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  1. Goodman Paradox, Hume's Problem, Goodman-Kripke Paradox: Three Different Issues.Beppe Brivec -
    This paper reports (in section 1 “Introduction”) some quotes from Nelson Goodman which clarify that, contrary to a common misunderstanding, Goodman always denied that “grue” requires temporal information and “green” does not require temporal information; and, more in general, that Goodman always denied that grue-like predicates require additional information compared to what green-like predicates require. One of the quotations is the following, taken from the first page of the Foreword to chapter 8 “Induction” of the Goodman’s book “Problems and Projects”: (...)
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  2. O velho e novo problema da indução.Eros Carvalho - manuscript
    Neste texto inrodutório, apresento brevemente o que normalmente se entende pelo velho problema da indução e, em seguida, apresento um pouco mais detidamente, acentuando as diferenças e semelhanças, o novo enigma da indução.
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  3. Correction: The Density of Symbol Systems – A Critique of Nelson Goodman’s Notion.Krzysztof Guczalski - forthcoming - Philosophia:1-1.
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  4. The Density of Symbol Systems – A Critique of Nelson Goodman’s Notion.Krzysztof Guczalski - 2022 - Philosophia 50 (3):1131-1152.
    Nelson Goodman’s theory of symbol systems expounded in his Languages of Art has been frequently criticized on many counts. Yet it exerts a strong influence and is treated as one of the major twentieth-century theories on the subject.While many of Goodman’s controversial theses are criticized, the technical notions he used to formulate them seem to have been treated as neutral tools. One such technical notion is that of the density of symbol systems. This serves to distinguish linguistic symbols from pictorial (...)
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  5. The Putnam-Goodman-Kripke Paradox.Robert Kowalenko - 2022 - Acta Analytica 37 (4):575-594.
    The extensions of Goodman’s ‘grue’ predicate and Kripke’s ‘quus’ are constructed from the extensions of more familiar terms via a reinterpretation that permutes assignments of reference. Since this manoeuvre is at the heart of Putnam’s model-theoretic and permutation arguments against metaphysical realism (‘Putnam’s Paradox’), both Goodman’s New Riddle of Induction and the paradox about meaning that Kripke attributes to Wittgenstein are instances of Putnam’s. Evidence cannot selectively confirm the green-hypothesis and disconfirm the grue-hypothesis, because the theory of which the green-hypothesis (...)
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  6. Quine, Goodman, Putnam: the Harvard Philosophical School.Anna Laktionova - 2022 - Sententiae 41 (1):30-42.
    The article offers formal and doctrinal reasons that prove the existence of the “Harvard Philosophical School” as a real historico-philosophical phenomenon. The author includes Willard Van Orman Quine, Nelson Goodman, and Hilary Putnam in this school. The aim of this article is to compare the conceptualism, relativism and anti-realism of Quine, Goodman and Pantem, on the basis of pragmatic tendencies in their philosophical studies. Formal reasons: all these philosophers were professors at Harvard University; in addition, Quine was a teacher of (...)
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  7. Kenneth Rexroth and Paul Goodman : poets, writers anarchists and political ecologists.Gregory Knapp - 2021 - In Martin Locret-Collet, Simon Springer, Jennifer Mateer & Maleea Acker (eds.), Inhabiting the Earth: anarchist political ecology for landscapes of emancipation. Rowman & Littlefield.
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  8. Rudolf Carnap and David Lewis on Metaphysics.Fraser MacBride - 2021 - Journal for the History of Analytical Philosophy 9 (1).
    In an unpublished speech from 1991, David Lewis told his audience that he counted ‘the metaphysician Carnap ’ amongst his historical ancestors. Here I provide a novel interpretation of the Aufbau that allows us to make sense of Lewis’s claim. Drawing upon Lewis’s correspondence, I argue it was the Carnap of the Aufbau whom Lewis read as a metaphysician, because Carnap’s appeal to the notion of founded relations in the Aufbau echoes Lewis’s own appeal to the metaphysics of natural properties. (...)
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  9. Comparative Research of Gilles Deleuze and Nelson Goodman Opinions in Modern Literature and Painting Concentrating on Representation Avoidance Concept.Sara Moshaee & Leyla Montazeri - 2021 - Philosophical Investigations 15 (35):358-378.
    Modernism is a mental and intellectual approach by modern human; a mind that became a new change facing life crisis and manifested the various aspects of life using art medium. Modern period started a fundamental change; therefore, the artist converted the art meaning by its stream of consciousness. The author, poet and painter of the modern period embodied the self-concept of surrounding issues using an innovative thought. Achieving differences made the dynamic mind of the modern artist to research in order (...)
