphasizes that the relationship of metaphysics with the theories of perfection and meaning influenced al-Fārābī's approach to universal knowledge. In the last part of the article, al-Fārābī’s theory of milla is considered in the context of the theory of meaning. For this aim, the article suggests that al-Fārābī’s idea of milla as a copy or similitude of philosophy makes the science of kalām an intermediate science that acts between the verbal and the philosophical areas of meaning. (shrink)

When doing metaphysics, it is frequently convenient and sometimes essential to rely upon various notions of fundamentality when articulating the problems, positions, and arguments at issue. But what it is, exactly, the relevant notions are supposed to track remains obscure. The goal of this dissertation is to develop and defend a theory about the metaphysics of fundamentality; by doing so, I clarify and vindicate the roles that notions of fundamentality play in metaphysics. At the theory’s core are (...) two notions particularly prevalent in metaphysical inquiry: something’s being ‘derived’ from or holding ‘wholly in virtue of’ something else (the notion of grounding), and something’s being ‘reducible’ to or ‘non-circularly definable’ in terms of something else (the notion of reductive analysis). -/- I begin by arguing that the notion of grounding ought to serve as a foundation for understanding the metaphysics of fundamentality more generally (“Grounding the Metaphysics of Fundamentality”). I then propose a novel account of reductive analysis that retains the traditional insight that a reductive analysis purports to describe the constituents of a property or fact and depict how they are structured together (“On What Consists in What”). I then argue that even though the two notions are distinct, facts about grounding can be understood wholly and without circularity in terms of a certain pattern of facts about reductive analysis (“Getting Grounded”). I conclude the dissertation by challenging a widespread assumption in both the literature on the metaphysics of fundamentality and in first-order disputes about what grounds what, according to which a fact is necessitated by the facts that ground it (“Against Grounding Necessitarianism”). (shrink)

In this pathbreaking book, which includes a powerful new translation of Hesiod's Works and Days by esteemed translator David Grene, Stephanie Nelson argues that a society's vision of farming contains deep indications about its view of the human place within nature, and our relationship to the divine. She contends that both Hesiod in the Works and Days and Vergil in the Georgics saw farming in this way, and so wrote their poems not only about farming itself, but also about its (...) deeper ethical and religious implications. Hesiod, Nelson argues, saw farming as revealing that man must live by the sweat of his brow, and that good, for human beings, must always be accompanied by hardship. Within this vision justice, competition, cooperation, and the need for labor take their place alongside the uncertainties of the seasons and even of particular lucky and unlucky days to form a meaningful whole within which human life is an integral part. Vergil, Nelson argues, deliberately modeled his poem upon the Works and Days, and did so in order to reveal that his is a very different vision. Hesiod saw the hardship in farming; Vergil sees its violence as well. Farming is for him both our life within nature, and also our battle against her. Against the background of Hesiods poem, which found a single meaning for human life, Vergil thus creates a split vision and suggests that human beings may be radically alienated from both nature and the divine. Nelson argues that both the Georgics and the Works and Days have been misread because scholars have not seen the importance of the connection between the two poems, and because they have not seen that farming is the true concern of both, farming in its deepest and most profoundly unsettling sense. (shrink)