Justifications for the environmental restoration of the Pumalín National Park, originally known as Pumalín Nature Sanctuary, in Chile can be analyzed from a philosophical and ethical point of view. The environmental stage to which the park should be restored is defined as a moral choice, rather than an ecological one, that is based on “climax” as an a priori value that supports and guides the main restoration actions carried out in the park. This climax is a pre-settling or (...) pre-colonization condition. Defined philosophically, climax is both an ethical and political value. For these actions, the ecosystem’s health can be treated the same as that of a human’s health: each society defines the criteria and the acme of health, as well as the valid efforts to restore it. (shrink)

Las justificaciones para la restauración ambiental del Parque Nacional Pumalín, originalmente conocido como Santuario Natural de Pumalín, en Chile, se analizan desde un punto de vista filosófico y ético. La etapa ambiental a la que se debe restaurar el parque se define como una opción moral, más que ecológica, que se basa en el “clímax” como un valor a priori que respalda y guía las principales acciones de restauración llevadas a cabo en el parque. Definido filosóficamente, el clímax es tanto (...) un valor ético como político. Para estas acciones, la salud del ecosistema se trata de la misma manera que la de un ser humano: cada sociedad define los criterios y el punto máximo de la salud, así como los esfuerzos válidos para restaurarla. (shrink)

Gender scholars have addressed a variety of gender gaps between men and women, including a gender gap in orgasms. In this mixed-methods study of heterosexual Canadians, we examine how men and women engage in gender labor that limits women’s orgasms relative to men. With representative survey data, we test existing hypotheses that sexual behaviors and relationship contexts contribute to the gender gap in orgasms. We confirm previous research that sexual practices focusing on clitoral stimulation are associated with women’s orgasms. With (...) in-depth interview data from a subsample of 40 survey participants, we extend this research to show that both men and women engage in gender labor to explain and justify the gender gap in orgasms. Relying on an essentialist view of gender, a narrow understanding of what counts as sex, and moralistic language that recalls the sexual double standard, our participants craft a narrative of women’s orgasms as work and men’s orgasms as natural. The work to produce this gendered narrative of sexuality mirrors the gender labor that takes place in the bedroom, where both women and men engage in sexual behaviors that emphasize men’s pleasure to a greater extent than women’s. (shrink)

This article draws on concepts from cognitive psychology to explore the significance of the narrative climax, focusing on the final climax of the series The Americans as a case study. Two aspects of the aesthetic experience are considered: the special intensity that climaxes elicit, and the diversity of the cognitive content they generate, which can include both aesthetic and non-aesthetic properties. The climax is experienced in a state of absorption triggered by a set of strategies of temporal (...) prolongation related to the main suspenseful moments and plotlines, to character engagement, and to the multiplot structure, involving the content of the narrative itself and the aesthetic qualities that define it. The source of this absorption during the climax lies in the interplay between emotion and cognition in a temporal process that may last for a whole series. To demonstrate this idea, this study identifies key narrative comprehension processes, drawing on the explanatory potential of mental model theory to clarify the importance of memory and interrelated inferential processes. The aim of this research is to contribute to explanations of the role of the climax in serialized television and other artistic works. (shrink)

Given that any society is endowed not only with a set of institutions but also with the particular pattern of self-reflection and self-description, postmodernity should be viewed as an epoch representing the climax of modernity and its self-refutation. Parting with traditional society, modernity represents the triumph of power-knowledge, the divorce between spheres of culture, the global social relations, the new institutions, the change in the understanding of space-time relations, the cult of the new, and the modernization process. While preserving (...) the institutional set of modernity, the postmodern period casts into doubt the basic thought foundations of classical modernity. The horizons of the emerging cultural future should be viewed in the light of a positive synthesis of the postmodern reflexive pattern with the legacy of modernity. (shrink)

According to Charles Hauss, “[i]n the last few years, reconciliation has become one of the ‘hottest’ topics in the increasingly ‘hot’ field of conflict resolution” ( 2003 , ¶1). However, despite the apparent interest in this “hot” academic topic (which is becoming increasingly warm in Canada as our own Truth and Reconciliation Commission commences), reconciliation studies have been dominated by Truth-based approaches. The restrictions of these approaches, which emphasize objectivity and rationality, often elide the body and the primacy of emotions (...) in the reparative process. This essay begins a conversation on the role of the body and emotion in the study of reconciliation by engaging the work being done in the social sciences with contemporary trends in critical theory and literature. I argue that by looking at the fundamental role the body plays on the “road to reconciliation” we can devise a more vital approach to conflict resolution and the various processes that make it up. (shrink)

After the disappointments of 1992, however a year that engendered a lot of expectations, it was not difficult for the European Union to perform better in 1993. But even then, the European Union has not been spared from serious difficulties. The economic recession raged through the old continent as never before and the stability and the survival of the ERM came under severe pressure. Only the last three months seemed to provide the first indications of a slow recovery. The Maastricht (...) Treaty came finally into force, monetary stability came back and the first signs of the end of the recession showed-up. In the light of the serious political and institutional burdens of the enlargement of1995, one can only hope that this recovery will continue further. (shrink)

Orgasm is one of the most intense pleasures attainable to an organism, yet its underlying mechanisms remain poorly understood. On the basis of existing literatures, this article introduces a novel mechanistic model of sexual stimulation and orgasm. In doing so, it characterizes the neurophenomenology of sexual trance and climax, describes parallels in dynamics between orgasms and seizures, speculates on possible evolutionary origins of sex differences in orgasmic responding, and proposes avenues for future experimentation. Here, a model is introduced wherein (...) sexual stimulation induces entrainment of coupling mechanical and neuronal oscillatory systems, thus creating synchronized functional networks within which multiple positive feedback processes intersect synergistically to contribute to sexual experience. These processes generate states of deepening sensory absorption and trance, potentially culminating in climax if critical thresholds are surpassed. The centrality of rhythmic stimulation (and its modu... (shrink)

