The infinite judgement has long been forgotten and yet, as I am about to demonstrate, it may be urgent to revive it for its critical and productive potential. An infinite judgement is neither analytic nor synthetic; it does not produce logical truths, nor true representations, but it establishes the genetic conditions of real objects and the concepts appropriate to them. It is through infinite judgements that we reach the principle of transcendental logic, in the depths of which (...) all reality can emerge in its material and sensible singularity, making possible all generalization and formal abstraction. (shrink)

Hegel, in his work _Philosophy of Right_, defines ownership through three elements: acquisition by occupation, use, and transfer. To own something involves mere acquisition and encompasses its appropriate use and potential transfer to others. Subsequently, the final aspect mentioned was the concept of infinite judgement. The acts of owning and transferring to others are diametrically opposed, and Hegel’s unique logic forcibly connects these opposing concepts. This form of infinite judgement was advocated by the young Hegel during the era (...) of _Phenomenology of Spirit_. There, he stated, “Spirit is a bone”. However, when he later wrote _Science of Logic_ or _Encyclopedia_, the formulation of infinite judgement changed to “Spirit is not something that is bone”. This shift was influenced by Kant. In _Logic_, the discourse advances into syllogism, inferential theory, leading to “Spirit is a bone for such-and-such reasons”. In essence, Hegel binarily connected spirit and bone in his youth and introduced a mediating term in this connection later in his life, establishing inferential links. However, the notion of forcibly connecting opposing concepts remains. Therefore, the statement “Ownership is transfer” represents an infinite judgement while simultaneously signifying syllogism that “I truly own this object if I can transfer it to others”. This contributes to the reasoning that “I and objects can be connected through the intermediary of others”, progressing to the inference that “I and others can be connected through objects”, thereby laying the foundation for society. (shrink)

In the Transcendental Ideal Kant discusses the principle of complete determination: for every object and every predicate A, the object is either determinately A or not-A. He claims this principle is synthetic, but it appears to follow from the principle of excluded middle, which is analytic. He also makes a puzzling claim in support of its syntheticity: that it represents individual objects as deriving their possibility from the whole of possibility. This raises a puzzle about why Kant regarded it as (...) synthetic, and what his explanatory claim means. I argue that the principle of complete determination does not follow from the principle of excluded middle because the externally negated or ?negative? judgement ?Not (S is P)? does not entail the internally negated or ?infinite? judgement ?S is not-P.? Kant's puzzling explanatory claim means that empirical objects are determined by the content of the totality of experience. This entails that empirical objects are completely determinate if and only if the totality of experience has a completely determinate content. I argue that it is not a priori whether experience has such a completely determinate content and thus not analytic that objects obey the principle of complete determination. (shrink)

In his table of judgements, Kant added infinity as a third quality. An infinite judgement ‘All S are non-P’ is said to differ from the affirmative ‘All S are P’ because it ascribes a negative predicate; and it differs from the negative ‘No S is P’ because it has a richer content. The present paper puts three interpretations of this surplus content to six tests. Among other things, it is examined whether these interpretations marry up with Kant’s solution to (...) the first antinomy, his conception of analyticity and the principle of complete determination. The unpleasant conclusion is that none of the interpretations can make its mark as the most adequate one. It thus remains unclear what Kant had in mind when positioning infinite judgements besides affirmative and negative ones. (shrink)

Suppose you found that the universe around you was infinite—that it extended infinitely far in space or in time and, as a result, contained infinitely many persons. How should this change your moral decision-making? Radically, it seems, according to some philosophers. According to various recent arguments, any moral theory that is ’minimally aggregative’ will deliver absurd judgements in practice if the universe is (even remotely likely to be) infinite. This seems like sound justification for abandoning any such theory. (...) -/- My goal in this thesis is simple: to demonstrate that we need not abandon minimally aggregative theories, even if we happen to live in an infinite universe. I develop and motivate an extension of such theories, which delivers plausible judgements in a range of realistic cases. I show that this extended theory can overcome key objections—both old and new—and that it succeeds where other proposals do not. With this proposal in hand, we can indeed retain minimally aggregative theories and continue to make moral decisions based on what will promote the good. (shrink)

AbstractKant’s formal conditions for aesthetic judgment do not limit aesthetic reflection to certain aesthetic traditions and cultures. Moreover, these conditions open up the possibility of applying aesthetic reflection in the context of different approaches. From this perspective, Kant’s analytic of aesthetic judgment might furnish a useful basis for trans-cultural dialogues in the field of aesthetics and reflection on the arts. Yet the theory also has its limits, especially insofar as it neglects the somatic dimension of aesthetic experience. These two questions (...) are the primary concerns of the paper. (shrink)

The problem of how to rationally aggregate probability measures occurs in particular when a group of agents, each holding probabilistic beliefs, needs to rationalise a collective decision on the basis of a single ‘aggregate belief system’ and when an individual whose belief system is compatible with several probability measures wishes to evaluate her options on the basis of a single aggregate prior via classical expected utility theory. We investigate this problem by first recalling some negative results from preference and judgment (...) aggregation theory which show that the aggregate of several probability measures should not be conceived as the probability measure induced by the aggregate of the corresponding expected utility preferences. We describe how McConway’s :410–414, 1981) theory of probabilistic opinion pooling can be generalised to cover the case of the aggregation of infinite profiles of finitely additive probability measures, too; we prove the existence of aggregation functionals satisfying responsiveness axioms à la McConway plus additional desiderata even for infinite electorates. On the basis of the theory of propositional-attitude aggregation, we argue that this is the most natural aggregation theory for probability measures. Our aggregation functionals for the case of infinite electorates are neither oligarchic nor integral-based and satisfy a weak anonymity condition. The delicate set-theoretic status of integral-based aggregation functionals for infinite electorates is discussed. (shrink)

Pascal's wager has fascinated philosophers far in excess of its reputation as effective apologetics. Very few of the wager's defenders, in fact, have retained more than an academic interest in its power to persuade. Partly this is a matter of good manners. Pascal is supposed to have pitched his wager at folks who understand only self-interested motivations, and today it is no longer fashionable for defenders of theism to disparage the character of their opponents. But partly the low-key concern with (...) apologetics expresses a philosophical judgement. Pascal's defenders have found the question of the wager's audience to be less philosophically engaging than the logic of its argument. I believe that this assessment is mistaken. The most puzzling feature of Pascal's wager is its invocation of infinite utility. What are finite human beings, theists or otherwise, supposed to make of the idea of an infinitely desirable happiness? There are, I will argue, two sorts of response to this question, and depending on which sort Pascal had in mind, the logic of his wager comes out very differently. (shrink)