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  10. Limity reprezentácie: Charles Sanders Peirce a Nelson Goodman o reprezentácii.Michal šedík - 2021 - Filozofia 76 (8):608-623.
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  11. Conceptual re-engineering: from explication to reflective equilibrium.Georg Brun - 2020 - Synthese 197 (3):925-954.
    Carnap and Goodman developed methods of conceptual re-engineering known respectively as explication and reflective equilibrium. These methods aim at advancing theories by developing concepts that are simultaneously guided by pre-existing concepts and intended to replace these concepts. This paper shows that Carnap’s and Goodman’s methods are historically closely related, analyses their structural interconnections, and argues that there is great systematic potential in interpreting them as aspects of one method, which ultimately must be conceived as a component of theory development. The (...)
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  12. Goodman a Gombrich o povahe obrazovej reprezentácie a realizme zobrazenia.Ján Hrkút - 2020 - Filozofia 75 (8):31-45.
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  13. Practical Aesthetic Knowledge: Goodman and Husserl on the Possibilities of Learning by Aesthetic Practices.Iris Laner - 2020 - Estetika: The European Journal of Aesthetics 52 (2):164.
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  14. Goodman e o projeto de uma definição construtiva de “indução válida”.Eros Moreira de Carvalho - 2018 - Principia: An International Journal of Epistemology 22 (3):439-460.
    In Fact, Fiction and Forecast, Nelson Goodman claims that the problem of justifying induction is not something over and above the problem of describing valid induction. Such claim, besides suggesting his commitment to the collapse of the distinction between the context of description and the context of justification, seems to open the possibility that the new riddle of induction could be addressed empirically. Discoveries about psychological preferences for projecting certain classes of objects could function as a criterion for determining which (...)
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  15. Chaos multiples: Derrida et Goodman face à l'ordre et à l'un.Aurélien Barrau - 2017 - Paris: Éditions Galilée.
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  16. Review of "Righting Epistemology: Hume's Revolution". [REVIEW]Jared Bates - 2017 - Notre Dame Philosophical Reviews 2017.
    Review of Bredo Johnsen's "Righting Epistemology: Hume's Revolution" (OUP, 2017).
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  17. Reconcepciones en la filosofia y en otras artes y ciencias.Nelson Goodman - 2017 - [Salamanca]: Ediciones Universidad de Salamanca.
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  18. Probabilistic semantics and pragmatics : uncertainty in language and thought.Noah D. Goodman & Daniel Lassiter - 2015 - In Shalom Lappin & Chris Fox (eds.), Handbook of Contemporary Semantic Theory. Wiley-Blackwell.
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  19. Rearticulating Languages of Art: Dancing with Goodman.Joshua M. Hall - 2015 - Evental Aesthetics 3 (3):28-53.
    In this article, I explore the relationship between dance and the work of Nelson Goodman, which is found primarily in his early book, Languages of Art. Drawing upon the book’s first main thread, I examine Goodman’s example of a dance gesture as a symbol that exemplifies itself. I argue that self-exemplifying dance gestures are unique in that they are often independent and internally motivated, or “meta-self-exemplifying.” Drawing upon the book’s second main thread, I retrace Goodman’s analysis of dance’s relationship to (...)
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  20. Induction, Reliability and Predicates of Type Grue.Luiz Helvécio Marques Segundo - 2015 - Principia: An International Journal of Epistemology 19 (1):33-47.
    Collin Howson (2000) challenges van Cleve’s reliabilist defense of induction (1984) based on an adaptation of Goodman Paradox (or new riddle of induction). I will try to show that Howson’s argument does not succeed once it is self-defeating. Nevertheless, I point out another way which Howson could have employed the new riddle to undermine the reliabilist defense.
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  21. Lenn E. Goodman: Judaism, humanity, and nature.Hava Tirosh-Samuelson & Aaron W. Hughes (eds.) - 2015 - Boston: Brill.
    Lenn E. Goodman is professor of philosophy and as the Andrew W. Mellon professor in the humanities at Vanderbilt University in Nashville, Tennessee. Trained in medieval Arabic and Hebrew philosophy and intellectual history, his prolific scholarship has covered the entire history of philosophy from antiquity to the present with a focus on medieval Jewish philosophy. A synthetic philosopher, Goodman has drawn on Jewish religious sources (e.g., Bible, Midrash, Mishnah, and Talmud) as well as philosophic sources (Jewish, Muslim, and Christian), in (...)
