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Robin George Collingwood (1889-1943) was both a British philosopher and a practising historian specialized in the archaeology and history of Roman Britain. His most important contributions to philosophy were on philosophy of history and on aesthetics. In both these areas R. G. Collingwood's reflection was based on his own experience as a historian and as an artist respectively, although only in the first field he was a first class figure. As a philosopher of history, he defended the superiority of history as a form of knowledge with respect to natural sciences, and its methodological independence from them. As a philosopher of art, he understood art as the expression of emotion in the language of imagination. He also made top contributions in meta-philosophy, metaphysics and political philosophy. Collingwood is usually considered to be a British Idealist, although such categorization is polemic because he himself denied it in different places.

Key works

Collingwood's first important work was published in 1924. Its title was Speculum Mentis (Or the Map of Knowledge), and can be considered as his first systematic attempt at describing our complete experience of the world. A year later, he published Outlines of a Philosophy of Art (1925), where he proposed to consider art as an imaginative activity that attempts to achieve beauty and by which we enjoy it. From here he moved on to the consideration of the place and methodology of philosophy as a distinct form of knowledge in An Essay on Philosophical Method, published in 1933 (and reedited in 1933). Five years later, in 1938, he returned once again to the philosophy of art, in The Principles of Art, where he substantially revised and expanded his original definition of art, considering it now as the expression of emotion in the language of imagination. Around this time, Collingwood was conscious of the seriousness of the illness that would end his life, and published An Autobiography in 1939 as his philosophical testament. In the last years of his life, he managed to prepare and publish An Essay on Metaphysics (1983) where he considered Metaphysics to be the study of absolute presuppositions and not the study of being; and The New Leviathan (1942) which is more than a contribution to the war effort, as Collingwood himself considered it, and can be better viewed both as a complete summary of more than twenty years of philosophical work, and as his last attempt at providing a coherent explanation of mankind (individual, society, civilization and barbarism). Finally and although Collingwood's reflection on the philosophy of history was a constant throughout his life, he didn't publish any major work during it and his views are scattered in many articles. Following his own plans but after his death and both from the materials he published and from the ones he left unpublished, his ideas on the subject can be studied in The Idea of History, Essays on the Philosophy of History, and The Principles of History.

Introductions - Collingwood's entry in the Stanford Encyclopedia of Philosophy (2010). - TAYLOR, D.S.: R. G. Collingwood--A Bibliography: The Complete Manuscripts and Publications, Selected Secondary Writings, with Selective Annotation Garland (1988). - TOMLIN, E.W.F.: R. G. Collingwood (1953). - JOHNSON, P., R. G. Collingwood: An Introduction (1998).
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  1. On the Relationship Between R. G. Collingwood’s Philosophy of Religion and Philosophy of History.Jacob Donald Chatterjee - manuscript
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  2. On Cruelty as a Part of (Artistic) Life.James Camien McGuiggan - manuscript
    The blistering review, wherein the critic cruelly twists the knife to the applause of on-lookers, has fallen out of favour. But is there something to be said for this sort of cruelty? In this paper, I argue for a space for cruelty. In art, there is a sort of cruelty—that can be employed by artists and audiences as well as by critics—that is a pointed disregard for the feelings of the audience: a telling of deep or hard truth without coddling. (...)
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  3. Collingwood's Hermneutic of Acts and Events in Historical Explanation.Doug Mann - unknown - Eidos: The Canadian Graduate Journal of Philosophy 11.
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  4. Teorias da Arte” in Crítica.Rg Collingwood - forthcoming - Revista de filosofía (Chile).
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  5. Croce's aesthetics.Gary Kemp - forthcoming - Stanford Encyclopedia of Philosophy.
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  6. Wittgenstein, Collingwood, and the Aesthetic and Ethical Conundrum of Opera.Yaroslav Senyshyn & Danielle Vézina - forthcoming - Philosophy of Music Education Review 10 (1):27-35.
