A well-known feature of great works of art is their power to “live on” long after the moment of their creation – to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the plays of Shakespeare, the Victory of Samothrace, and many works from early cultures such as Egypt and Buddhist India which we often encounter today in major art (...) museums. -/- What is the nature of this power and how does it operate? The Renaissance decided that works of art are timeless, “immortal” – immune from historical change – and this idea has exerted a profound influence on Western thought. But do we still believe it? Does it match our experience of art today which includes so many works from the past that spent long periods in oblivion and have clearly not been immune from historical change? -/- This book examines the seemingly miraculous power of art to transcend time – an issue widely neglected in contemporary aesthetics. Tracing the history of the question from the Renaissance onwards, and discussing thinkers as various as David Hume, Hegel, Marx, Walter Benjamin, Sartre, and Theodor Adorno, the book argues that art transcends time through a process of metamorphosis – a thesis first developed by the French art theorist, André Malraux. The implications of this idea pose major challenges for traditional thinking about the nature of art. (shrink)

Glory in Machiavelli is an ultimate value. Despite its conceptual centrality, his notion of glory has received relatively little scholarly attention. This article seeks to go beyond the common interpretation that Machiavelli conceived of glory as a means to harmonize man's inexorable selfish ambition with the public interest. It addresses the theoretically prior question of why Machiavelli expected that the uncertain hopes for glory would prevail over more immediate human appetites and thus serve the construction of a good political order. (...) The article argues that Machiavelli presented the human world as miserable yet simultaneously denied mankind any outlet by systematically severing the threads with which men sought to connect to eternity. Foreclosing in particular the Christian promise of after-life, Machiavelli impresses upon the capable few the only path (he leaves open) towards transcending a degraded world: the path to immortal glory. The human condition thus serves as the basis for dealing with the fundamental political problem. (shrink)

Joan Copjec has shown that modernity is privy to a notion of immortality all its own – one that differs fundamentally from any counterpart entertained in Greek antiquity or the Christian Middle Ages. She points to Blumenberg and Lefort as thinkers who have construed this concept in its modern guise in different ways, and ultimately opts for Lefort's paradoxical understanding of immortality as the ‘transcending of time, within time' before elaborating on a corresponding notion in Lacan's work. It can be (...) shown that Nietzsche, too, provides a distinctly modern conception of ‘immortality', articulated in relation to his notions of affirmation, singularity and eternal recurrence. In brief, this amounts to his claim that, to affirm even one single part or event in one's life entails affirming it in its entirety, and, in so doing – given the interconnectedness of events – affirming all that has ever existed. Moreover, once anything has existed, it is in a certain sense, for Nietzsche, necessary despite its temporal singularity. Therefore, to be able to rise to the task of affirming certain actions or experiences in one's own life, bestows on it not merely this kind of necessary singularity, but what he thought of as ‘eternal recurrence' – the (ethical) affirmation of the desire to embrace one's own, and together with it, all of existence ‘eternally', over and over. This, it is argued, may be understood as Nietzsche's distinctive contribution to a specifically modern notion of immortality: the ability of an individual to live in such a way that his or her singular ‘place' in society is ensured, necessarily there, even after his or her death. South African Journal of Philosophy Vol. 26 (1) 2007: pp. 70-84. (shrink)

This book offers a multifaceted exploration of death and the possibilities for an afterlife. By incorporating a variety of approaches to these subjects, it provides a unique framework for extending and reshaping enduring philosophical debates around human existence up to and after death. Featuring original essays from a diverse group of international scholars, the book is arranged in four main sections. Firstly, it addresses how death is or should be experienced, engaging with topics such as near-death experiences, continuing bonds with (...) the deceased, and attitudes toward dying. Secondly, it looks at surviving death, addressing the metaphysics of human persons, the nature of time, the nature of the true self, and the nature of the divine. It then evaluates the value of mortality and immortality, drawing upon the resources of the history of philosophy, meta-analysis of contemporary debates, and the analogy between individual death and species extinction. Finally, it explores what an eternal life might be like, examining the place of selflessness, embodiment, and racial identity in such a life. This volume allows for a variety of philosophical and theological perspectives to be brought to bear on the end of life and what might be beyond. As such, it will be a fascinating resource for scholars in the Philosophy of Religion, Theology and Death Studies. (shrink)

It has long been recognised that great art, whether visual art, literature or music, has a special capacity to “live on” – to endure – long after the moment of its creation. Thus, our world of art today includes, for example, ancient Mesopotamian sculpture, Shakespeare’s plays, and the music of medieval times. How does this capacity to endure operate? Or to ask that question another way: what does “endure” mean in the case of art? The Renaissance concluded that art endures (...) because it is timeless – impervious to change, “eternal”, “immortal” – and this solution, which was ratified without question by Enlightenment philosophers of art such as Hume and Kant, still lingers on in some quarters today. But developments since the nineteenth century have gravely weakened the credibility of the proposition that art is immortal, and the idea is now effectively dead. This leaves us with a major dilemma: if art is not impervious to change, how exactly does it endure? If the time-honoured solution of immortality is no longer viable, what alternative explanation can we find to replace it? -/- This paper explains why immortality is dead, describes our contemporary dilemma, and briefly canvasses a possible solution. (shrink)

Kierkegaard is an exegetical interpretation of Søren Kierkegaard's Philosophical Fragments and Concluding Unscientific Postscript. Vivaldi Jean-Marie elaborates on the philosophical and religious arguments of the pseudonym Johannes Climacus to demonstrate that history is propatory toward the achievement of eternal happiness. The author emphasizes Kierkegaard's heritage in the Post-Kantian tradition by discussing his critique of the Romantics and German Idealists. The exposition of Philosophical Fragments and Concluding Unscientific Postscript is carried out on the basis of the ongoing conversation between (...) Climacus and the Post-Kantian tradition to argue that Climacus wishes to show the limitation of history and philosophy and the necessity of subjective appropriation to transcend the shortcoming of history and philosophy. Climacus's assessment of the prevailing Christian attitudes of the 19th century maps out the possibility of subjective religious experience in freedom. (shrink)

T. Zinkevich. "The ideas of civil religion in the works of Mykola Kostomarov." The author based on the fact that a civil religion - it is a social and cultural phenomenon in which the light of a kind of religious language and the specific practices of the necessity of finding and approval of the national state, which has its roots in the community needs to find the sacred in the work, which is inherent in the transcendent, eternally linear in nature (...) and which is rooted in the history of the territory. According to N. Kostomarov, the main provisions of national faith as follows: God is one, He is the creator of all things, the seat of comfort and happiness, belief in which is the key statements in the freedom society, equality, and fraternity; social ideals of Ukrainians, which is the expression of Christian Cossack republic and the social doctrine of the early, truthful Christianity coincide; Ukraine, in contrast to other ethnic groups, is a carrier and protector of the true social and Christian values, which makes it possible immortality Ukrainians, his primacy in the social liberation and unification of the Slavic community, in which Ukraine will take place eludes Rzeczpospolita. (shrink)

SummaryMusic intended to evoke awe-inspiring fear in the presence of transcendence may be found throughout the work of Olivier Messiaen (1908–1992). The emotion's genealogy extends back through Hebrew and Christian scriptures (‘Fear of the Lord’), the Romantic period (‘sublime’), and the early twentieth century (the creature feeling response to the ‘numinous’ and ‘wholly other’). Messiaen's understanding of this emotion particularly derived from distinctions made by the French Catholic spiritual writer Ernest Hello (1828–1885). Hello distinguished between simple fear (la peur) (...) that makes us cower and the fear of ‘awe’ or ‘wonder’ (la crainte) that opens up possibilities of adoration and self-transcendence. This essay surveys several instances of Messiaen's evocations of fear in works dating from the 1940s through the 1970s. It then concludes with a brief consideration of Apparition of the Eternal Church (2008), a documentary film that records auditors’ reactions as they listen through headphones to Messiaen's crushing organ work (c. 1931/2) with the same title. A concluding question is posed to recent research in the ‘history of emotions’. If listeners do not share communal emotional categories of transcendence, to what extent can they experience Messiaen's intended ‘awe’ (la crainte) as something more than mere ‘fear’ (la peur)? (shrink)

This ambitious book looks into the reasons for the exceptional durability of the Chinese empire, which lasted for more than two millennia (221 B.C.E. - 1911 C.E.). Yuri Pines identifies the roots of the empire's longevity in the activities of thinkers of the Warring States period (453-221 B.C.E.), who, in their search for solutions to an ongoing political crisis, developed ideals, values, and perceptions that would become essential for the future imperial polity. In marked distinction to similar empires worldwide, the (...) Chinese empire was envisioned and to a certain extent 'preplanned' long before it came into being. As a result, it was not only a military and administrative construct, but also an intellectual one. Pines makes the argument that it was precisely its ideological appeal that allowed the survival and regeneration of the empire after repeated periods of turmoil. "Envisioning Eternal Empire" presents a panoptic survey of philosophical and social conflicts in Warring States political culture. By examining the extant corpus of preimperial literature, including transmitted texts and manuscripts uncovered at archaeological sites, Pines locates the common ideas of competing thinkers that underlie their ideological controversies. This bold approach allows him to transcend the once fashionable perspective of competing 'schools of thought' and show that beneath the immense pluralism of Warring States thought one may identify common ideological choices that eventually shaped traditional Chinese political culture. The result is a refreshingly novel look at the foundational period in Chinese intellectual history. (shrink)

Life, death and immortality.--Oriental religions.--Buddhism and Christianity.--Christianity and Mohammedanism.--The natural history of church organization.--The heresy of non-progressive orthodoxy.--Miracles.--Christian ethics as contrasted with the ethics of other religions.--Eternity; a thread in the weaving of a life.

