Results for 'G. Art'

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  1. Les bases de la croyance.A. Balfour & G. Art - 1897 - Revue Philosophique de la France Et de l'Etranger 43:536-542.
     
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  2.  12
    Shape from shading in pigeons.Robert G. Cook, Muhammad Aj Qadri, Art Kieres & Nicholas Commons-Miller - 2012 - Cognition 124 (3):284-303.
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  3.  71
    Art forgeries and inherent value.G. Wallace - 1987 - British Journal of Aesthetics 27 (4):358-362.
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  4.  35
    Two Dogmas of Enlightenment Scholarship.Seth Jones & Kristopher G. Phillips - 2023 - In Amber L. Griffioen & Marius Backmann (eds.), Pluralizing Philosophy’s Past: New Reflections in the History of Philosophy. Springer Verlag. pp. 133-147.
    A central theme in the scholarly literature on Enlightenment Europe concerns the increased focus on the role of reason in the development of European thought, especially in the development of the new science by the natural philosophers. As a consequence, there is a tendency in both philosophical scholarship and teaching to bind philosophy and science tightly together. While there is certainly much that is correct in this approach, one motivation for pluralizing philosophy’s past is that this story leaves out a (...)
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  5. A Young Scientists’ Perspective on DBS: A Plea for an International DBS Organization.Rowan P. Sommers, Roy Dings, Koen I. Neijenhuijs, Hannah Andringa, Sebastian Arts, Daphne van de Bult, Laura Klockenbusch, Emiel Wanningen, Leon C. de Bruin & Pim F. G. Haselager - 2015 - Neuroethics 8 (2):187-190.
    Our think tank tasked by the Dutch Health Council, consisting of Radboud University Nijmegen Honours Academy students with various backgrounds, investigated the implications of Deep Brain Stimulation for psychiatric patients. During this investigation, a number of methodological, ethical and societal difficulties were identified. We consider these difficulties to be a reflection of a still fragmented field of research that can be overcome with improved organization and communication. To this effect, we suggest that it would be useful to found a centralized (...)
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  6.  61
    The Principles of Art.R. G. Collingwood - 1938 - New York,: Oxford University Press USA.
    This treatise on aesthetics begins by showing that the word "art" is used as a name not only for "art proper" but also for certain things which are "art falsely so called." These are craft or skill, magic, and amusement, each of which, by confusion with art proper, generates a false aesthetic theory. In the course of attacking these theories the author criticizes various psychological theories of art, offers a new theory of magic, and reinterprets Plato's so-called "attack on art," (...)
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  7. Nelson Goodman: From Logic to Art.G. Ernst, O. Scholz & J. Steinbrenner (eds.) - 2009 - Ontos.
     
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  8.  6
    The Art of Life.G. Harris - 2004 - Mind 113 (449):186-188.
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  9.  69
    Kant on Moral Education, or "Enlightenment" and the Liberal Arts.G. Felicitas Munzel - 2003 - Review of Metaphysics 57 (1):43 - 73.
    “THE ONLY THING NECESSARY IS NOT THEORETICAL LEARNING, but the Bildung of human beings, both in regard to their talents and their character.” Kant’s epigrammatic observation in his 1778 letter to Christian Wolke, director of the Philanthropin, adumbrates not only his mature sense of “enlightenment” but also the pedagogical role of his critical philosophy and his own life’s work. Over a decade earlier, his reading of Rousseau’s Emile: or, On Education had “set him straight” about what constitutes the true dignity (...)
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  10. Modes of Viewing in Hellenistic Poetry and Art (Jas Elsner).G. Zanker - 2005 - American Journal of Philology 126 (3):461.
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  11. Old Arts and New Theology: The Beginnings of Theology as an Academic Discipline.G. R. Evans & Morna D. Hooker - 1982 - Religious Studies 18 (2):267-268.
     