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  7. La théorie Des présuppositions absolues chez R. G. Collingwood.Suzanne Stern-Gillet - forthcoming - Les Etudes Philosophiques.
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  8. Much Ado about nothing.R.G. Collingwood versus Martin Heidegger on the status of metaphysics.Guido Vanheeswijck - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
    This article focuses on the completely neglected relation between Collingwood and Heidegger's concepts of metaphysics by highlighting their respective reactions to Alfred J. Ayer and Rudolf Carnap. In his article “The Elimination of Metaphysics through Logical Analysis of Language” from 1931, Carnap exposed the metaphysical statements, used by Heidegger in his inaugural lecture What is Metaphysics?, as pseudo-statements. Three years later, Ayer published the article “Demonstration of the Impossibility of Metaphysics”.In the late 1930s, Ayer's position was attacked by Collingwood in (...)
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  9. The pincer movement of The Idea of a Social Science: Winch, Collingwood, and philosophy as a human science.Jonas Ahlskog & Olli Lagerspetz - 2024 - History of the Human Sciences 37 (1):28-46.
    This article argues that, in order to understand Peter Winch's view of philosophy, it is profitable to read him together with R. G. Collingwood's philosophy of history. Collingwood was both an important source for Winch and a thinker engaged in a closely parallel philosophical pursuit. Collingwood and Winch shared the view that philosophy is an effort to understand the various ways in which human beings make reality intelligible. For both, this called for rapprochement between philosophy and the humanities. Like Collingwood, (...)
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  10. (1 other version)Transforming Artistic Practice: Collingwood, Adorno, and the Diseases of the Mind.Max Schaefer - 2024 - Human Affairs: Postdisciplinary Humanities and Social Sciences Quarterly 34 (3).
    This paper addresses the views of R.G. Collingwood and Theodor Adorno on the role of amusement and art in what each of them saw as the crisis of contemporary Western civilization. We will begin by showing how the aesthetic theories of Collingwood and Adorno develop out of their shared concerns about the harmful effects of amusement and bad art on the consciousness of human beings. We will argue that a productive dialogue between these two figures clarifies that the value of (...)
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  11. Thinking about Past Minds: Cognitive Science as Philosophy of Historiography.Adam Michael Bricker - 2023 - Journal of the Philosophy of History 17 (2):219-242.
    This paper outlines the case for a future research program that uses the tools of experimental cognitive science to investigate questions that traditionally fall under the remit of the philosophy of historiography. The central idea is this – the epistemic profile of historians’ representations of the past is largely an empirical matter, determined in no small part by the cognitive processes that produce these representations. However, as the philosophy of historiography is not presently equipped to investigate such cognitive questions, legitimate (...)
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  12. Quentin Skinner’s Attempt to Clarify Collingwood.David Černín - 2023 - Teorie Vědy / Theory of Science 1 (1).
    This paper examines the methodological propositions of Quentin Skinner, whose influence on intellectual history, including the history and philosophy of science (HPS), cannot be disregarded. It is well known that Skinner’s method is based on John L. Austin’s theory of speech acts. Nonetheless, the very idea of applying ordinary language philosophy to the subject matter of history rests on other assumptions that form Skinner’s philosophy of historiography. The paper focuses on reconstructing this philosophy of historiography and especially on R. G. (...)
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  13. 'Deny Thy Father and Refuse Thy Name?' Collingwood, Skinner and Historical Re-enactment.James Connelly - 2023 - Collingwood and British Idealism Studies 29 (1):25-54.
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  14. Why Collingwood Matters: A Defence of Humanistic Understanding.Giuseppina D'Oro - 2023 - New York: Bloomsbury.
    R.G. Collingwood (1889-1943) was an English philosopher, historian and practicing archaeologist. His work, particularly in the philosophy of action and history, has been profoundly influential in the 20th and 21st century. Although the importance of his work is indisputable, this is the first book to consider how and why it actually matters. Giussepina D'oro considers the importance of Collingwood as a thinker who thinks kaleidoscopically and, unlike lots of contemporary philosophers, refuses to focus on narrow, technical interests but instead, observes (...)