Pascal's wager has fascinated philosophers far in excess of its reputation as effective apologetics. Very few of the wager's defenders, in fact, have retained more than an academic interest in its power to persuade. Partly this is a matter of good manners. Pascal is supposed to have pitched his wager at folks who understand only self-interested motivations, and today it is no longer fashionable for defenders of theism to disparage the character of their opponents. But partly the low-key concern with (...) apologetics expresses a philosophical judgement. Pascal's defenders have found the question of the wager's audience to be less philosophically engaging than the logic of its argument. I believe that this assessment is mistaken. The most puzzling feature of Pascal's wager is its invocation of infinite utility. What are finite human beings, theists or otherwise, supposed to make of the idea of an infinitely desirable happiness? There are, I will argue, two sorts of response to this question, and depending on which sort Pascal had in mind, the logic of his wager comes out very differently. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume XX, Number 2, November 1994, pp. 219-240 Infinite Divisibility in Hume's First Enquiry DALE JACQUETTE The Limitations of Reason The arguments against infinite divisibility in the notes to Sections 124 and 125 of David Hume's Enquiry Concerning Human Understanding are presented as "sceptical" results about the limitations of reason. The metaphysics of infinite divisibility is introduced merely as a particular, though especially representative (...) problem, among several that Hume discusses. Hume first writes: The chief objection against all abstract reasonings is derived from the ideas of space and time; ideas, which, in common life and to a careless view, are very clear and intelligible, but when they pass through the scrutiny of the profound sciences (and they are the chief object of these sciences) afford principles, which seem full of absurdity and contradiction.1 There follows an intuitive appeal to the apparent incoherence of the consequences of infinite divisibility in the geometry of space and measurement of time. Hume enlists natural belief against the infinite divisibility thesis in the mathematics of extension: But what renders the matter more extraordinary, is, that these seemingly absurd opinions are supported by a chain of reasoning, the Dale Jacquette is at the Department of Philosophy, The Pennsylvania State University, 246 Sparks Building, University Park PA 16802 USA. e-mail: [email protected] 220 Dale Jacquette clearest and most natural; nor is it possible for us to allow the premises without admitting the consequences. Nothing can be more convincing and satisfactory than all the conclusions concerning the properties of circles and triangles; and yet, when these are once received, how can we deny, that the angle of contact between a circle and its tangent is infinitely less than any rectilinear angle, that as you may increase the diameter of the circle in infinitum, this angle of contact becomes still less, even in infinitum, and that the angle of contact between other curves and their tangents may be infinitely less than those between any circle and its tangent, and so on, in infinitum? The demonstration of these principles seems as unexceptionable as that which proves the three angles of a triangle to be equal to two right ones, though the latter opinion be natural and easy, and the former big with contradiction and absurdity. (EHU 156-157) The implied sense of contradiction is then extended by Hume to the problem of infinite divisibility in time. The absurdity of these bold determinations of the abstract sciences seems to become, if possible, still more palpable with regard to time than extension. An infinite number of real parts of time, passing in succession, and exhausted one after another, appears so evident a contradiction, that no man, one should think, whose judgment is not corrupted, instead of being improved, by the sciences, would ever be able to admit of it. (EHU 157) The contradictions involved in traditional concepts of extension and time demarcate the limits of which reason is capable. But Hume's answer is more complex than merely surrendering to skepticism over the prospects of reason achieving understanding in the metaphysics of space and time. He tries to show that what he calls "Pyrrhonian" skepticism is ultimately self-defeating in its application of reason against reason. In place of a negative conclusion, he offers another solution to the paradoxes of infinite divisibility. What is remarkable about Hume's pronouncements against the infinite divisibility of extension and time, that may signal a change in his methodology if not his overall position on divisibility in the Enquiry from that of A Treatise of Human Nature, is his straightforward claim that natural belief rebels against the concept of infinite divisibility as its consequences apply to the metric of space and time.2 As in the Treatise, Hume pits natural disbelief in infinite divisibility against abstract metaphysical reason. But in the Enquiry, he does not invoke reason merely to correct the excesses of natural belief for the skeptical deflation of natural belief, say, in the necessity of causal connection, or the existence of mind-independent continuants. On the contrary, Hume Studies Infinite Divisibility in Hume's First Enquiry 221 Hume here appears instead to invoke natural disbelief in... (shrink)

Following Lauwers and Van Liedekerke (1995), this paper explores in a model-theoretic framework the relation between Arrovian aggregation rules and ultraproducts, in order to investigate a source of impossibility results for the case of an infinite number of individuals and an aggregation rule based on a free ultrafilter of decisive coalitions.

A guest's gift -- In the voice -- Square necessities -- Varieties of indefiniteness -- An imported irregularity -- Ways of indeterminacy -- From empty words -- Toward the object in general -- The infinite judgment -- Zero logic -- Non-I and I -- Collapsing sentences -- The springboard principle -- After the judgment -- A persistent particle -- Callings.

This dissertation evaluates the efforts of modern philosophers of aesthetics and politics to distinguish judgment from both cognition and volition. To see the rule under which any given particular is to be subsumed as a law fabricated and imposed by either God or reason is to characterize free judgment in terms of sovereignty. This generates the skeptical dilemma of an infinite regress of the legitimacy of the rule's application that can only be avoided by seeing the act of judgment (...) as an act of will. Such a voluntarist account of politics and judgment must in the end deny plurality for identity, and efface the categorical Aristotelian distinction between the public and the private. The rejection of the teleology of publicity is thus tied to the collapse of phronesis back into a Platonic techne that strives to produce society and man in the image of the eidos. ;Three "solutions" to this aporia are considered. The first is Hannah Arendt's appropriation for politics of Kant's aesthetic judgment, which allows for categorical distinctions between the public and the private and between judgment and the observance of rules. This project fails on account of the extreme formalism of that aesthetics. The second reads the third Critique as an allegory of politics. This too fails, as Kant's aesthetic community relies upon the productive legislation of the genius, a figure whose lineage reaches back to the half divine, half bestial figure of Machiavelli's founding prince. The third is a direct return to Aristotle. While his ethical philosophy offers us our best account of phronesis and epieikeia, it does not sufficiently engage the motivations for its own rejection. Hobbes, Locke, and Kant were not so taken with the model of mechanistic science that they simply forgot that in their common lives they regularly made judgments without the implicit or explicit guidance of a rule. The modern is better seen as a Weltanschauung, less a description that might be right or wrong than a desire. The alternative to the aporia of judgment is not found in the aesthetic but in a Wittgensteinian form of philosophical therapy. (shrink)

I develop a new reading of Frege’s argument for the indefinability of truth. I concentrate on what Frege literally says in the passage that contains the argument. This literal reading of the passage establishes that the indefinability argument is an arguably sound argument to the following conclusion: provided that the Fregean conception of judgment—which has recently been countered by Hanks—is correct and that truth is a property of truth-bearers, a vicious infinite regress is produced. Given this vicious regress, Frege (...) chooses to reject that truth is a property of truth-bearers. Frege’s choice leads to a unique version of the Fregean conception of judgment. His unique conception of judgment can cope with Hanks’s recent criticisms against the Fregean conception. (shrink)