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  12. The Art of Controversies.G. W. Leibniz, Marcelo Dascal, Quintin Racionero & Adelino Cardoso - 2006 - Studia Leibnitiana 38 (2):242-244.
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  13.  77
    Plato Republic.G. H. Plato & Wells - 1945 - New York: Basic Books (AZ). Edited by Allan Bloom & Adam Kirsch.
    A model for the ideal state includes discussions of the nature and application of justice, the role of the philosopher in society, the goals of education, and the effects of art upon character.
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  14. On art, globalization and the cultural difference.G. Mosquera - 2003 - Filozofski Vestnik 24 (3):53-86.
     
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  15. Arte della memoria.G. E. G. E. - 1971 - Giornale Critico Della Filosofia Italiana 2 (2):366.
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  16. The principles of art.R. G. Collingwood - 1938 - New York,: Oxford University Press.
    This treatise on aesthetics criticizes various psychological theories of art, offers new theories and interpretations, and draws important inferences concerning ...
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  17.  64
    Art as Language: Wittgenstein, Meaning, and Aesthetic Theory.G. L. Hagberg - 1995 - Journal of Aesthetics and Art Criticism 54 (4):388-389.
  18. Gli''Aforismi sull'arte''di Joseph Gorres, una fisica estetica.G. Moretti - 1984 - Rivista di Estetica 24 (18):37-54.
     
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  19.  15
    "Community" Art by Sarah G.Sarah G. - 2023 - Questions 23:16-17.
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  20.  50
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  21.  23
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  22.  12
    Experimenting the human: art, music, and the contemporary posthuman.G. Douglas Barrett - 2023 - Chicago: University of Chicago Press.
    An engaging argument about what experimental music can tell us about being human. -/- In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology decenter human agency amid the uneven temporality of postwar global capitalism. Time moves forward for some during this period, while it seems to stand still or even move backward for others. Some say we’re already posthuman, while others endure the extended consequences of never (...)
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  23.  58
    Plato's Noble Art Of Sophistry.G. B. Kerferd - 1954 - Classical Quarterly 4 (1-2):84-90.
    Plato's Sophist begins with an attempt to arrive by division at a definition of a Sophist. In the course of the attempt six different descriptions are discussed and the results summarized at 231 c-e. A seventh and final account may be said to occupy the whole of the rest of the dialogue, including the long digression on negative statements. The first five divisions characterize with a considerable amount of satire different types of sophist, or more probably different aspects of the (...)
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  24.  38
    Art and value.G. Dickie - 2000 - British Journal of Aesthetics 40 (2):228-241.
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  25.  18
    Art and Ideology.G. B. Waywell - 1991 - The Classical Review 41 (01):186-.
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  26. Du sentiment religieux dans ses rapports avec l'art.G. Dwelshauvers - 1914 - Philosophical Review 23:706.
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  27.  36
    Feeling Beauty: The Neuroscience of Aesthetic Experience.G. Gabrielle Starr - 2013 - MIT Press.
    A theory of the neural bases of aesthetic experience across the arts, which draws on the tools of both cognitive neuroscience and traditional humanist inquiry.
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  28. Il concetto di arte.G. Barzaghi - 1995 - Divus Thomas 98 (2):62-80.
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  29. Art and society-Arnold Gehlen and the borders of the aesthetic.G. Seubold - 1997 - Philosophisches Jahrbuch 104 (2).
     