The question of personal immortality is a central one for Gabriel Marcel. Early in his life he took part in parapsychological experiments which convincedhim that one could, rarely and with great difficulty, communicate with the dead. In a philosophical vein he argued that each self has an eternal dimension which isof eternal worth. This dimension is particularly manifest in self-sacrifice, where I find it meaningful to give my life for another and when I unconditionally commitment myself in love (...) to another self. Marcel also cites the experience of trust or hope, and the experience that life is not an absurd freak accident of nature destined for eternal extinction but rather possesses absolute meaning and value. Yet, none of the above experiences involves certitude; one remains free to accept or reject them and what they claim to involve. (shrink)

This article argues that Spinoza’s account of the eternity of the mind in Part V of the Ethics offers a re-interpretation of the Christian doctrine of eternal life. While Spinoza rejects the orthodox Christian teaching belief in personal immortality and the resurrection of the body, he presents an alternative account of human eternity that retains certain key characteristics of the Johannine doctrine of eternal life, especially as this is articulated in the First Letter of John. The article shows (...) how Spinoza’s account of human eternity reflects two key principles of his philosophy: the ideal of union with God, and the possibility of the human being’s ontological transformation through this union. (shrink)

The theme of the human person and immortality has currently and forcefully become an issue in the face of modern materialism and dehumanization. The purpose of this paper is to investigate some philosophical issues involved in this theme with reference to Ibo mataphysics as a contribution in this area. The approach is partly interpretive and partly analytical of some cultural ideas of the Ibos. The Ibos are not total materialists in their fundamental views of reality, especially with regard to the (...) human person of which they have high regard. An analysis of some of their primitive notions and traditions shows the transcendental or metaphysical aspect of the human person. By analyzing human presence metaphysically, it is shown that personhood is a manifestation through the body. The person or Thou survives the decay of the body. The Ibo notion of death as a "passage," the cult of ancestors, belief in reincarnation and an analysis of some dreams indicate the native sense of personal immortality. In conclusion, a warning is given against imported materialism which poses a threat to the Ibo holistic view of man since the problem today is how to integrate modern scientific and technological achievements with the traditional values without losing sight of the vital transcendence of the human person. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:366 HISTORY OF PHILOSOPHY In harmony with Glaucon or Kant, but unlike Thrasymachus, Ballard is unconvinced by Socrates' virtual identification of virtue with art (T~xpv)or expert knowledge (cf. 24f., 50-79). For the "tragic" intellectualism embraced by both Socrates and Thrasymachus precludes the "existential loyalty" prized by Ballard's Plato and Plato's Glaucon. Against "existential loyalty," Socrates' philosopher-kings, if left to themselves, would commit crimes of omission perhaps more heinous (...) than the crimes of commission perpetrated by Thrasymachus' paragon of wisdom, the perfect tyrant. Although aware that only their leadership can prevent the greatest evils in states, philosophers nevertheless refuse to rule, even in the ideal state, unless compelled (cf. Republic, 519B7-520A4). Thus neither Thrasymachus' tyrant nor Socrates' philosopher would willingly sacrifice their own pleasure and happiness for the common good. Their "epicurean" taste contrasts sharply with Ballard's more Kantian or Biblical call for "existential loyalty." No compulsion would be necessary to obtain the return of Ballard's philosophers to the political responsibilities of the "cave." For his subordination of reason to myth precludes escape from the "cave" either in the satanic direction of Thrasymachus or the divine direction of Socrates (cf. 120). However one may evaluate Ballard's solution to the central problem of Platonism, his book surely encourages the dialectic which, in spite of his intentions, may lead to the knowledge cherished by the Republic's Thrasymachus and Socrates. Against their "tragic" intellectualism, neither Ballard nor anyone else can prove more than what the Republic's Socrates admitted: The fact of infallible knowledge is incontestable only for those experiencing it within themselves, while the claim to possess it necessarily seems mere pretense or, at worst, tragic hubris to men whose introspection reveals no rational instrument (~p~,~ov) capable of apprehending the absolute good (Republic, 527D5--528A1; cf. Protagoras, 352A8-353B3; Aristotle, Nicomachean Ethics, l177B27-11791A3; Metaphysics, 982B28-98385). The following minor errors were noted: Page 6, note 1: read "Bury" for "Bary"; page 24 (line 7 from bottom): read "Prot. 358C for "Prot. 385C" ; page 28, line 4: read "Nicias" for "Nisias" ; page 66 (line 8 from bottom): read "Republic IX" for "Republic IV." HARRY NEUMANN Scripps College Plato on Immortality. By Robert Leet Patterson. (University Park, Pa.: The Pennsylvania State University Press, 1965. Pp. 141. $5.00.) In this sympathetic account of Plato's arguments for the immortality of the soul (as presented in the Phaedo and the Phaedrus) Professor Patterson has attempted to argue that Plato believed that his arguments were complete 'demonstrations' of the immortality of the soul. The author is concerned to indicate the intention, the background, and the structure of the various arguments which Socrates presents in defense of the view that the soul is immortal. In the course of his discussions Patterson seems to involve himself in a number of large issues (e.g, the problem of psycho-physical dualism, the concept of substance, the critique of materialism and epiphenomenalism, and the meaning of Plato's doctrine of Forms) which are not dealt with comprehensively and which transcend the primary concern of his book. The digressions which lead Patterson into exceedingly difficult philosophical problems and, in some cases, into the realm of exotic analogies (e.g., he at one point compares Plato's dualism to the views of Jainism, Hinayana, Samkhya, Nyaya-Vaiseshik, and Mimamsa metaphysics I) detract from the value of the book and tend to divert him from his basic intention. His defences of Plato's arguments are, on the other hand, interesting, if debatable. The basic teaching of the Phaedo is, it is said, that the soul in essence does not belong to the realm of becoming, but is a sempiternal entity. The first argument which Socrates prepublic : Utopia or Dystopia? " (The Modern Schoolman, May, 1967). On the relation of sophistry to the problem of the xwp~qp~,see Diotim~ts Concept of Love," American Journal of Philology, 86 (1965), 47-50. BOOK REVIEWS 367 sents is said to have a "Heraclitean" structure (p. 22) presumably because it appeals to a conception of "opposites." On this basis, the argument could just as well be described as Pythagorean. At any rate, the argument assumes... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Mind's Eternity in Spinoza's EthicsSteven ParchmentIn the Emendation of the Intellect, Spinoza describes how he abandoned mundane pursuits of money, fame, and sensuality for the pleasures of philosophy and, by doing so, traded in merely temporary goods for a joy which is eternal (TdIE, G II/1-II/7).1 Given this motivating quest for eternal happiness, it is ironic that the section of the Ethics most frequently condemned by (...) critics as a hopeless muddle is just that section in which Spinoza attempts to demonstrate the possibility of the mind's eternal salvation. From the perspective of these critics, Spinoza has carefully constructed a deductive system of metaphysics, featuring a variety of intriguing theories such as the parallelism of mind and body, only to sully his achievement by tacking on a contradictory finale. In a vain effort to salvage immortality,2 Spinoza has placed himself in the embarrassing position of espousing both the mind's eternity and the body's limited duration, all the while maintaining that mind and body are one and the same thing. In the face of this and other seemingly blatant contradictions, some commentators have given up trying to make sense of Spinoza's remarks on the mind's eternity, preferring instead to speculate on how such a profound thinker could be led to such write such rubbish. Was it due to an overwhelming fear of death? Or perhaps a desperate leap into mysticism?3 [End Page 349]Other interpreters, of course, have been more charitable and have regarded this section of the Ethics as its rightful culmination. But the diversity of their interpretations belies, if not the inconsistency of Spinoza's position, at least the difficulty of understanding how, and in what sense, Spinoza's metaphysics can support a belief in the mind's eternity. In this paper, I examine four common answers to this question and, finding each interpretation inadequate in some way, venture a fifth. The first two sections of the paper outline and criticize the four interpretations. The last three develop an alternative reading of the mind's eternityæone, it is claimed, that is consistent with Spinoza's metaphysics.1. Interpretations of the Mind's EternityOne pivotal point by which various interpretations can be classified is how they account for the mind's eternity in relation to parallelism. The mind is the idea of the body (IIP13). Since an idea and its ideatum are "one and the same thing" (IIP7S), the mind and the body are one and the same thing, conceived under different attributes (IIP21S). But how then can Spinoza maintain that the mind is eternal, despite the destruction of the body (VP23)? One answer is that Spinoza is not literally referring to an eternal state of being; instead, he is metaphorically describing a state of knowing that is acquired in this life whenever the mind grasps sub specie aeternitatis truths about itself and its body. Thus, the eternity of the mind is compatible with parallelism, for its "eternal" life lasts no longer than the temporally limited life of the body. This view is called the epistemological interpretation. In contrast, the ontological interpretation is the view that, for Spinoza, the mind is literally eternal. Clearly, the onus falls upon advocates of the ontological interpretation to explain why the mind's eternal existence does not contradict parallelism. Generally, three types of explanations have been advanced. 1)The Episodic Ideatum Theory: Faced with the dilemma between parallelism and the mind's eternal existence, this theory qualifies the former. The mind is the idea of the body only for as long as the body endures; afterwards, the mind possesses an independent existence. 2)The Incremental Ideatum Theory: This theory maintains that the mind is the idea of a particular body only at the beginning of its existence. By reason and intuition, the mind expands its ideatum to such a point that it no longer reflects merely one finite body but rather the whole material universe. By doing so, it becomes united with God. 3)The Double Existence Theory: On this theory, the mind has an eternal existence, because the human body itself is, in some sense, eternal... (shrink)