Arthur G. Tansley never accepted Frederic E. Clements’ view that succession is a developmental process whose final stage, the climax formation, is determined primarily by regional climate and that all other types of vegetation are some kind of successional stage or arrested successional stage. Tansley was convinced that in a given region a variety of environmental factors could produce different kinds of climax formations. At the heart of their dispute was Clements’ organicist view of succession, i.e., the formation (...) was a complex organism with an ontogeny and phylogeny. As early as 1905, Tansley offered an alternative to Clements’ complex organism, the quasi-organism, but Clements in private and public rejected this compromise. Tansley and other plant ecologists continued to criticize Clements’ theories for the next 20 years, but with no impact on Clements. John Phillips, a South African plant ecologist who was a follower of Clements, published a series of papers in 1934 and 1935 defending Clementsian ecology. These papers were triggered by the publication of a letter by another ecologist working in Africa who claimed that there was a strong correlation between soils and various kinds of climax vegetation, which was contrary to what was predicted by Phillips and Clements. In 1935, Tansley published an attack on Phillips and Clements and their developmental theory of succession. In it, he proposed the concept of the ecosystem as a way to get around Clements’ monoclimax theory by making the physical environment (e.g., soil chemistry, soil texture, soil moisture) as important a factor as climate, plants and other organisms in determining the composition and characteristics of ecological entities, i.e., ecosystems. Tansley’s ecosystem concept quickly replaced Clements’ monoclimax theory as a dominant paradigm in ecology. (shrink)

Arthur G. Tansley never accepted Frederic E. Clements’ view that succession is a developmental process whose final stage, the climax formation, is determined primarily by regional climate and that all other types of vegetation are some kind of successional stage or arrested successional stage. Tansley was convinced that in a given region a variety of environmental factors could produce different kinds of climax formations. At the heart of their dispute was Clements’ organicist view of succession, i.e., the formation (...) was a complex organism with an ontogeny and phylogeny. As early as 1905, Tansley offered an alternative to Clements’ complex organism, the quasi-organism, but Clements in private and public rejected this compromise. Tansley and other plant ecologists continued to criticize Clements’ theories for the next 20 years, but with no impact on Clements. John Phillips, a South African plant ecologist who was a follower of Clements, published a series of papers in 1934 and 1935 defending Clementsian ecology. These papers were triggered by the publication of a letter by another ecologist working in Africa who claimed that there was a strong correlation between soils and various kinds of climax vegetation, which was contrary to what was predicted by Phillips and Clements. In 1935, Tansley published an attack on Phillips and Clements and their developmental theory of succession. In it, he proposed the concept of the ecosystem as a way to get around Clements’ monoclimax theory by making the physical environment (e.g., soil chemistry, soil texture, soil moisture) as important a factor as climate, plants and other organisms in determining the composition and characteristics of ecological entities, i.e., ecosystems. Tansley’s ecosystem concept quickly replaced Clements’ monoclimax theory as a dominant paradigm in ecology. (shrink)

This paper examines the late Neoplatonic evidence for the text at the crucial point of the Alcibiades I, 133c, finding that Olympiodorus' important evidence is not in the lexis, which strangely has nothing to say. Perhaps it was dangerous in Christian Alexandria to record one's views here too precisely. Rather, they are found primarily in the prologue and secondarily in the relevant theoria. Olympiodorus believes that he is quoting from the work or paraphrasing closely, but offers nothing that can be (...) paralleled in either the manuscripts or the Eusebian versions. Since both the manuscript text and the Eusebian text fail to satisfy, the evidence deserves consideration. Even if he were not in possession of a text that was wholly correct, Olympiodorus does at least offer an overall interpretation of the passage which neatly unites the daemonic and erotic aspects of Socrates' activities, and offers a real reason for Alcibiades to return Socrates' love. He is encouraged to reflect upon the nature of the divine being controlling Socrates, so that he may behold the likeness of his own, woefully obscured, inner self, and so acquire the self-knowledge necessary for true political success.The anonymous Prolegomena are compatible with Olympiodorus, while Proclus' prologue again largely agrees with Olympiodorus' interpretation. For Proclus, Alcibiades must become an observer of Socrates knowledge and indeed of Socrates' whole life. 'For to desire to know the reason for Socrates' actions is to become the lover of the knowledge which is pre-established within him.' So the path towards a total understanding of his own inner intellective self lies via the contemplation of that being that is rooted within Socrates.I also examine earlier Platonist evidence for the text and find little that is not in harmony with late Neoplatonism. (shrink)

This chapter contains sections titled: Eeew! Sucks to be a Porn Star! Get Out Of My Bed! Ways of Valuing Lives Climax: Happy Slaves, Oppression, and Quality of Life Afterglow Notes.

In the climax to The Protestant Ethic, Max Weber writes of the stahlhartes Gehäuse that modern capitalism has created, a concept that Talcott Parsons famously rendered as the "iron cage." This article examines the status of Parsons's canonical translation; the putative sources of its imagery ; and the more complex idea that Weber himself sought to evoke with the "shell as hard as steel": a reconstitution of the human subject under bureaucratic capitalism in which "steel" becomes emblematic of modernity. (...) Steel, unlike the "element" iron, is a product of human fabrication. It is both hard and potentially flexible. Further, whereas a cage confines human agents, but leaves their powers otherwise intact, a "shell" suggests that modern capitalism has created a new kind of being. After examining objections to this interpretation, I argue that whatever the problems with Parsons's "iron cage" as a rendition of Weber's own metaphor, it has become a "traveling idea," a fertile coinage, in its own right, an intriguing example of how the translator's imagination can impose itself influentially on the text and its readers. (shrink)

At the climax of the quarrel between Achilles and Agamemnon in the Iliad, Achilles ponders whether to kill the king (1.191). The first half of the line, however, has received little attention, but the various interpretations that have been put forth have been unconvincing. This article proposes an interpretation that reveals an Achilles at least momentarily contemplating fomenting a revolt on the part of the army against Agamemnon's authority.

Near the climax of the ascent passage of the Symposium, Plato describes how the lover turns to gaze at the great sea of the beautiful and. While the phrase has been variously interpreted by commentators and translators, none has regarded it as particularly significant. In what follows we examine the contribution that the immediate context makes to the meaning of the phrase and take note of the link between the adjective φθονος and two subsequent uses of φθονω, both with (...) reference to Alcibiades. We conclude that in the two final scenes of the dialogue the repetition of φθονος and φθονω has the same effect as the repetition of the well-studied adverb ξαφνης. By virtue of these contextual associations, we suggest, the prepositional phrase acquires a new significance. Furthermore, on the interpretation developed here the dialogue's two final scenes encapsulate the view of the incompatibility of jealousy and philosophy that Plato sets forth more explicitly and at greater length in the Phaedrus and Republic. (shrink)

At the dramatic climax of the book of Job, God answers Job from a whirlwind; but it is notoriously difficult to see how this answer addresses the problem posed by Job's suffering. In this paper, I am especially concerned with the following questions. What underlying problem is the poet wrestling with? How is God's answer to Job supposed to be relevant to this problem? And why is Job satisfied by it? I critically consider what seem to me to be (...) two of the most important interpretations. Neither of them turns out to be completely satisfying. I then conclude by suggesting that the book of Job itself oscillates back and forth between two quite different conceptions of God's relation to the world. (shrink)