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  30. Art and transformation.G. Olivier - 1987 - South African Journal of Philosophy 6 (1):16-23.
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  31. The Principles of Art.R. G. Collingwood - 1938 - Philosophy 13 (52):492-496.
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  32. Art.G. Sorel - 1901 - Revue de Métaphysique et de Morale 9:251-278.
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  33. Arte della memoria.E. G. G. - 1971 - Giornale Critico Della Filosofia Italiana:366.
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  34. TILGHMAN, B. R.: "But is it Art"?G. Currie - 1986 - Australasian Journal of Philosophy 64:231.
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  35.  10
    Art Education and the Curriculum in England and the United States: a question of status.G. R. Lawrence - 1982 - Educational Studies 8 (2):157-164.
  36.  14
    Buddhism: art, architecture, literature & philosophy.G. Kamalakar & M. Veerender (eds.) - 2005 - Delhi: Sharada Pub. House.
    Contributed papers presented at the Seminar, organized by Birla Archaeological & Cultural Research Institute, Hyderabad; with reference to Andhra Pradesh, India.
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  37.  72
    Rational Diagnosis and Treatment: Evidence-Based Clinical Decision-Making.Peter Gøtzsche - 2007 - J. Wiley. Edited by Henrik R. Wulff.
    Now in its fourth edition, Rational Diagnosis and Treatment: Evidence-Based Clinical Decision - Making is a unique book to look at evidence-based medicine and the difficulty of applying evidence from group studies to individual patients._ The book analyses the successive stages of the decision process and deals with topics such as the examination of the patient,_the reliability of clinical data, the logic of diagnosis, the fallacies of uncontrolled therapeutic experience and the need for randomised clinical trials and meta-analyses. It is (...)
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  38. ʻAmud ha-yirʼah ṿeha-ʻavodah: mi-toldot ḥayaṿ shel ha-g. ha-ts.... Yeḥezḳel Leṿenshṭain, zatsal..Yoʼel ben Aharon Shṿarts - 1995 - Yerushalayim: ha-Mosad le-ʻidud limud ha-Torah. Edited by Shelomoh Burshṭin.
     
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  39. Faith and its Expression in the Arts.G. P. Baker - 1921 - Hibbert Journal 20:680.
     
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  40. The theme of the crisis of art in the thought of banfi, Antonio.G. Scaramuzza - 1994 - Rivista di Storia Della Filosofia 49 (2):287-301.
     
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  41.  18
    How to Say No: An Ancient Guide to the Art of Cynicism. Selected, translated, and introduced by M.D. Usher.G. M. Trujillo - 2023 - Ancient Philosophy 43 (2):557-560.
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  42. L'art, l'anti-art, le non-art. Les problèmes de la négation de l'art dans les tendances d'avant-garde.G. Sztabinski - 1989 - Studia Filozoficzne 278:95-104.
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  43.  14
    L'art et la logique.G. Tarde - 1891 - Revue Philosophique de la France Et de l'Etranger 31:123 - 147.
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  44. Dissertation on Combinatorial Art.G. W. Leibniz - 2020 - Oxford: Oxford University Press.
  45.  4
    Mind and Art: An Essay on the Varieties of Expression.G. Sircello - 1976 - The Journal of Aesthetic Education 10 (1):117.
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  46.  17
    Chr. Walter, Art and Ritual of the Byzantine Church.G. Galavaris - 1984 - Byzantinische Zeitschrift 77 (2).
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  47. Giovanni Gentile and the art of political pedagogy.G. Turi - 2001 - Giornale Critico Della Filosofia Italiana 21 (3):430-448.
     
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  48. Art et société. Essai sur la loi culturelle de l'Occident contemporain.G. Boss - 1977 - Revue Philosophique de la France Et de l'Etranger 167 (3):328-328.
     
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  49.  32
    Disciplines in the Making: Cross-Cultural Perspectives on Elites, Learning, and Innovation.G. E. R. Lloyd - 2009 - Oxford, GB: Oxford University Press.
    We tend to assume that our map of the intellectual disciplines is valid cross-culturally. G. E. R. Lloyd challenges this in relation to eight main areas of human endeavour, namely philosophy, mathematics, history, medicine, art, law, religion, and science, by examining how the disciplines were conceived and developed in different times and places.
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  50. Buzzati E l'arte di farsi leggere.G. Cavallini - 1998 - Studium 94 (1):145-148.
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