wledge, including philosophy, theology and literature. The concept of time has deep roots in human history and is related to many complex questions, such as the nature of time, its relation to eternity and human existence. In this context, comparing the concepts of time of different authors can help to understand the diversity of views on this phenomenon and its significance in culture and history.This article examines the concepts of time and eternity in the works of two outstanding (...) authors - Origen and Dante. Both of these authors have a significant impact on the culture and spiritual heritage of the world, and their views on time and eternity attract the attention of researchers from various fields. The purpose of the article is an attempt to compare and analyze the concepts of time and eternity in the works of Origen and Dante in order to better understand their views and their influence on culture and spiritual tradition.Through the analysis and comparison of the two authors’ theological-philosophical concept of eternity, we also identify the way of participation in eternity through which man opens the way to his eternal permanence.The study of time and eternity is of constant relevance because it addresses fundamental questions about the nature of existence, the meaning of life, and the ultimate destiny of humanity. By studying the thoughts of Origen, an early Christian theologian, and Dante Alighieri, a medieval poet, we gain a deeper understanding of the evolution of these concepts and their significance in different intellectual and cultural contexts. This comparative analysis sheds light on timeless and universal aspects of time and eternity that transcend historical and cultural boundaries. (shrink)

To raise the question of the possibility of a covenantal relation between God and man from the standpoint of cultural theology is another way of asking the critical question, only now, in terms of a particular object, namely, whether thought in the sense of reason is commensurate with the reality that is God. Schleiermacher thought it was, though not in a way which would allow abstract reason, or dialectic, as he called it, to exhaust the intelligibility of its object either (...) in itself or even for man from his finite standpoint. The knowing of God through dialectic must be complemented through the experience of God in feeling. Dialectic without feeling turns in the direction of Hegel's Absolute Idealism or some less sophisticated form of anthropomorphic historicism, while feeling without dialectic becomes pantheistic and mystical in the extreme. Through an examination of Schleiermacher's dialectic Spiegler shows that Schleiermacher's major problem was to preserve the proper tension between God as immanent and God as transcendent. Spiegler thinks that Schleiermacher would have been more successful in this attempt if he had given up the traditional notion of God as absolute. Though he mentions Hartshorne only once and Whitehead not at all, it seems clear that it is a conception of God along the lines developed by these two philosophers that Spiegler thinks would have made Schleiermacher's project of dialectic more consistent with itself. Once the necessary revision has been made in the traditional notion of God's absoluteness, a revitalized cultural theology along the general lines laid down by Schleiermacher could successfully resist being pushed in either the direction of Hegel or the direction of mysticism, and so would not lead to a Feuerbachian-type negative reaction with its consequent theological reaction in the form of Barthian dialectical theology and the doctrine of God as wholly other. Spiegler's presentation of Schleiermacher is for the most part fair, though he does give a rather narrow treatment to the doctrine of feeling: e.g., he hardly touches on the doctrine at all as it receives its pristine formulation in the speeches On Religion. In addition, he tends to dismiss too easily the suggestion that thought may be commensurate with the infinite through the mediation of a symbolics strongly fortified by a doctrine of analogy. But on the whole, the English-speaking student of the history of theology will be grateful to Spiegler for providing this new look at Schleiermacher.--E. A. R. (shrink)

Thomas Hobbes argues that the fear of violent death is the most reliable passion on which to found political society. His role in shaping the contemporary view of religion and honor in the West is pivotal, yet his ideas are famously riddled with contradictions. In this breakthrough study, McClure finds evidence that Hobbes' apparent inconsistencies are intentional, part of a sophisticated rhetorical strategy meant to make man more afraid of death than he naturally is. Hobbes subtly undermined two of the (...) most powerful manifestations of man's desire for immortality: the religious belief in an afterlife and the secular desire for eternal fame through honor. McClure argues that Hobbes purposefully stirred up controversy, provoking his adversaries into attacking him and unwittingly spreading his message. This study will appeal to scholars of Hobbes, political theorists, historians of early modern political thought and anyone interested in the genesis of modern Western attitudes toward mortality. (shrink)

To raise the question of the possibility of a covenantal relation between God and man from the standpoint of cultural theology is another way of asking the critical question, only now, in terms of a particular object, namely, whether thought in the sense of reason is commensurate with the reality that is God. Schleiermacher thought it was, though not in a way which would allow abstract reason, or dialectic, as he called it, to exhaust the intelligibility of its object either (...) in itself or even for man from his finite standpoint. The knowing of God through dialectic must be complemented through the experience of God in feeling. Dialectic without feeling turns in the direction of Hegel's Absolute Idealism or some less sophisticated form of anthropomorphic historicism, while feeling without dialectic becomes pantheistic and mystical in the extreme. Through an examination of Schleiermacher's dialectic Spiegler shows that Schleiermacher's major problem was to preserve the proper tension between God as immanent and God as transcendent. Spiegler thinks that Schleiermacher would have been more successful in this attempt if he had given up the traditional notion of God as absolute. Though he mentions Hartshorne only once and Whitehead not at all, it seems clear that it is a conception of God along the lines developed by these two philosophers that Spiegler thinks would have made Schleiermacher's project of dialectic more consistent with itself. Once the necessary revision has been made in the traditional notion of God's absoluteness, a revitalized cultural theology along the general lines laid down by Schleiermacher could successfully resist being pushed in either the direction of Hegel or the direction of mysticism, and so would not lead to a Feuerbachian-type negative reaction with its consequent theological reaction in the form of Barthian dialectical theology and the doctrine of God as wholly other. Spiegler's presentation of Schleiermacher is for the most part fair, though he does give a rather narrow treatment to the doctrine of feeling: e.g., he hardly touches on the doctrine at all as it receives its pristine formulation in the speeches On Religion. In addition, he tends to dismiss too easily the suggestion that thought may be commensurate with the infinite through the mediation of a symbolics strongly fortified by a doctrine of analogy. But on the whole, the English-speaking student of the history of theology will be grateful to Spiegler for providing this new look at Schleiermacher.--E. A. R. (shrink)

