Abstract

Structuralism is a contemporary intellectual movement with both methodological and substantive implications. Nowhere has its impact been stronger than in poetics and literary criticism. Scholes book is designed to introduce English speaking audiences to structuralist developments in European literary thought. After detailing the background of structuralism in the work of Saussure and Jakobson and relating formalist and proto-structuralist modes of literary criticism to structuralist methods, the author examines specific micro and macropoetics of fiction. His object is to explain other’s theories, but in a critical way. The fault he finds recurring in structuralists’ approaches to literature is that of arbitrariness—claiming in an ad hoc way features to be present in texts and generalizing those features when this is not sufficiently motivated by the material itself. His concluding chapter compares and draws connections between romantic and structuralist views of language and exhibits how structuralist modes of thought are embodied in contemporary fiction.