In History After Lacan, Teresa Brennan argues that Jacques Lacan was not an ahistorical post-structuralist. She tells the story of a social psychosis, beginning with a discussion of Lacan's neglected theory of history which argued that we are in the grip of a psychotic's era which began in the seventeenth century and climaxes in the present. By extending and elaborating on Lacan's theory, Brennan develops a general theory of modernity. Contrary to postmodern assumptions, she argues, we need a general historical (...) explanation. An understanding of historical dynamics is essential if we are to make the connections between the outstanding facts of modernity--ethnocentrism, the relation between the sexes, and ecological catastrophe. A challenging feminist, interdisciplinary study, History After Lacan will be essential reading for social, cultural, and political theorists, historians, psychoanalysts, and literary theorists. (shrink)

At the climax of Ender's Game, we see Ender exhausted and at wit's end. Sorting out the mess of who is actually responsible for what is difficult–we feel conflicted about the whole thing, just as Ender does. In this chapter, Aristotle helps us make sense of responsibility and voluntary action and considers whether a person can be responsible for something that he or she did not cause. It looks at why we should care about whether a fictional character is (...) responsible and consider an alternative notion of responsibility that explains Ender's post‐xenocide actions as Speaker for the Dead. The chapter first establishes what moral responsibility is and then contrasts moral responsibility with causal responsibility. He is not to blame for the destruction of the buggers, he does what he can to try to make things right. (shrink)

From the relative obscurity in which Levinas's work languished until very recently, Emmanuel Levinas must now be judged as one of the most influential figures in contemporary Continental philosophy. There is no better guide than John Lewelyn to lead one through the thickets of Levinas's prose. Bursting with questions, multiple references, cascading citations and multilingual puns and nuances, this book is the compelling record of intellectual obsession. Taking as its guiding thre the theme of genealogy, the book gives a broadly (...) chronological and impressively manageable presentation of the whole sweep of the Levinas's work. Balanced and finely grained, Llewelyn confronts questions of method, Heidegger, phenomenology, the theme of sensibility, religion, enjoyment, feminity, eros, justice and the political. The book reaches a stunning climax in a series of chapters that give a hestitant but tolerant discussion of the question of God in Levinas, the relation to Levinasian ethics to Nietzschean genealogy, and an extraordinary discussion of metaphor that leads into a wholly original analysis of Levinas's poetics and metaphorics. The book concludes with a sensitive reading of the autobiographical epigraphs to Levinas's Otherwise than Being... and a consideration of the Holocaust. (shrink)

What is consciousness? Some philosophers have contended that ‘qualia’, or an experiential medium from which consciousness is derived, exists as a fundamental component of reality. Whitehead, for example, described the universe as being comprised of ‘occasions of experience’. To examine this possibility scientifically, the very nature of physical reality must be re-examined. We must come to terms with the physics of space-time -- as is described by Einstein's general theory of relativity -- and its relation to the fundamental theory of (...) matter -- as described by quantum theory. This leads us to employ a new physics of objective reduction: OR which appeals to a form of ‘quantum gravity’ to provide a useful description of fundamental processes at the quantum/classical borderline . Within the OR scheme, we consider that consciousness occurs if an appropriately organized system is able to develop and maintain quantum coherent superposition until a specific ‘objective’ criterion is reached; the coherent system then self-reduces . We contend that this type of objective self-collapse introduces non-computability, an essential feature of consciousness. OR is taken as an instantaneous event -- the climax of a self-organizing process in fundamental space-time -- and a candidate for a conscious Whitehead-like ‘occasion’ of experience. How could an OR process occur in the brain, be coupled to neural activities, and account for other features of consciousness? We nominate an OR process with the requisite characteristics to be occurring in cytoskeletal microtubules within the brain's neurons. (shrink)

Written for students coming to Spinoza for the first time, Spinoza and the Ethics is the ideal guide to this rich and illuminating work. This GuideBook provides an overview of critical interpretations, relating the Ethics to its intellectual context, considers its historical reception; and highlights why the work continues to be relevant today. In addition, the most intriguing final sections of the Ethics , usually ignored in introductory commentaries, are given special attention and illuminated as the climax of the (...) work. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Center Blossoms, Part 1:The Pneumatological Fruit of the Incarnate Word in Bonaventure's BreviloquiumBr. Thomas A. Piolata OFM Cap. (bio)This paper asks the following question: What is the fruit of Saint Bonaventure's theological focus on Christ as the center of all theology? While Bonaventure's christocentric vision has rightly received ample scholarly attention and recognition, a clear and robust explication of the fruit—i.e., the culmination or goal—of this vision yet (...) remains to be articulated.1 The above question has not received a full answer. There is thus a lacuna and a need within the secondary literature on the Seraphic Doctor's thought. This study addresses and begins to remedy this lacuna. It offers a preliminary answer to the above question.2 To this end, I will argue that Bonaventure's christocentrism yields a theology that accentuates the Spirit's role in salvation—a pneumatological soteriology.To argue this point, I focus principally on Bonaventure's systematic masterpiece, the Breviloquium. I have chosen this text for two principal reasons. The first reason: the Breviloquium makes manifest the Seraphic [End Page 195] Doctor's distinctive christocentrism.3 After all, in a work consisting of seven parts,4 it is precisely Part 4—De incarnatione Verbi—that constitutes the text's undeniable structural center. Bonaventure's treatment of the Incarnate Word constitutes, as Part 4 of the text, the centerpiece of the seven-part theological synthesis developed in the Breviloquium.The second reason: the Breviloquium makes explicit the inherent— and specifically pneumatological—fruitfulness of Bonaventure's christocentrism. Significantly, that is, the centrality of Christ in the text does not end in Christ. Already in Part 4, the text's structural center, the centrality of Christ culminates and finds its fullness in a pneumatological, pentecostal reflection: "Postremo, ut inflammaret ad caritatem, misit [Christus] ignem Spiritus sancti in die Pentecostes."5 These words reveal the pneumatological climax of Christ's mission. They are taken from the tenth and final chapter of Part 4, where Bonaventure makes explicit reference to the "Spiritus sanctus" nine times.6 This pentecostal conclusion and cluster of references to the Spirit imbues this final chapter of Part 4 De incarnatione Verbi with a pronounced pneumatological accent and culmination. The centrality of the Incarnate Word already—within its own structure—begins to blossom into the Spirit. Indeed, the centrality of Christ is a blossoming center.This pneumatological apogee of the centrality of Christ does not go unnoticed by Joshua Benson in his careful study of the Breviloquium's Christology. Benson utilizes as a structural hermeneutic Bonaventure's triadic division of ortus, progressus/modus, and status/fructus introduced in the prologue of the text,7 and arrives at the following synthesis: "This chapter [Chapter 10 of Part 4] is the ultimate fructus of Bonaventure's investigation of the incarnate Word and also establishes Christ further as the ortus of the life of grace that Bonaventure will examine in part 5 [De gratia Spiritus sancti]."8 Benson thus eventually concludes: "The paschal mystery is the foundation for the pneumatological mystery of the church."9 [End Page 196]Ultimately, then, Benson's comments bear witness to the inherent trajectory of the Breviloquium's distinctive christocentrism. Indeed, the center not only anticipates, but even reaches into the subsequent parts that follow: Part 4 does not stand alone as an isolated monad, but betrays directionality, a movement toward the Spirit. Put differently, the text's undeniable christic center is a vibrant center that bears fruit, a center that breathes forth the mystery of the Spirit. In a word, the center blossoms: pneumatological presence pulsates within and so blossoms forth from the reality of the Incarnate Word.This insight motivates the present study. After all, it is this basic insight that lies at the genesis of, formulates an initial answer to, and evinces the theological gravity within the very question that opened this essay: What is the fruit of Bonaventure's theological focus on Christ the center? Answering this question constitutes the goal of this study. To answer it, I will explicate the—pneumatological—fruit of Christ the center. In brief, the answer I propose lies in what I will... (shrink)