This paper considers the trade-off between unanimity and anonymity in collective decision-making with an infinite population. This efficiency-equity trade-off is a fundamental difficulty in making a normative judgment in a conflict between generations. In particular, it is known that this trade-off is quite sensitive in the formulation of unanimity axioms. In this study, we consider the trade-off in a preference-aggregation framework instead of the standard utility-aggregation framework. We show that there exists a social welfare function that satisfies I-strong Pareto, (...) independence of irrelevant alternatives, and finite anonymity. This contrasts with an impossibility result in the standard utility-aggregation framework, and this means that the trade-off is also sensitive for background frameworks of aggregations. (shrink)

I examine the relation between logic and nature in terms of ‘reflection’, the word that Hegel uses at the end of theEncyclopaedia Logicto describe the self-sundering or externalization of the idea into nature. Although nominally the term ‘reflection’ seems to denote a uniquely mental process and is often used so by Hegel in his early critique ofReflexionsphilosophie, in his later writings it also has an irreducibly ontological significance. Hegel describes logic's opening-out to nature as a movement of ‘reflection’ [Widerschein] and (...) he follows Kant in describing the shift from the finite to the infinite in the relation between nature and thought as one of reflective judgement. Although Hegel generally considers reflection to be uniquely concerned with finite cognition and the constitution of finite things, I argue that in his embrace of reflective judgement he sees a key role for reflection in the relation of logic, nature and spirit. (shrink)

According to the transcendental Aesthetic of the Critique of pure reason, there are two properties of time that cannot be intellectualized: passage and infinitude. This study tries to show that these essential properties of time come to light in Kant’s Critique of Judgment. The contemplation of beauty will be understood as a non-successive time and the wonder that we experience in seeing the sublime will be understood through Kant’s concept of infinite moment. These two aesthetic concepts of time will (...) be integrated into Kant’s broader view of time as developed in the first Critique. (shrink)

I am the LawIt is hard to imagine two more disparate characters than Judge Joseph Dredd and Hercules J—the one an over-muscular, faceless and heavily armed street judge astride a Lawmaster motorcycle who overidentifies with his role ; the other devoid of any physical presence or image, and structurally decoupled from the execution of law by a fierce determination to maintain the separation of powers and accountability which Dredd so effortlessly ignores. Hercules J is the embodiment of an intellectualised, yet (...) creative, operationalisation of law. To the academic spirit, Hercules is infinitely preferable as a model of judicial activism: his world conjures a contemplative modality, ever alert to the requirements of rights and largely aligned with the temper of the post-Enlightenment. By contrast, Dredd is the personification of the worst aspects of law-and-order as the debased and politicised manifestation of the Rule of Law. His is an intensely visceral presence, the metonymic blindness of Themis replaced by the Dredd’s fractured eyeline: blindness as a signifier of impartiality yields to blindness as a symptom of institutional rage. This article interrogates the characters, actions and values of Hercules J and Dredd J, viewed primarily through the lens of Jacques Derrida’s Force of Law, focusing on the relationship between law and violence as it is exposed in Hercules’s and Dredd’s worlds, and then turning to judicial confrontation with the aporetic: the aporias, identified by Derrida and others, that law must confront. The interrogation continues, finally contemplating the current state of law in the common law world—the world of liberal democracies, suggesting that the high point of democracy may well have passed, and that we are on a Dredd-ward trajectory. (shrink)

Summary The question underlying this article is whether the Kantian transcendental philosophy is wide enough to constitute the objects of quantum physics as objects of possible experience and consequently to found the objectivity of quantum physical knowledge. It is shown that the Kantian determinations of the categories (quality, substance, causality) can be interpreted and elaborated in such a way that the quantum physical concept of an object characterized by nonobjectivity of properties is conceived. Therefore the categories are valid in quantum (...) mechanics and warrant the objectivity of quantum physical experience. By the interpretation of the Kantian infinite judgement as an indefinite proposition it is possible to define the non-objectivity of properties categorially as indefiniteness of qualities. In particular by the indefiniteness of the position-quality the non-permanent localizability of quantum mechanical objects can be understood a priori. However the object of possible experience, especially the quantum mechanical object is underdetermined by the categories of substance and causality: If the object is determined to be a substance it is not yet conceived to be an individual; its characterization by means of probability laws is categorially indeterminate. In so far the significance of transcendental philosophy for the foundation of quantum physics is limited. (shrink)

In a famous passage in the Critique of the Power of Judgement, Kant calls the “spirit” an animating or enlivening principle in the mind. Rather than a positive affirmation building on a protobiological background, this definition marks an aesthetic notion of life. As a first step, the “Gemüt” shows itself to be an ambivalent concept between transcendental philosophy and anthropology. This ambivalence then reoccurs in the notion of life in an aesthetical regard: Life in this sense is the one hand (...) bound to the empirical notion of the powers of life – and thereby to the pre-critical works – but is now turned into something surpassing. Life in aesthetical terms is negatively bound to life in an empirical sense. So is spirit, too: It rather works as a negatively defined principle opening up the given. Life, Gemüt, and spirit make up a relational constellation that provides the grounds for the work of aesthetic ideas. By means of aesthetic ideas, spirit opens up the cognitive and thereby enlivens the Gemüt. This principle, which is spirit, can then be understood as following Kant’s logic of the infinite judgment, because the aesthetic is the opening of the rational to its indeterminate other. (shrink)

The article analyzes the meaning of infinite judgment within absolute knowing and tries to explain the role that this judgment plays within the last moment of the phenomenological path. The infinite judgment in question states: “the being of the ego is a thing”. The analysis starts with the conception of infinite judgment in pre-Kantian and Kantian logic, that has certainly influenced the way in which Hegel conceived of this logical structure. In order to shed light on the (...) Hegelian conception of infinite judgment at the time the Phenomenology was written, it is necessary to examine the way in which this kind of judgment is presented in the Jena System (1804-05) which develops the logical structures at work in the phenomenological process. Finally, the negation implicit in the judgment “the being of the ego is a thing” is expounded upon: the being of the ego is a thing - the soul - that in actuality is not a thing. The paradoxical structure of this judgment, that consists of this absence-presence negation, becomes evident in this double value. This judgment expresses the moment of crisis in the structure of judgment itself. This crisis is the linguistic expression of the inconsistency immanent in the pretence of consciousness to capture its object, that is constitutively separated from it. At the same time this judgment is also the negative moment necessary for the solution of this crisis and for the passage of consciousness into absolute knowing, in which the radical separation between subject and object that characterizes consciousness is completely reconciled. (shrink)