H. Rider Haggard’s adventure story She is a favorite of Freudian critics who focus on the demonic, erotic, immortal Ayesha as a symbol of the “eternal feminine.” They mostly ignore, however, the mortal Ustane, the other powerful woman in She. The sources of Ustane’s strength suggest an ideological reason for her neglect: she reflects biological imperatives, while the immortal Ayesha transcends them. Though the deaths of both women seem to thwart a resolution of these conflicting sources of (...) potency, I contend that evolutionary theory (especially Darwin’s sexual selection) provides a better explanation of feminine power in She than Freudian theory. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:366 HISTORY OF PHILOSOPHY In harmony with Glaucon or Kant, but unlike Thrasymachus, Ballard is unconvinced by Socrates' virtual identification of virtue with art (T~xpv)or expert knowledge (cf. 24f., 50-79). For the "tragic" intellectualism embraced by both Socrates and Thrasymachus precludes the "existential loyalty" prized by Ballard's Plato and Plato's Glaucon. Against "existential loyalty," Socrates' philosopher-kings, if left to themselves, would commit crimes of omission perhaps more heinous (...) than the crimes of commission perpetrated by Thrasymachus' paragon of wisdom, the perfect tyrant. Although aware that only their leadership can prevent the greatest evils in states, philosophers nevertheless refuse to rule, even in the ideal state, unless compelled (cf. Republic, 519B7-520A4). Thus neither Thrasymachus' tyrant nor Socrates' philosopher would willingly sacrifice their own pleasure and happiness for the common good. Their "epicurean" taste contrasts sharply with Ballard's more Kantian or Biblical call for "existential loyalty." No compulsion would be necessary to obtain the return of Ballard's philosophers to the political responsibilities of the "cave." For his subordination of reason to myth precludes escape from the "cave" either in the satanic direction of Thrasymachus or the divine direction of Socrates (cf. 120). However one may evaluate Ballard's solution to the central problem of Platonism, his book surely encourages the dialectic which, in spite of his intentions, may lead to the knowledge cherished by the Republic's Thrasymachus and Socrates. Against their "tragic" intellectualism, neither Ballard nor anyone else can prove more than what the Republic's Socrates admitted: The fact of infallible knowledge is incontestable only for those experiencing it within themselves, while the claim to possess it necessarily seems mere pretense or, at worst, tragic hubris to men whose introspection reveals no rational instrument (~p~,~ov) capable of apprehending the absolute good (Republic, 527D5--528A1; cf. Protagoras, 352A8-353B3; Aristotle, Nicomachean Ethics, l177B27-11791A3; Metaphysics, 982B28-98385). The following minor errors were noted: Page 6, note 1: read "Bury" for "Bary"; page 24 (line 7 from bottom): read "Prot. 358C for "Prot. 385C" ; page 28, line 4: read "Nicias" for "Nisias" ; page 66 (line 8 from bottom): read "Republic IX" for "Republic IV." HARRY NEUMANN Scripps College Plato on Immortality. By Robert Leet Patterson. (University Park, Pa.: The Pennsylvania State University Press, 1965. Pp. 141. $5.00.) In this sympathetic account of Plato's arguments for the immortality of the soul (as presented in the Phaedo and the Phaedrus) Professor Patterson has attempted to argue that Plato believed that his arguments were complete 'demonstrations' of the immortality of the soul. The author is concerned to indicate the intention, the background, and the structure of the various arguments which Socrates presents in defense of the view that the soul is immortal. In the course of his discussions Patterson seems to involve himself in a number of large issues (e.g, the problem of psycho-physical dualism, the concept of substance, the critique of materialism and epiphenomenalism, and the meaning of Plato's doctrine of Forms) which are not dealt with comprehensively and which transcend the primary concern of his book. The digressions which lead Patterson into exceedingly difficult philosophical problems and, in some cases, into the realm of exotic analogies (e.g., he at one point compares Plato's dualism to the views of Jainism, Hinayana, Samkhya, Nyaya-Vaiseshik, and Mimamsa metaphysics I) detract from the value of the book and tend to divert him from his basic intention. His defences of Plato's arguments are, on the other hand, interesting, if debatable. The basic teaching of the Phaedo is, it is said, that the soul in essence does not belong to the realm of becoming, but is a sempiternal entity. The first argument which Socrates prepublic : Utopia or Dystopia? " (The Modern Schoolman, May, 1967). On the relation of sophistry to the problem of the xwp~qp~,see Diotim~ts Concept of Love," American Journal of Philology, 86 (1965), 47-50. BOOK REVIEWS 367 sents is said to have a "Heraclitean" structure (p. 22) presumably because it appeals to a conception of "opposites." On this basis, the argument could just as well be described as Pythagorean. At any rate, the argument assumes... (shrink)

David Lewis cautions that although a no-collapse interpretation of quantum mechanics entails immortality for trans-world selves, the nature of the branching leaves us crippled, lonely, deathly ill, and mentally infirm, meaning that immortal life, on such terms, amounts to an existence in eternal torment. This paper argues that the problem Lewis points to is in fact one of individuation and that a synthesis of Lewis’ own notion of perdurance and Robert Nozick’s closest continuer theory, when cast in the (...) mould of a deterministic multiverse, individuates trans-world selves in such a way as to allow to prune the infinitesimal expectation of a miserable eternal existence from the histories of most trans-world agents. Thus, contrary to Lewis’ warning that if personal identity is a trans-world notion, then we should all shake in our shoes, this paper argues that even if we are trans-world selves, we almost certainly have nothing to worry about. (shrink)

The aim of this paper is to explore the consequences of accepting the immortality of the soul with regard to moral behavior. Philosophers from different periods and fields offer a variety of arguments which prove the immortal nature of the soul based on ethical theories, such as happiness is the end of mankind, man’s incapability of fulfilling his final purpose, the posthumous award of divine justice and so on. Through a critical appraisal of different but representative philosophical approaches to (...) immortality presented by Plato, Kant and Petros Brailas-Armenis, this paper aims to show that there is a strong interaction between ethics and psychology; the idea of eternal life has a deep moral meaning as an incentive for being virtuous. Therefore, both knowledge about and belief in the immortality of the soul can serve as a springboard for an ethical life. (shrink)

Plato's Affinity Argument for the Immortality of the Soul DAVID APOLLONI VROM Phaedo 78b to 8od, Socrates attempts to answer Simmias' fear that, even if the soul has existed eternally before birth, it might be dispersed and this would be the end of its existence. His answer is an argument which attempts to show that the soul is incomposite because it is similar to the Forms and dissimilar to physical objects. To date, this argument -- the so-called Aftin- ity Argument (...) -- has not received much sympathy from Plato's commentators, who universally consider it the weakest of Plato's arguments for the immortal- ity of the soul? The lack of sympathy and enthusiasm for this argument is not difficult to understand. Just consider the following outline of the argument. The soul is invisible, therefore the soul is more similar to the Invisible, i.e., the Forms, which are always the same, than are bodies, which are visible and which are constantly changing, and which are more similar to the Visible than is the soul. Further, the soul is more like the Always the Same in that when it uses the body to see or hear or perceive, it is "dragged" by the body into the Never the Same, and the soul "wanders and is confused and whirls as if intoxicated" insofar as the soul has come in contact with such things. Whereas when the soul considers by itself, it goes to the realm of the Forms, and ceases its wandering. Therefore the soul is more like the Always... (shrink)

Plato's Affinity Argument for the Immortality of the Soul DAVID APOLLONI VROM Phaedo 78b to 8od, Socrates attempts to answer Simmias' fear that, even if the soul has existed eternally before birth, it might be dispersed and this would be the end of its existence . His answer is an argument which attempts to show that the soul is incomposite because it is similar to the Forms and dissimilar to physical objects. To date, this argument -- the so-called Aftin- ity (...) Argument -- has not received much sympathy from Plato's commentators, who universally consider it the weakest of Plato's arguments for the immortal- ity of the soul? The lack of sympathy and enthusiasm for this argument is not difficult to understand. Just consider the following outline of the argument. The soul is invisible, therefore the soul is more similar to the Invisible, i.e., the Forms, which are always the same, than are bodies, which are visible and which are constantly changing, and which are more similar to the Visible than is the soul . Further, the soul is more like the Always the Same in that when it uses the body to see or hear or perceive, it is "dragged" by the body into the Never the Same, and the soul "wanders and is confused and whirls as if intoxicated" insofar as the soul has come in contact with such things . Whereas when the soul considers by itself, it goes to the realm of the Forms, and ceases its wandering. Therefore the soul is more like the Always.. (shrink)

In the 1960s, without realizing it, AI researchers were hard at work finding the features, rules, and representations needed for turning rationalist philosophy into a research program, and by so doing AI researchers condemned their enterprise to failure. About the same time, a logician, Yehoshua Bar-Hillel, pointed out that AI optimism was based on what he called the “first step fallacy”. First step thinking has the idea of a successful last step built in. Limited early success, however, is not a (...) valid basis for predicting the ultimate success of one’s project. Climbing a hill should not give one any assurance that if he keeps going he will reach the sky. Perhaps one may have overlooked some serious problem lying ahead. There is, in fact, no reason to think that we are making progress towards AI or, indeed, that AI is even possible, in which case claiming incremental progress towards it would make no sense. In current excited waiting for the singularity, religion and technology converge. Hard headed materialists desperately yearn for a world where our bodies no longer have to grow old and die. They will be transformed into information, like Google digitizes old books, and we will achieve the promise of eternal life. As an existential philosopher, however, I suggest that we may have to overcome the desperate desire to digitalize our bodies so as to achieve immortality, and, instead, face up to and maybe even enjoy our embodied finitude. (Paper from PT-AI 2011 conference. Volume ed. Vincent C. Müller). (shrink)