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  22. Gebaute Zeichen. Zu den Bedeutungsweisen von Bauwerken.Christoph Baumberger - 2014 - In Jörg H. Gleiter (ed.), Symptom Design. Vom Zeigen und Sich-Zeigen der Dinge. Transkript. pp. 93-113.
    Architekturkritiker und -historiker verwenden eine Vielzahl von Ausdrücken, um anzugeben, was Bauwerke bedeuten. Es ist beispielsweise die Rede davon, dass sie etwas ausdrücken, repräsentieren, zitieren, manifestieren, darstellen oder aussagen; man kann von Gebäuden lesen, die mehrdeutig sind, als Metaphern fungieren oder auf etwas anspielen. In diesem Aufsatz frage ich, wie Bauwerke bedeuten können, um die Grundzüge einer Theorie der Bedeutungsweisen von Bauwerken und ihren Teilen vorzustellen, die als Rahmen für Einzelanalysen und historische Untersuchungen verwendet werden kann. Anstatt die meist unklaren (...)
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  23. Nelson Goodman.Daniel Cohnitz & Marcus Rossberg - 2014 - The Stanford Encyclopedia of Philosophy.
    Nelson Goodman's acceptance and critique of certain methods and tenets of positivism, his defence of nominalism and phenomenalism, his formulation of a new riddle of induction, his work on notational systems, and his analysis of the arts place him at the forefront of the history and development of American philosophy in the twentieth-century. However, outside of America, Goodman has been a rather neglected figure. In this first book-length introduction to his work Cohnitz and Rossberg assess Goodman's lasting contribution to philosophy (...)
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  24. Goodman et la reconception de l'esthétique.Roger Pouivet - 2014 - Rue Descartes 80 (1):4.
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  25. Evidence, Hypothesis, and Grue.Alfred Schramm - 2014 - Erkenntnis 79 (3):571-591.
    Extant literature on Goodman’s ‘New Riddle of Induction’ deals mainly with two versions. I consider both of them, starting from the (‘epistemic’) version of Goodman’s classic of 1954. It turns out that it belongs to the realm of applications of inductive logic, and that it can be resolved by admitting only significant evidence (as I call it) for confirmations of hypotheses. Sect. 1 prepares some ground for the argument. As much of it depends on the notion of evidential significance, this (...)
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  26. Identität, Charakter und Stil von Bauwerken.Christoph Baumberger & Georg Brun - 2013 - In Architekturphilosophie. Grundlagentexte. Mentis. pp. 141-166.
    In der Architekturtheorie ist häufig von der Identität von Bauwerken oder Städten die Rede. Der Ausdruck „Identität“ bezieht sich dabei auf etwas, was man „spezifischen Charakter“ nennen könnte. Wir schlagen eine symboltheoretische Explikation dieses Identitätsbegriffs vor und zeigen, in welchem Sinn ein Bauwerk verschiedene, sich verändernde oder gar konfligierende Identitäten haben kann. Identitäten von Bauwerken werden oft als mehr oder weniger klar, positiv, angemessen oder stark bewertet. Solche Attribute diskutieren wir, indem wir epistemische, materielle und strukturelle Bewertungen von Identitäten unterscheiden. (...)
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  27. Goodman for Architects.Remei Capdevila-Werning - 2013 - Routledge.
    American philosopher Nelson Goodman was one of the foremost analytical thinkers of the twentieth century, with groundbreaking contributions in the fields of logic, philosophy of science, epistemology, and aesthetics. This book is an introduction to the aspects of Goodman’s philosophy which have been the most influential among architects and architectural theorists. Goodman specifically discussed architecture in his major work on aesthetics, The Languages of Art: An Approach to a Theory of Symbols, and in two essays "How Buildings Mean", and "On (...)
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  28. Goodman e o equilíbrio reflexivo.Eros Moreira Carvalho - 2013 - Veritas – Revista de Filosofia da Pucrs 58 (3):467-481.
    Goodman sustentou que o ajuste mútuo entre inferências indutivas particulares e princípios indutivos constitui a única justificação necessária para ambos. Porém, a sua caracterização desse ajuste, posteriormente denominado de “equilíbrio reflexivo”, foi superficial. Isso levantou dúvida sobre a sua adequação. Neste artigo, argumento que o equilíbrio reflexivo, corretamente caracterizado, fornece a única justificação necessária e a melhor que podemos dar para a prática indutiva.
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  29. Dieter Henrichs Arbeitsweise Am Beispiel seiner Auseinandersetzung mit Nelson Goodman.Jens Kulenkamp - 2013 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 58 (1):141-155.