This paper discusses an apparent contrast between Kant’s accounts of the mathematical antinomies in the first Critique and in the Prolegomena. The Critique claims that the antitheses are infinite judgements. The Prolegomena seem to claim that they are negative judgements. For the Critique, theses and antitheses are false because they presuppose that the world has a determinate magnitude, and this is not the case. For the Prolegomena, theses and antitheses are false because they presuppose an inconsistent notion of world. (...) The paper argues that the contrast between the two works is only apparent, and provides an interpretation which removes it. (shrink)

The article analyzes section VI B («The Spirit in Self-Estrangement») within absolute knowing. The main focus is Hegel’s speculative analysis of the formal structure of absolute knowing, starting from infinite judgement («the thing is ego»), to its conclusion with the definition of utility as preisgegebnes Sein für anderes (a being at the mercy of an «other», in Baillie’s translation). The article does not examine the phenomenological process of culture development, but focuses on the formal structure of pure insight (the (...) most important result of culture), comparing the self which constitutes the insight with the one which manifests itself as self-knowing spirit in absolute knowing. Here the inexorable Aufhebung of insight, as purest incarnation of modern reason, comes to light: Hegel emphasizes rationality and therefore he criticizes its abstract form which downgrades pure insight from reason to raisonnements of Understanding. (shrink)

A Hegelian reading of good and bad luck -- In Shakespearean drama (phen. of spirit, King Lear, Othello, Hamlet, a Midsummer night's dream) -- Tearing the fabric: Hegel's Antigone, Shakespeare's Coriolanus, and kinship-state conflict (phen. of spirit c. 6, Judith Butler's Antigone, Coriolanus) -- Aufhebung and anti-aufhebung: geist and ghosts in Hamlet (phen. of spirit, Hamlet) -- The problem of genius in King Lear: Hegel on the feeling soul and the tragedy of wonder (anthropology and psychology in the encyclopaedia, Philosophy (...) of mind, King Lear) -- Richard II's mirror and the alienation of the Universal Will (of the I that is a We) (Richard II, phen. of spirit c. 5) -- Falstaff and the politics of wit: negative infinite judgment in a culture of alienation (Henry IV parts I & II, phen. of spirit c. 6, philosophy of right) -- Henry V's unchangeableness: his rejection of wit and his posture of virtue reinterpreted in the light of Hegel's theory of virtue (philosophy of right, Henry V) -- Hegel's theory of crime and evil: (re)tracing the rights of the sovereign self (aesthetics, phen. of spirit, phil. of right, Richard II through to Henry V) -- Richard III, Hamlet, Macbeth and Henry V: conscience, hypocrisy, self-deceit and the tragedy of ethical life (phil. of right, Richard III, Hamlet, Macbeth, Henry V) -- Negation of the negative infinite judgment versus sublation of it: punishment vs. pardon (phil. of right, phen. of spirit c. 6 and Henry VIII) -- Universal wit : the absolute theater of identity (phen. of spirit c. 6 and 8, Pericles, the Tempest) -- Absolute infections and their cure (phen. of spirit c. 6, the Winter's tale). (shrink)

Hume’s discussion of space, time, and mathematics at T 1.2 appeared to many earlier commentators as one of the weakest parts of his philosophy. From the point of view of pure mathematics, for example, Hume’s assumptions about the infinite may appear as crude misunderstandings of the continuum and infinite divisibility. I shall argue, on the contrary, that Hume’s views on this topic are deeply connected with his radically empiricist reliance on phenomenologically given sensory images. He insightfully shows that, (...) working within this epistemological model, we cannot attain complete certainty about the continuum but only at most about discrete quantity. Geometry, in contrast to arithmetic, cannot be a fully exact science. A number of more recent commentators have offered sympathetic interpretations of Hume’s discussion aiming to correct the older tendency to dismiss this part of the Treatise as weak and confused. Most of these commentators interpret Hume as anticipating the contemporary idea of a finite or discrete geometry. They view Hume’s conception that space is composed of simple indivisible minima as a forerunner of the conception that space is a discretely (rather than continuously) ordered set. This approach, in my view, is helpful as far as it goes, but there are several important features of Hume’s discussion that are not sufficiently appreciated. I go beyond these recent commentators by emphasizing three of Hume’s most original contributions. First, Hume’s epistemological model invokes the “confounding” of indivisible minima to explain the appearance of spatial continuity. Second, Hume’s sharp contrast between the perfect exactitude of arithmetic and the irremediable inexactitude of geometry reverses the more familiar conception of the early modern tradition in pure mathematics, according to which geometry (the science of continuous quantity) has its own standard of equality that is independent from and more exact than any corresponding standard supplied by algebra and arithmetic (the sciences of discrete quantity). Third, Hume has a developed explanation of how geometry (traditional Euclidean geometry) is nonetheless possible as an axiomatic demonstrative science possessing considerably more exactitude and certainty that the “loose judgements” of the vulgar. (shrink)

Results from a crowdsourced audio questionnaire show that inflected infinitives in Galician are still acceptable in a broad range of contexts, different from those described for European Portuguese. Crucially, inflected infinitives with referential subjects are widely accepted only inside strong islands in Galician (complements of nouns, adjunct clauses). They are widely rejected in non-islands, notably in the complements of epistemic/factive verbs, in contrast with Portuguese and older varieties of Galician (Gondar 1978, Raposo 1987). Statistical analysis shows, however, that, in the (...) complements of epistemic/factive (and desiderative) verbs, inflected infinitives are significantly more acceptable in instances of control, whether partial or exhaustive. In fact, there is no significant difference between these two types of control in Galician, unlike in Portuguese, where inflection is generally better in instances of partial control and is not acceptable in instances of exhaustive local subject control (Modesto 2010, Sheehan 2018). We propose an analysis of this pattern in terms of phase theory. The inflectional domain of non-finite clauses remains visible to the thematic domain of the next clause up, according to the less strict version of the Phase Impenetrability Condition (Chomsky 2001), allowing control to take place. Pronouns/or pronominal inflections in the inflectional domain of visible non-finite clauses therefore get controlled. In islands, however, material in the inflectional domain remains free/referential. Despite this basic pattern, the data are characterized by substantial interspeaker variation. Statistical analysis shows that gender, urban/rural birthplace and mother tongue are all significant factors in this variation, while age and region of birth are not. Most notably, urban-born male bilinguals with Spanish as their mother tongue consistently rate the sentences higher on the Likert scale. Overall, the results show that crowdsourcing can lead to empirically robust syntactic descriptions of minority languages which are likely to be subject to substantial sociolinguistic variation and where judgements from a single social group may be misrepresentative of the general picture. The study also highlights, however, the challenges associated with using crowd-sourced audio-questionnaires of this kind in languages of this kind and the need for statistical analysis of results to control for substantial amounts of variation. (shrink)