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  15. La autognosis como fundamento de la comprensión histórica en Dilthey y Collingwood. Conceptos psicológicos comparados.Hernán Alejandro Manzi Leites - 2023 - Ideas Y Valores 72 (181).
    La comprensión de lo histórico por medio de la “revivencia” en Dilthey confluye con la idea de re-enactment en la teoría de la imaginación histórica de Collingwood a través de la autognosis. Este conocimiento de sí constituye la actividad primordial de la comprensión histórica y es llevado a cabo por el individuo que comprende de acuerdo con los significados vitales y sociohistóricos de su época. Así, las tradiciones del empirismo y del idealismo se acercan en aras de una reflexión sobre (...)
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  16. Collingwood and the Magdalen Metaphysicals.John Heywood Thomas - 2023 - Heythrop Journal 64 (4):565-573.
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  17. The leopard does not change its spots: naturalism and the argument against methodological pluralism in the sciences.Jonas Ahlskog & Giuseppina D'Oro - 2022 - In Adam Tamas Tuboly (ed.), The history of understanding in analytic philosophy: around logical empiricism. New York: Bloomsbury Academic. pp. 185-208.
    This paper sets out to undermine the view that a commitment to the early modern conception of the mind as immortalized in Ryle’s metaphor of the (Cartesian) ghost in the machine and in Quine’s metaphor of the (Lockean) myth of the museum is required to articulate a defence of the sui generis character of humanistic explanations. These powerful metaphors have not only contributed to undermining the claim for methodological pluralism by caricaturizing the arguments for disunity in the sciences; they have (...)
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  18. Reform or Euthanasia of Metaphysics?Guido Vanheeswijck - 2022 - International Philosophical Quarterly 62 (2):189-209.
    Although the philosophical ideas of the English philosopher Robin George Collingwood on history and art have often been compared with those of the German philosopher Wilhelm Dilthey, an in-depth comparison between their concepts of metaphysics was never made. Therefore, the focus in this article is on both authors’ concepts of metaphysics. It is shown that, despite the undeniable affinity, their views of the status of metaphysics differ substantially. Both Dilthey and Collingwood focus on an inherent antinomy in the project of (...)
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  19. Collingwood and Mead's Theory of History.S. K. Wertz - 2022 - Collingwood and British Idealism Studies 28 (2):65-83.
  20. 'The Babblings of Pragmatism': Reconstructing R.G. Collingwood's Rejection of F.C.S. Schiller's Pragmatism in Speculum Mentis. [REVIEW]Ymko Braaksma - 2021 - Collingwood and British Idealism Studies 27 (2):241-266.
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  21. Becoming Real: The Metaphysics of Samuel Alexander and R.G. Collingwood.James M. Connelly - 2021 - In A. R. J. Fisher (ed.), Marking the Centenary of Samuel Alexander’s Space, Time and Deity. Basingstoke: Palgrave Macmillan. pp. 193-210.
    This chapter considers and evaluates the philosophical relationship between Alexander and R.G. Collingwood, focusing particularly on metaphysics and the philosophy of history. Their relationship was founded not on their agreement but to a considerable extent on their differences and their willingness to offer and accept critical commentary on each other’s writings. Following the publication of his An Essay on Philosophical Method in 1933, Collingwood sought to develop his own positive metaphysical system, which consists of a developmental and historical view of (...)
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  22. R.G Collingwood and the Second World War: facing barbarism.Peter Johnson - 2021 - New York: Bloomsbury Academic.
    As one of the few philosophers to subject civilisation and barbarism to close analysis, Collingwood was acutely aware of the interrelationship between philosophy and history. This book combines historical, biographical and philosophical discussion in order to illuminate Collingwood's thinking and create the first in-depth analysis of Collingwood's responses to the Second World War.
