Sometimes, ignorance is inexpressible. Lewis recognized this when he argued, in “Ramseyan Humility,” that we cannot know which property occupies which causal role. This peculiar state of ignorance arises in a number of other domains too, including ignorance about our position in space and the identities of individuals. In these cases, one does not know something, and yet one cannot give voice to one's ignorance in a certain way. But what does the ignorance in these cases consist in? This essay (...) argues that many standard models of ignorance cannot account for the phenomenon of inexpressible ignorance. It then develops an alternative model that does better, on which the ignorance consists in a failure to identify something by way of its nature or essence. (shrink)

The paper discusses whether there are strictly inexpressible properties. Three main points are argued for: (i) Two different senses of ‘predicate t expresses property p ’ should be distinguished. (ii) The property of being a predicate that does not apply to itself is inexpressible in one of the senses of ‘express’, but not in the other. (iii) Since the said property is related to Grelling’s Antinomy, it is further argued that the antinomy does not imply the non-existence of that property.

In this paper, we offer a contribution to the discussion of one of the most important objections against a relativist position in the absolute generality debate. The inexpressibility objection accuses the generality-relativist of not being able to coherently express her own position. First, we examine Glanzberg’s attempt to reply to this objection and we show that it fails. Second, we study the prospects of generalizing the relativist position. In particular, we analyze Fine’s and Linnebo’s modal approaches and we argue (...) that, even though they are able to coherently express one of the core ideas of relativism while avoiding the inexpressibility objection, there is an important sense in which they are no longer relativist positions. Third, while strengthening the idea that the inexpressibility objection does succeed, we argue that this is no guarantee of the falsity of relativism. Relativism may be inexpressible but true. However, we stress that even if the inexpressibility objection does not supply a definitive, knock-down objection against relativism, if we want to discuss relativism in a rational way, the objection offers a compelling reason not to embrace generality-relativism. (shrink)

Tarski's Undefinability of Truth Theorem comes in two versions: that no consistent theory which interprets Robinson's Arithmetic (Q) can prove all instances of the T-Scheme and hence define truth; and that no such theory, if sound, can even express truth. In this note, I prove corresponding limitative results for validity. While Peano Arithmetic already has the resources to define a predicate expressing logical validity, as Jeff Ketland has recently pointed out (2012, Validity as a primitive. Analysis 72: 421-30), no theory (...) which interprets Q closed under the standard structural rules can define nor express validity, on pain of triviality. The results put pressure on the widespread view that there is an asymmetry between truth and validity, viz. that while the former cannot be defined within the language, the latter can. I argue that Vann McGee's and Hartry Field's arguments for the asymmetry view are problematic. (shrink)

I argue on linguistic grounds that when Mary comes to know what it's like to see a red thing, she comes to know a certain inexpressible truth about the character of her own experience. This affords a "no concept" reply to the knowledge argument. The reason the Knowledge Argument has proven so intractable may be that we believe that an inexpressible concept and an expressible concept cannot have the same referent.

Everyone working on metaphysical questions about properties or propositions knows the reaction that many non-philosophers, even nonmetaphysicians, have to such questions. Even though they agree that Fido is a dog and thus has the property (or feature or characteristic) of being a dog, it seems weird, suspicious, or confused to them to now ask what that thing, the property of being a dog, is. The same reservations do not carry over to asking what this thing, Fido, is. There is a (...) substantial and legitimate project to find out more about Fido, but is there a similar substantial and legitimate project to find out more about the property of being a dog? Metaphysicians know that there is a straightforward way to motivate such a project, and much of the contemporary debate in the metaphysics of properties is in the ballpark of carrying it out. If we agree that Fido has the property of being a dog, then there is something that is a property and that Fido has. Thus we can ask about what this thing is that he has. How does it relate to Fido? Is it concrete or abstract? Is it fully present in each object that has it? And so on and so forth. Maybe the nonphilosophers are merely not used to asking such questions about unusual entities such as properties, but they are equally legitimate for them as they are for any other thing. However, even metaphysicians sometimes have the nagging feeling that something has gone wrong in the metaphysics of properties, and that a substantial metaphysical investigation into their.. (shrink)

Ontology has traditionally been regarded as a core area of philosophy. However, during the 20th century, some philosophers have maintained that issues concerning existence and ontology are meaningless or inexpressible. Others, like Quine, have argued that these issues are both intelligible and important. After a short discussion of these views, the paper goes on to discuss the twist Husserl gives to our way of looking at this kind of philosophical knowledge through his notion of the thetic component of acts.