Pragmatism is suspicious of transcendence. Perhaps the term “transcendence” is itself suspect, in having a long history and being difficult to clarify. But for the sake of a fresh beginning, I would like to loosely and naïvely define transcendence as what is “beyond,” what in some way exceeds or is external to a significant limit. A fundamental form of transcendence is that of being beyond meaning, that is, existence which precedes or extends beyond the interpretation (...) of questioning beings. Western thought has long privileged the eternal, and those who have rebelled against this, pragmatists among others, have brought to light the essential role of interpretation and what is obscured when that role is denied: the.. (shrink)

Ernest Becker’s work addresses the implications that arise from being aware of our own mortality. Like Sartre, Becker recognises that human beings have the potential to transcend and look beyond their immediate situation, but his work also confronts the darker aspects of human existence that arise from our self-awareness. The aim of the paper is to provide an overview of Becker’s work and to show the potential of Becker’s theory of evil to inform a number of contemporary debates in the (...) social sciences. Although Becker’s work directly examines why human beings can act so inhumanly towards one another, his theory is not altogether pessimistic. The paper concludes by arguing that Becker’s theory intended to create new possibilities for living in more creative and humane world. (shrink)

The fundamental insight that N. Berdyaev obtains in his historiosophical reflections is that history is antinomic and the historical process is catastrophic since it has to end, because “the world cannot exist eternally”. In its global, empirical (objective) dimension, history resembles an absurd comedy “in which nothing ever succeeds”. The idea of history as a long duration (long duree) and permanent progress misses its essence. According to Berdyaev, such history is meaningless, and it has to end. (...) Its true meaning is revealed only in “its end” and “before the face of eternity”. Terrestrial history does not have its epilogue and the final solution in historical time but in celestial history when the boundaries between the immanent and the transcendent world disappear. History is the path to another and different, sublime and spiritual (noumenal) world that lies beyond the boundaries of everything historical. The destiny of man, which lies at the heart of history, assumes a meta-historical goal and a trans-historical solution to the destiny of history in a different, eternal time. To summarize, history has an eschatological meaning. Although there is an unsolvable tragic conflict between the individual human destiny and the destiny of humanity as a whole within the framework of history, Berdyaev, following the entire tradition of Russian religious philosophy, is convinced that the overcoming of that contradiction on the historical level is possible with love as the salvation and the main driving force of the soul and the source of all the spiritual creation of man. (shrink)