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  23. Collingwood's Letters to Alexander.Chinatsu Kobayashi - 2021 - Collingwood and British Idealism Studies 27 (2):145-196.
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  24. A Few Critical Remarks on Collingwood's Philosophy of Art.G. Rinaldi - 2021 - Collingwood and British Idealism Studies 27 (1):49-74.
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  25. Contributions to a Phenomenology of Historical Experience.Tobia Rossi - 2021 - Southern Journal of Philosophy 60 (4):664-695.
    In this article, I propose a phenomenological account of historical experience, aimed at showing how people directly experience an event as being historical. After examining the only previous phenomenological account, David Carr’s Experience and History, and exploring its limits, I present my own contributions. My analysis focuses on the features of three main concepts or “moments”: eventfulness, substantiality, and narrativity. Considering the transcendent character of historical experience in the moment of eventfulness brings three features to light: initial incomprehensibility, need for (...)
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  26. R.G. Collingwood and Imperfect Rationality.R. Toueg - 2021 - Collingwood and British Idealism Studies 27 (1):123-131.
  27. Conceptual Change in Lovejoy and Collingwood and Beyond.Rebecca Toueg - 2021 - Collingwood and British Idealism Studies 27 (2):197-226.
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  28. Collingwood and Racial Considerations.S. K. Wertz - 2021 - Collingwood and British Idealism Studies 27 (1):99-115.
    R. G. Collingwood (1889–1943) had several arguments that analyzed race in history and anthropology. These appear mainly in Roman Britain (both in theory and practice of history), The Idea of History, and The Principles of History. This latter work, which is fairly new to Collingwood scholarship (1999), contains the most important arguments. Collingwood argued that race is grounded in the historical process and this includes a people's environment, more so than genetics or evolution. He used the nature of art as (...)
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  29. Collingwood, Dewey, Realism and its Demise.S. K. Wertz - 2021 - Collingwood and British Idealism Studies 27 (2):227-240.
  30. (1 other version)Robin George Collingwood.Giuseppina D'Oro & James Connelly - 2020 - Stanford Encyclopedia of Philosophy.
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  31. (1 other version)Collingwood and ‘Art Proper’: From Idealism to Consistency.Damla Dönmez - 2020 - Estetika: The European Journal of Aesthetics 52 (2):152.
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  32. The fashionable scientific fraud: Collingwood’s critique of psychometrics.Joel Michell - 2020 - History of the Human Sciences 33 (2):3-21.
    In his review of Charles Spearman’s The Nature of ‘Intelligence’ (1923), R. G. Collingwood launched an attack upon psychometrics that was expanded in his Essay on Metaphysics (1940). Although underrated by friend and foe alike, Collingwood’s critique identified a number of defects in the thinking of psychometricians that subsequently became entrenched. However, his main complaint was that psychology generally (and, by implication, psychometrics) was a ‘fashionable scientific fraud’. This charge was inspired by his more general views on logic and metaphysics, (...)
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  33. (1 other version)An Aesthetic Theory in Four Dimensions.Robert Elliott Allinson - 2019 - Dialogue and Universalism 29 (2):53-64.
    The purpose of this article is to synthesize four major elements of aesthetic experience that have previously appeared isolated whenever an attempt at conceptualization is made. These four elements are: Immanuel Kant’s disinterested pleasure, Robin G. Collingwood’s emotional expressionism, the present writer’s redemptive emotional experience, and, lastly, Plato’s concept of Beauty. By taking these four abstracted elements as the bedrock for genuine aesthetic experience, this article aims to clarify the proper role of art as distinct from philosophy and intellectualization. Rather (...)
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  34. (1 other version)An Aesthetic Theory in Four Dimensions: Collingwood and Beyond.Robert Elliott Allinson - 2019 - Dialogue and Universalism 29 (2):53-64.