Darwin’s fifth chapter, “The Laws of Variation,” may stand in the shadow of the first four that climax with his presentation of “Natural Selection,” but its importance should not be underestimated. It deals with philosophical and methodological issues in the study of variation that would be hotly debated for decades after the publication of the book, many of which are still unsettled today. As the chapter title suggests, Darwin felt that a proper scientific study of variation had to discover (...) the laws of nature that governed it. He could not simply let it be random. He looked for laws in the patterns of co-occurrence of changes in different parts of the body or the same part in different species and also in the apparent consistencies in the effects of environment and habit. There is no one main line of argument in this chapter, but rather an exploration of multiple possible conceptions, patterns, and laws of variation—all ways in which variation might not be entirely random. For example: To what extent was variation responsive to environmental changes or to the organism’s needs and habits? And if Darwin admitted such responses, then how was his theory any different from Lamarck’s? Do all parts of the organism vary freely and independently or are there hidden connections, correlations, or trade-offs between varying parts of the body? Why do related species seem often to vary in similar ways? Many of these questions are still with us, in modern evolutionary developmental biology (“evo-devo”) and studies of epigenetics. (shrink)

Lacan was not an ahistorical post-structuralist. Starting from this controversial premiss, Teresa Brennan tells the story of a social psychosis. She begins by recovering Lacan's neglected theory of history which argued that we are in the grip of a psychotic's era which began in the seventeenth century and climaxes in the present. By extending and elaborating Lacan's theory, Brennan develops a general theory of modernity. Contrary to postmodern assumptions, she argues, we need general historical explanation. An understanding of historical dynamics (...) is essential if we are to make the connections between the outstanding facts of modernity - ethnocentrism, the relationship between the sexes and ecological catastrophe. (shrink)

As COVID-19 drags on and new vaccines promise widespread immunity, the world's attention has turned to predicting how the present pandemic will end. How do societies know when an epidemic is over and normal life can resume? What criteria and markers indicate such an end? Who has the insight, authority, and credibility to decipher these signs? Detailed research on past epidemics has demonstrated that they do not end suddenly; indeed, only rarely do the diseases in question actually end. This article (...) examines the ways in which scholars have identified and described the end stages of previous epidemics, pointing out that significantly less attention has been paid to these periods than to origins and climaxes. Analysis of the ends of epidemics illustrates that epidemics are as much social, political, and economic events as they are biological; the “end,” therefore, is as much a process of social and political negotiation as it is biomedical. Equally important, epidemics end at different times for different groups, both within one society and across regions. Multidisciplinary research into how epidemics end reveals how the end of an epidemic shifts according to perspective, whether temporal, geographic, or methodological. A multidisciplinary analysis of how epidemics end suggests that epidemics should therefore be framed not as linear narratives—from outbreak to intervention to termination—but within cycles of disease and with a multiplicity of endings. (shrink)

Linear Logic is a branch of proof theory which provides refined tools for the study of the computational aspects of proofs. These tools include a duality-based categorical semantics, an intrinsic graphical representation of proofs, the introduction of well-behaved non-commutative logical connectives, and the concepts of polarity and focalisation. These various aspects are illustrated here through introductory tutorials as well as more specialised contributions, with a particular emphasis on applications to computer science: denotational semantics, lambda-calculus, logic programming and concurrency theory. The (...) volume is rounded-off by two invited contributions on new topics rooted in recent developments of linear logic. The book derives from a summer school that was the climax of the EU Training and Mobility of Researchers project 'Linear Logic in Computer Science'. It is an excellent introduction to some of the most active research topics in the area. (shrink)