The characteristics of the meaning of inexpressible is given in the article. It is shown that in the Russian language semantics of inexpressible is represented as a binary functional-semantic category. It was determined that the nuances of semantics of inexpressible can be represented in the form of a gradational scale on which they are distributed within the opposition ‘complete inexpressibleness - complete expressibility‘. The components of the situation of inexpressibleness inherent the means of transference of the value of inexpressible are (...) described. It is shown that the definition of the components of situation of inexpressible contribute to the modeling of the field of semantics of inexpressible: what the concept of inexpressible means, in which situations semantics of inexpressible manifests itself; for whom this situation arises, how it is solved, can it be solved; by what means of language, speech and other semiotic systems it is expressed. It is determined that the situation of inexpressible includes seven components: the subject of speech inexpressibleness; an action that is impossible to express the statement; inexpressibility result of the process; objectivity of the situation described; reasons of inexpressibleness; the object of this situation; spatial area of the situation of inexpressibleness. It is shown that the central part of the functional-semantic field model components number 2, 3 and 4. The private values of the field of semantics of inexpressible were described for the first time. The definition of gradation nuances of inexpressibleness considering the paradigmatic and syntagmatic aspects of the study of the semantics were carried out for the first time. (shrink)

The article is devoted to the functional-semantic category of inexpressible; its brief characteristics, the history of research in different countries and different sciences are given, the hierarchical organization of means of its expression is shown. The author of the article defines the specifics of the semantics of inexpressible in the story ‘The Seven Who Were Hanged‘ by L. Andreev. The semantics of inexpressible is described as the functional-semantic category. The description of the analytical and synthetic multi-level transmission means of semantics (...) of inexpressible is given: one-word, as part of indivisible combinations and in the word combinations that represent descriptive parts. Four significant results of studying the existence of elements of inexpressible in the analyzed novel have been defined. It was revealed that Andreev’s five of seven characters were marked with the markers of inexpressible. The following text function means of transmitting semantics of inexpressible were identified and characterized: characterological, actualization of content-conceptual information, actualization of means of expression, in particular, the antithesis; it was shown that this lexeme also actualizes the content-conceptual information and the antithesis of life and death in an art space story, is also a symbol of cross-cutting story. the interaction of semantics of inexpressible with the lexeme indicating the world of otherness - the unknown - was also revealed. The hypothesis is proved that the actualization of means of transmitting of semantics of inexpressible is due to the tasks posed in the story revealing the most important challenges of human’s life purpose, the interaction of life and death. (shrink)

In the article the author’s solution of the inexpressibleness of the speech subject is given taking into account the asymmetry of the linguistic sign - signifying and signified - in relation to the elements of the functional-semantic category of the inexpressible. It was determined that the elements of the field of inexpressible are marked by the nomination of abstract vocabulary of three subclasses: 1) the most general feature, 2) the concept or term 3) the generic notions in relation to the (...) aspectual. On the other hand, the names, which are the surreal constructs of subject, in spite of an empty denotative value are not marked with an inexpressible, expressing a specific holistic image. From the object of speech, it can be said about a single inexpressibleness of the speech object signifying or signified, or the dual inexpressibleness - both signifying and signified. It is determined for the first time that under the dual inexpressibleness the categories denoting imaginary creatures in fiction or extraordinary beings, whose properties are impossible with nothing to relate, are actively being labeled with the elements of the field of inexpressible. The inexpressibleness of signified is conditioned by factors of external or internal linguistics. The factor of the internal linguistics is an aspect of existential inexpressibleness, the inexpressibleness of the subject of speech due to its otherness. This inexpressibleness is marked with the discursive pronouns usage. The factor of external linguistics is a competitive or psychophysical inexpressibleness due to the peculiarities of speech subject. The meaning of inexpressible is transmitted by interrogative sentences with a negative value, the particle if, indivisible combinations like ‘something untold‘. In situations with the meaning of a signifier, in which the speaker actually knows the meaning and only marks this sector as inexpressible - And she was an indescribable beauty - means of transferring of semantics of inexpressible finds centrifugal forces; from the field of inexpressible it migrates to the field of a very high quality concentration. This ‘migration‘ is being observed in the folk formulas, in the formulas of feeling expression. (shrink)