    The purpose of this article is to synthesize four major elements of aesthetic experience that have previously appeared isolated whenever an attempt at conceptualization is made. These four elements are: Immanuel Kant’s disinterested pleasure, Robin G. Collingwood’s emotional expressionism, the present writer’s redemptive emotional experience, and, lastly, Plato’s concept of Beauty. By taking these four abstracted elements as the bedrock for genuine aesthetic experience, this article aims to clarify the proper role of art as distinct from philosophy and intellectualization. Rather (...)
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  35. History Against Psychology in the Thought of R. G. Collingwood.Guive Assadi - 2019 - Critical Review: A Journal of Politics and Society 31 (2):135-159.
    ABSTRACTR. G. Collingwood is mostly remembered for his theory that historical understanding consists in re-enacting the thoughts of the historical figure whom one is studying. His first recognizable expression of this view followed from an argument about the emptiness of psychological interpretations of religion, and throughout his career Collingwood offered history as re-enactment as an alternative to psychology. Over time, his argument that the psychology of religion could not be relevant to the veracity of religious beliefs was supplanted by the (...)
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  36. Collingwood on Philosophical Methodology. Edited by Karim Dharamsi, Giuseppina D’Oro, and Stephen Leach. Cham: Palgrave Macmillan, 2018. Pp. xiii + 270. [REVIEW]James Camien McGuiggan - 2019 - Metaphilosophy 50 (5):747-751.
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  37. The definition of art.Thomas Adajian - 2018 - Stanford Encyclopedia of Philosophy.
    The definition of art is controversial in contemporary philosophy. Whether art can be defined has also been a matter of controversy. The philosophical usefulness of a definition of art has also been debated. -/- Contemporary definitions can be classified with respect to the dimensions of art they emphasize. One distinctively modern, conventionalist, sort of definition focuses on art’s institutional features, emphasizing the way art changes over time, modern works that appear to break radically with all traditional art, the relational properties (...)
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  38. The Philosophy of History of the British Idealists: Preliminary Observations.J. Karabelas - 2018 - Collingwood and British Idealism Studies 24 (1):71-89.
    British idealism is usually regarded as having been, in the main, indifferent to the problems of the philosophy of history. The interest in the philosophy of history found in German, and later in Italian, idealism was allegedly not shared by the early generations of the British idealists. At best they are regarded as unwitting precursors of things to come, some of their reflections paving the way for subsequent advances in historical thinking. The British idealists, however, were not as economical with (...)
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  39. Collingwood, Pragmatism, and Philosophy of Science.Elena Popa - 2018 - In Karim Dharamsi, Giuseppina D'Oro & Stephen Leach (eds.), Collingwood on Philosophical Methodology. Cham: Springer Verlag. pp. 131-149.
    This paper argues that there are notable similarities between Collingwood’s method of investigating absolute presuppositions and contemporary strands of pragmatism, focusing on two areas - the critique of realism and causation. It is first argued that there are methodological similarities between Collingwood’s argument against realism and his Kantian-inspired critique of metaphysics, and Putnam’s critique of externalism. Regarding causation, it is argued that Collingwood’s view and Price’s pragmatist approach have a common method – investigating causation in the context of specific human (...)
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  40. Prefatory Note to Saul Kripke 'History and Idealism: The Theory of R.G. Collingwood'.James Connelly & Giuseppina D'Oro - 2017 - Collingwood and British Idealism Studies 23 (1):1-8.
  41. (1 other version)Collingwood, Scientism and Historicism.Giuseppina D'Oro & James Connelly - 2017 - Collingwood and British Idealism Studies 11:275-288.
  42. History and Idealism: The Theory of R.G. Collingwood.Saul A. Kripke - 2017 - Collingwood and British Idealism Studies 23 (1):9-29.
  43. The Four Dimensions of Aesthetic Experience: Collingwood and Beyond.Robert Elliott Allinson - 2016 - In Fabian Dorsch & Dan-Eugen Ratiu (eds.), Proceedings of the European Society for Aesthetics. University of Fribourg. pp. 24-37.
