Scholars have long been captivated by the parallels between birdsong and human speech and language. In this book, leading scholars draw on the latest research to explore what birdsong can tell us about the biology of human speech and language and the consequences for evolutionary biology. They examine the cognitive and neural similarities between birdsong learning and speech and language acquisition, considering vocal imitation, auditory learning, an early vocalization phase, the structural properties of birdsong and human language, and the striking (...) similarities between the neural organization of learning and vocal production in birdsong and human speech. After outlining the basic issues involved in the study of both language and evolution, the contributors compare birdsong and language in terms of acquisition, recursion, and core structural properties, and then examine the neurobiology of song and speech, genomic factors, and the emergence and evolution of language. Contributors: Hermann Ackermann, Gabriël J.L. Beckers, Robert C. Berwick, Johan J. Bolhuis, Noam Chomsky, Frank Eisner, Martin Everaert, Michale S. Fee, Olga Fehér, Simon E. Fisher, W. Tecumseh Fitch, Jonathan B. Fritz, Sharon M.H. Gobes, Riny Huijbregts, Eric Jarvis, Robert Lachlan, Ann Law, Michael A. Long, Gary F. Marcus, Carolyn McGettigan, Daniel Mietchen, Richard Mooney, Sanne Moorman, Kazuo Okanoya, Christophe Pallier, Irene M. Pepperberg, Jonathan F. Prather, Franck Ramus, Eric Reuland, Constance Scharff, Sophie K. Scott, Neil Smith, Ofer Tchernichovski, Carel ten Cate, Christopher K. Thompson, Frank Wijnen, Moira Yip, Wolfram Ziegler, Willem Zuidema. (shrink)

Background In this study, we examined the ethical implications of Egypt’s new clinical trial law, employing the ethical framework proposed by Emanuel et al. and comparing it to various national and supranational laws. This analysis is crucial as Egypt, considered a high-growth pharmaceutical market, has become an attractive location for clinical trials, offering insights into the ethical implementation of bioethical regulations in a large population country with a robust healthcare infrastructure and predominantly treatment-naïve patients. Methods We conducted a comparative analysis (...) of Egyptian law with regulations from Sweden and France, including the EU Clinical Trials Regulation, considering ethical human subject research criteria, and used a directed approach to qualitative content analysis to examine the laws and regulations. This study involved extensive peer scrutiny, frequent debriefing sessions, and collaboration with legal experts with relevant international legal expertise to ensure rigorous analysis and interpretation of the laws. Results On the rating of the seven different principles (social and scientific values, scientific validity, fair selection of participants, risk-benefit ratio, independent review, informed consent and respect for participants) Egypt, France, and EU regulations had comparable scores. Specific principles (Social Value, Scientific Value, and Fair selection of participants) were challenging to directly identify due to certain regulations embodying 'implicit' principles more than explicitly stated ones. Conclusion The analysis underscores Egypt's alignment with internationally recognized ethical principles, as outlined by Emanuel et al., through its comparison with French, Swedish, and EU regulations, emphasizing the critical need for Egypt to continuously refine its ethical regulations to safeguard participant protection and research integrity. Key issues identified include the necessity to clarify and standardize the concept of social value in research, alongside concerns regarding the expertise and impartiality of ethical review boards, pointing towards a broader agenda for enhancing research ethics in Egypt and beyond. (shrink)