Frege and Heidegger appear to appear to have diametrically opposed attitudes towards logic. Frege thinks logic must govern any investigation whatsoever, whereas Heidegger (in "What is Metaphysics?") apparently wants to dismantle logic. But when they try to explicate the nature of judgment, a striking similarity emerges. For while their accounts of judgment are radically different, each finds his account to be, by his own lights, _inexpressible<D>. This paper shows how Heidegger and Frege arrive at their respective accounts of judgment, explains (...) why they regard the status of their accounts as problematic, and explores and evaluates their responses to their parallel predicaments. (shrink)

Véronique Fóti’s Tracing Expression in Merleau-Ponty demonstrates how the problem of expression motivates and unifies Merleau-Ponty’s investigations of art, life, nature, and ontology, culminating in a timely conception of nature as a differential expressive matrix. The key to this expressive ontology is diacritical difference. We raise three questions for this diacritical ontology: how it embodies the memory of the world, how it is interrupted by transcendence, and how it dissolves into elementality. Our inquiry points towards a diacritics of the inexpressible.

My propositions are elucidatory in this way: he who understands them eventually recognizes them as senseless [unsinnig], when he has climbed out through them, on them, over them… He must surmount these propositions; then he sees the world rightly. (Tractatus 6.54) These statements must be taken seriously and therefore must be interpreted as literally possible. They have nevertheless been experienced by some philosophers as posing a major interpretational problem. For if Wittgenstein’s words are taken literally, we seem to have a (...) major problem in our hands. If what Wittgenstein had said before proposition 6.54 is literally nonsense, we apparently cannot understand his book at its face value. And, as was pointed out, this face value is that of a treatise in logical semantics. Hence.. (shrink)

All too often, the study of ineffability only looks on the bright side of life—mystical experiences of blissful unity, primordial grounds of overflowing fecundity, noetic truths of existential profundity. To some extent, this is true too for Mélanie V. Walton’s Expressing the Inexpressible in Lyotard and Pseudo-Dionysius: Bearing Witness as Spiritual Exercise, which turns to a “desperate love letter to God” —the eros-infused naming and unnaming of God in The Divine Names, a treatise by the sixth-century Neoplatonic-Christian Pseudo-Dionysius the Areopagite—for (...) a means by which a Holocaust survivor might confront a Holocaust denier. Still, that the Holocaust features at all in a religio-philosophical book on ineffability might help give an otherwise lofty field of inquiry a much-needed grounding.It is difficult to put Walton’s thesis succinctly: Expressing the Inexpressible in Lyotard and Pseudo-Dionysius is a multi-faceted work with several theses. To begin with, there is the pro .. (shrink)

Kant, in his third Critique, confronts the issue of how rule-governed objective judgement is possible. He argues that it requires a particular kind of aesthetic response to one's experience. I dub this response 'the Feeling of Unity', and I raise the question whether it is a type of inexpressible knowledge. Using David Bell's account of these matters as a touchstone, I argue that it is.