Russell’s initial project in philosophy (1898) was to make mathematics rigorous reducing it to logic. Before August 1900, however, Russell’s logic was nothing but mereology. First, his acquaintance with Peano’s ideas in August 1900 led him to discard the part-whole logic and accept a kind of intensional predicate logic instead. Among other things, the predicate logic helped Russell embrace a technique of treating the paradox of infinite numbers with the help of a singular concept, which he called ‘denoting phrase’. (...) Unfortunately, a new paradox emerged soon: that of classes. The main contention of this paper is that Russell’s new conception only transferred the paradox of infinity from the realm of infinite numbers to that of class-inclusion. Russell’s long-elaborated solution to his paradox developed between 1905 and 1908 was nothing but to set aside of some of the ideas he adopted with his turn of August 1900: (i) With the Theory of Descriptions, he reintroduced the complexes we are acquainted with in logic. In this way, he partly restored the pre-August 1900 mereology of complexes and simples. (ii) The elimination of classes, with the help of the ‘substitutional theory’, and of propositions, by means of the Multiple Relation Theory of Judgment, completed this process. (shrink)

This paper provides an analysis of Rudolph Otto's understanding of the structures of human consciousness making possible the appropriation of revelation. Already in his dissertation on Luther's understanding of the Holy Spirit, Otto was preoccupied with how the " outer " of revelation could be united to these inner structures. Later, in his groundbreaking Idea of the Holy, Otto would explore the category of the numinous, an element of religious experience tied to the irrational element of the holy. This paper (...) first provides a brief account of Otto's account of the holy, especially its numinous, irrational elements. Second, the paper analyzes Otto's understanding of the structures of consciousness grounding the experience of the numinous and allowing the irrational element to be " schematized " by the rational element. Otto's exposition of these structures is heavily influenced by his reception of Kant's analysis of the two stems of human cognition, namely understanding and sensibility, and their possible relation to a common root, which Otto identified with what the mystics called the ground of the soul. Yet it is in Otto's reception of Kant's Critique of Judgment that all of these ideas find their completion, and it is here where we must look to understand the relation between the religious a priori and Otto's category of the numinous. Kant's aesthetic idea is a singular representation given in intuition; it is infinitely saturated and as such intimates the ideas of God, the soul, and the world as a whole. I show how Otto appropriates Kant's aesthetic idea and its relation to ideas of reason in order to make sense of how an empirically given revelation, for instance, an experience of the numinous, can connect with the inner structures of consciousness and thereby have the singular import that it does. (shrink)

My article critically evaluates five key claims in Kerr’s interpretation of Aquinas’s De Ente et Essentia, ch. 4, proof for God. The claims are: the absolutely considered essence is a second intention, or cognitional being; à la John Wippel, the real distinction between essence and existence is known before the proof; contra David Twetten, Aristotelian form is not self-actuating and so requires actus essendi; the De Ente proof for God uses the Principle of Sufficient Reason; an infinite regress must (...) be eliminated before concluding to God. This author wonders if these questionable claims are traceable to the mindset of analytic philosophy which values precision and discreteness and so can fail to appreciate crucial paradoxes in Aquinas’s metaphysics. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

The ethical turn that affects artistic and political practices today should not be interpreted as their subjection to moral criteria. Today, the reign of ethics leads to a growing indistinction between fact and law, between what is and what ought to be, where judgement bows down to the power of the law imposing itself. The radicality of this law is that it leaves no choice, and is nothing but the simple constraint stemming from the order of things. This brings about (...) an unprecedented dramaturgy of infinite evil, justice and redemption that can be traced not only in contemporary politics, but in philosophical reflection and film. (shrink)

Three of Zeno's objections to motion are answered by utilizing a version of nonstandard analysis, internal set theory, interpreted within an empirical context. Two of the objections are without force because they rely upon infinite sets, which always contain nonstandard real numbers. These numbers are devoid of numerical meaning, and thus one cannot render the judgment that an object is, in fact, located at a point in spacetime for which they would serve as coordinates. The third objection, an arrow (...) never appears to be moving, is answered by showing that it only applies to a finite number of instants of time. A theory of motion is also advanced; it consists of a finite series of contiguous infinitesimal steps. The theory is immune to Zeno's first two objections because the number of steps is finite and each lies outside the domain of observation. Present motion is hypothesized to be an unobservable process taking place within each step. The fact of motion is apparent through a summing (Riemann integration) of the steps. (shrink)

The notion of the value of life is often invoked in discussions regarding medical care for the sick and the dying. This theme has figured in arguments about medical ethics for decades, but many of the phrases associated with this concept have received little serious scrutiny. It is true that some philosophers have declared a few commonly used phrases such as “the sanctity of life,” “the infinite value of life,” and “the value of life itself” to be unclear at (...) best or misguided at worst. Their hasty dismissal of these phrases, however, is not the end of the story. I generally agree with this philosophical judgment but for reasons very different from those typically given by others. Moreover, the reasons I wish to .. (shrink)

Continuing Keith Ward's series on comparative religion, this book deals with religious views of human nature and destiny. The beliefs of six major traditions are presented: the view of Advaita Vedanta that there is one Supreme Self, unfolding into the illusion of individual existence; the Vaishnava belief that there is an infinite number of souls, whose destiny is to be released from material embodiment; the Buddhist view that there is no eternal Self; the Abrahamic belief that persons are essentially (...) embodied souls; and the materialistic position that persons are complex material organisms. Indian ideas of rebirth, karma, and liberation from samsara are critically analysed and compared with semitic belief in the intermediate state of Sheol, Purgatory or Paradise, the Final Judgement and the resurrection of the body. The impact of scientific theories of cosmic and biological evolution on religious beliefs is assessed, and a form of 'soft emergent materialism' is defended, with regard to the soul. In this context, a Christian doctrine of original sin and atonement is presented, stressing the idea of soterial, as opposed to forensic, justice. Finally, a Christian view of personal immortality and the 'end of all things' is developed in conversation with Jewish and Muslim beliefs about judgement and resurrection. (shrink)

