We are today agents of a peculiar reality, the global network or the system for automated information production. Our condition in the global network is that of agents of the real, since we all contribute to the coproduction of this ever-evolving process. Nevertheless, I will argue, this reality is but the effect of the adoption of a notion of instrumental pragmatic rationality which denies the existence of any other possible reality as the actualization of different determinations of Reason. While following (...) Deleuze s notion of deterritorialization, I ll show that the real philosophical choice does not concern the introduction of new moves that create differentiations within a universal game, but that it is concerned with the possible abolition of the agency which is instantiated within the collective network. (shrink)

In order to think of philosophy after automation, we have to ask if there is more in philosophy than the process of learning what philosophy is by inducing, from actual inferential practices, the future possible moves that are believed to produce philosophical truths. In the same way as the production of scientific hypothesis has been automated like a self-updating process which entails schemas of decisions and actions, philosophy itself, once conceived as a game where the truth of the statements is (...) measured with respect to the social reproduction of inferential moves, could be automated as well. (shrink)

The infinite judgement has long been forgotten and yet, as I am about to demonstrate, it may be urgent to revive it for its critical and productive potential. An infinite judgement is neither analytic nor synthetic; it does not produce logical truths, nor true representations, but it establishes the genetic conditions of real objects and the concepts appropriate to them. It is through infinite judgements that we reach the principle of transcendental logic, in the depths of which all reality can (...) emerge in its material and sensible singularity, making possible all generalization and formal abstraction. (shrink)

Algorithms and automated learning systems have been successfully applied to produce images, pieces of music, or texts that are appealing to humans and that are often compared to artworks. Computational technologies are able to find surprising and original solutions–new patterns that humans cannot anticipate– but does this mean we ascribe to them the kind of creativity that is expressed by human artists? Even though AI can successfully detect humans’ preferences as well as select the objects that satisfy taste, can we (...) ascribe to them the capacity of recognizing the intrinsic value of artworks? To answer these questions, I am first going to explain the kind of creativity that is expressed by contemporary predictive systems, then, in the second part of this paper, I will try to show the difference between the creativity of algorithms and the creativity of artists by expanding on Deleuze’s reflections. (shrink)

As David J. Chalmers claims, “virtual reality is a sort of genuine reality, virtual objects are real objects, and what goes on in virtual reality is truly real.” In this paper, I will suggest that the philosophical hypothesis that we might live in a simulation can be considered to be the last and most nihilistic episode in the series of narrations about the true and apparent worlds that Nietzsche sketched in The Twilight of the Idols. I will argue that Nietzsche’s (...) prediction about the obliteration of the apparent world has actually been fulfilled by Chalmers, and I will show why his theory must be considered one of the many fables that humans have been producing in order to organise the world according to their own ends. (shrink)

Du point de vue de la logique cognitive, il n’est pas si facile qu’on le croit de récuser la rationalité des théories du complot. Les dénonciateurs du conspirationnisme partagent souvent une même conception simpliste de la vérité avec ceux auxquels ils croient s’opposer. Cet article suggère que c’est plutôt du côté d’une bifurcation écologique radicale qu’on pourra trouver une alternative réelle au tourniquet dans lequel sont pris ensemble conspirationnistes et anti-conspirationnistes.

An images is build up of elements placed in a fix reciprocal positions. In this way an image is able to organize a block of space-time extracted from becoming and offered as a crystallized present, this notion imply Chronos notion of time. How would spatial co-ordinates work on the time line of Aîon , where present can’t exist? We are going to answer this question by analyzing Robert Smithson’s Monuments of Passaic.