En el breve tratado _Del rimaritarsi_ (1542) el humanista italiano Sperone Speroni aborda un tema de interés en el Renacimiento, el de las viudas y las segundas nupcias. Se parte del análisis de este texto y se confronta con los de otros humanistas del mismo periodo, como Erasmo, Fusco, Valier, Trissino, Savonarola, Zarrabin, Cabei, Trotto, Dolce o Vives, para poder entender que la defensa del matrimonio también para la viuda es uno de los elementos clave del nuevo concepto de familia (...) en la sociedad moderna. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.2 (2004) 20-37 [Access article in PDF] Aesthetic Teaching Mark A. Pike I think aesthetic teaching is the highest of all teaching because it deals with life in its highest complexity. But if it ceases to be purely aesthetic — if it lapses anywhere from the picture to the diagram — it becomes the most offensive of all teaching.1George Eliot asserts that "the highest (...) of all teaching" which "deals with life in its highest complexity" is essentially aesthetic in character for it has features of the "picture" or work of art rather than the more straightforwardly instructional "diagram." Yet, George Eliot not only ascribes greatest worth to teaching that is aesthetic but considers teaching that is merely diagrammatic to be "the most offensive of all teaching." Evidently, there are similarities between pictures and diagrams but essential features present in the former are conspicuously absent from the latter. The current obsession with effectiveness in teaching and repeated attempts to reduce that which should be aesthetic and inspired to the wholly rational, diagrammatic and instrumental make George Eliot's views remarkably pertinent. Consequently, features of aesthetic teaching will be explored in this essay. In doing so it will be suggested that Martin Heidegger's ontology (theory of existence) offers a philosophical foundation for conceiving teaching in the arts as a form of engagement with students which is unreservedly aesthetic in character. As such, Heidegger provides us with a valuable position from which to counter forces that militate against the aesthetic in our schools and also provokes us to eschew all that is diagrammatic in our approach to that which is rightly aesthetic. Teaching: Drawing the Diagram or Painting the Picture? Teaching is currently being construed, in both the United Kingdom and the United States, as a technology with which to get something done or as a [End Page 20] vehicle which "delivers" a subject in an efficient or effective manner, or even as a science where the analytical approach is the method for problem solving. Even as I write, I find myself part of a proposed "delivery team" for literature education. It appears that this is the sort of language policy makers in a rational economy like to hear. Any dissenting voices, those subscribing to a view of teaching as an art itself, are considered dangerous as they jeopardize progress in our brave new world. For example, in their introduction to Effective Teaching — Evidence and Practice, Daniel Muijs and David Reynolds articulate the view that construing teaching as an art rather than a technology may be responsible for the lack of excellent teachers in our schools.2 In marked contrast to George Eliot, they suggest "the view that teaching is an 'art,' not a science" results in attention being devoted to "personal factors and qualities" which are "often idiosyncratic and difficult to influence by educational policies."3 Further, they suggest that the placing of education within the humanities tradition — is clearly wrong and probably condemns societies where it is prevalent to having only those small number of excellent teachers who inherit the "art," rather than the larger number who could acquire the applied science of a teaching methodology.4It is difficult to conceive of a position further removed from George Eliot's ideal of aesthetic teaching. There are, of course, a number of problems with reducing teaching to a technology, or an applied science, as Muijs and Reynolds prefer to call it. Such argument betrays the assumption that the world can be known in a rational, analytical and scientific way. The concomitant of this view is the misguided belief that teaching about such a world can be precisely planned, implemented and assessed. Elliot Eisner is surely more accurate when he explains that "teaching is a form of human action in which many of the ends achieved are emergent" and that these ends are often "found in the course of interaction with students rather than preconceived."5 Clearly, allowing "for the creation of ends in process" necessitates "a model of teaching akin to other arts."6 This is more... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.2 (2004) 20-37 [Access article in PDF] Aesthetic Teaching Mark A. Pike I think aesthetic teaching is the highest of all teaching because it deals with life in its highest complexity. But if it ceases to be purely aesthetic — if it lapses anywhere from the picture to the diagram — it becomes the most offensive of all teaching.1George Eliot asserts that "the highest (...) of all teaching" which "deals with life in its highest complexity" is essentially aesthetic in character for it has features of the "picture" or work of art rather than the more straightforwardly instructional "diagram." Yet, George Eliot not only ascribes greatest worth to teaching that is aesthetic but considers teaching that is merely diagrammatic to be "the most offensive of all teaching." Evidently, there are similarities between pictures and diagrams but essential features present in the former are conspicuously absent from the latter. The current obsession with effectiveness in teaching and repeated attempts to reduce that which should be aesthetic and inspired to the wholly rational, diagrammatic and instrumental make George Eliot's views remarkably pertinent. Consequently, features of aesthetic teaching will be explored in this essay. In doing so it will be suggested that Martin Heidegger's ontology (theory of existence) offers a philosophical foundation for conceiving teaching in the arts as a form of engagement with students which is unreservedly aesthetic in character. As such, Heidegger provides us with a valuable position from which to counter forces that militate against the aesthetic in our schools and also provokes us to eschew all that is diagrammatic in our approach to that which is rightly aesthetic. Teaching: Drawing the Diagram or Painting the Picture? Teaching is currently being construed, in both the United Kingdom and the United States, as a technology with which to get something done or as a [End Page 20] vehicle which "delivers" a subject in an efficient or effective manner, or even as a science where the analytical approach is the method for problem solving. Even as I write, I find myself part of a proposed "delivery team" for literature education. It appears that this is the sort of language policy makers in a rational economy like to hear. Any dissenting voices, those subscribing to a view of teaching as an art itself, are considered dangerous as they jeopardize progress in our brave new world. For example, in their introduction to Effective Teaching — Evidence and Practice, Daniel Muijs and David Reynolds articulate the view that construing teaching as an art rather than a technology may be responsible for the lack of excellent teachers in our schools.2 In marked contrast to George Eliot, they suggest "the view that teaching is an 'art,' not a science" results in attention being devoted to "personal factors and qualities" which are "often idiosyncratic and difficult to influence by educational policies."3 Further, they suggest that the placing of education within the humanities tradition — is clearly wrong and probably condemns societies where it is prevalent to having only those small number of excellent teachers who inherit the "art," rather than the larger number who could acquire the applied science of a teaching methodology.4It is difficult to conceive of a position further removed from George Eliot's ideal of aesthetic teaching. There are, of course, a number of problems with reducing teaching to a technology, or an applied science, as Muijs and Reynolds prefer to call it. Such argument betrays the assumption that the world can be known in a rational, analytical and scientific way. The concomitant of this view is the misguided belief that teaching about such a world can be precisely planned, implemented and assessed. Elliot Eisner is surely more accurate when he explains that "teaching is a form of human action in which many of the ends achieved are emergent" and that these ends are often "found in the course of interaction with students rather than preconceived."5 Clearly, allowing "for the creation of ends in process" necessitates "a model of teaching akin to other arts."6 This is more... (shrink)