1 Introduction1 In the 1980s, hermeneutics was often incorporated into deconstructionism and literary theory. Rather than focus on authorial intentions, the nature of writing itself including codes used to construct meaning, socio-economic contexts and inequalities of power,2 Gadamer introduced a different perspective; the interplay between effects of history on a reader’s understanding and the tradition(s) handed down in writing. This interplay in which a reader’s prejudices are called into question and modified by the text in a fusion of understanding (...) and topic revitalized the study of the printed word. Gadamer’s turn to language for understanding the meaning of Being also appealed to the post-modern antipathy toward modernity and metaphysics.3 If the truth and validity of interpretations are limited to communities of language, then our mode of being in history cannot but be historical. This point of view rendered Gadamer’s phenomenological hermeneutics vulnerable to the critique of moral and epistemological relativism. However, Gadamer’s theory of interpretation also stems from re-examination of the beginning of knowledge in the Pre-Socratics and Plato, and on this basis, is receptive to another dimension of inquiry than that which was trending in North America. -/- At the East-West Center, University of Hawai’i at Manoa in 1982, Chung-ying Cheng for the first time introduced onto-hermeneutics to an audience of esteemed philosophers including Li Zehou, Ren Jiyu, Feng Youlan, and Zhang Liwen.4 In contrast to schools of deconstruction and literary theory that had disengaged the interpreter from trans-historical sources of meaning and truth, Cheng explained that interpreters exist within a cosmological order inextricable from responsibility to harmonize Heaven and Earth in creative acts of interpretation. By integrating Chinese cosmology into hermeneutics through ontology, he tacitly challenged philosophers in the West to re-examine assumptions about humanity’s place in nature and by implication, Gadamer’s recovery of the beginnings of knowledge in Western philosophy. -/- Cheng’s Neo-Confucianism is inspired by the method and goals of Thomé H. Fang. The following words by Fang seem to prefigure, although in an indistinct and bundled way, aspects of Cheng’s philosophy including a Mencian theory of human nature, comprehensive observation, and creativity: “In the very process of living in concord with creative Nature, Man is charged with an ideal to be fully realized in the light of the principle of comprehensive harmony.”5 Like Fang, Cheng reinvigorates Chinese culture and language, but not solely in order to vindicate the insights of Neo-Confucianism. He has studied Western thought, from pragmatism and the analytic school to German idealism and phenomenology, to unlock and clarify philosophical concepts within the Yijing tradition and thereby render them intelligible to Anglophones. The result has been an awakening of Western scholars to the moral and cultural consequences of decoupling their thought from metaphysical foundations that are neither dogmatic nor doctrinal. -/- Not unlike the dialectic of Gadamer’s dialogue form, onto-generative hermeneutics integrates contrary positions on the same topic in order to blend both sides into a world philosophy, or as Cheng says, a “totalizing or integrative theory,”6 not to be confused with a theoretical rewording of a theory. On the contrary, the universal scope and relevance of hermeneutics stems from personal experience. Just as Gadamer, in response to faction and strife, immersed himself in Plato during the war years, and developed a method with which to harmonize opposites, so too, according to On-cho Ng, was Cheng moved by faction, strife and political persecution to develop a path toward unity.7 Gadamer taught at McMaster University in Hamilton, Ontario, and Cheng at the University of Hawai’i at Manoa among other institutions in North America. They facilitated trans-continental educational and cultural ties. Similar experiences yield similar insights irrespective of differences of time and place. Hence, authors in this issue who reside in Europe, China and North America, delineate the differences between Gadamer and Cheng, yet also, in light of Cheng’s onto-generative method and cosmology, develop integrative theories. Due to the page-budget restriction of the publisher, certain articles of this special theme will be subsequently published in the next issue. -/- 2 Integrative Theory This special issue of The Journal of Chinese Philosophy confirms a dimension of hermeneutics that Cheng has both motivated and inspired. The contributors do not abide by the conviction that since thought is mediated by language, interpretations cannot transcend culture. On the contrary, their research exemplifies the fruits of trans-historical onto-dialogical hermeneutics within limits defined by their field inquiry, organized into Parts I and II, around three themes: language, the philosophy of history and ethics. -/- Andrew Fuyarchuk introduces the theme of ontology in relation to Gadamer’s turn to language. Fuyarchuk argues that Chung-ying Cheng’s criticism of Gadamer’s hermeneutics is informed by Heidegger’s concept of Dasein and thereby overlooks how Gadamer’s Platonic-Pythagorean problem of the division between the One and Many is harmonized in the event of language, which in turn positions Gadamer in proximity to the presupposed grounds of receptivity in Cheng’s onto-generative hermeneutics. Lauren Pfister’s contributing article addresses the year 2000 meeting between Cheng and Gadamer in Heidelberg and expands the transhistorical grounds of meaning in Gadamer to matters of theology. Pfister’s summary of the written Chinese record of their conversation indicates that Cheng does not address the role of Christian philosophy and hence, the role of the inner word in Gadamer’s hermeneutics. This is important not only for detecting changes in Cheng’s philosophical development, but also for modifying his hermeneutics along the lines of a living conversation, possibilities explored by Pfister in a sequel to the article submitted to this issue. Nevertheless, by raising the issue of how Gadamer’s turn to language for understanding the meaning of Being extends possibilities in Cheng’s thought, Pfister anticipates the article by Katarina Gajdosova. She returns to the roots of Chinese thought during the Warring States period and broadens the meaning of names in recently excavated texts. Contrary to the conventions about how to understand terms, she appeals to both Heidegger’s ontology and Cheng’s notion of receptivity and creativity to reinterpret naming in relation to cosmology. Along the same lines, insofar as the event of Being is lingual, Jay Goulding captures its emergent structure in an evolving community of scholars and scholarship. He recalls his philosophical journey toward Cheng’s philosophy that begins in conversations with Gadamer at McMaster University in Hamilton, leads to Heidegger and Asian thought, expands into turning points with teachers and colleagues from various backgrounds that by increments contributed to Goulding’s formulation of “Daoist phenomenology.” -/- Although differing traditions guide their inquiries and research, Cheng and Gadamer recall the wisdom of the past to ameliorate the fragmentation in contemporary life. This leads them to re-examine the origins of philosophy; historical roots and thus sources of creative re-interpretations East and West whose affinities are developed in contributions by Hyun Höchsmann and Friederike Assandri. Höchsmann assesses convergences and divergences in the origins of Chinese and Western philosophy (Confucius and Socrates, the Yijing and Pre-Socratics) that culminates in pairing Gadamer’s understanding of paideia in the context of Plato’s political cosmology in the Timaeus with moral and social cultivation in The Western Inscription. She delineates the limits of this comparison which in turn justifies introducing Vattimo’s notion of locality. Assandri’s comparative analysis moves between India and China, Buddhism and Tang Daoism. Based on Gadamer’s argument that writing detaches concepts from their cultural moorings, she defines and applies three levels of understanding in onto-generative hermeneutics to Buddhist terms that were assimilated into the Benji Jing and in so doing clarifies essential dimensions of Daoism. -/- Contributions by Stephen Palmquist and Nicholas Brasovan position Cheng in relation to Kant and Gadamer by way of Aristotle’s ethics respectively. On the one hand, Palmquist plots Cheng’s evolving criticism of Kant’s moral philosophy and draws on crucial dimensions of Gadamer’s hermeneutics to reposition that criticism in a constructive relation to Kant’s emphasis on the philosophical conditions of morality while also indicating how religious dimensions of his thought answer Cheng’s concerns for lived moral action. For Palmquist, Gadamer enables a constructive criticism of Cheng. On the other hand, Brasovan compares Cheng’s Yijing-based account of moral deliberation with Gadamer’s Aristotelian-based ethics and reasons that in contrast to Cheng, Gadamer’s hermeneutical consciousness is disengaged from practical knowledge. For Brasovan, Cheng is a constructive critic of Gadamer. Palmquist and Brasovan’s divergent angles on Gadamer and Cheng map onto a dialectic of contrast and complementarity that constitutes the inner logic of Cheng’s philosophy. In other words, Gadamer and Cheng ought to be read alongside one another for the sake of removing discrepancies and contradictions, which constitutes the organic structure of their thinking. -/- 3 Our Mode of Being in History Is Not Historical The conversations between Cheng and Gadamer in this issue of The Journal of Chinese Philosophy pivot on language, philosophy of history and ethics within a comparative framework of analysis, but also explore the grounds that make the comparisons possible. Those grounds are informed by Chinese cosmology, and function to wrest Gadamer from the shadow of Heideggerian facticity and reposition him within the range of Cheng’s ideas about our place in nature that is embedded in his question about how mind emerges from inorganic matter.8 -/- For Gadamer scholars of Heidegger, human finitude, our ownmost individuating death ensures that hermeneutics is always open to the other as other, always on the way toward understanding the meaning of Being. To arrest the process in a concept of “the Absolute” cannot but represent someone’s point of view, and thereby render hermeneutics indistinguishable from ideology. However, insofar as finitude is defined by them in terms of an onto-theological concept of immorality, finitude is a metaphysical concept consistent with epistemologies and confuse beings with the meaning of Being. As a result, the celebrated political value of hermeneutics to always be on the way toward an understanding of the meaning of Being admits subtle variations on the same worldview that are insufficiently self-critical. -/- Gadamer scholars of Heidegger are right. A transformation in ethos and opening to the meaning of Being depends on awareness of finitude. Yet this awareness does not yield openness to more of the same, i.e., discourse structurally incapable of coming to unity but instead, for both Gadamer and Cheng, openness to a distinctly different ontological dimension of reality. As Sandra Wawrytko and So-Seong Park indicate,9 this ontological dimension is prefigured in the experience of being-as-a-whole or the totality of all possible relations in both Chinese totemic shamanistic rituals,10 and Greek Dionysian festivals.11 Through these religious experiences human ethos and therefore consciousness is expanded and elevated from being centered on one’s ownmost concerns toward an affinity with all sentient beings from insects and plants to animals. The channel for this affinity is an auditory disposition and hence, the emotions, compassion, and feeling response. -/- The capacity for an auditory disposition, or as Gadamer calls it, listening consciousness to respond to the inter-relationality and therefore inherent balance of nature is developed through music, song and dance of the religious rituals and festivals. They facilitate the unity of mind with nature. This use of music, that transforms ordinary consciousness, explains Cheng’s emphasis on the receptivity of feeling response in comprehensive observation, and Gadamer’s emphasis on openness to the other in attunement. However, an auditory disposition characteristic of pre-literate oral cultures that reveals the “All” need not rely on religion. As theorists about the evolution of language have explained,12 modern languages preserve their pre-historical past in music or prosody. That is to say, the song and dance that revealed the totality of inter-related beings to an ethos of comprehensive observation and attunement toward beings in classical civilizations is retained in the back-and-forth movement or rhythm of the dialogue form. Our mode of being in history is a mode of being in nature – through the music of language. -/- While alerting the reader to the limits of a nominalist interpretation, Gadamer expresses the inner law of the nature as follows: “in perishing there is always becoming, and in becoming there is always perishing.”13 Considered in process, opposites generate and blend into each other. This law of nature applies to everything.14 Hence, in a manner comparable to Pfister’s concluding insights, onto-dialogical hermeneutics is not only open to discrete events of otherness but moreover, to the moving structure of reality expressed, as Gajdosova suggests, in the existential moment of naming. Considered as interplay of tension and resolution with a life of its own, the dialectic of a dialogue is self-similar to the way in which an organism grows (by instinct). There is, therefore, a sense in which the art of interpretation extends the human mind into the eternal cycles of nature such that we participate in the articulation of the inner telos/homeostasis toward which all beings strive and importantly for Gadamer scholars of Heidegger, within the material limits of energy to which our embodied minds are self-evidently subject. In mortality there is always immortality. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:284 HISTORY OF PHILOSOPHY Although this is not the first time that Gentile has been translated into French (a major work of his, L'esprit, acte pur, was published in Paris in 1925), the fact remains nevertheless that his neo-Hegelian system of philosophy fell on deaf ears originally in France, due to the predominance then of Bergsonism and positivi.sm in different areas of French thought. However, as Michele F. (...) Sciacca (another commentator on Gentile) notes in the Preface, the Gentilian system of "actual idealism" should get a better hearing in France from now on, because the widespread interest in Hegel there since 1925 has prepared the ground for its proper reception. The Bibliography, for which Sciacca himself is responsible, includes a section on Gentile's own writings "concerning the national and political formation of Italy" (p. 14); but, significantly enough, those dealing directly with Fascism are all omitted. This omission seems a deliberate attempt to separate Gentile the philosopher from Gentile the Fascist. No matter how understandable psychologically and politically may be the motive here--to have French readers forget that Gentile was the philosopher of Fascism--the attempt itself at bibliographical expurgation, ironically, runs completely counter to the very accent of the Gentilian theory of "pure act" on the unity of thought and action in human experience and history. Rightly or wrongly, Gentile (in sharp contrast to Croce) saw in Fascism the political expression of that unity. As to the secondary sources, the Bibliography again is unnecessarily incomplete, citing as it does only one work in English on Gentile. The anthology closes with a critical note on Gentile's transcendental conception of immortality by the translator (Joseph Moreau), who argues that the "actualistic" philosophy, despite its "religious tone," defeats itself by ending up with an "Epicurean attitude" (p. 324) toward death and the afterlife. PATRICK ROMANELL University o/ Oklahoma Die Tragik in der Existenz des modernen Menschen bei G. Sirnmel. By Isadora Bauer. (Berlin: Duncker und Humblot, 1962. Pp. 94. DM 12.60.) Miss Isadora Bauer's book lends a salutory touch to contemporary philosophical literature, so much of which is abstract and removed from experience. Her treatise, on the other hand, has for its subject matter the human condition, its finitude, and its inescapable tragedy. Georg Simmel, an early twentieth-century philosopher, is less known in this country than he deserves to be. His "Lebensphilosophie," as Miss Bauer points out, although it was influenced by Schopenhauer and Nietzsche, found an original expression through him and foreshadowed in many ways the work of Husserl and the contemporary existential thinkers. Miss Bauer's presentation of Simmel's concept of the tragic is lucid and thorough and manages in a wonderful way to let us see through this one aspect the broad outlines of Simmel 's philosophy as a whole. In Simmel's formulation, life itself, unfolding in tragic antinomy of flux and form, of becoming and being, is the ultimate ground of all tragic conflict. The dynamic life process brings forth all forms and also endangers and destroys them over and over again. The human being encounters these opposites in all aspects of his experience: his existence is tragic at its core. "Moira," the ancient goddess who confronted the Greek hero as an alien power, is in Simmel's modern view of tragedy within man himself. She is the opposition between continuity and discontinuity, the mere stream of events and their form or meaning broken in tragic conflict. At this point, Simmel's dialectics leads to a "third realm," a "more BOOK REVIEWS 285 than" which is both immanent and transcendent, a kind of "coincidentia oppositorum" beyond logic and definition. It is the realm of the "person" within which, although the tragic conflict is not resolved, there arises the free self from whose non-dual perspective the unity and eternity of life are seen. Within this realm the individual gains an illumination the result of which is "amor fad," his free decision to affirm his being. In this act of decision lies the "meaning" and "value" of life. The substance and point of Miss Bauer's book is to show the connection between the metaphysical ground of Simmel... (shrink)