Minimalists about truth think they've hit on something like a job description for a truth predicate: A truth predicate facilitates the expression of certain generalizations, such as "Whatever N. said is true" that would otherwise require a substitutional quantifier, or an infinite conjunction or disjunction. In the first chapter I argue that even if truth predicates have that function, it would be a mistake to suppose that this is their only role. There is an internal relation between truth and (...) assertion that a minimalist fails to capture. In order to demonstrate this, I show how on a minimalist view commands would end up being among the sorts of things which are apt for truth. In the second chapter, I consider Lewis' well-known "argument from paraphrase" for the existence of possible worlds. I claim that the argument is only compelling on a certain reading of the presumption in favor of a face value semantics, but that on this reading the conclusion of the argument is incompatible with any standard possible worlds analysis of modal discourse. I go on to consider both whether the presumption in favor of a face value analysis of "way" talk might be defeated, and if not, how an ontic analysis of modal discourse might be recast in a form consistent with this result. ;In the third chapter, I consider a paradox involving our first-order modal judgements: It seems consistent to suppose that some things which are not possible still could have been possible if only the world had been different. But this is a view that's hard to square with a plausible semantics for modality. I argue that the problem here is a genuine puzzle about modality and that it requires the introduction of a perspectival semantics for attributions of de re modal properties. (shrink)

Many philosophers have challenged the problem of skepticism. I argue that none of them successfully dispute the system established by Sextus Empiricus. But not just that; the main thesis proposed is that this kind of skepticism is unsolvable. I maintain that there are two fundamental strategies in Sextus' Outlines of Phyrrhonism. One of them is that the basic description of skepticism has a paradoxical character. The other focuses on the Five Modes of Agrippa that comprise a system of dialectical moves (...) for suspending judgment. The modes have, as a system, the capacity to reposition in any circumstance, so it is impossible to justify to the skeptic why he needs to abandon his skepticism. I explain, in brief, why the most important objections to skepticism do not solve this challenge. In opposition to common view, I argue that Sextus' phyrrhonism is practicable, coherent and consistent. Although there is no possible solution to skepticism, there is at least a general way to answer it without contradiction, infinite regression or becoming a skeptic. (shrink)

Brand names constitute a form of value for commercial products, because they suppose a savings of search costs for the consumer. The law, as a consequence, has the obligation to protect brand names. But the number of attractive brand names is not infinite and sometimes companies seek brand names which are reminiscent of others. In this article a conflict between two companies for the distinctiveness of two brand names is addressed: one Spanish company used the English common noun doughnut (...) for a product similar to the American pastry, while the other company had already registered donut as a brand name, in addition to its variants. This second company sued the first on the grounds that the names were not distinctive. Here we offer the arguments presented to the judge in defense of the distinctiveness of doughnut and the judgment. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Joseph Margolis THE OPTIONS OF CONTEMPORARY ETHICAL THEORY It may be said, with some prospect ofbeing not altogether idiotic, that the global philosophical question ofour age concerns the possibility of legitimating the conceptual grounds for legitimating claims about anything. The formulation has no interest in the abstract. It merely registers the possibility of an infinite regress; and in that form it has been with us forever. But our (...) own world has inexorably subverted all the standard forms of confidence regarding legitimation—not so much perhaps by intellectual confrontation as, more indirectly, by coming to believe the deep contingencies of human history, by discovering again and again the astounding diversity of actual human societies, by reflecting on the incompletely managed self-manipulation of our immense technology, by the natural fear entailed in the growing chaos of the entire terrestrial world we mean to put into serviceable order. These considerations are certainly local to moral theorizing. But since they have a general currency as well, they lead us to suppose that speculations about legitimizing moral claims cannot be more satisfactory than those of philosophy in general, though they may be weaker. This, in its turn, encourages us to imagine that a reduced assessment of the larger claims of philosophy may conveniendy justify a greater respect for the inherendy modest prospects ofmoral theorizing. Furthermore, the characteristic triple thinking of our age, always incipient in any reflexive appraisal of cognitive powers, has been raised to a particularly fine art — if that is the right term. It is quite impossible nowadays, unless by a confidence or innocence bordering on the Martian, simply to proclaim the principles or grounds or foundations of moral judgment and moral commitment. Nevertheless, what one cannot help noticing is that wher37 38Philosophy and Literature ever theorists are morally serious — and they seem never more serious than when they are theorizing about morality— they are understandably inclined to believe that they absolutely must give some sense of the accessibility of reliable and valid grounds for judgments and commitments of the most important sorts. In yielding to that touching obligation to serve others in the capacity of philosopher, however, they usually yield as well in the direction ofinsinuating— ifnot openly announcing— what their own sense of professional history would otherwise have readily shown to be in desperate need of a smidgen of support. Notably in the last generation, the retreat from older forms of confidence, in moral philosophy, in philosophy in general, and in all those intellectual disciplines either pleased or displeased to be linked to the fate of philosophy, has decidedly accelerated. There is no resisting the current, though that is hardly to say we understand its implications or are obliged to subscribe to its madder exemplars. But when, to take a counter-specimen from the Anglo-American tradition of the last decade, a moral philosopher like Alan Donagan attempts to restore something like the Kantian moral system, we sense its unlikely and alien body even before we prepare our instruments for the required dissection. Thus, Donagan, who can hardly be accused of failing to sustain a most humane document, speaks at the beginning of The Theory ofMorality of his having been persuaded — by George Orwell and others — "that any acceptable form of social order, whether socialist or not, must rest on moral foundations, which are in principle ascertainable at any period, and permanendy valid."1 Donagan had hoped to recover in a compelling way the "common morality" of mankind, the rationally accessible portion of the Biblical tradition, presumably congruent with the classical tradition, ordered in a conceptually convincing way for the first time by Immanuel Kant reflecting, apparently, on his own Pietist upbringing. Donagan is, of course, among other things, a careful student of R. G. Collingwood's work, and here may be thought to exhibit Collingwood's confidence that the historian is capable, under favorable conditions, of "reenacting" at any period the motivating thought of effective historical agents of the past.2 At any rate, Donagan is quite explicit that: (a) social orders must have moral foundations or first principles; (b) social orders do have such moral foundations; (c) those foundations are ascertainable; (d) they are ascertainable in principle at... (shrink)

So fearfully and wonderfully are we made, so infinitely subtle is the spiritual part of our being, so difficult is it to trace with accuracy the effect of diseased intellect upon human action, that I may appeal to all who hear me, whether there are any causes more difficult, or which, indeed, so often confound the learning of the judges themselves, as when insanity, or the the effects and consequences of insanity, become the subjects of legal consideration and judgment.