This paper presents a reading of the Tractatus’ remarks on ethics. Drawing on work by Anselm Müller, subsequently developed by Anthony Price, the reading makes of some of Wittgenstein’s most striking and most puzzling early remarks a recognizable and insightful account of ethical experience, while also accommodating the equally striking formal quality of those remarks. The account identifies a distinctive ethical achievement that requires a distance from particular concrete goods that one might pursue and a responsiveness to those goods as (...) a whole—to one’s world as a whole; only through such openness is one open to the abstract objective that is doing what is best; and only through openness to that does one express oneself in, and assume responsibility for, one’s actions. This account allows us to understand why, for example, Wittgenstein connects “absolute or ethical value” with “wonder at the existence of the world” and with “understand[ing] the question about the meaning of life”. But it also makes sense of why that is precisely a question, and why those to whom “the meaning of life … become[s] clear” cannot “say in what this meaning consist[s]”. The responsiveness to a good which ethical subjects distinctively manifest is a responsiveness not to some distinctive and describable state of affairs but to the question of what is best—willing determination of what here and now that is. This account yields a vision of self-expression not as hearkening to some inner voice but as an openness to one’s life as a whole; and this, in turn, opens up a way of approaching the puzzle of Wittgenstein’s insistence that “of [the willing subject] we cannot speak”. I also suggest that we find here one possible sense for Wittgenstein’s famous remark to Ludwig von Ficker that “the point of [the Tractatus] is ethical”, in that openness to the world as a whole—openness to how things are as such and as a whole—emerges as fundamentally a practical, rather than theoretical achievement. (shrink)

I analyse here some histories of people who lived in concentration camps and told their experiences: De Gaulle Anthonioz (La Traversée de la nuit), Geoffroy (Au temps des crématoires…), Semprun (L’Écriture ou la vie). These histories represent the lives of survivors, but they are also a form of literary expression with a narrative structure that codifies a genre. More particularly, I focus the attention on the incipit, a strategic place in which some of the specific features of the global meaning (...) and structural organization of the whole text can be seized. My hypothesis is that in histories of survival, already in the incipit, the authors strive to convey the emblematic value of their history: an extreme and traumatic experience which is difficult to express. The analysis of these incipit shows that experiences related to concentration camps, to be expressed, need an elaborated message and that an artistic aim can contribute to the representation of these experiences. From the structural viewpoint, histories of survival amplify a dichotomy existing in several literary genres and currents: ‘external reference’ and ‘internal organization’, mimetic ‘truth’ and narrative ‘structure’, ‘reality’ and ‘convention’, ‘experience’ and ‘narration’. In my opinion, histories of survival solve theseoppositions by reconciling some contraries through the use of oxymora. Even narratives structures or key figures such as the author, the narrator, the observer, the witness and so on, tend to become oxymora. The study of these features (and combination) is pertinent for anthropology (by seizing facts thanks to elaborated ‘ways of uttering’ authors often redefine forms of humanity) and for semiotics (any form of expression, even if original, has to be collectively shared and based on a system of signs). In my opinion, a joint semiotic and anthropological approach can help analysing histories of survival as a ‘literary genre’ and as a ‘historical tragic phenomenon’. (shrink)

I analyse here some histories of people who lived in concentration camps and told their experiences: De Gaulle Anthonioz (La Traversée de la nuit), Geoffroy (Au temps des crématoires…), Semprun (L’Écriture ou la vie). These histories represent the lives of survivors, but they are also a form of literary expression with a narrative structure that codifies a genre. More particularly, I focus the attention on the incipit, a strategic place in which some of the specific features of the global meaning (...) and structural organization of the whole text can be seized. My hypothesis is that in histories of survival, already in the incipit, the authors strive to convey the emblematic value of their history: an extreme and traumatic experience which is difficult to express. The analysis of these incipit shows that experiences related to concentration camps, to be expressed, need an elaborated message and that an artistic aim can contribute to the representation of these experiences. From the structural viewpoint, histories of survival amplify a dichotomy existing in several literary genres and currents: ‘external reference’ and ‘internal organization’, mimetic ‘truth’ and narrative ‘structure’, ‘reality’ and ‘convention’, ‘experience’ and ‘narration’. In my opinion, histories of survival solve theseoppositions by reconciling some contraries through the use of oxymora. Even narratives structures or key figures such as the author, the narrator, the observer, the witness and so on, tend to become oxymora. The study of these features (and combination) is pertinent for anthropology (by seizing facts thanks to elaborated ‘ways of uttering’ authors often redefine forms of humanity) and for semiotics (any form of expression, even if original, has to be collectively shared and based on a system of signs). In my opinion, a joint semiotic and anthropological approach can help analysing histories of survival as a ‘literary genre’ and as a ‘historical tragic phenomenon’. (shrink)