What makes Carlo Michelstaedter’s life and work worthy of a reflection on Italian aesthetics is his erratic attitude when taking a stance in the ancient discord between Philosophy and Poetry. This, since Plato’s times, as an original item, expects and transcends each historical chapter of the literary critique and each kind of philosophy of history. Michelstaedter justapoxes names such as Parmenides, Sophocles, Socrates, Christ and the Ecclesiastes in an anti-genealogical manner, that is against fathers and masters as well as (...) sons and disciples. Everything that, in his short life, he could read and study in Latin, Greek, German and Italian, was bound to death against institutions and codes, against the family and the University, against the audience and every literary genre attended by the world in which he was born. Michelstaedter reads Parmenides’ Carminum reliquiae as a poetic emergency and sees in Socrates the one who becomes this poetry. The bold link between Parmenides’ ontology and Socrates’ dialectics constitutes the climax of an iconoclastic and anti-mimetic poiesis. Rhadamanthus’ justice, results bitter to Michelstaedter. It discerns, that is, the original relationship of Socrates with death from that which was superimposed by Plato ; he distinguishes Socrates’ beautiful death from that which was enticed by Hegesias, the death-persuader, in the naive; he places Socrates next to Sophocles and the Ecclesiastes, against the mortal event of the birth. Socrates, in case, did not die because of the “cicuta” which parted him from the pain of living, nor because of the eternal idea that he’s been contemplating ever since with his immortal soul. He died, instead, after having become something divine and devilish, something that distracts him since his childhood from everything he is about to do, every time, and eventually leads him nowhere. From this anti-contemplative perspective, Michelstaedter acknowledges in every philosophy intended to reconcile the absolute and relative, the rhetoric artifice aimed at concealing an original aporia which can only be dishonestly swayed, rather than overcome. (shrink)

How does art – literature, visual art, or music – endure over time? What special power does it possess that enables it to “transcend” time – to overcome temporal distance and speak to us not just as evidence of times gone by, but as a living presence? The Renaissance, which discovered this transcendent power of art in the classical sculpture and literature it admired so strongly, concluded that great art is impervious to time – “timeless”, “immortal”, “eternal” – (...) a belief that left a profound impression on Renaissance culture and often found expression in its poetry. Subsequently the same belief exerted a powerful influence on Enlightenment aesthetics and, in various forms, it still lingers on today. The nineteenth century, however, saw a major challenge to this thinking. Hegel, Marx and Taine stressed the historical embeddedness of art and for these three thinkers, as for a series of more recent theorists such as Sartre, Benjamin, and Adorno, art belongs within the world of historical change. To locate its essential qualities in a “timeless” realm removed from the flow of history would be an idealist illusion. The conflict between these two positions has resulted in an impasse, and today we appear to lack any viable account of one of art’s key features – its capacity to transcend time. André Malraux proposes an entirely new account of this unique power of art. For Malraux, as this article explains, art is neither exempt from history (timeless) nor wholly inseparable from it. Art overcomes temporal distance – transcends time – through metamorphosis, a process of continual transformation in significance in which history plays an essential, but not exclusive, part. “La métamorphose,” Malraux writes, “est la vie même de l’œuvre d’art dans le temps, l’un de ses caractères spécifiques.” This proposition, to which contemporary aesthetics has so far paid very little attention, is a revolutionary step in our thinking about art. -/- . (shrink)

Cultures are constituted by binary oppositions: the absolute and the relative; the perfect and the imperfect; the stable and the unstable. Many of the world’s cultures have looked to revealed religion to discover the absolute: that which transcends the human, the intellect, and space and time. By positing a God who is omniscient and omnipotent, they conceive of an eternal and absolute that continues to exist in an immutable state.In such cultures new perspectives for reinterpreting the past are continually (...) propounded. This allows history to be rewritten and re-rewritten. History simply becomes a method for becoming conscious of the past.By contrast, many East Asian cultures have not developed such a concept of revealed religion. For them, history itself constitutes an absolute, something on which one can rely. History in East Asia is endowed with a normative function, a source of authority that does not permit easy rewriting. (shrink)

Eternity is a unique kind of existence that is supposed to belong to the most real being or beings. It is an existence that is not shaken by the common wear and tear of time. Over the two and half millennia history of Western philosophy we find various conceptions of eternity, yet one sharp distinction between two notions of eternity seems to run throughout this long history: eternity as timeless existence, as opposed to eternity as existence in all (...) times. Both kinds of existence stand in sharp contrast to the coming in and out of existence of ordinary beings, like hippos, humans, and toothbrushes: were these eternally-timeless, for example, a hippo could not eat, a human could not think or laugh, and a toothbrush would be of no use. Were a hippo an eternal-everlasting creature, it would not have to bother itself with nutrition in order to extend its existence. Everlasting human beings might appear similar to us, but their mental life and patterns of behavior would most likely be very different from ours.The distinction between eternity as timelessness and eternity as everlastingness goes back to ancient philosophy, to the works of Plato and Aristotle, and even to the fragments of Parmenides' philosophical poem. In the twentieth century, it seemed to go out of favor, though one could consider as eternalists those proponents of realism in philosophy of mathematics, and those of timeless propositions in philosophy of language. However, recent developments in contemporary physics and its philosophy have provided an impetus to revive notions of eternity due to the view that time and duration might have no place in the most fundamental ontology.The importance of eternity is not limited to strictly philosophical discussions. It is a notion that also has an important role in traditional Biblical interpretation. The Tetragrammaton, the Hebrew name of God considered to be most sacred, is derived from the Hebrew verb for being, and as a result has been traditionally interpreted as denoting eternal existence. Hence, Calvin translates the Tetragrammaton as 'l'Eternel', and Mendelssohn as 'das ewige Wesen' or 'der Ewige'. Eternity also plays a central role in contemporary South American fiction, especially in the works of J.L. Borges. The representation of eternity poses a major challenge to both literature and arts. The current volume aims at providing a history of the philosophy of eternity surrounded by a series of short essays, or reflections, on the role of eternity and its representation in literature, religion, language, liturgy, science, and music. Thus, our aim is to provide a history of philosophy as a discipline that is in constant commerce with various other domains of human inquisition and exploration. (shrink)

The author analyses some problems discussed in the article of Vadim Mezhuev. He discusses the ways in which historians deal with their own scientific problems in the light of philosophical problems of sciences. According to Yu. Nikiforov, a philosopher can always talk about the future which is yet to come; a historian sees the future through the present of the processes which she describes. The author argues that a reconstruction of the past is always based on the knowledge of the (...) present. (shrink)

The Warring States period was without doubt a time when reason thrived. The Confucians, Mohists, and Daoists, respectively, displayed three of its intellectual inclinations. One was reason with an exceptionally prominent moral flavor, and the cultivation of human character as its object. It calls on men to uphold the dignity, tranquillity, and loftiness of their inner selves. One was reason with a very strong practical flavor, and the realization of beneficent profit as its object. It leads men to address ways (...) of maintaining the stability of society, material wealth to support men's livelihoods, and individual survival. Apart from these two, there was reason that has spiritual transcendence and human immortality as its object, and which was manifested as a tendency toward anti-intellectualism. It tries to protect individual survival and freedom of the spirit, despite social pressures. As for those mystical ideas and techniques that seemed absurd, they gradually regressed into simplistic ceremonies, fables, and symbols among the cultural workers who pursued reason. The psychological attitude of "sacrificing to spirits as if they were present" led many cultural aristocrats to distance themselves from mystical ideas and techniques. Mysticism gradually disappeared from among men of culture, especially once it became increasingly difficult for those divination methods and technical arts, used merely to satisfy concrete needs, to avoid the scrutiny of reason. Some late Warring States period texts can help us understand the direction this way of thinking took. "Xian xue" in the Hanfeizi says,When the shaman priests pray for someone, they say, "May you live a thousand autumns and ten thousand years!" But the "thousand autumns and ten thousand years" are only a noise dinning on the ear: No one has ever proven [zheng] that such prayers add so much as a day to anyone"s life. For this reason people despise the shaman priests.". (shrink)