The chapter tackles the complex, tension-ridden, and often paradoxical relationship between relativism and conservatism. We focus particularly on radical conservatism, an early twentieth-century German movement that arguably constitutes the climax of conservatism’s problematic relationship with relativism. We trace the shared genealogy of conservatism and historicism in nineteenth-century Counter-Enlightenment thought and interpret radical conservatism’s ambivalent relation to relativism as reflecting this heritage. Emphasizing national particularity, historical uniqueness, and global political plurality, Carl Schmitt and Hans Freyer moved in the tradition of (...) historicism, stopping short of full relativism. Yet they utilized relativistic elements – such as seeing irrational decisions or the demands of “life” as the basis of politics – to discredit notions of universal political morality and law, thereby underpinning their authoritarian agendas. Oswald Spengler, by contrast, took the relativistic impulses to the extreme, interweaving his conservative authoritarianism and nationalism with full-fledged epistemic, moral, and political relativism. Martin Heidegger has recently been perceived as the key philosopher of radical conservatism, and his thought arguably channeled antimodern aspects of historicism into contemporary political thought. We conclude by analyzing how some radical conservative arguments involving cultural relativism and plurality still reverberate in contemporary theorists such as Samuel Huntington, Aleksandr Dugin, and Alain de Benoist. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 12.3 (2005) 195-198 [Access article in PDF] Implicit and Explicit Temporality Thomas Fuchs Keywords implicit/explicit temporality, embodiment, intersubjectivity, desynchronization, melancholia, schizophrenia Since Minkowski (1970), Strauss (1966), v. Gebsattel (1954), and Tellenbach (1980), temporality has been a main subject of phenomenological psychiatry. Drawing on philosophical concepts of Bergson, Husserl, and Heidegger, these authors have analyzed psychopathologic deviations of time experience, mainly from an individual point of (...) view, for example, as a slowing down or inhibition of lived time in depression or obsessive–compulsive disorder. Their analyses are still most valuable today, but may be carried further by introducing concepts such as embodied and intersubjective temporality into psychopathology. Martin Wyllie (2005), by opening up a wide scope of temporal phenomena and related concepts, makes a laudable effort to contribute to such a progress.In my commentary, I would like to propose a distinction that is suggested by much of Wyllie's analysis and may shed further light on psychopathology, namely between implicit and explicit temporality. If we look at a child while obliviously playing with his toys, lost to the world, we may assume that there is no sense of the time passing. Lived time runs with the movement of life, implicit in the child's experience of being engaged in his play and directed toward his goals. It "unfolds through the processes of bodily activity" (Wyllie 2005). Future and past do not stand out against the pure presence of "becoming." This implicit mode of temporality is retrieved every time that we are absorbed in what we are doing, and may even reach the climax of "flow experiences" (Csikszentmihalyi 1988) where the sense of time is lost in unimpeded, fluent performance.However, this changes when a gap arises between need and satisfaction, desire and fulfillment, or plan and execution. Now the future appears as a "not yet" or "yet to come," experienced as the temporality of awaiting, striving, or longing for. Time is felt as passing by and refusing the desired fulfillment; it becomes conscious or explicit. A similar gap arises between the present and something irretrievably lost, bringing the past to consciousness as a "no more." Again time is experienced explicitly, but now as moving on relentlessly and separating us from the lost object. The gap to the past may not be bridged any more: this is the temporality of missing or mourning. In both cases, explicit time arises as a negation of implicit or lived time (here my use of the term is a bit divergent from Wyllie's); it is experienced as a "not yet" or "no more," often with a component of displeasure or suffering (Fuchs 2001a, 2003)."Implicit" versus "explicit time" thus come near to another distinction well known in phenomenology, namely between the "lived" and [End Page 195] the "corporal body" (Leib versus Koerper). The first term refers to the body functioning in the tacit mode, as the medium of everyday performance. The second term points to the body as turning into the object of attention, for example, when it puts up resistance to our purposes, or is used as an instrument deliberately (Fuchs 2001b). In fact, implicit temporality and tacit performance of the body are nearly synonymous: Lived time may be regarded as a function of the lived body, opened up by its potentiality and capability. The more we are engaged in our tasks, the more we forget time as well as the body; we are, as it were, "inside time." On the other hand, in explicit temporality the body often appears in the corporal or explicit mode as well. For example, when falling ill, we experience our body no more as a tacit medium but rather as an object or obstacle, while we notice the slowing down of time and may even feel excluded from the movement of life. Thus, embodiment and temporality have a parallel background–foreground structure.I now try to carry these considerations further by including the intersubjective dimension of time. In an earlier paper, I describe the attunement of the living being to its environment as a continuous synchronization on the biological as... (shrink)

Richard Sorabji presents a unique discussion of the development of moral conscience over a period of 2500 years, from the playwrights of the fifth century BCE to the present. He addresses key topics including the original meaning and continuing nature of conscience, the ideas of freedom of religion and conscience with climaxes in the early Christian centuries and the seventeenth, the disputes on absolution or 'terrorisation' of conscience, dilemmas of conscience, and moral double-bind, the reliability of conscience if it is (...) shaped by local custom, and modern opposition to the idea of conscience and its role in legislation. (shrink)

In "De anima" 3.5, Aristotle argues for the existence of a second intellect, the so-called "Agent Intellect." The logical structure of his argument turns on a distinction between different types of soul, rather than different faculties within a given soul; and the attributes he assigns to the second species make it clear that his concern here -- as at the climax of his other great works, such as the "Metaphysics," the "Nicomachean" and the "Eudemian Ethics" -- is the difference (...) between the human and the divine. If this is right, we needn't go on a wild goose chase trying to invent a role for the so-called Agent Intellect to play. God moves our intellects as he moves the heavenly spheres, "as a beloved": he constitutes the complete actualization towards which all of our intellectual striving is directed. Aristotle regards such final causation as an efficient cause, but not in a way that would make it part of what we would call the causal processes or mechanisms of human psychology. But, he would insist, it is essential for appreciating who we are and what our place is in the world. (shrink)