I argue that the reflections on language in Adorno and Heidegger have their common root in a modernist problematic that dissected experience into ordinary experience, and transfiguring experiences that are beyond the capacity for expression of our language. I argue that Adorno’s solution to this problem is the more resolutely “modernist” one, in that Adorno is more rigorous about preserving the distinction between what can be said, and what strives for expression in language. After outlining the definitive statement of this (...) problematic in Nietzsche’s early epistemological writings, I outline Heidegger’s solution and subsequently Adorno’s critique of Heidegger. Finally, I argue that situating Adorno within the modernist problem of language and expression is crucial for making sense of his philosophy as a form of critical theory. (shrink)

It is a remarkable fact about the early history of the analytic tradition that its three most important protagonists all held, at least during significant intervals of their respective careers, that there are entities that cannot be named. This shared commitment on the part of Frege, Russell and the early Wittgenstein is the topic of this thesis. I first clarify the particular form this commitment takes in the work of these three authors. I also illustrate a distinctive cluster of philosophical (...) difficulties attending the view that there are unnameable entities, and explore the relationship between unnameability and inexpressibility. I then investigate what grounds there are for countenancing the unnameable, focussing in particular on the thesis that concepts cannot be named. I give a detailed hearing to four arguments for the unnameability of concepts discernible in, or suggested by, early analytic writings. The first and second arguments (chapters 3 and 4) are distinguishable in the locus classicus, Frege's 'On Concept and Object'. The first concerns the relationship between co-reference and intersubstitutability; the second concerns the unity of thought. The third argument (chapter 4) appeals to the alleged impossibility of expressing identities between objects and concepts, while the fourth (chapter 5) draws on considerations pertaining to diagonalization and Russell's paradox. I make the case that all four arguments fail to provide grounds for accepting the unnameable, contending that each argument can and should be resisted in defence of singular reference to concepts. In doing so I develop a novel defence of the view that absolutely any entity can be referred to with a singular term. (shrink)

One response to the problem of logical omniscience in standard possible worlds models of belief is to extend the space of worlds so as to include impossible worlds. It is natural to think that essentially the same strategy can be applied to probabilistic models of partial belief, for which parallel problems also arise. In this paper, I note a difficulty with the inclusion of impossible worlds into probabilistic models. Under weak assumptions about the space of worlds, most of the propositions (...) which can be constructed from possible and impossible worlds are in an important sense inexpressible; leaving the probabilistic model committed to saying that agents in general have at least as many attitudes towards inexpressible propositions as they do towards expressible propositions. If it is reasonable to think that our attitudes are generally expressible, then a model with such commitments looks problematic. (shrink)

This paper introduces a new Ehrenfeucht-Fraïssé type game that is played on two classes of models rather than just two models. This game extends and generalizes the known Ajtai-Fagin game to the case when there are several alternating moves played in different models. The game allows Duplicator to delay her choices of the models till the very end of the game, making it easier for her to win. This adds on the toolkit of winning strategies for Duplicator in Ehrenfeucht-Fraïssé type (...) games and opens up new methods for tackling some open problems in descriptive complexity theory. As an application of the class game, it is shown that, if m is a power of a prime, then first order logic augmented with function quantifiers F1n of arity 1 and height n < m can not express that the size of the model is divisible by m. This, together with some new expressibility results for Henkin quantifiers H1n gives some new separation results on the class of finite models among various F1n on one hand and between F1n and H1n on the other. Since function quantifiers involve a bounded type of second order existential quantifiers, the class game solves an open problem raised by Fagin, which asks for some inexpressibility result using a winning strategy by Duplicator in a game that involves more than one coloring round. (shrink)