Listening to someone from some distance in a crowded room you may experience the following phenomenon: when looking at them speak, you may both hear and see where the source of the sounds is; but when your eyes are turned elsewhere, you may no longer be able to detect exactly where the voice must be coming from. With your eyes again fixed on the speaker, and the movement of her lips a clear sense of the source of the sound will (...) return. This ‘ventriloquist’ effect reflects the ways in which visual cognition can dominate auditory perception. And this phenomenological observation is one what you can verify or disconfirm in your own case just by the slightest reflection on what it is like for you to listen to someone with or without visual contact with them. (shrink)

While consensus exists among many practitioners of ethics consultation about the need for and identification of core competencies and standards, there has been virtually no attempt to determine how these competencies and standards are best taught and assessed. We believe that clinical ethics consultation has reached a state of sufficient maturity that expert practitioners can evaluate those who are new to the field. We will outline several steps that can facilitate the creation of a certification process for clinical ethics consultants, (...) assuring the competency and quality of consultation for the patients, families, and healthcare professionals who utilize ECSs. (shrink)

Unreflective action conceals an unexpected rationality of everyday life. Yet can we analyze unreflective action using terms such as intention and conviction? Are individuals responsible for their unreflective action, too, if they do not stand behind it with their conscious intent? To answer these questions, this study undertakes a fundamental reconceptualization of human action.".

Heidegger in America explores the surprising legacy of his life and thought in the United States of America. As a critic of modern life, Heidegger often lamented the growing global influence of all things American. However, it was precisely in America where his thought inspired the work of generations of thinkers – not only philosophers but also theologians, architects, novelists, and even pundits. As a result, the reception and dissemination of Heidegger's philosophical writings transformed the intellectual and cultural history of (...) the United States at a time when American influence was itself transforming the world. A case study in the complex and sometimes contradictory process of transnational exchange, Heidegger in America recasts the scope and methods of contemporary intellectual and cultural history in the age of globalization, challenging what we think we know about Heidegger and American ideas simultaneously. (shrink)

