Key works |
Collingwood's first
important work was published in 1924. Its title was Speculum
Mentis (Or the Map of
Knowledge), and can be
considered as his first systematic attempt at describing our complete
experience of the world. A year later, he published Outlines
of a Philosophy of Art (1925), where he
proposed to consider art as an imaginative activity that attempts to
achieve beauty and by which we enjoy it. From here he moved on to the
consideration of the place and methodology of philosophy as a
distinct form of knowledge in An Essay on Philosophical
Method, published in 1933 (and reedited in 1933). Five
years later, in 1938, he returned once again to the philosophy of
art, in The Principles of Art,
where he substantially revised and expanded his original definition
of art, considering it now as the expression of emotion in the
language of imagination. Around this time, Collingwood was conscious
of the seriousness of the illness that would end his life, and
published An Autobiography
in 1939 as his philosophical testament. In the last years of his
life, he managed to prepare and publish An Essay on
Metaphysics (1983) where he
considered Metaphysics to be the study of absolute presuppositions
and not the study of being; and The New Leviathan
(1942) which is more than a contribution to the war effort, as
Collingwood himself considered it, and can be better viewed both as a
complete summary of more than twenty years of philosophical work, and
as his last attempt at providing a coherent explanation of mankind
(individual, society, civilization and barbarism). Finally and
although Collingwood's reflection on the philosophy of history was a
constant throughout his life, he didn't publish any major work during
it and his views are scattered in many articles. Following his own
plans but after his death and both from the materials he published
and from the ones he left unpublished, his ideas on the subject can
be studied in The Idea of History,
Essays on the Philosophy of History,
and The Principles of History. |