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  30. David Goodman, E. Melanie DuPuis and Michael K. Goodman: Alternative food networks: knowledge, practice and politics: Routledge, Abingdon, Oxon, England, 2012, 320 pp, ISBN: 9780415671460 9780203804520. [REVIEW]Riccardo Vecchio - 2013 - Agriculture and Human Values 30 (3):481-482.
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  31. Zhi zao yi shu: lun Gudeman de yi shu zhe xue = Artmaking: a study on Nelson Goodman's philosophy of art.Shenghua Zheng - 2013 - Taibei Shi: Zheng da chu ban she.
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  32. Understanding Knowledge. Goodman’s Contribution to the Development of a Plural and Procedural Concept of Knowledge.Sabine Ammon - 2012 - Enrahonar: Quaderns de Filosofía 49:11.
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  33. Identities of Artefacts.Christoph Baumberger & Georg Brun - 2012 - Theoria 78 (1):47-74.
    In non-philosophical discourse, “identity” is often used when the specific character of artefacts is described or evaluated. We argue that this usage of “identity” can be explicated as referring to the symbol properties of artefacts as they are conceptualized in the symbol theory of Goodman and Elgin. This explication is backed by an analysis of various uses of “identity”. The explicandum clearly differs from the concepts of numerical identity, qualitative identity and essence, but it has a range of similarities with (...)
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  34. Shottenkirk, Dena. Nominalism And Its Aftermath : The Philosophy Of Nelson Goodman. [REVIEW]Samuel Elgin - 2012 - Enrahonar: Quaderns de Filosofía 49:155-159.
    SHOTTENKIRK, Dena (2009).Nominalism and Its Aftermath : the Philosophy of Nelson Goodman Dordrecht: Springer, IX, 170 p.
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  35. Three Blind Mice : Goodman, McLuhan, and Adorno on the Art of Music and Listening in the Age of Global Transmission.Lydia Goehr - 2012 - Enrahonar: Quaderns de Filosofía 49:121.
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  36. Nelson Goodman and the issue of realism.Jan Hrkut - 2012 - Filosoficky Casopis 60:55-64.
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  37. Nelson Goodman and Jan mukarovsky on the aesthetic sign.Stepan Kubalik - 2012 - Filosoficky Casopis 60:91-112.
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  38. What is «Critique of Worldmaking»? Nelson Goodman's Conception of Philosophy.Lars Leeten - 2012 - Enrahonar: Quaderns de Filosofía 49:29-40.
    The contribution examines Goodman’s conception of philosophy, in particular his remark that his project can be understood as a «critique of worldmaking». It is argued that, despite dealing with epistemological questions, the general theory of symbols and worldmaking does not answer them. Rather, it can be conceived as a practical conception comparable to Kant’s critique of reason or to Wittgenstein’s critique of language games, i. e. , as a philosophy of world orientation. It is claimed that Goodman himself could not (...)
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  39. Ultimate Acceptability, Cultural Bias, and an American Indian World: reflections on Nelson Goodman.Thomas M. Norton-Smith - 2012 - Enrahonar: Quaderns de Filosofía 49:41-51.
    Nelson Goodman maintains that there is a plurality of internally consistent, equally privileged, well-made actual worlds constructed through the use of very special symbol systems—right or ultimately acceptable world versions. Using evidence from American Indian traditions, I will argue that Goodman’s criteria for ultimately acceptability are culturally biased against any non-Western world version—especially a Native version. I will then offer a culturally sensitive interpretation of Goodman’s criteria for ultimate acceptability that an American Indian world version satisfies, and so is numbered (...)
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  40. Multiworld interpretation of quantum mechanics and N. Goodman's many worlds.S. V. Vlasova - 2012 - Liberal Arts in Russia 1 (1):23--29.
    Different conceptions on reality in physics and philosophy in the 20th century have been analyzed in the article. These approaches caused the necessity to study the multitude of the worlds. The author proved that multiworld interpretation of quantum mechanics and multitude of the worlds in the Goodman'€™s conception are opposite tendencies. Everett and his followers consider the quantum world as some universal reality whereas Goodman and his supporters do not believe in universal reality.
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  41. Depictive Structure?Ben Blumson - 2011 - Philosophical Papers 40 (1):1-25.
    This paper argues against definitions of depiction in terms of the syntactic and semantic properties of symbol systems. In particular, it is argued that John Kulvicki's definition of depictive symbol systems in terms of relative repleteness, semantic richness, syntactic sensitivity and transparency is susceptible to similar counterexamples as Nelson Goodman's in terms of syntactic density, semantic density and relative repleteness. The general moral drawn is that defining depiction requires attention not merely to descriptive questions about syntax and semantics, but also (...)