This brilliant and absorbing study examines the image of Judaism and the Jews in the work of two of the most influential modern philosophers, Hegel and Nietzsche. Hegel was a proponent of universal reason and Nietzsche was its opponent; Hegel was a Christian thinker and Nietzsche was a self-proclaimed "Antichrist"; Hegel strove to bring modernity to its climax, and Nietzsche wanted to divert the evolution of modernity into completely different paths. In view of these conflicting attitudes and philosophical projects, (...) how did each assess the historical role of the Jews and their place in the modern world? The mature Hegel partly overcame the fierce anti-Jewish attitude of his youth yet continued to see Judaism as the alienation of its own new principles. Post-Christian Judaism no longer had a real history, only a contingent protracted existence, and although modern Jews deserved civil rights, Hegel saw no place for them in modernity as Jews. Nietzsche, on the contrary, who grew to be a passionate anti-anti-Semite, admired Diaspora Jews for their power and depth and assigned them a role as Jews in curing Europe of the decadent Christian culture that their own ancestors, the second-temple Jewish "priests," had inflicted upon Europe by begetting Christianity. The ancient corrupters of Europe are thus to be its present redeemers. Through his masterly analysis of the writings of Hegel and Nietzsche, Yovel shows that anti-Jewish prejudice can exist alongside a philosophy of reason, while a philosophy of power must not necessarily be anti-Semitic. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Examples, Stories, and Subjects in Don Quixote and the HeptameronTimothy HamptonI developed a rare and perhaps unique taste. Plutarch became my favorite reading. The pleasure that I took in reading and rereading him endlessly cured me somewhat from reading novels. Ceaselessly occupied with Rome and Athens, living, so to speak, with their great men.... I thought myself Greek or Roman.Rousseau, ConfessionsThe first part of Don Quixote reaches its rambunctious (...) climax when the Don’s neighbors, the curate and the barber, lock him in an ox cart and triumphantly wheel him back to his village. At one point during the journey home Don Quixote engages in a long and famous debate with the Canon of Toledo about the dangers of reading. The Canon attempts to convince Don Quixote to renounce both knight errantry and his passion for romances of chivalry. He also makes the following recommendation:If you are still obsessed by books of adventures and chivalry, read the book of Judges in Holy Scripture, where you will find great and genuine exploits that are as heroic as they are true. Lusitania had its Viriathus, Rome had its Caesar, Carthage its Hannibal, Greece its Alexander, Castille its Count Fernán González, Valencia its Cid, Andalusia its Gonzalo Fernández, Extremadura its Diego García de Paredes, Jérez its Garci Pérez de Vargas, Toledo its Garcilaso, Seville its Manuel de Léon: their doughty deeds will entertain, instruct, delight and amaze the highest intellects that read them. This reading will truly be worthy of your own excellent mind, my dear [End Page 597] Don Quixote, from which you will rise learned in history, enamored of virtue, instructed in goodness, bettered in manners, valiant without rashness, bold without vacillation, and all this to the honor of God, your own profit, and the glory of La Mancha, from where, as I have learned, you derive your birth and origin. 1The Canon proposes to replace one literary genre with another; he condemns the reading of romance and promotes the reading of history. In the process he presumes to substitute one type of exemplarity with another—an exchange that links Don Quixote’s imagination to his status as a political subject. For he suggests that by occupying himself with real exemplars, instead of the perfect knights of romance, Don Quixote will not only turn from a loco back into a cuerdo. He will also be made into a good citizen. The Canon offers a model of reading that links historical truth, moral amelioration, and political subjectivity. The context of this recommendation—a program of reading offered by a representative of authority to a man in a cage—stresses the relationship between reading and imprisonment, between particular uses of language and particular forms of subjection. If he reads the right kinds of exemplary stories, the Canon infers, Don Quixote will lose his desire to practice the profession of chivalry. No longer will he have to be restrained. Instead, he will live within the bounds of reason, inside the borders of mediocritas. History, as Rousseau suggests in my epigraph to this essay, can cure one of the bad habits induced by too much fiction.Yet no less striking in the Canon’s speech is the way he articulates this connection between good citizenship and good books. He links his list of exemplars to a list of geographical and political spaces: Hannibal and Carthage, Garcilaso de la Vega and Toledo, and so on. By associating heroic figures with countries, he underscores the central importance of exemplary images in the definition of group identity. One of the characteristics of the example that makes it so important in early modern intellectual life is that exemplarity defines a point at which group identity interacts with individual identity. The promotion of heroic images is, to be sure, a central feature in techniques of self-fashioning, as defined in humanist discourse from the time of Petrarch. Yet it is no less important in the definition of grouphood, from Erasmus’s exhortation to Christians to imitate the exemplary virtue of Abraham, to the iconography of patriotism. If there is a crisis of the example, then one way... (shrink)

Living man and ventriloquist's doll -- The ugly joker with the gift for happiness -- Socrates and the climax of Athenian optimism -- Socrates the philosophical genius -- Socrates and justice -- The demoralisation of Athens and the death of Socrates -- Socrates and philosophy personified.

REASON AND REVOLUTION, to which Henry F. May has called attention in his noteworthy book, The Enlightenment in America, mentioned in the first article in the present series, marks the period of American colonial history from 1763 to 1776. The Declaration of Independence, I have maintained, is a consummate expression of these Enlightenment features, influenced by the thought of John Locke and others in philosophy. From cautious moderation the American movement of protest against British rule climaxed in a revolution. The (...) dynamic structure of the epoch unfolded as a kind of sorites, of which the major premises are a general philosophy of rights and a particular theory of the British Empire, the minor premises are numerous allegedly factual violations of these theoretical premises, and the conclusion is a decisive act of separation or independence. Since, however, the Enlightenment mode of revolution rested, to reiterate May's statement, on "the belief in the possibility of constructing a new heaven and earth out of the destruction of the old," the moment in history expressed by the Declaration of Independence logically leads to other moments, one of which is the formation of the American republic as both a federal and national union. This singular moment is crystallized in the Constitution of the United States, a document equal in importance to the Declaration of Independence as a symbol of the Enlightenment. (shrink)

In the first argumentative section of Book 1, Lucretius establishes the existence of matter and void , and in the second identifies matter as the atoms and defines their properties . In the third section, following Epicurean tradition, he attempts to refute a representative selection of Presocratic philosophers – Heraclitus , Empedocles and Anaxagoras – whose explanations of basic matter are potential rivals to the atomist theory which he has just outlined. The climax to this section is reached in (...) Lucretius' triumphant personal claim to be an original poet and health-bringing purveyor of truth . His foregoing criticism of the Presocratics as writers and thinkers is deeply coloured by the values he openly professes here. The introductory passages to each philosopher, in particular, are highly revealing of Lucretius' personal inclinations as a poet and exhibit a virtuoso command of several styles and techniques. (shrink)