This essay is concerned with solipsism, understood as the extreme sceptical view that I have no knowledge except of my subjective state. A less rough formulation of the view is mooted, inspired by a Quinean combination of naturalism and empiricism. An objection to the resultant position is then considered, based on Putnam’s argument that we are not brains in vats. This objection is first outlined, then pitted against a series of counter-objections. Eventually it is endorsed, but only at the price (...) of exposing the formulation of solipsism in question as not, after all, a satisfactory formulation. This leads to further speculation about the status of solipsism itself. Two of the possibilities that are considered are, firstly, that it is incoherent and, secondly, that it is inexpressible. (shrink)

The characteristic property of definite descriptions in natural language is commonly assumed to be their uniqueness requirement, although there is disagreement with respect to how occurrences should be interpreted, for instance with regard to the well-known restriction problem. I offer a novel argument against characterizing definite expressions in terms of uniqueness. If a singular definite description ?the F? implies that its denotation is the unique satisfier of ?F? (relative to a context) then there are real-life states of affairs that can (...) be described in simple first-order languages, but which we are simply unable to describe accurately in natural language. I argue, first, that there is no way to describe these states of affairs properly without using definite descriptions. Second, if definite descriptions imply uniqueness we will systematically get the wrong truth conditions, regardless of whatever semantic or pragmatic resources the defender of the uniqueness-implying approach invokes. Hence, the Russellian idea of characterizing definite descriptions in terms of uniqueness must be given up. In the final section I explain what an adequate account of definite expressions must achieve?primarily coordinating elements brought to salience by context or previous discourse?and sketch a way of accomplishing this by using a liberal version of familiarity theory. Although there may be other accounts that can do the job, the account I sketch (based on an approach that has largely been overlooked) shows promise and can easily deal with the inexpressibility problem. (shrink)

This article reflects on the received view of the rupture which constitutes the beginning of a critical, ethical, political and legal opening, the understanding of which inhabits the cry of, and response to, injustice. It takes the very critique that feeds into, and is distorted by, practical reasoning, as its point of departure. Grasping this rupture as the complementary relation between deconstruction and radical alterity, would entail unreflectively accepting a certain kind of truthfulness—truthfulness as [in]correctness, manifesting in a relationship that (...) involves rootless and controlling movement of making and unmaking of world. In closely reading Wittgenstein and Heidegger on the level of seeing, showing and saying, truthfulness is shown to contain an essential tension between, on the one hand, the Socratic, metaphysically-bound notion of beingness, correctness and meaning-steering and, on the other hand, the pre-Socratic notion of unconcealment (a-lethia), which, pointing even earlier than pre-Socratics into aboriginality, involves attentive letting of gliding in the inexpressible saying of language. While steering is about generating new possibilities of expressibility, gliding is about poetic dwelling, or enduring inexpressibility as a constitutive part of saying. Although aletheia is taken to be the key influence on rootless post-foundational thinking, it is argued that unconcealment involves letting and enduring the presencing inexpressibility of place and home-coming, that is, worlding-rootedness; thus showing Heidegger’s originary politics as the district of the uncanny to be about worlding that attentively lets the presencing inexpressibility of earth be as place. In reading Heidegger’s views on humanism, beginning and language, the argument links inexpressibility—essentially and historically—to the grasping of the belongingness together of world, earth and place, viewing this belongingness as key to both the saying of art and of mortals dwelling together temporally, spatially, materially in a manner always strange to, and nearer than, the steering/controlling of beingness, time, space and place that the very gesture and emergence of critique is captive of and is not capable of attuning to and capturing. Art always estranges the metaphysical cycle of correctness which preserves pain and suffering—a cycle that inhabits a double bind of responding to violence and injustice generated by the violence of metaphysics with metaphysical violence and justice. In showing essential strife within truthfulness itself, Heidegger points to even greater and earlier problematic than the pre-Socratics—to the painful core of inexpressibility between the ontology of steering time, spaces and material—steering places—and the gliding temporality, spatiality and materiality of ontology of place. (shrink)