We will flip a fair coin infinitely many times. Al calls the first flip, claiming it will land heads. Betty calls every odd numbered flip, claiming they will all land heads. Carl calls every flip bar none, claiming they will all land heads. Pre-theoretically, it seems that Al's claim is infinitely more likely than Betty's, and that Betty's claim is infinitely more likely than Carl's. But standard, real-valued probability theory says that, while Al's claim is infinitely more likely than Betty's, (...) Betty's claim is exactly as likely as Carl's. I use John Conway's surreal numbers to capture these pre-theoretic judgements about the relative probabilities of Al's, Betty's, and Carl's claims. Surreal-valued probabilities also allow us to calculate precise numerical values for those claims. For instance, we will see that Betty's claim has a probability equal to the reciprocal of the product of the square root of cardinality of the continuum and the fourth root of 2. The article provides a 'user's guide' to surreal-valued probabilities and raises questions for further research. (shrink)

This chapter tracks the development of the concept of self-awareness (jikaku, 自覚) in the thought of the Japanese modern philosopher Nishida Kitarō (西田幾多郎) (Kitarō Nishida) (1870–1945), founder of the Kyoto School. Nishida’s oeuvre can be divided into distinct periods, from the 1910s to the 1940s until his passing, during which he thematized and focused on different issues. Nevertheless, self-awareness is a unifying theme throughout. In the chapter we trace how Nishida develops this concept through distinct periods in his career. His (...) initial focus upon pure experience gives way to his focus upon its articulation in reflection vis-à-vis intuition as the unfolding of the will. This then leads to his thematization of the place wherein judgment or propositional thought unfolds and the broader contextual place wherein that place is situated. That thematization of place, in turn, develops into a look at the world where we interact as historical and social bodies with others (nature, other people, etc.). Nishida understands self-awareness in accordance with each of these themes in the respective periods of his oeuvre. But common to all of them is how Nishida understands self-awareness as a self-mirroring – self-reflection as reflexivity – founded upon the premise assumed by the articulated image or object of awareness, a premise necessarily irreducible to, and in excess of, the image or object. This is the a priori that Nishida for the most part calls the “absolute nothing” (zettai mu, 絶対無). To explain this Nishida makes use of Josiah Royce’s notion of a self-representative system as well as Richard Dedekind’s notion of an infinite system in his set theory. On the basis of Nishida’s references to the mathematics of set theory, I further compare his understanding of self-awareness to Kurt Gödel’s Incompleteness Theorems as well as to more recent mathematical theorists, influenced by Gödel, whose understanding of the infinite resonates with Nishida’s understanding of the absolute nothing as assumed by self-awareness. (shrink)

This paper refers to the 700th anniversary of the death of Dante Alighieri in commemoration of which Pope Francis released a special apostolic letter highlighting the genius and significance of the Italian poet. We should praise his genius, the Pope writes, because it is he who was able to express, much better than most of the others, the depth of the mystery of God and His love. The Commedia is the fruit of deep religious inspiration. This is why Francis repeats (...) after Benedict XV – „Dante is our own!” Why is it so? Because there breathes in Alighieri the devotion that we too feel and his faith resonates with ours. Dante’s work continues to be a meaningful and valid exemplar for Christ’s followers. However, in today’s pop culture Dante is mainly seen through his depiction of hell – the artistically described eternal punishment. The truth about hell which Dante made the subject of his narrative does not find acceptance even between Christians. Many people are really outraged and scandalized because hell is for them the symbol of sadism and distorted image of God – a vengeful tyrant who condemns human souls to eternal perdition. But hell is present in the biblical message. The early Church Fathers spoke of hell in their sermons, wrote about it in treatises, disputed the dwelling place of the condemned souls, the position of Satan and other demons, and the imminence of God’s judgement. In this way in the Catholic dogmatic theology consolidated the truth of the reality of hell and eternal punishment. This was also in accord with the views of the prominent medieval theologians. Therefore, why the ancient and well-known truth about hell is rejected today as outrageous and Dante’s vision does not gain recognition? The heart of the matter is the understanding of the idea of justice and atonement. In their denial expressed through the notion of the empty hell and rejection of eternal punishment for angels’ and people’s sins, we have to do with misunderstanding of the significance of human intellect and will. The refusal to accept responsibility for our free choices entails the uninhibited rejection of seriousness of our earthly life. If we believe that our fate, and what is more, out eternal fate – the salvation or damnation – depends on what we were able to do in our lifetime, Dante’s poetic vision strongly illustrates this standpoint. The power of free will is deeply and inalienably present in The Comedy’s stanzas. In the Dante’s poem the essence of hell lies in the ultimate rejection of the goal that man longs to achieve from his very nature – the happiness which is the union with the infinite Good – God, the Creator and the Redeemer of the world. How is it possible? It happens due to the existence of free will which is innate to all people and no one can deprive them of it or minimise it. This rejection of the sublime happiness is the result of human free decision – the condemned did not say to God: “Thy will be done!” but “my will be done!”. The existence of hell becomes the guarantee of human dignity, the evidence that a perfectly Good and Omnipotent God treats the man whom He had created seriously and preserves him for the eternity in the same state in which he wanted to remain in his earthly life. (shrink)