ABSTRACT:Biomedical and philosophical traditions postulate the experience of pain either as quantifiable or as sociocultural phenomena. This critical assessment offers a close reading of Lara Parker’s Vagina Problems: Endometriosis, Painful Sex, and Other Taboo Topics (2020) and Abby Norman’s Ask Me About My Uterus: A Quest to Make Doctors Believe in Women’s Pain (2018), analyzing the authors’ use of language as a tool to comprehend and communicate pain. Norman’s and Parker’s memoirs narrate the lived experience of endometriosis, a condition diagnosed (...) almost exclusively in women and characterized by chronic pain. The essay looks at how metaphors are employed in living and narrating endometriosis in medical, social, and cultural settings that are highly skeptical of women’s pain and trace a shift in the use of pain metaphors towards an acceptance of the pain experience, which is conceptualized as empowering by the climax of the narrative. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:How Can Satan Cast Out Satan? Violence and the Birth of the Sacred in Christopher Nolan’s The Dark Knight1Nicholas Bott (bio)Last Summer, Christopher Nolan’s final installment of the Batman trilogy hit theaters. The Dark Knight Rises promised to be the epic conclusion of a hero’s journey, a journey of a man’s transformation into a legend. Little was revealed in the official trailers, except that evil was rising in Gotham (...) City, and so too must The Batman. But in this essay I’d like to suggest that we didn’t need to view The Dark Knight Rises before seeing either evil, or Batman rise; by the end of the second film, evil and Batman have already risen—and together—in the sacred form of The Dark Knight.This essay first elucidates how Bruce Wayne’s strategy to inspire good among the citizens of Gotham, first articulated in Batman Begins, encompasses the hallmarks of Girard’s mimetic theory, including: mimesis, rivalry, scandal, and, finally, the outworking of the mimetic mechanism of the surrogate victim—the scapegoat. Next, this essay takes a closer look at the goodness, or lack thereof, of Batman’s climactic self-sacrifice with its attendant resolution. Finally, this essay demonstrates that interpretations [End Page 239] of Batman’s self-sacrifice in the movie have mirrored the disparate interpretations of Christ’s self-sacrifice, in relation to the climax and resolution of the Passion accounts.Mimetic Structure in Bruce Wayne’s StrategyBeginning With the EndThe final visual the audience is given in The Dark Knight is of Batman escaping on his Batpod. The screenplay’s description of this final scene reads: “The batpod streaks through Gotham’s underground streets, the Batman’s cape fluttering behind. A wraith...”; (TDK, 140).2 Commissioner Gordon’s voice is overheard saying, “... He’s not our hero. He’s a silent guardian, a watchful protector, a dark knight” (TDK, 140). Bruce Wayne has sacrificed himself for the sake of Gotham. But what kind of sacrifice has he made?3 In the words of Alfred, “The sacrifice he’s making [is]—to not be a hero. To be something more” (TDK, 73). And Batman has become something more. No longer a hero, the language Commissioner Gordon uses to describe Batman on behalf of Gotham is mythical and sacred. Girard understands this sacralization to be the completion of the surrogate victim mechanism, the satanic process whereby the sacrifice of an innocent scapegoat reconciles a community in the midst of crisis and violent upheaval.4 This sacred vision of Batman represents the final stage of the surrogate victim mechanism, providing evidence that the satanic has been at work. But if this is the case, something has gone terribly awry in Bruce Wayne’s strategy to inspire good. With this conclusion in mind, the flaws in Wayne’s strategy as it develops throughout Batman Begins and The Dark Knight become apparent, and correspond with each step in the mimetic process.Mimesis as PlotMimesis, or imitation, stands at the heart of The Dark Knight’s plot because it stands at the heart of Bruce Wayne’s strategy to inspire good. We encounter this strategy in Nolan’s first film, Batman Begins, as Wayne explains to Alfred his reasons for returning to Gotham City:Alfred:Are you coming back to Gotham for long, sir? [End Page 240]Bruce:As long as it takes. I want to show the people their city doesn’t belong to the criminals and the corrupt.Alfred:In the depression, your father nearly bankrupted Wayne Enterprises combating poverty. He believed his example could inspire the wealthy of Gotham to save their city.Bruce:Did it?Alfred:In a way. Their murder shocked the wealthy and the powerful into action.Bruce:People need dramatic examples to shake them out of apathy. I can’t do that as Bruce Wayne. As a man... I’m flesh and blood, I can be ignored, destroyed. But as a symbol... As a symbol, I can be incorruptible. I can be everlasting.Alfred:What symbol?Bruce:Something elemental, something terrifying.(Batman Begins)5By invoking the symbolic, Bruce Wayne believes Batman will be... (shrink)

This paper attempts to reassess the educational affordances of digital screens, at a time when their educational impact has become incontournable, but is also increasingly growing suspicion. To bypass the redundancies of overly critical theoretical approaches, the paper foregrounds the subjectifying potentialities of the screen’s elusive technological ‘plasticity’. After the introduction, in which some pedagogical misgivings about the digital screen are addressed, we turn to Marie-José Mondzain’s historico-philosophical genealogy of iconoclasm. Trying to make sense of the aesthetic-political ambivalence that shrouded (...) the icon’s screenic agency within a Christian ‘economy of salvation’, and which climaxed in a politics of strictly economic equivalency, we concur with Peter Szendy that this ambivalence still haunts the icon’s contemporary heirs. By pedagogically re-reading Szendy’s alternative account of ‘iconomy’ we are subsequently led to make a case for exceeding neoliberal screening politics through an affirmation of the digital screen’s radical plasticity. Along with Yves Citton, we suggest, in our conclusion, that this post-critical affirmation calls for an ‘iconomical’ practice of care-ful experiments with the screen’s dynamic technologies. Instead of combating or adapting to its aesthetically dazzling algorithms, educational practices are required that allow these algorithmic quantities to qualitatively differentiate the uses that educands make of them. (shrink)

L'écologie préénergétique des années 1905-1935 est à la recherche de ses objets d'étude. Des unités fondamentales de la nature (telles que formation végétale, association végétale, climax, biome, communauté biotique, écosystème) se trouvent en compétition et se succèdent les unes aux autres. Autour des années 1920 et 1930, la philosophie organiciste d'Alfred N. Whitehead, ainsi que la perspective évolutionniste d'Herbert Spencer et les propositions émergentistes de Samuel Alexander et Conwy L. Morgan, deviennent des références sous-jacentes au débat épistémologique concernant les (...) unités de base de l'écologie. Des auteurs comme Frederic E. Clements et John Phillips soutiendront plusieurs formes d'organicisme écologique, tandis que Henry A. Gleason interprétera l'association végétale comme le résultat d'une juxtaposition fortuite d'individus. Enfin, et paradoxalement, l'écosystème de Arthur G. Tansley, tout en faisant partie, à l'origine, d'une perspective anti-organiciste, deviendra l'unité fondamentale de programmes de recherche qui se voudront, au moins dans leurs intentions, émergentistes. (shrink)

The first robot homicide was committed in 1981, according to my files. I have a yellowed clipping dated 12/9/81 from the Philadelphia Inquirer--not the National Enquirer--with the headline: Robot killed repairman, Japan reports The story was an anti-climax: at the Kawasaki Heavy Industries plant in Akashi, a malfunctioning robotic arm pushed a repairman against a gearwheel-milling machine, crushing him to death. The repairman had failed to follow proper instructions for shutting down the arm before entering the workspace. Why, indeed, (...) had this industrial accident in Japan been reported in a Philadelphia newspaper? Every day somewhere in the world a human worker is killed by one machine or another. The difference, of course, was that in the public imagination at least, this was no ordinary machine; this was a robot, a machine that might have a mind, might have evil intentions, might be capable not just of homicide but of murder. (shrink)

One of the most complex areas of Foucault's work is his relationship to Freudian psychoanalysis. Foucault consistently argued for the historical specificities of the two principal human objects of psychoanalysis – madness and sexuality. He now stands starkly removed from Freudian thought, which cannot countenance ethnographic or cultural versions of madness or sexuality. Foucault welcomed the extra‐psychoanalytic potentials of the Freudian unconscious for undermining existentialist and phenomenological accounts of the subject and knowledge. Foucault in fact celebrated the political divergences of (...) psychoanalysis as one of its strengths. The critique of desire is really the climax of Foucault's efforts to develop an alternative Nietzschean genealogy of the modern subject as a historical and cultural reality – a domain that had hitherto excluded sexual identity, while the Freudian and feminist traditions had perhaps seen only sexuality and not the wider political domains. (shrink)