Inexpressibility results in Finite Model Theory are often proved by showing that Duplicator, one of the two players of an Ehrenfeucht game, has a winning strategy on certain structures.In this article a new method is introduced that allows, under certain conditions, the extension of a winning strategy of Duplicator on some small parts of two finite structures to a global winning strategy.As applications of this technique it is shown that • — Graph Connectivity is not expressible in existential monadic (...) second-order logic , even in the presence of a built-in linear order,• — Graph Connectivity is not expressible in MonNP even in the presence of arbitrary built-in relations of degree n0, and• — the presence of a built-in linear order gives MonNP more expressive power than the presence of a built-in successor relation. (shrink)

'PERHAPS WHAT is inexpressible (what I find mysterious and am not able to express)', wrote Wittgenstein, 'is the background against which whatever I could express has its meaning'. Wittgenstein's remark is a useful reminder to all who attempt to write about the nature and the value of art, for there our powers of expression often seem inadequate to the phenomena we aim to describe. In such cases it is natural to direct attention to the 'background' of aesthetic experience itself. In (...) consequence, many philosophical elucidations of art works will make good sense only to whose who are already engaged with them on their own terms—engaged with their distinctive character and forms. That this is so is perhaps most evident when the philosopher's target is the art of music. Roger Scruton's latest contribution to philosophical aesthetics, The Aesthetics of MusIc, is guided by a deep appreciation of the background of musical experience and he often allows music to speak for itself, through musical example and illustration. This study is exceptionally, if not uniquely, informed by a wide and thorough acquaintance with its subject matter, and it is commendably replete with references to, andmusic examples illustrating specific compositions. (shrink)

The thesis of the inexpressibility of certain kinds of philosophical knowledge, as ascribed to plato, is subjected to an analysis and, in consequence, interpreted in such a way which does not charge plato's position with any kind of mysticism or irrationalism. The interpretation propounded assumes that it is only some vague philosophical ideas that are said to be not expressible in a definite way.

Part philosophical meditation, part cultural critique, The Body in Pain is a profoundly original study that has already stirred excitement in a wide range of intellectual circles. The book is an analysis of physical suffering and its relation to the numerous vacabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, (...) and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inatriculate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate. About the Author: Elaine Scarry is Associate Professor of English at the University of Pennsylvania. (shrink)

Part philosophical meditation, part cultural critique, The Body in Pain is a profoundly original study that has already stirred excitement in a wide range of intellectual circles. The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it.Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and (...) military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre.Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inarticulate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate. (shrink)

Two expressive limitations of an infinitary higher-order modal language interpreted on models for higher-order contingentism – the thesis that it is contingent what propositions, properties and relations there are – are established: First, the inexpressibility of certain relations, which leads to the fact that certain model-theoretic existence conditions for relations cannot equivalently be reformulated in terms of being expressible in such a language. Second, the inexpressibility of certain modalized cardinality claims, which shows that in such a language, higher-order (...) contingentists cannot express what is communicated using various instances of talk of ‘possible things’, such as ‘there are uncountably many possible stars’. (shrink)

Perhaps the most important work of philosophy written in the twentieth century, the Tractatus Logico-Philosophicus first appeared in 1921 and was the only philosophical work that Ludwig Wittgenstein (1889-1951) published during his lifetime. Written in short, carefully numbered paragraphs of extreme compression and brilliance, it immediately convinced many of its readers and captivated the imagination of all. Its chief influence, at first, was on the Logical Positivists of the 1920s and 30s, but many other philosophers were stimulated by its philosophy (...) of language, finding attractive, if ultimately unsatisfactory, its view that propositions were pictures of reality. Perhaps most of all, Wittgenstein himself, after his return to philosophy in the late 1920s, was fascinated by its vision of an inexpressible, crystalline world of logical relationships. The posthumous publication of other writings has, therefore, only served to reawaken interest in the Tractatus and to illuminate its more neglected aspects. David Pears and Brian McGuinness revised their translation in the light of Wittgenstein's own suggestions and comments in his correspondence with C.K. Ogden about the first translation. In addition, this edition contains the introduction by Bertrand Russell which appeared in the original English translation. (shrink)