Prekäres Wissen handelt nicht von den großen Themen der Metaphysik und Epistemologie, sondern von Randzonen wie der Magie und der Numismatik, der Bibelinterpretation und der Orientalistik. Es geht nicht nur um Theorien, sondern auch um Furcht und Faszination, nicht um die großen Forschergestalten, sondern um vergessene und halbvergessene Gelehrte. Es ist ein Buch voller spannender Geschichten, eine andere Ideengeschichte der Frühen Neuzeit und zugleich der ambitionierte Versuch, den Begriff des Wissens selbst im Zeichen des" material turn", des" iconic turn"und der (...) Kommunikations- und Informationsgeschichte neu zu denken. (shrink)

Conflicts of interest. None to report. Despite widespread acceptance in the United States of neurological criteria to determine death, clinicians encounter families who object, often on religious grounds, to the categorization of their loved ones as “brain dead.” The concept of “reasonable accommodation” of objections to brain death, promulgated in both state statutes and the bioethics literature, suggests the possibility of compromise between the family’s deeply held beliefs and the legal, professional and moral values otherwise directing clinicians to withdraw medical (...) interventions. Relying on narrative to convey the experience of a family and clinical caregivers embroiled in this complex dilemma, the case analyzed here explores the practical challenges and moral ambiguities presented by the concept of reasonable accommodation. Clarifying the term’s meaning and boundaries, and identifying guidelines for its clinical implementation, could help to reduce uncertainty for both health care professionals and families and, thereby, the incremental moral distress such uncertainty creates. (shrink)

Name der Zeitschrift: Kant-Studien Jahrgang: 110 Heft: 1 Seiten: 49-73.

This paper does not deal with the topic of ‘the generosity of artificial languages from an Asian or a comparative perspective’. Rather, it is concerned with a particular case taken from a development in the Western tradition, when in the wake of the rise of formal logic at the end of the nineteenth and the beginning of the twentieth century people in philosophy and later in linguistics started to use formal languages in the study of the semantics of natural languages. (...) This undertaking rests on certain philosophical assumptions and instantiates a particular methodology, that we want to examine critically. However, that in itself is still too broad a topic for a single paper, so we will focus on a particular aspect, viz., the distinction between grammatical form and logical form and the crucial role it plays in how the relationship between natural languages and formal languages is understood in this tradition. We will uncover two basic assumptions that underlie the standard view on the distinction between grammatical form and logical form, and discuss how they have contributed to the shaping of a particular methodology and a particular view on the status of semantics as a discipline. But before we turn to the topic at hand, a few more words on the general nature of the investigation are in order. Its general aim is to find out how semantics constructs its object, i.e., we are interested in what semanticists view as the proper object of study, how they think this object can best be approached, and how they view the relations between their own undertaking and neighbouring disciplines that deal with related, or even the same kind of phenomena, such as cognitive psychology, cognitive neuroscience, philosophy, anthropology. The background assumption is that, much like in other disciplines, semantics, too, does not have its object of investigation cut out for itself by nature, but constructs it in a complex process that involves empirical elements (‘facts’ being already too dangerous a term), philosophical assumptions, and borrowings.... (shrink)

Martin Mees | : Cet article propose une réévaluation de la notion d’« événement » en matière d’esthétique, ce qui nécessite de s’interroger plus spécifiquement sur la temporalité propre au concept de « sublime », associé traditionnellement à une fulgurance, un instant sidérant qui ferait justement événement. Le développement s’appuie sur l’Analytique kantienne du sublime qui, en diverses occasions, met en avant le caractère paradoxal d’un sublime qui ne semble pouvoir se déployer qu’au prix d’une temporalité double, qualifiée ultimement (...) de régressive. Je défendrai ici la thèse que le sublime renvoie en réalité à une expérience esthétique de l’événement comme tel, à même de nous faire penser une certaine « Idée esthétique » du temps. Une telle expérience semble d’ailleurs pouvoir trouver forme dans différentes productions poétiques de notre modernité. | : This article proposes a re-evaluation of the notion of “event” in the field of aesthetics, which requires to question the specific temporality of the concept of “sublime”, traditionally associated with a flash, a staggering moment, which precisely constitutes an event. The development leans on the Kantian Analytic of the sublime which, on diverse occasions, highlights the paradoxical character of a sublime that only seems able to fulfil itself at the price of a double temporality, ultimately named regressive. I shall defend here the thesis that the sublime refers actually to an aesthetic experience of the event per se, allowing us to conceptualise a certain “aesthetic idea” of time. Such an experience, as a matter of fact, seems to be embodied in different poetic productions of our modernity. (shrink)