ABSTRACT While the concept of “infinite distance” (ID) appears as such only in the work of Maurice Blanchot, in this paper we argue that it could be productively coined in Walter Benjamin’s as well. We argue that (1) the concept of ID is elaborated from a revision, a re-signification, and a radicalization of the modern concept of “aesthetic distance”, and that (2) this modification is fundamentally based on the interpretations that both, Benjamin and Blanchot, make first of early German (...) Romanticism, and second of the work of Franz Kafka. This modification, we contend, (3) contains a shift in the ground of the concept: the concept of ID has no longer as ground the realm of the subjective faculties (i.e., the ‘judgment of taste’), but the realm of art and language. Finally, we show (4) that the concept of ID presupposes the existence of a ‘fragmentary impulse’ within literary works that can be understood as a “limit-experience” for the subjectivity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:98 COMMENTS ON TWEYMAN AND DAVIS Tweyman contends that in Parts X and XI of the Dialogues Philo sets aside his Pyrrhonian or skeptical approach to theology, which consists in falsifying or casting doubt on the hypotheses of Cleanthes, and instead argues for a thesis of his own, viz. what we might call the "indifference thesis" that the original source of all things is morally indifferent. Davis counters with (...) an alternative interpretation of these two Parts of the Dialogues, arguing that Philo's approach to Cleanthes' arguments is consistent throughout the Dialogues and that Philo's aim is always the same, viz., to show that if cleanthes remains true to his principles and accepts their logical consequences, it is Cleanthes who is the Pyrrhonian and Philo who is the moderate skeptic. My position is that neither Tweyman nor Davis have given a proper analysis of Parts X and XI. I would agree with Davis that Tweyman' s position does seem to have an initial implausibility to it for at least two reasons. First of all, in Part II Philo commits himself to the "mystical incomprehensibility thesis" that the attributes of God are perfect but incomprehensible; and the mystical incomprehensibility thesis is incompatible with the indifference thesis. It cannot be the case both that God has perfect but incomprehensible attributes and that we also know he is morally indifferent. Moreover, the mystical incomprehensi2 bility thesis is reiterated in Part VI and more importantly, in Part X: "None but we mystics, as you were pleased to call us, can account for this strange mixture of phenomena, by deriving it from attributes, infinitely perfect, but incomprehensible" 99 (D 199). Since Philo appears to stick to the mystical incomprehensibility thesis, Tweyman has a problem explaining how Philo can hold one position on the attributes of God in Part X (the mystical incomprehensibility thesis) and then supposedly reverse himself in Part XI to argue for another (the indifference thesis). Second, Tweyman' s position seems to contradict the strategic position outlined by Philo in Part II: "You seem not to apprehend, replied Philo, that I argue with Cleanthes in his own way; and by showing him the dangerous consequences of his tenets, hope at last to reduce him to our opinion." (D 145) The strategy is to show Cleanthes that any position but that of the mystics has dangerous, i.e., skeptical or theologically unwelcome consequences, and so should be abandoned. Philo's strategy is not to defend his own position, but rather to reveal the weaknesses in Cleanthes' position. Thus far I would agree that Davis' interpretation is more consistent with both Philo's strategic position and with his mystical incomprehensibility thesis. Yet Davis does not directly take up the important point about Parts X and XI which Tweyman raises: that Philo changes his way of arguing in Parts X and XI from that which he had been employing previously in the first eight sections, i.e., that he changes from a Pyrrhonian to a non-Pyrrhonian way of arguing. This is how Tweyman puts it: In the first eight sections, Philo argues against Cleanthes' hypothesis by advancing his own hypotheses. His effort to advance hypotheses must be assessed in light of the fact that (by his own admission) all such hypotheses are based on insufficient 100 data, and, therefore, none is, strictly speaking, acceptable. Their use is not to establish truths about the nature of God, but to establish the conclusion which we find at the end of Part VIII that 'a total suspense of judgment is here our only reasonable resource.' The design of the world is compatible with, and could have arisen from, an indefinite number of designing principles. On the other hand, we have seen that in dealing with Cleanthes' hypotheses in Parts X and XI we are able to proceed more scientifically, and, in this manner, eliminate all but one of the hypotheses which can be introduced to explain the design of the world. (Tweyman 84-85) Now Tweyman does seem to have a point here. It is true that Philo takes his arguments in Parts X and XI to have a conclusiveness which he did not attribute to his... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 43.1 (2005) 83-105 [Access article in PDF] Does Malebranche Need Efficacious Ideas? The Cognitive Faculties, the Ontological Status of Ideas, and Human Attention Susan Peppers-Bates But whatever effort of mind I make, I cannot find an idea of force, efficacy, of power, save in the will of the infinitely perfect Being. Malebranche, Elucidation 15 One of the signatures of 17th century rationalists is (...) their replacement of the Scholastics's dependence on the deliverances of the senses with a dependence on the deliverances of the intellect as the key to gaining knowledge.1 Correct use of the intellect leading to freedom from the passions and to certain knowledge figures prominently in the works of Spinoza and Leibniz. Descartes's Meditations uses skeptical doubt to withdraw the mind from the senses, and his reliance on the meditative genre not only reveals to his readers the intellect as a distinct source of knowledge, but also trains them to use properly their will or faculty of judgment. Commentators have argued persuasively that overthrowing the sense-based epistemology and metaphysics of the Aristotelians depended on "discovering" the primacy of one's intellect over the senses, and using the deliverances of the mind to establish solid foundations for a new metaphysics and epistemology.2 Indeed, [End Page 83] outlining the proper use of the mind's faculties arguably lay at the basis of the Cartesian program in particular. This importance can be seen in Arnauld and Nicole's influential Port-Royal Logic, which aimed at training its readers in the proper use of the intellect.3Few would question Nicolas Malebranche's inclusion in the rationalist tradition.4 For while Malebranche famously takes ideas out of the Cartesian mind and transports them to God's—thus privileging the divine over the natural light—he shares Descartes's belief that our intellect, not our senses, holds the key to metaphysical truths such as the essence of matter, the mind-body distinction, and the existence of God.5 Yet, recently, Nicholas Jolley has contended that Malebranche's later commitment to "efficacious ideas" undermines his earlier belief in the power of the cognitive faculties: he believes that Malebranche abandons his view that the mind makes "real use" of the intellect to know intelligible objects.6 Jolley's position builds upon Alquié and Robinet's claims that around 1694-95 Malebranche moved from a vision "in" God to a vision "by" God. Now God's ideas act on and modify the soul with both sensations and intellectual concepts, rather than the human intellect contemplating ideas in the Divine Reason.7Alquié and Robinet argue that Malebranche, pushed by the battles with Arnauld and Régis over the status of ideas, introduced the language of "efficacious" ideas to explain how the union of the human and the divine mind is supposed to work.8 Robinet in particular suggests that in cashing out the metaphor of God enlightening human minds, Malebranche moved from a static "ontologist" view of idea-objects in God to an active "illuminationist" view whereby divine ideas cause(intellectual [End Page 84] and sensory) perception by modifying the soul.9 Once one accepts this view of the place and function of efficacious ideas in Malebranche's metaphysics, it seems natural to accept Jolley's declaration that the only way for the mind to apprehend ideas in God is if those ideas "act directly on the mind; [if] they thereby cause cognitive states to arise in a substance which is devoid of all genuine cognitive capacities of its own."10 Indeed, Jolley suggests that Malebranche ultimately made the soul passive in all its states, including its volitional ones.11In this paper, I argue that a strong interpretation of efficacious ideas, whereby they appear to become true causal agents, must be rejected precisely because it pushes us into an incorrect reading of Malebranche's theory of the divine and human faculties. Making ideas true causal agents within God privileges divine reason at the... (shrink)

This is a review article of the debate about the role of the hierarchical conceptionof personal autonomy in an analysis of agency. Three well-known problems are described:the infinite regress, the 'ab initio' problem, and the 'incompleteness' problem. It is suggested that solving the last problem would resolve the former two. Three strategies to solve the last problem are discussed and found unsatisfactory: (1) stressing the independent role of value judgements; (2) stressing the supreme value of coherence; (3) stressing the (...) role of the decisive act of identification. In conclusion it is suggested that, perhaps, we do not need an account of autonomy to understand agency. (shrink)

If a thomist philosopher wonders how we get the idea of the infinite being, or why the act of being implies no limit, he will understand immediately what Polo intends by saying "mental limit" and its abandonment. The principles of such ab andonment are habitual and active thinking. That Theory of knowledge justifies the fact that we really know that the act (esse) is the fundamental of being (ens) and the judgements and discourses spreading out from the transcendental notion (...) of being. (shrink)

In the work of Levinas, thought of the Other establishes an infinite responsibility and in that of Derrida's latest work an infinite duty of hospitality. Such thought nonetheless leaves a problem of judgement and decision. This paper uses the work of the French philosopher René Girard, and in particular his account of scapegoating, to critically discern between malign and benign otherness. It argues that a logic of undecidability needs an ethical hermeneutics capable of discerning between good and evil.