  44. History as Thought and Action: The Philosophies of Croce, Gentile, de Ruggiero and Collingwood by Rik Peters.David Boucher - 2016 - Journal of the History of Philosophy 54 (3):514-515.
    This is a book about the personal and philosophical relationships between three Italian philosophers and their intersection with the life and thought of the English polymath R. G. Collingwood. It is well known that many of the most controversial ideas of the Italians were developed in direct engagement with each other through published encounters and private correspondence. The connection between Collingwood and the Italians, although vaguely familiar to English and Italian readers, is far less well known in its details, perhaps (...)
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  45. (1 other version)Collingwood, Wittgenstein, Strawson: Philosophy and description.Vasso Kindi - 2016 - British Idealism Studies 22 (1):19-43.
    In the paper I examine Collingwood’s historical metaphysics, i.e., the fusion Collingwood attempts between history and philosophy. Collingwood’s metaphysical analysis aims to identify and uncover the absolute presuppositions of a particular type of discourse or phase in history and, in so doing, it arrives at historical facts recorded by metaphysical/ historical propositions. I present Collingwood’s account and, to further explicate it, I compare it to two other approaches which also involve, or ultimately terminate at, some kind of description of facts, (...)
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  46. What is the Business of Collingwood's The Principles of Art?J. C. McGuiggan - 2016 - Collingwood and British Idealism Studies 22 (1):195-223.
    Collingwood’s aim in The Principles of Art is “to answer the question: What is art?” (p. 1) The answer Collingwood offers to that question, that art is the expression of emotion, has become notorious for its implausibility. I consider one objection against this theory, namely that it is unclear what is rendered art by this definition: for it sometimes appears to define art too broadly, containing all utterances and gestures; but at other times to define art too narrowly, excluding much (...)
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  47. Collingwood and Manipulability-based Approaches to Causation: Methodological Issues.E. Popa - 2016 - Collingwood and British Idealism Studies 22 (1):139-166.
    This paper discusses methodological similarities between Collingwood's approach to causation and contemporary manipulability-based views. Firstly, I argue that on both approaches there is a preoccupation with the origin of causal concepts which further connects to the aim of establishing the priority of a certain concept/sense of causation as more fundamental. The significant difference lies in Collingwood's focus on the logical and historical priority (Collingwood's sense I) while in more recent theories the focus has been on psychology (i.e., on different philosophical (...)
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  48. R.G. Collingwood: a research companion.James Connelly - 2015 - New York: Bloomsbury Academic. Edited by Peter Johnson & Stephen D. Leach.
    R G Collingwood is an important twentieth century historian, archaeologist and philosopher whose works are the subject of continued interest, analysis and study. There is an unquestionable need to support this research activity with the provision of a reference guide which is fully up-to-date, informed and authoritative. The Companion will therefore list all primary and secondary material relevant to the study of Collingwood in all his fields of expertise - historical theory, philosophy and archaeology. It will also provide a guide (...)
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  49. On Collingwood's philosophy of history" and "on a new interpretation of Plato's political philosophy".Jonathan F. Culp - 2015 - In Timothy W. Burns (ed.), Brill's Companion to Leo Strauss' Writings on Classical Political Thought. Boston: Brill.
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  50. (1 other version)Collingwood and ‘Art Proper’: From Idealism to Consistency.Damla Dönmez - 2015 - Estetika: The European Journal of Aesthetics 52 (2):152-163.
    Collingwood’s ‘art-proper’ definition has been controversial. Wollheim argues that his Theory of Imagination assumes that the nature of the artwork exists solely in the mind, committing him to the Ideal Theory. Consequently, when Collingwood states that the audience is essential for the artist and the artwork, he is being inconsistent. In contrast, Ridley claims that Collingwood’s Expression Theory saves him from Wollheim’s accusations; hence he is consistent and does not support the Ideal Theory. I demonstrate that Collingwood both adheres to (...)
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1 — 50 / 693