Many have been struck by Hannah Arendt’s remarks on loneliness in the concluding pages of The Origins of Totalitarianism, but very few have attempted to deal with the remarks in any systematic way. What is especially striking about this state of affairs is that the remarks are crucial to the account contained therein, as they betray a view of agency that undergirds the rest of the account. This article develops Arendt’s thinking on loneliness throughout her corpus, showing how loneliness is (...) connected to thoughtlessness. In so doing, the article also suggests a connection between Arendt’s notion of loneliness and Stanley Cavell’s notion of skepticism. This connection, it is argued, allows us not only fully to answer a question Arendt leaves unaddressed (the cause loneliness), but also allows us to see how we, as agents and users of language, are perpetually prone to loneliness. (shrink)

This work is an exceptionally rich account both of the connections and divergences between Levinas and Derrida as ethical thinkers. Against the backdrop of nineteenth and twentieth century philosophy and phenomenology, Srajek draws on Hermann Cohen's ethics of correlation so as to demonstrate how far it is possible to read Levinas and Derrida as constructing similar approaches to ethics.

The idea that Adorno should be read as a “realist” of any sort may indeed sound odd. And unpacking from Adorno’s elusive prose a credible and useful normative reconstruction of epistemology and metaphysics will take some work. But we argue that he should be added to the growing group of epistemologists and metaphysicians who have been developing post-positivist versions of realism such as contextual, internal, pragmatic and critical realisms. These latter realisms, however, while helpfully showing how realism can coexist with (...) ontological pluralism, for example, as well as a highly contextualised account of knowledge, have not developed a political reflexivity about how the object of knowledge—the real—is constructed. As a field, then, post-positivist realisms have been politically naïve, which is perhaps why they have not enjoyed more influence among Continental philosophers. (shrink)

I : PETRARCH'S BRITAIN 1: Piero Boitani: Petrarch and the barbari Britanni II: PETRARCH AND THE SELF 2: Jennifer Petrie: Petrarch solitarius 3: Zygmunt G. Baranski: The Ethics of Ignorance: Petrarch's Epicurus and Averroes and the Structures of the De Sui Ipsius et Aliorum Ignorantia 4: Jonathan Usher: Petrarch's Second Death III: PETRARCH IN DIALOGUE 5: Francesca Galligan: Poets and Heroes in Petrarch's Africa: Classical and Medieval Sources 6: Enrico Santangelo: Petrarch reading Dante: the Ascent of Mont Ventoux 7: John (...) Took: Petrarch and Cino da Pistoia: A Moment in the Pre-history of the Canzoniere IV: PETRARCHISM AND ANTIPETRARCHISM IN ITALY 8: Abigail Brundin: Petrarch and the Italian Reformation 9: Hilary Gatti: Petrarch, Sidney, Bruno 10: Diego Zancani: Renaissance Misogyny and the Rejection of Petrarch 11: Letizia Panizza: Impersonations of Laura in Sixteenth and Seventeenth Century Italy V: PETRARCHISM: ENGLISH AND SCOTTISH CONNECTIONS 12: Michael Wyatt: Other Petrarchs in Early Modern England 13: Stephen Clucas: Thomas Watson's Hekatompathia and European Petrarchism 14: John Roe: The Comedy of Astrophil: Petrarchan Motifs in Sidney's Astrophil and Stella 15: Syrithe Pugh: Sidney, Spenser and Political Petrarchism 16: R. D. S. Jack: Petrarch and the Scottish Renaissance Sonnet VI: PETRARCH AND THE MODERNS: ITALY AND BRITAIN 17: Pamela Williams: Leopardi and Petrarch 18: Ela Tandello: Between Tradition and Transgression: Amelia Rosselli's Petrarch 19: Martin McLaughlin: Nineteenth-century British Biographies of Petrarch 20: Peter Hainsworth: Translating Petrarch. (shrink)