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  42. Similarity After Goodman.Lieven Decock & Igor Douven - 2011 - Review of Philosophy and Psychology 2 (1):61-75.
    In a famous critique, Goodman dismissed similarity as a slippery and both philosophically and scientifically useless notion. We revisit his critique in the light of important recent work on similarity in psychology and cognitive science. Specifically, we use Tversky’s influential set-theoretic account of similarity as well as Gärdenfors’s more recent resuscitation of the geometrical account to show that, while Goodman’s critique contained valuable insights, it does not warrant a dismissal of similarity.
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  43. Cassierer i Nelson Goodman w kontekście teorii odbicia.Tomasz Kubalica - 2011 - Diametros 30:13-28.
    Celem artykułu jest porównanie koncepcji poznania Ernsta Cassirera i Nelsona Goodmana, których łączy odrzucenie idei poznania jako odbicia rzeczywistości i przyjęcie koncepcji przekształcania. Owo przekształcanie nie jest całkowitym przeciwieństwem odbicia, lecz jego poszerzeniem w taki sposób, że poznanie oznacza zarówno twórcze wytwarzanie, jak i odtwórcze odbicie. Tym samym zniesiona zostaje tradycyjna epistemologiczna dychotomia: konstruowanie – odkrywanie. Wspólną dla obu filozofów przesłankę stanowi odrzucenie prymatu faktów i danych zmysłowych, a konsekwencją poszerzonej koncepcji poznania jest zaś dla nich irrealistyczna koncepcja reprezentacji symbolicznej. (...)
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  44. La Philosophie de Nelson Goodman: Repères.Jacques Morizot - 2011 - Vrin.
    Nelson Goodman esperait qu'un jour les philosophes seraient plus connus par le champ de leurs etudes que par les positions qu'ils prennent.
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  45. Phenomenalism in epistemology and physicalism in aesthetics.Jacques Morizot - 2011 - Principia: An International Journal of Epistemology 15 (3):439-452.
    The starting point of this paper is the intriguing observation that Goodman has defended a phenomenalist point of view in his epistemological works and a physicalist one in aesthetics. In fact, it would certainly be more accurate to say that his focus was anti-physicalist in epistemology and anti phenomenalist in aesthetics. In any case a majority of interpreters would spontaneously have waited for a diametrically opposite choice, more consistent indeed with the positions taken by the representatives in these fields. Yet (...)
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  46. Lenn E. Goodman and Robert B. Talisse, eds., Aristotle’s Politics Today: Albany, NY: State University of New York Press, 2007, 167 pp . ISBN: 978-0-7914-7228-6, $18.95.Carrie-Ann Biondi - 2010 - Journal of Value Inquiry 44 (1):93-98.
  47. Review of Charles Goodman, Consequences of Compassion: An Interpretation and Defense of Buddhist Ethics: Oxford: Oxford University Press, 2009, vii + 250, ISBN 978-0-19-537519-0 hb. [REVIEW]Rita M. Gross - 2010 - Sophia 49 (2):311-313.
  48. Nominalism And Its Aftermath:: The Philosophy of Nelson Goodman. [REVIEW]Nigel Gully - 2010 - American Society for Aesthetics Graduate E-Journal 2 (1):36-37.
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  49. Paul Goodman redux: education as apprenticed anarchism.M. Andrew Holowchak - 2010 - Ethics and Education 5 (3):217 - 232.
    When talk of philosophy of pedagogy comes up today, it is common to hear the names of Aristotle, Thomas Jefferson, John Dewey, or Paulo Freire, but the name of Paul Goodman, who campaigned vigorously for pedagogical reform much of his life, is seldom mentioned. In spite of neglect of his work, Goodman had much to say on pedagogical practice that is rich, poignant, and relevant today. In consequence, it is unfortunate that he is seldom read and discussed today. This essay (...)
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  50. The unity of Goodman's thought.Daniel Cohnitz - 2009 - In G. Ernst, J. Steinbrenner & O. Scholz (eds.), From Logic to Art: Themes from Nelson Goodman. Ontos. pp. 7--33.
    I argue that Goodman’s philosophy should not be characterised in opposition to the philosophy of the logical empiricists, but is more fruitfully interpreted as a continuation of their philosophical programme. In particular, understanding Goodman’s philosophy as a continuation of the ideal language tradition makes explicable how a radical ontological relativist could be such a staunch nominalist at the same time.
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