Departing from Durkheim’s assertion of the primacy of public time, I argue that time is manufactured through the legal organization of society in the form of a corporate body. As a corporation, society enjoys fictive immortality, and it is this legal fiction that allows the flow of historical time. The institution of time, and of the corporate structure in general, is made possible through the political triumph over communal aspirations for timelessness, oneness and death: aspirations for an eternal present, (...) to which I refer as the communal body. The passage from a founding, pre-historical experience of timelessness into historical time is accomplished through the construction of a perpetual corporate body in place of a communal body that lacks a temporal dimension. I will argue that the establishment of historical time and of the corporate organization of society necessitates the normative regulation of sexuality. Thus, the relaxation of the traditional structure of historical time and of sexual morality in contemporary society are closely intertwined. (shrink)

Self-Transcendence and Human History in Wolfhart Pannenberg examines Pannenberg's thoughts on self-transcendence and its relationship to human history. The author attempts to establish a better understanding of man as "creature" and as "creator" of history. Godfrey Igwebuike Onah begins by clarifying the definitions of self-transcendence, openness, and exocentricity. These terms involve man's natural tendency to constantly reach out beyond the present reality, which is based in his existence as a spiritual being open to God. (...) Onah discusses the development of the self that is always present, but does not completely emerge until the end of the individual's history. He shows that imagination, culture, language, play, love, trust, and the question of God are dimensions of man's capacity of self-transcendence. Through a critical dialogue with Pannenberg, the author demonstrates that man becomes history, while also participating with God in the making of history. He proposes that through self-knowledge comes knowledge of God and through knowledge of God comes knowledge of self. (shrink)

The problem of Confucius has been the subject of a most heated debate in philosophy circles for several years. Prior to 1962, the major points of debate were: whether the philosophical thought of Confucius is idealistic or materialistic; whether the political thought of Confucius represents [the interests of] the ruined slaveholders or the newly emerged landlord class; and whether the thoughts of Confucius are reactionary or progressive. However, since the spring of 1962 a new trend began to appear. Articles glorifying (...) Confucius began to appear in the press throughout the country. They dealt with Confucian ideas on a profusion of subjects, such as arts, music, military affairs, psychology, and so forth. Some of these articles presented an abstract analysis of Confucian thoughts as transcending all classes and times and made them eternal and "evergreen"; some went as far as to put Marxist ideology under the name of Confucius. Others maintained that we should treasure Confucian thoughts and that any criticism would ruin the legacy. Still others asserted that the policy of treasuring legacy of the Confucian thoughts should be "arrangement, consolidation, and elevation.". (shrink)

The author analyses some problems discussed in the article of Vadim Mezhuev. He discusses the ways in which historians deal with their own scientific problems in the light of philosophical problems of sciences. According to Yu. Nikiforov, a philosopher can always talk about the future which is yet to come; a historian sees the future through the present of the processes which she describes. The author argues that a reconstruction of the past is always based on the knowledge of the (...) present. (shrink)

THE IMMORTAL FLY: ETERNAL WHISPERS. WHO IS SHE? Author: Rituparna Ray Chaudhuri. Hello, Recently my book named, ‘The Immortal Fly: Eternal Whispers : Based On True Events of a Family' been published from Partridge (USA) In Association with Penguin Random House (UK) and achieved a separate Google identity. -/- As being # the author of the book, I thought to define self in the book what is definition of 'Depression'. I wanted to explain self in many (...) ways, but the best quotation appeared to me : “My life will end someday, but it will end at my convenience.’’ -/- ***** I am missing "her". By now, years passed without 'her' . Even though, unlike before, everything is becoming to be more scattered, gloomy and desolate. She is no-where whom I share my feelings. Even now, when I do close my eyes, I can visualize the same that I had left years since on 7th February, 2019 at 8.20 A.M. in the hospital struggling a continuous period of fifty days : on the fifty one day, my father said, ”The End of our Fifty Years relationship has been completed with the Fifty Days”….’Whoever’ she was to others , but she is our legend…To me, she is ‘My Ma’. -/- The story could begin, 'I failed preciously on success of my life.' Simplicity, Innocence, Belief, Faith and Personality met unknowingly with filthy waves skillfully immersed in Betray, Sorcery, Jealousy, Greediness, Revenge, Lie... ‘’ ******* The Daughter writes, “I had asked Ma many times, but her ‘impenetrable personality’ and dynamic words to everyone with a tinge of smile as reflected on her face, she was reluctant to continue her conversation with me. I had thought, hence, I must not be indefinite on my spoken words. Who shall I blame!” Based on true story of a family came from South Calcutta (India) to a suburb, on staying at home of the Daughter’s maternal grandmother’s house, this book reveals in facts and true events how Destiny had unknowingly ‘further’ played an abominable role to Fate of The Daughter, when eventually one day on 7th February, 2019 everything was finished within 8.20A.M. The Daughter is, therefore, left alone on terrestrial with immortal words as written in her Diary, ‘Eternal Whispers’: “My words to self that I am to fulfill my Ma’s - wish. ’’ ‘’ -/- • Keywords: 1. Diary and True Events 2. The Chaotic Society 3. Fatality 4. Of A-Family 5. Science , Philosophy and Literature 6. Severe Depression 7. Medical Journey. -/- The Alternative Title of the Book: The Greatest Mistake or Fortune:: The book is mainly carrying with intense words of a journey of the relationship between a Mother with her Daughter has left readers in an abrupt situation where ,perhaps, I can define "Man is the innocent creature with 'his' personality under circumstances..." -/- . (shrink)

Some transhumanist authors make the prophecy of immortality thanks to the transfer of the human mind to a superintelligent computer that would guarantee the survival of the person. That immortality would mean a happy life. In this article we try to show that this supposed indefinite survival is not exactly what is usually understood by immortality. In addition, we try to think about what immortality is based on the theological understanding of eternity and personal communion in which the life of (...) God consists. The decisive questions in this dialogue with the postures of transhumanism are the meaning of the body for the human person and what happiness is. (shrink)

In the story of Lazarus, Christian readers are invited and enabled to integrate the fear-inducing experience of death, that of loved ones and their own, into their faith vision.

Responding to a well-known essay by Bernard Williams, philosophers have engaged in what I call “the Makropulos debate,” a debate over whether immortality—“living forever”—would be desirable for beings like us. Lacking a firm conceptual grounding in the religious contexts from which terms such as “immortality” and “eternal life” gain much of their sense, the debate has consisted chiefly in a battle of speculative fantasies. Having presented my four main reasons for this assessment, I examine an alternative and neglected conception, (...) the idea of eternal life as a present possession, derived in large part from Johannine Christianity. Without claiming to argue for the truth of this conception, I present its investigation as exemplifying a conceptually fruitful direction of inquiry into immortality or eternal life, one which takes seriously the religious and ethical surroundings of these concepts. (shrink)

Fergus Kerr's study - which is derived from his highly-regarded Stanton Lectures, delivered in the University of Cambridge in 1994/5 - focuses on the more or less obvious theological commitments of several much-discussed contemporary philosophers. By so doing, the author daringly extends the agenda of what is usually considered to be 'philosophy of religion.'. The ramifications of his study are extensive: even if philosophy is not at bottom theology, as von Balthasar once claimed, the theological preconceptions in much modern philosophy (...) would seem to deserve considerably more attention than they have received hitherto. (shrink)

Between 1910 and 1917, Walter Benjamin composed a range of philosophical works and fragmented texts all of which touch upon the concept of youth and its intersection with issues of modernity and theology, faith and political action, religion and secularization, God, and the world. Yet, while scholars have rather extensively discussed Benjamin’s early works on language, literature, and esthetics, less attention has been given to his work on youth. This paper focuses on Benjamin’s writings on youth from these early years. (...) Its aim is to demonstrate how these writings were intended as contributions to the composition of a comprehensive theory of youth, which itself was to combine philosophical discussion with theological imagination. More concretely, by using the example of Meister Eckhart, who is rarely discussed in connection to Benjamin’s thought, the paper shows how Benjamin draws on Christian mystical notions of time, transcendence, and divinity, albeit in a secularized and therefore transformed guise, and how Benjamin’s intellectual endeavor can hence be labeled a modern-mystical theory of youth. (shrink)