The stories we tell in our attempt to make sense of the world, our myths and religion, literature and philosophy, science and art, are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent, especially without some recourse to the familiar coherency of order. In this book, Martin Meisel considers the long effort to conjure, depict, (...) and rationalize extreme disorder, with all the passions, excitements, and compromises the act has provoked. In seven chapters--"Shaping Chaos," "Nothing and Something," "Number," "Carnival," "War," "Energy," and "Entropy"--Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos. He uses examples from literature, philosophy, painting, graphic art, science, linguistics, music, and film, particularly exploring the remarkable shift in the eighteenth and nineteenth centuries from conceiving of chaos as disruptive to celebrating its liberating and energizing potential. Discussions of Sophocles, Plato, Lucretius, Calderon, Milton, Haydn, Blake, Faraday, Chekhov, Faulkner, Wells, and Beckett, among others, are matched with incisive readings of art by Brueghel, Rubens, Goya, Turner, Dix, Dada and the futurists. Meisel addresses the revolution in mapping energy and entropy and the manifold impact of thermodynamics. Known for his pathbreaking studies of literature, drama, and the visual arts, Meisel uses this chaotic frame to elaborate on larger concerns of purpose, mortality, meaning, and mind. (shrink)

The comprehension of norms in complex social systems is one of the most active fields of research in agent-based modelling. This is faced with the challenge to comprehend the recursive interaction between inter- and intra-agent processes. In this article, a comparative analysis of selected cases of normative agent architectures will be given based on a review of theories of norms in the social sciences. This allows to identify the prerequisites for a representation of the cognitive processes of norm recognition. As (...) yet, there is no unequivocal concept for the design of normative agents. Different approaches are compared along the line of different theoretical accounts. (shrink)

One of the best-known bits—perhaps the best-known bit—of the inscription of Diogenes of Oinoanda is frs. 2–3, in which the author explains what motivated him to display Epicurean doctrines in epigraphical form.

This paper examines and classifies the computational complexity of model checking and satisfiability for hybrid logics over frames with equivalence relations. The considered languages contain all possible combinations of the downarrow binder, the existential binder, the satisfaction operator, and the global modality, ranging from the minimal hybrid language to very expressive languages. For model checking, we separate polynomial-time solvable from PSPACE-complete cases, and for satisfiability, we exhibit cases complete for NP, PS pace , NE xp T ime , and even (...) N2E xp T ime . Our analysis includes the versions of all these languages without atomic propositions, and also complete frames. (shrink)

Martin F. Meyer untersucht die Entwicklung des lebenswissenschaftlichen Denkens von den frühsten Anfängen bis zur Geburt der wissenschaftlichen Biologie bei Aristoteles. Der Autor zeigt im ersten Teil, wie sich zentrale biologische Begriffe (Leben, Lebewesen, Mensch, Tier, Pflanze) im frühgriechischen Denken, bei den Vorsokratikern und in der sogenannten Hippokratischen Medizin entwickelt haben. Im zweiten Teil beleuchtet er die Ziele, Methoden und die Systematik der von Aristoteles begründeten Biologie im Kontext seines naturwissenschaftlichen Programms.​.

Does anyone ever survive his or her bodily death ? Could anyone? No speculative questions are older than these, or have been answered more frequently or more variously. None have been laid to rest more often, or — in our times — with more claimed decisiveness. Jay Rosenberg, for instance, no doubt speaks for many contemporary philosophers when he claims, in his recent book, to have ‘ demonstrated ’ that ‘ we cannot [even] make coherent sense of the supposed possibility (...) that a person's history might continue beyond that person's [bodily] death’. (shrink)

Q: If necessity is the mother of invention, whence necessity? A. : The matrix of necessity in God-talk is religious experience, philosophically interpreted. The interpreters, theists and non-thesists, have indeed been inventive.

In ‘ The Life and Opinions of Tristram Shandy ’ Laurence Sterne writes: That of all the several ways of beginning a book which are now in practice throughout the known world, I am confident my own way of doing it is the best—I'm sure it is the most religious—for I begin with writing the first sentence—and trusting to Almighty God for the second.