In the first argumentative section of Book 1, Lucretius establishes the existence of matter and void, and in the second identifies matter as the atoms and defines their properties. In the third section, following Epicurean tradition, he attempts to refute a representative selection of Presocratic philosophers – Heraclitus, Empedocles and Anaxagoras – whose explanations of basic matter are potential rivals to the atomist theory which he has just outlined. The climax to this section is reached in Lucretius' triumphant personal (...) claim to be an original poet and health-bringing purveyor of truth. His foregoing criticism of the Presocratics as writers and thinkers is deeply coloured by the values he openly professes here. The introductory passages to each philosopher, in particular, are highly revealing of Lucretius' personal inclinations as a poet and exhibit a virtuoso command of several styles and techniques. (shrink)

Given the strong mimetic and dramatic qualities found in Judith the authors make the suggestion that perhaps, before LXX Judith became a fixed, written text, the basic fabula might well have been part of an oral tradition. The authors accept that an appropriately written dramatic work, whether transmitted through reading or an oral presentation, by means of its performative qualities, has the potential to achieve immediacy. Here, the audience may become captivated with its own familiarity and memory of popular, communally (...) shared narratives. Accordingly, this article attempts to find evidence in the Greek text of LXX Judith for a possible oral precursor. In this context, corroboration is sought for the employment of verbal aspect and mood of the Greek language as well as instances of drama, theatrics, bodily gestures, mnemonic devices or special emphasis on the employment of the senses such as sight, taste and smell. The authors suggest that based on an analysis of the text of Chapter 13, there is much circumstantial evidence for the Judith fabula once being an oral narrative – one that embodies the dramatic and even encourages audience participation. This characteristic strongly suggests the removal of the fourth wall – the notion of an imaginary boundary between any fictional work and its audience. Contribution: This article shows that Judith 13 is indeed the climax of the narrative. However, it goes further. It is a vivid scene with various performative aspects. There are props, dialogue and audience participation. This research is cutting-edge and paves the way for new explorations. (shrink)

On 26 June 2000, during the presentation of the Human Genome Project's first draft, Bill Clinton, then President of the United States, claimed that "today we are learning the language in which God created life".1 Behind his remarks lay a story of more than half a century involving the understanding of DNA as information. This paper analyses that story, discussing the origins of the informational view of our genes during the early 1950s, how such a view affected the research on (...) the genetic code (1950s and '60s) and the transformation of the information idea in the context of DNA sequencing and bioinformatics ('80s and '90s). I suggest that the concept of DNA as information reached a climax with the proposal of the Human Genome Project (HGP), but is currently facing a crisis coinciding with the questioning of the information society. Finally, I discuss the emergence of systems biology as an alternative paradigm. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Petrarchan Love and the Pleasures of FrustrationAldo Scaglione—Think you, if Laura had been Petrarch’s wife, He would have written sonnets all his life?Lord Byron, Don Juan, canto III, st. 7As Byron ironically intimated, there is a behavioral connection between much of the literature of love and sexual frustration. What is known as medieval “courtly love” was an epiphany of idealized love. Whether self-imposed or forced restraint, it infused much (...) of Arthurian lore, the troubadours’ and then Petrarch’s lyric, and later partly merged with the Renaissance phenomenon of Platonic love. 1 But we wonder about possible historical derivation both on the cultural (literary) level and on the level of practical behavior. In other words, if taken case by case, is the similarity among cultural patterns and between literary phenomena and behavioral patterns a consequence of: 1) intertextual connections with courtly love and Petrarchism; 2) ideological circumstances similar to those which produced “courtly love”; or, inversely, 3) a broader human need that also lies in the background of courtly love? Where and how did frustration, denial, or sublimation acquire a deeper and greater value than consummation and satisfaction? Was it through religion, myth, morality, psychology, or a combination of these factors? Is this essentially an anthropological or rather a psycho-moral question? Does it originate in our perennial “nature” or in our time-bound mores?It seems safe to assume a combination of these factors. Ideals of psychologically sublimated, hence physiologically frustrated, love have an anthropological foundation and are inherent in any sophisticated cultural form. At the [End Page 557] same time, in the Western tradition they owe much to the persistence of the specific historical phenomena of courtly love and its Petrarchistic variations.Of course the folklore of love includes both satisfied and unfulfilled sorts. Jean Hagstrum’s Esteem Enlivened by Desire (1992) deals with the conjugal sort, implying consummation. He distinguishes his theme from “long-term relations that remain unconsummated, valorizing delayed or obviated climax, prolonged foreplay, ascetic discipline, traditional Platonic or Petrarchan love, or various forms of sublimation.” 2 Yet “this last... is dialectically and psychologically tied to [Hagstrum’s] main theme: it is one kind of long-term love relationship with often more than a tinge of the erotic.” 3 For Hagstrum these behavioral variations are determined by culture, since purely “natural” behavior would be more uniform and “unhistorically” steady. 4The notion that idealized desire is culture-bound finds support in Denis de Rougemont’s well-known thesis, that chivalry and courtesy are inventions of medieval Europe with no equivalent at other times and places except by direct influence or imitation: the behavior of an ancient Greek lover or a modern Japanese lover does not involve “chivalry” toward the woman. 5 For de Rouge-mont, ideal love came under the spell of what he called eros, defined as infatuation with desire itself rather than love for its natural end. Difficulties and obstacles became more meaningful than success, even to the point that, as in the story of Tristan and, differently and uniquely, in Dante’s poetry, the death of the beloved marked the culmination of eros. This eros postulates self-denial and sublimation for the sake of a higher achievement.Regardless of chivalry’s roots in medieval Europe, frustration can be a powerful ideal in non-Western cultures, too. One signal example might suffice. The Chinese literary classic, The Dream of the Red Chamber by Chan T’sao (ca. 1717–63), is the life story or Bildungsroman of a high prince who, after a [End Page 558] life of indulgence, decides to renounce the world and become an ascetic monk. 6 This problematic main character, Pao Yu, moves in the framework of Taoist and Confucian ideals, with the addition of some Buddhist religious traits. His final withdrawal from the world, however, which appears to family and society as a disappointing betrayal, obeys a psychological need for a frustration that represents a nobler achievement than the satisfaction of worldly ambition.The point of this essay is to sample a few cases of literary representations of idealized love while underlining their ideal and, at times, literal interconnections. I also mean to suggest... (shrink)